Arts & Entertainment
Whitman’s Washington
Local group honors gay poet with lecture/discussion

Walt Whitman, left, with his companion Peter Doyle. (Photo by M.P. Rice public domain)
Overbeck History Lecture Series
Walt Whitman in Washington
Washington Friends of Walt Whitman
Naval Lodge Hall
330 Pennsylvania Ave., S.E.
Tuesday at 7:30 p.m.
RSVP requested to [email protected]

Martin Murray, a local gay Walt Whitman scholar, at the north entrance of the Dupont Circle Metro stop where a Whitman quote is prominently displayed. (Washington Blade photo by Michael Key)
Local historian Martin Murray is founder of the Washington Friends of Walt Whitman, a group that conducts tours showing spots in the District that are significant to the late, great poet who was spent a large portion of his adult life here from 1862-1873.
On Tuesday, Murray will lecture at the Naval Lodge Hall in a discussion of the gay poet’s many roles here. Here are a few highlights from a lengthy conversation with Murray this week about why the “Leaves of Grass” author still matters. His comments have been heavily edited for length.
WASHINGTON BLADE: How did you come to be so interested in Whitman?
MURRAY: I was introduced to him in 1976 when I was a student at Rutgers. It was the year of the Bicentennial and there was a series on famous Americans. One was on Walt Whitman in which he was portrayed by Rip Torn. I was in college and coming to terms with my own sexuality. The portrayal was very sensitively drawn, but they made it clear he was gay… which I thought was pretty forward for 1976. I hadn’t studied him much in school, but after that, I was very interested.
BLADE: You’ve done some substantial research on Whitman. What are some of the things you’ve discovered?
MURRAY: I had been interested in his role as a journalist during the war and I found about a dozen additional pieces of Whitman’s journalism that hadn’t been noted before. … Also in some of the things he jotted down during his time visiting wounded soldiers, he would often jot down their names or initials. I thought it would be interesting to find out more about them, so by doing some research at the National Archives where military service records are held and pension records as well, I was able to find a lot. This was about 15 years ago. … I also wrote a biographical essay on (Whitman confidante and probably lover) Peter Doyle that was published in the Walt Whitman Quarterly Review.
BLADE: Whitman lived here many years. What was his view of his life in Washington?
MURRAY: He was basically here from the last week of December of 1862 until July of 1873. As the war was ending, he got more secure government work. … He had a lot of connections here and worked until he had a stroke in January of 1873 in his office at the Treasury Building where he worked in the Attorney General’s office. He was basically paralyzed I believe on the left side. He tried as best he could to recover but eventually realized he couldn’t stay, so he went to Camden, New Jersey where he lived with his brother. … I think he would have stayed if his health had allowed.
BLADE: Do we know if there were any networks of gay men in Washington at the time or if they had any way of finding each other outside of random encounters?
MURRAY: It’s really hard to say. There probably were networks like that but trying to find firm evidence of it is really difficult. We know Whitman was writing poems about romance among gay soldiers, that there were references in the press suggesting his homosexuality and people he was intimate with in D.C., but it’s hard to say if there was any kind of gay society in that day.
BLADE: What significance does it hold for gays today to have historical figures such as Whitman be recognized as gay forefathers?
MURRAY: Even with the great progress that’s been made, there’s always a struggle, always something to grapple with when we start to realize we’re gay. People need to be able to look back and realize we’re not freaks. People of my kind have always existed and there’s a continuity there that goes all the way back through recorded time.
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
(Washington Blade photos by Michael Key)

























