Connect with us

Arts & Entertainment

STAYCATION: Treasures from the stage

Fringe shows, Signature’s cabaret series and more pack summer season

Published

on

Susan Lynskey and James Konicek in ‘THE BFG’ at Imagination Stage. (Photo by Margot Schulman)

Susan Lynskey and James Konicek in ‘THE BFG’ at Imagination Stage. (Photo by Margot Schulman)

No one ever said a staycation has to be without adventure, so why not include some theater in your plans? Theater is transporting, delivering you to far off places and unfamiliar situations. And the trip is easy. You can be at home sleeping in your own bed by 11 — even earlier if you attend a matinee. This summer’s selection is huge. Here are a few choices.

Studio 2ndStage is presenting “Carrie The Musical” (through Aug. 3) based on the Stephen King novel about a high school outcast who unleashes her telekinetic powers on the student body. They’re not going to laugh at her anymore. The best-selling book was adapted to the screen in ’76 as the hit horror flick starring Sissy Spacek in the title role. The musical opened on Broadway in 1988 to dismal reviews, but the 2012 off-Broadway revival was a stunning success. Its score by Dean Pitchford (lyrics) and Michael Gore (music) includes nicely named tunes like “And Eve Was Weak” and “The Destruction.”

2ndStage’s production co-directed by Keith Alan Baker and Jacob Janssen features Emily Zickler as Carrie White and Broadway’s Barbara Walsh as Carrie’s possessive, religious fanatic mother. Walsh was terrific as Little Edie in Studio Theatre’s production of “Grey Gardens” in 2008.

With well over a hundred shows in about a dozen local venues, Capital Fringe Festival 2014 (July 10-27) will definitely add variety to your D.C. summer staycation. On stage options (theater, music, dance, puppetry, etc.) run the gamut from inspiringly risky to not so great. The fun lies in ferreting out the gems.

Offerings include works of special interest to LGBT theatergoers including “A Lesbian Belle Tells!” written and presented by out performer Elizabeth McCain. In her solo show, McCain gives her take on eccentric southern relatives and coming out both in D.C. and at a family funeral.

In Larry E. Blossom’s “As We Are” presented by Out-Side the Box Theatre, three siblings confront memories about a gay bashing incident that has haunted them for years. Christopher Henley and his husband Jay Hardee co-direct “Dracula. A Love Story,” a contemporary retelling of the vampire story. And in Patrick DiBattista and Elizabeth Laffoon’s comedy “Love Song to Miss Kitty,” a strapping villain tries to steal a gay country western bar from an old lesbian couple so he can turn it into a dance boutique.

Looking for highbrow entertainment at no cost? For its annual Free For All, the Shakespeare Theatre Company is presenting a remount of Rebecca Taichman’s production of Shakespeare’s late romantic saga, “The Winter’s Tale” (August 19-31). A Washington tradition for 22 years, Free For All offers free tickets to the general public to experience Shakespeare in the sticky late summer. Performances once took place under the stars (weather permitting) at Carter Barron Amphitheater, but in recent years they’ve mercifully been moved indoors to the comfort of STC’s Sidney Harman Hall.

Spending your staycation with wee ones? Try the musical “Pinkalicious,” (thru Aug. 31) at the Adventure Theatre Musical Theater Center in Glen Echo Park. Siblings Pinkalicious and Peter Pinkerton (played by Carolyn Agan and John Sygar) love all things pink. Sadly Peter is denied pink outfits and toys because their father thinks it’s too girly. But Pinkalicious has no such restrictions. After binging on pink cupcakes she comes down with a case of pinkitis turning her skin — what else? — bright pink. The cure is to eat greens. Adventure Theater’s leafy Glen Echo location makes a nice staycation destination. After the show, you and the kids can enjoy ice cream and a ride on the park’s historic carousel.

Bethesda’s Imagination Stage is presenting “The BFG” (through Aug. 10). Based on the book by Roald Dahl, it’s the England-set tale of a little orphan girl who befriends a big friendly giant. The production uses outsized stage puppets, masks and imaginative projections and animation.

The Lion King” is parked at the Kennedy Center Opera House though Aug. 17. It’s the national tour of Julie Taymor’s celebrated Broadway production featuring an excellent cast, magnificent puppetry and uplifting score by Elton John and Tim Rice. Tickets aren’t cheap, but it’s a memorable theater experience for the family.

During staycation why not add music to your life? Through July 26, Shirlington’s Signature Theatre  presents its annual “Sizzlin’ Summer Nights Series.” (Sizzlin’ describes the performers, not Signature’s well air-conditioned venue). The series is two-and-a-half weeks of 17 one-night cabarets performed by an exciting and eclectic mix of D.C. and New York faces.

Many of those featured are out performers including leading man Will Gartshore; Broadway’s “Tarzan” Nicholas Rodriguez; Jeffrey Johnson as his leggy, space age alter ego “Galactica,” singer-songwriter Tom Goss (“Lover,” “Bears” and “Make Believe,”); Helen Hayes Award-winner Bobby Smith; and Stephen Gregory Smith who’s slated to perform a fun salute to TV theme songs.

The Gay Men’s Chorus of Washington will perform “Like a Virgin,” sharing first-time experiences (ranging from funny to poignant) through story and song.

The series ends with “Revenge of the Understudies.” It’s time for those would be stars in the wings — Signature understudies from this year’s season — to step into the spotlight and sing their hearts out.

 

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Movies

Few openly queer nominees land Oscar nominations

‘Sinners’ and ‘One Battle After Another’ lead the pack

Published

on

This year’s Oscar nominees feature very few openly queer actors or creatives, with “KPop Demon Hunters,” “Come See Me in the Good Light,” and “Elio” bringing some much-needed representation to the field.

“KPop Demon Hunters,” which quickly became a worldwide sensation after releasing on Netflix last June, was nominated for best animated feature film and best original song for “Golden,” the chart-topping hit co-written by openly queer songwriter Mark Sonnenblick. “Come See Me in the Good Light,” a film following the late Andrea Gibson and their wife, Megan Falley, was nominated in the best documentary feature category. Finally, Pixar’s “Elio” (co-directed by openly queer filmmaker Adrian Molina) was nominated for best animated feature film alongside “Zootopia 2,” “Arco,” and “Little Amélie or the Character of Rain.”

Ethan Hawke did manage to land a best actor nomination for his work in Richard Linklater’s “Blue Moon,” a biopic that follows a fatal night in Lorenz Hart’s life as he reckons with losing his creative partner, Richard Rodgers. Robert Kaplow was also nominated for best original screenplay for penning the script. Amy Madigan, as expected, was recognized in the best supporting actress category for her work in “Weapons,” bringing celebrated gay icon Aunt Gladys to the Oscar stage.

While “Wicked: For Good” was significantly underperforming throughout the season, with Cynthia Erivo missing key nominations and the film falling squarely out of the best picture race early on, most pundits expected the film to still receive some recognition in craft categories. But in perhaps the biggest shock of Oscar nomination morning, “For Good” received zero nominations — not even for costume design or production design, the two categories in which the first film won just last year. Clearly, there was “Wicked” fatigue across the board.

There was also reasonable hope that Eva Victor’s acclaimed directorial debut, “Sorry, Baby,” would land a best original screenplay nod, especially after Julia Roberts shouted out Victor during the recent Golden Globes (which aired the day before Oscar voting started). A24, the studio that distributed “Sorry, Baby” in the U.S., clearly prioritized campaigns for “Marty Supreme” (to much success) and Rose Byrne in “If I Had Legs I’d Kick You,” leaving “Sorry, Baby” the indie darling that couldn’t quite crack the Oscar race.

However, with the Film Independent Spirit Awards taking place on Feb. 15, queer films like “Sorry, Baby,” “Peter Hujar’s Day,” and “Twinless” will finally get their time to shine. Maybe these films were just underseen, or not given a big enough PR push, but regardless, it’s unfortunate that the Academy couldn’t make room for just one of these when “Emilia Pérez” managed 13 nominations last year.

Continue Reading

a&e features

MISTR’s Tristan Schukraft on evolution of HIV prevention

From ACT UP to apps, embracing stigma-free care

Published

on

Tristan Schukraft (Photo courtesy of Schukraft)

It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say,  celebratory.

Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond,  prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.

In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.

BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you? 

SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for. 

BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach? 

SCHUKRAFT: This year, we held the first-ever National PrEP Day.  Dua Lipa performed, and Cardi B was there.  After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.  

When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.  

BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years? 

SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.  

For many sexually active gay men, taking PrEP is simply part of the gay experience.  For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door. 

BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level? 

SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance. 

BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic? 

SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States.  We have everything we need today.  All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years. 

HIV transmissions don’t pause because budgets change. 

BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health? 

SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding,  we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results. 

Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.  

Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs. 

Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business. 

When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening. 

BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding? 

SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care. 

BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs? 

SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together. 

BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level? 

SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP. 

BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026? 

SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal. 

Continue Reading

Photos

PHOTOS: Mr. Mid-Atlantic Leather 2026

Gage Ryder wins annual competition

Published

on

Gage Ryder, center, wins the title of Mr. Mid-Atlantic Leather 2026 in a competition at the Hyatt Regency Capitol Hill in Washington, D.C. on Sunday, Jan. 18. (Washington Blade photo by Michael Key)

The 2026 Mr. Mid-Atlantic Leather competition was held at the Hyatt Regency Capitol Hill on Sunday. Seven contestants vied for the title and Gage Ryder was named the winner.

(Washington Blade photo by Michael Key)

Continue Reading

Popular