Arts & Entertainment
Big screen escapism
Hollywood kicks into high gear with its end-of-year major award contenders

Tom Hanks and Emma Thompson in ‘Saving Mr. Banks.’ (Photo courtesy Walt Disney Studios Motion Pictures)
This year’s holiday film releases have little direct LGBT content, but still offer many delights for gay audiences.
Opening Dec. 20 is “Saving Mr. Banks,” the story behind the making of the movie “Mary Poppins.” Walt Disney (played with great gusto by Tom Hanks) has promised his daughters that he will make a movie of the beloved book by P.L. Travers. There’s only one problem — the equally curmudgeonly Travers (Emma Thompson) does not trust Disney to treat her story with the respect she feels it deserves.
He finally wears down her resistance, but the two continue to spar during the production of the movie (Travers, for example, hates the animated sequences). The film also features Colin Farrell as Travers’ alcoholic banker father (seen in flashbacks) and Jason Schwartzman and B.J. Novak as the Sherman brothers who wrote the famous score.
Award-winning filmmaker David O. Russell (“Silver Linings Playbook,” “Three Kings” and “Flirting with Disaster”) is the director and co-writer of “American Hustle,” a fictionalized version of the ABSCAM scandals that rocked American politics in the late 1970s. The film stars Christian Bale as con man Irving Rosenfeld, with Jennifer Lawrence as his unpredictable wife and Amy Adams as Sydney Prosser, his seductive British partner in crime. Opening in D.C. today, the movie also stars Bradley Cooper as a wild FBI agent and Jeremy Renner as a corrupt New Jersey politician.
Another fact-based tale of corruption, “The Wolf of Wall Street” opens on Wednesday (Christmas). The latest opus by Martin Scorsese stars Leonardo DiCaprio and tracks the rise and fall of wealthy stockbroker Jordan Belfort.
Also on Christmas Day, “Mandela: Long Walk to Freedom” opens in wide release. Based on the late leader’s autobiography, the film chronicles Mandela’s life from his childhood in a rural village through his years in prison to his triumphal inauguration as the first democratically elected President of South Africa. The movie stars Idris Elba as Nelson Mandela and Naomie Harris as Winnie Madikizela. At the film’s London premiere on Dec. 6, Elba announced the news of Mandela’s death to a shocked audience.
Also opening Wednesday is the gripping family drama “August: Osage County.” With a screenplay by Tracy Letts based on his Pulitzer Prize-winning play, the film chronicles the turbulent lives of the strong-willed women of the Weston clan who return home when their father Beverly (Sam Shepard) goes missing. Meryl Streep (likely to rack up another Oscar nomination for her performance) stars as the ailing, but still monstrous, matriarch Violet, with Julia Roberts, Julianne Nicholson and Juliette Lewis as her three long-suffering daughters. The powerful ensemble cast is rounded out by Dermot Mulroney, Abigail Breslin, Ewan McGregor, Margo Martindale, Chris Cooper and Benedict Cumberbatch.
The increasingly popular Cumberbatch will also be heard as the voice of the dragon Smaug in “The Hobbit: The Desolation of Smaug” which opens Wednesday and features the return of openly gay actor Ian McKellen as the wizard Gandalf. On a lighter note, Ben Stiller takes on the title role in “The Secret Life of Walter Mitty,” a remake of the Hollywood classic based on the famous story by James Thurber.
In addition to these new releases, some movies with LGBT content that opened earlier in the season will no doubt linger on area screens through the holiday season.
“Philomena” tells the true story of an Irish woman (Dame Judi Dench) who was forced to give her son up for adoption. With the help of disgraced journalist Martin Sixsmith (Steve Coogan), she discovers that her son was a closeted advisor to President Ronald Reagan who died of AIDS.
http://www.youtube.com/watch?v=4DBPqcp6Hc4
Also inspired by real events, “The Dallas Buyer’s Club” tells the story of Ron Woodroof (Matthew McConaughey), a homophobic straight man who is diagnosed with AIDS. With the help of transsexual Rayon (a bravura performance by Jared Leto), Woodroof fights the medical establishment by smuggling HIV drugs over the US border.
Also of note, finely honed performances by Stanley Tucci (Caesar) and Elizabeth Banks (Effie) blend high camp and high drama in highlighting the darkening political atmosphere of “The Hunger Games: Catching Fire.”
Finally, gay playwright and activist Langston Hughes’ perennial holiday stage classic “Black Nativity” has been brought to cinematic life by director Kasi Lemmons (“Eve’s Bayou”). Hughes’ Christmas pageant is framed by a modern-day story of a troubled youth who embarks on an unexpected and inspiring journey. Already in local theaters, the film features high-wattage performances by Jennifer Hudson, Forest Whitaker and Angela Bassett.
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)














Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages
They’re among the world’s greatest love stories.
You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.
Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.
That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”
She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.
Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.
She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.
And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.
And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”
“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.
If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.
These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.
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