Arts & Entertainment
Calendar: Through March 7
Parties, concerts, volunteer opportunities, events and more
‘Red and Glue Abstract’ is one of many pieces by Sarah Alexander that will be exhibited in her show “Bits and Pieces” at Foundry Gallery. The opening reception is tonight at 6 p.m. (Image courtesy Foundry)
Friday, March 1
Adodi-D.C. Black Same Gender Loving Men’s social group hosts a potluck at the Metropolitan Community Church (474 Ridge St., NW) this evening at 7 p.m. The night will include a discussion about internal and external homophobia in the black same-gender loving community. Attendees are asked to bring food to share with others. For more information, visit mccdc.com.
Foundry Gallery (1314 18th St., NW) hosts the opening reception for the show “Bits and Pieces,” photographs on canvas by Sarah Alexander starting at 6 p.m. For more information, visit foundrygallery.org.
Town (2009 8th St., N.W.) hosts Bear Happy Hour tonight from 6-11 p.m. This event is for people 21 and older. There is no cover charge. Later in the evening, the club will be hosting “So, you think you’re a drag queen?” to find the newest drag talent in the area. Contestants will be judged on performance ability, outfits, attitude and the ability to navigate a contest that requires them to do “ridiculous feats of drag-agility!” This will be a monthly contest. In order to participate, sign up during the drag show a month before the contest. The club will take the first six contestants to sign up monthly. Winners will receive $200 and the title of the month’s winner. All winners are eligible for a final competition at the end of the year. For attendants of the show, the cover is $5 before 11 p.m. and $10 after for anyone 21 and older. For 18-20 year olds, cover is $10. For details, visit towndc.com.
Saturday, March 2
Unity Fellowship Church D.C., a mostly black LGBT church, holds its annual Prayer Breakfast and Women’s Health Conference at Metropolitan Community Church (474 Ridge St., NW) today from 9 a.m. to 5 p.m. The keynote speaker is Mandy Carter. Registration is $50 per person. For more information, visit ufcdc.com.
The annual Rainbow Families dance takes place tonight from 6:30-9 p.m. at the Washington Ethical Society (7750 16th St., NW). The party is especially good for those who are older than 4, but there is a quiet room for younger children. There will be a family friendly DJ, games, pizza dinner and desserts. Tickets for adult members is $10, non-members is $13, children 5 and up are $5 and children 4 and under are free. For more information, visit rainbowfamiliesdc.org.
Burgundy Crescent volunteers this morning at Food and Friends (219 Riggs Rd., NE) at 8 a.m. Volunteers will help with food preparation and packing groceries. The shifts are limited to 10 per shift. Burgundy Crescent also volunteers today for the Lost Dog & Cat Rescue Foundation at Falls Church PetSmart (6100 Arlington Blvd., Falls Church, Va.) starting at 11:45 a.m. For more information, visit burgundycrescent.org.
Singer/songwriter Suzanne Vega returns to Sixth and I Historic Synagogue (600 I St., NW) tonight at 8 p.m. She began writing poetry and music as a young girl and she attended the New York High School of the Performing Arts. Tickets are $35. For more information, visit sixthandi.org.
Honey Mahogany from “RuPaul’s Drag Race” comes to Town (2009 8th St., N.W.) tonight at 10 p.m. In 2011, Mahogany was voted San Francisco Weekly’s Readers’ Poll “Best Drag Queen 2011,” was on San Francisco Bay Guardian’s Hot Pink List of “queers to watch” and was the cover girl for the Guardian’s 2011 Queer Issue. Her hit single, a cover of Adele’s “Hometown Glory,” was chosen one of the best cover songs of the year by Limelight. Cover is $8 before 11 p.m. and $12 after. For more information, visit towndc.com.
Sunday, March 3
Metropolitan Community Church (474 Ridge St., NW) holds its weekly 9 and 11 a.m. worship services. The church is the region’s largest mostly LGBT church. For more information, visit mccdc.com.
National Week of Prayer for the Healing of AIDS starts today at noon and ends March 9. Congregations from around the nation will be participating in the promotional campaign by incorporating lessons about HIV and showing compassion toward those with the virus. For more information about the week or to see how your congregation can get involved, visit nationalweekofprayerforthehealingsofaids.org.
Monday, March 4
Bears do Yoga takes place this evening 6:30 p.m. as part of a series at the Green Lantern (1335 Green Court, NW). This is part of a basic yoga series that takes place every Monday and is open to people of varying body types and experience. There is no charge. For more information, visit thedccenter.org.
The D.C. Lambda Squares holds its dance series tonight at 7:30 p.m. at National City Christian Church (5 Thomas Circle, NW). The only square dance club located in Washington, the mostly LGBT group invites everybody to learn square dancing in just 16 Mondays. No special outfits, partner or prior dance experience is needed. The cost is $100. For more information or to register, visit dclambdasquares.org.
Tuesday, March 5
Green Lantern (1335 Green Court, N.W.) hosts its Safer Sex Kit-packing program tonight from 7-10:30. The packing program is looking for more volunteers to help produce the kits because they say they are barely keeping up with demand. Admission is free and volunteers can just show up. For more information, visit thedccenter.org.
Wednesday, March 6
The D.C. Center and Gallaudet University hold a special lecture titled “Sexuality and HIV/AIDS: Special Challenges for Deaf and Hard of Hearing Adolescents” by Joan Garrity of Garrity Health Consulting and Training starting at noon today at Gallaudet University’s Merrill Learning Center (800 Florida Ave., NE). Attendees are asked to RSVP to [email protected]. For more information, visit thedccenter.org.
Thursday, March 7
Cobalt (1639 R St., N.W) is hosting its weekly Best Package Contest tonight at 9 p.m. There is a $3 cover and there are $2 vodka drinks. Participants in the contest can win $200 in cash prizes. The event is hosted by Lena Lett and music by DJ Chord, DJ Madscience, and DJ Sean Morris. For details, visit cobaltdc.com.
Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.
(Washington Blade photos by Michael Key)
Arts & Entertainment
Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week
Pride on the Pier officially launches Pride Week in D.C.
The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.
Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.
“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”
Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.
Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.
Event Details:
📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026
⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP
Theater
National tour of ‘Gatsby’ comes to National Theatre
Out actor Edward Staudenmayer talks playing the show’s gangster
‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com
Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.
Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.
It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”
Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).
While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.
WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?
EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].
There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.
BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.
STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].
BLADE: When did the 1925 novel first surface on your radar?
STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.
Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.
BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?
STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.
Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.
BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?
STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.
BLADE: Have you had to do that in your career?
STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.
It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.
BLADE: What was your coming of age like?
STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.
BLADE: Did he live to see your success in theater?
STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.
BLADE: Looking ahead, is there a part you’d especially like to play?
STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.
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