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STAYCATION: Treasures from the stage

Fringe shows, Signature’s cabaret series and more pack summer season

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Susan Lynskey and James Konicek in ‘THE BFG’ at Imagination Stage. (Photo by Margot Schulman)

Susan Lynskey and James Konicek in ‘THE BFG’ at Imagination Stage. (Photo by Margot Schulman)

No one ever said a staycation has to be without adventure, so why not include some theater in your plans? Theater is transporting, delivering you to far off places and unfamiliar situations. And the trip is easy. You can be at home sleeping in your own bed by 11 — even earlier if you attend a matinee. This summer’s selection is huge. Here are a few choices.

Studio 2ndStage is presenting “Carrie The Musical” (through Aug. 3) based on the Stephen King novel about a high school outcast who unleashes her telekinetic powers on the student body. They’re not going to laugh at her anymore. The best-selling book was adapted to the screen in ’76 as the hit horror flick starring Sissy Spacek in the title role. The musical opened on Broadway in 1988 to dismal reviews, but the 2012 off-Broadway revival was a stunning success. Its score by Dean Pitchford (lyrics) and Michael Gore (music) includes nicely named tunes like “And Eve Was Weak” and “The Destruction.”

2ndStage’s production co-directed by Keith Alan Baker and Jacob Janssen features Emily Zickler as Carrie White and Broadway’s Barbara Walsh as Carrie’s possessive, religious fanatic mother. Walsh was terrific as Little Edie in Studio Theatre’s production of “Grey Gardens” in 2008.

With well over a hundred shows in about a dozen local venues, Capital Fringe Festival 2014 (July 10-27) will definitely add variety to your D.C. summer staycation. On stage options (theater, music, dance, puppetry, etc.) run the gamut from inspiringly risky to not so great. The fun lies in ferreting out the gems.

Offerings include works of special interest to LGBT theatergoers including “A Lesbian Belle Tells!” written and presented by out performer Elizabeth McCain. In her solo show, McCain gives her take on eccentric southern relatives and coming out both in D.C. and at a family funeral.

In Larry E. Blossom’s “As We Are” presented by Out-Side the Box Theatre, three siblings confront memories about a gay bashing incident that has haunted them for years. Christopher Henley and his husband Jay Hardee co-direct “Dracula. A Love Story,” a contemporary retelling of the vampire story. And in Patrick DiBattista and Elizabeth Laffoon’s comedy “Love Song to Miss Kitty,” a strapping villain tries to steal a gay country western bar from an old lesbian couple so he can turn it into a dance boutique.

Looking for highbrow entertainment at no cost? For its annual Free For All, the Shakespeare Theatre Company is presenting a remount of Rebecca Taichman’s production of Shakespeare’s late romantic saga, “The Winter’s Tale” (August 19-31). A Washington tradition for 22 years, Free For All offers free tickets to the general public to experience Shakespeare in the sticky late summer. Performances once took place under the stars (weather permitting) at Carter Barron Amphitheater, but in recent years they’ve mercifully been moved indoors to the comfort of STC’s Sidney Harman Hall.

Spending your staycation with wee ones? Try the musical “Pinkalicious,” (thru Aug. 31) at the Adventure Theatre Musical Theater Center in Glen Echo Park. Siblings Pinkalicious and Peter Pinkerton (played by Carolyn Agan and John Sygar) love all things pink. Sadly Peter is denied pink outfits and toys because their father thinks it’s too girly. But Pinkalicious has no such restrictions. After binging on pink cupcakes she comes down with a case of pinkitis turning her skin — what else? — bright pink. The cure is to eat greens. Adventure Theater’s leafy Glen Echo location makes a nice staycation destination. After the show, you and the kids can enjoy ice cream and a ride on the park’s historic carousel.

Bethesda’s Imagination Stage is presenting “The BFG” (through Aug. 10). Based on the book by Roald Dahl, it’s the England-set tale of a little orphan girl who befriends a big friendly giant. The production uses outsized stage puppets, masks and imaginative projections and animation.

The Lion King” is parked at the Kennedy Center Opera House though Aug. 17. It’s the national tour of Julie Taymor’s celebrated Broadway production featuring an excellent cast, magnificent puppetry and uplifting score by Elton John and Tim Rice. Tickets aren’t cheap, but it’s a memorable theater experience for the family.

During staycation why not add music to your life? Through July 26, Shirlington’s Signature Theatre  presents its annual “Sizzlin’ Summer Nights Series.” (Sizzlin’ describes the performers, not Signature’s well air-conditioned venue). The series is two-and-a-half weeks of 17 one-night cabarets performed by an exciting and eclectic mix of D.C. and New York faces.

Many of those featured are out performers including leading man Will Gartshore; Broadway’s “Tarzan” Nicholas Rodriguez; Jeffrey Johnson as his leggy, space age alter ego “Galactica,” singer-songwriter Tom Goss (“Lover,” “Bears” and “Make Believe,”); Helen Hayes Award-winner Bobby Smith; and Stephen Gregory Smith who’s slated to perform a fun salute to TV theme songs.

The Gay Men’s Chorus of Washington will perform “Like a Virgin,” sharing first-time experiences (ranging from funny to poignant) through story and song.

The series ends with “Revenge of the Understudies.” It’s time for those would be stars in the wings — Signature understudies from this year’s season — to step into the spotlight and sing their hearts out.

 

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Photos

PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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Books

Susan Lucci on love, loss, and ‘All My Children’

New book chronicles life of iconic soap star

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(Book cover image courtesy of Blackstone Publishing)

‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages

They’re among the world’s greatest love stories.

You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.

Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.

That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”

She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.

Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.

She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.

And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.

And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”

“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.

If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.

These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.

The Blade may receive commissions from qualifying purchases made via this post.

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