Arts & Entertainment
Transitions in parenting
New memoir tells of marriage and family that survived
‘Stuck in the Middle with You’
By Jennifer Finney Boylan
Crown
$24
288 pages

(Image courtesy of Crown)
When you were younger, you wanted nothing to do with parenthood.
Life was a party then and having a family was the farthest thing from your mind. Kids changed people and who wants that? Being a parent was something that happened to somebody else.
Once upon a time, Jennifer Finney Boylan thought that, too. But then she became a father. And then she became a woman and in her new memoir “Stuck in the Middle with You,” she writes about finding love, discovering life’s sweet spot and being both a mommy and a daddy.
Well over 25 years ago, James Boylan fell in love at first sight.
He remembered seeing Deirdre’s blue eyes from the audience as she performed onstage. He knew he had to ask her out, that he wanted to be her boyfriend. After she finally said yes to a date, it wasn’t long before she said yes to marriage and yes to a family. They welcomed son Zach first and Sean a few years later.
And then James Boylan told his wife something that he’d been struggling with for his entire life: deep inside, he was really a woman. He could no longer tolerate life in hiding. After six years of being a father, James needed to live as Jennifer.
So how does a woman teach her son about being a man? Would the boys be teased, ostracized or ashamed? Would they feel as though they lost a parent?
“What kind of men would my children become,” Boylan writes. “… having been raised by a father who became a woman?”
As it turns out, Boylan shouldn’t have worried. Her eldest became an activist and works for justice. Her youngest is a fine musician. Their lives weren’t much different from that of their friends, and everyone generally “forgot that there was anything extraordinary about our family.”
Today, Boylan is still married to her wife of a quarter-century. It’s as “nontraditional” a union as you can imagine but then again, “traditional” families are no longer the norm anyhow. And besides, says Deirdre, “No matter what else you say about my husband, she’s an amazing woman.”
And though parenting memoirs replicate like rabbits these days, “Stuck in the Middle with You” is a pretty amazing book.
With her slightly askew humor and a grateful sense of awe for her family’s relative ease in her transition, author Jennifer Finney Boylan writes from the heart on the subjects of being father and mother, son and daughter. Those four roles were obviously played out by the same person, but it’s interesting to note how Boylan sees herself differently (and similarly) in each of them, pre- and post-transition. I also enjoyed her observations on connections between past and present, which nicely accompany interviews with friends and colleagues about family, children and being a child.
Readers looking for scandal won’t find it here, but if you want something that’ll bring you to the brink of tears again and again, this is your book.
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
(Washington Blade photos by Michael Key)

























