Arts & Entertainment
Desperate housewife
Crumbling façade is setting for familial character study

Christine Lahti as Carly and Anthony Bowden as her gay son Chad in ‘Pride in the Falls of Autrey Mill.’ (Photo by Margot Schulman; courtesy Signature Theatre)
‘Pride in the Falls of Autrey Mill’
Through Dec. 8
Signature Theatre
4200 Campbell Avenue, Arlington
703-573-SEAT
Fat is bad.
Lower paying professions suck.
And gay is worst of all.
These are the cardinal and frequently spoken rules of Carly, the uptight matriarch in Paul Downs Colaizzo’s terrific new play “Pride in the Falls of Autrey Mills.”
Now premiering at Signature Theatre, the young playwright’s latest effort staged by out director Michael Kahn, exposes the underbelly of the American suburban dream, showing exactly what it is that makes a privileged yet essentially miserable family tick.
The Falls of Autrey Mill is a neighborhood — a grandly named nouveau riche enclave in an unnamed southern city. Colaizzo imagines a place rife with leafy cul-de-sacs where quietly desperate lives unfold behind Roman-columned facades. It’s here that casually bigoted Carly (stage and screen veteran Christine Lahti) perseveres to distance herself from her tacky working class roots, striving to be today’s June Cleaver with the picture-perfect family. But as her two sons Tommy and Chad (played by Christopher McFarland and Anthony Bowden, respectively) move into adulthood and her mostly absent husband Louie (Wayne Duvall) tires of keeping up with the Jones and looks for satisfaction elsewhere, Carly loses the grip on the illusion she’s worked so hard to create, and the results are chaotic.
“Pride” takes place over several days preceding a visit from a photographer who’s scheduled to snap the family’s portrait for the community newsletter. Carly has won best flower garden in the pricey hood and the triumph must be chronicled. It’s a big deal for Carly, but her family isn’t cooperating. Home from college, Chad announces to his mother that he’s gay and has a boyfriend. The older son Tommy tells her that he’s forgoing law school to manage a Chuck E. Cheese type restaurant, a job that he finds personally fulfilling. And her husband is showing signs of wanting to leave home altogether. The play is about how Carly and the family process these revelations.
Like their shoddily made but well-appointed home (compliments of scenic designer James Noone), Carly’s family is also falling apart behind its impressive exterior. She may appear all sugary sweetness and light, but just below the surface she’s tough as nails. Further down she’s extremely vulnerable. Darkly handsome Bowden’s Chad comes off impatient and angry, ostensibly irritated by his parents’ inability to accept his sexuality. But he too isn’t exactly what he seems. Beneath his brusque shell lies a needy, love-deprived, mixed-up adolescent.
McFarland is endearingly funny as the overweight and forever hungry Tommy, who awkwardly walks about foraging for food with his hands bound in big white mitten-like bandages (the result of freakish household accidents). He wears his heart on his sleeve. He’s eager to connect with his parents, but he’s also careful to protect himself from their harsh judgment. And Duvall is perfect as the good ‘ol boy Louie stuck in a stale marriage.
From the moment the lights come up, you know exactly who Carly is. Lahti has taken the time to create a character not only with words but also her body and movements. She wrings the material for all its humor and pathos. It’s a commanding performance and a pleasure to watch.
But unlike so many icy WASP perfectionists (like the one Mary Tyler Moore played in the film “Ordinary People” for instance), Carly‘s heart isn’t entirely frozen. There might be hope for this family yet.
Following up “Torch Song” at Studio Theatre, “Pride” is director Kahn’s second local (and excellent) effort this season outside of his usual domain, the Shakespeare Theatre Company. Though very different, both plays explore family and being gay.
Last season at Signature, playwright Colaizzo garnered big attention with “Really Really,” his resoundingly praised take on complacent young adults living in New York. With “Pride” he further cements his reputation. Frequently funny, but also upsetting and at a couple points heartrendingly poignant, “Pride” proves a fully satisfying theatrical experience.
Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.
Tickets are $17.85 and can be purchased on Eventbrite.
Arts & Entertainment
Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71
Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’
Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.
O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.
In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.
In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”
Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.
Friday, January 30
Friday Tea Time will be at 12 p.m. at the DC Center for the LGBT Community. This is a social hour for older LGBTQ+ adults. Bring your beverage of choice. For more information, contact Mac ([email protected]).
Spark Social will host “RuPaul’s Drag Race S18 Watch Party” at 8 p.m. This event will be hosted by local drag queens TrevHER and Grey, who will provide hilarious commentary and make live predictions on who’s staying and who’s going home. Stick around after the show for a live drag performance. This event is free and more details are available on Eventbrite.
Saturday, January 31
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Sunday, February 1
Go Gay DC will host “LGBTQ+ Community and Conversation” at noon at As You Are. This event is for those looking to make more friends and meaningful connections in the LGBTQ+ community. Look for the Go Gay DC sign on the long table near the front window. Attendance is free and more details are available on Eventbrite.
Monday, February 2
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam (adamheller@thedccenter.org).
Tuesday, February 3
Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. For more information, email [email protected].
Wednesday, February 4
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Center Aging Women’s Social and Discussion Group will be at 7 p.m. on Zoom. This group is a place where older LGBTQ+ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more details, visit the DC Center’s website.
Thursday, February 5
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5:00 pm if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
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