Arts & Entertainment
STAYCATION: Treasures from the stage
Fringe shows, Signature’s cabaret series and more pack summer season
No one ever said a staycation has to be without adventure, so why not include some theater in your plans? Theater is transporting, delivering you to far off places and unfamiliar situations. And the trip is easy. You can be at home sleeping in your own bed by 11 — even earlier if you attend a matinee. This summer’s selection is huge. Here are a few choices.
Studio 2ndStage is presenting “Carrie The Musical” (through Aug. 3) based on the Stephen King novel about a high school outcast who unleashes her telekinetic powers on the student body. They’re not going to laugh at her anymore. The best-selling book was adapted to the screen in ’76 as the hit horror flick starring Sissy Spacek in the title role. The musical opened on Broadway in 1988 to dismal reviews, but the 2012 off-Broadway revival was a stunning success. Its score by Dean Pitchford (lyrics) and Michael Gore (music) includes nicely named tunes like “And Eve Was Weak” and “The Destruction.”
2ndStage’s production co-directed by Keith Alan Baker and Jacob Janssen features Emily Zickler as Carrie White and Broadway’s Barbara Walsh as Carrie’s possessive, religious fanatic mother. Walsh was terrific as Little Edie in Studio Theatre’s production of “Grey Gardens” in 2008.
With well over a hundred shows in about a dozen local venues, Capital Fringe Festival 2014 (July 10-27) will definitely add variety to your D.C. summer staycation. On stage options (theater, music, dance, puppetry, etc.) run the gamut from inspiringly risky to not so great. The fun lies in ferreting out the gems.
Offerings include works of special interest to LGBT theatergoers including “A Lesbian Belle Tells!” written and presented by out performer Elizabeth McCain. In her solo show, McCain gives her take on eccentric southern relatives and coming out both in D.C. and at a family funeral.
In Larry E. Blossom’s “As We Are” presented by Out-Side the Box Theatre, three siblings confront memories about a gay bashing incident that has haunted them for years. Christopher Henley and his husband Jay Hardee co-direct “Dracula. A Love Story,” a contemporary retelling of the vampire story. And in Patrick DiBattista and Elizabeth Laffoon’s comedy “Love Song to Miss Kitty,” a strapping villain tries to steal a gay country western bar from an old lesbian couple so he can turn it into a dance boutique.
Looking for highbrow entertainment at no cost? For its annual Free For All, the Shakespeare Theatre Company is presenting a remount of Rebecca Taichman’s production of Shakespeare’s late romantic saga, “The Winter’s Tale” (August 19-31). A Washington tradition for 22 years, Free For All offers free tickets to the general public to experience Shakespeare in the sticky late summer. Performances once took place under the stars (weather permitting) at Carter Barron Amphitheater, but in recent years they’ve mercifully been moved indoors to the comfort of STC’s Sidney Harman Hall.
Spending your staycation with wee ones? Try the musical “Pinkalicious,” (thru Aug. 31) at the Adventure Theatre Musical Theater Center in Glen Echo Park. Siblings Pinkalicious and Peter Pinkerton (played by Carolyn Agan and John Sygar) love all things pink. Sadly Peter is denied pink outfits and toys because their father thinks it’s too girly. But Pinkalicious has no such restrictions. After binging on pink cupcakes she comes down with a case of pinkitis turning her skin — what else? — bright pink. The cure is to eat greens. Adventure Theater’s leafy Glen Echo location makes a nice staycation destination. After the show, you and the kids can enjoy ice cream and a ride on the park’s historic carousel.
Bethesda’s Imagination Stage is presenting “The BFG” (through Aug. 10). Based on the book by Roald Dahl, it’s the England-set tale of a little orphan girl who befriends a big friendly giant. The production uses outsized stage puppets, masks and imaginative projections and animation.
“The Lion King” is parked at the Kennedy Center Opera House though Aug. 17. It’s the national tour of Julie Taymor’s celebrated Broadway production featuring an excellent cast, magnificent puppetry and uplifting score by Elton John and Tim Rice. Tickets aren’t cheap, but it’s a memorable theater experience for the family.
During staycation why not add music to your life? Through July 26, Shirlington’s Signature Theatre presents its annual “Sizzlin’ Summer Nights Series.” (Sizzlin’ describes the performers, not Signature’s well air-conditioned venue). The series is two-and-a-half weeks of 17 one-night cabarets performed by an exciting and eclectic mix of D.C. and New York faces.
Many of those featured are out performers including leading man Will Gartshore; Broadway’s “Tarzan” Nicholas Rodriguez; Jeffrey Johnson as his leggy, space age alter ego “Galactica,” singer-songwriter Tom Goss (“Lover,” “Bears” and “Make Believe,”); Helen Hayes Award-winner Bobby Smith; and Stephen Gregory Smith who’s slated to perform a fun salute to TV theme songs.
The Gay Men’s Chorus of Washington will perform “Like a Virgin,” sharing first-time experiences (ranging from funny to poignant) through story and song.
The series ends with “Revenge of the Understudies.” It’s time for those would be stars in the wings — Signature understudies from this year’s season — to step into the spotlight and sing their hearts out.
More than 40 openly LGBTQ athletes are expected to compete in the Milan Cortina Winter Olympics that open on Friday.
Outsports.com notes eight Americans — including speedskater Conor McDermott-Mostowy and figure skater Amber Glenn — are among the 44 openly LGBTQ athletes who will compete in the games. The LGBTQ sports website also reports Ellis Lundholm, a mogul skier from Sweden, is the first openly transgender athlete to compete in any Winter Olympics.
“I’ve always been physically capable. That was never a question,” Glenn told Outsports.com. “It was always a mental and competence problem. It was internal battles for so long: when to lean into my strengths and when to work on my weaknesses, when to finally let myself portray the way I am off the ice on the ice. That really started when I came out publicly.”
McDermott-Mostowy is among the six athletes who have benefitted from the Out Athlete Fund, a group that has paid for their Olympics-related training and travel. The other beneficiaries are freestyle skier Gus Kenworthy, speed skater Brittany Bowe, snowboarder Maddy Schaffrick, alpine skier Breezy Johnson, and Paralympic Nordic skier Jake Adicoff.
Out Athlete Fund and Pride House Los Angeles – West Hollywood on Friday will host a free watch party for the opening ceremony.
“When athletes feel seen and accepted, they’re free to focus on their performance, not on hiding who they are,” Haley Caruso, vice president of the Out Athlete Fund’s board of directors, told the Los Angeles Blade.
Four Italian LGBTQ advocacy groups — Arcigay, CIG Arcigay Milano, Milano Pride, and Pride Sport Milano — have organized the games’ Pride House that will be located at the MEET Digital Culture Center in Milan.
Pride House on its website notes it will “host a diverse calendar of events and activities curated by associations, activists, and cultural organizations that share the values of Pride” during the games. These include an opening ceremony party at which Checcoro, Milan’s first LGBTQ chorus, will perform.
ILGA World, which is partnering with Pride House, is the co-sponsor of a Feb. 21 event that will focus on LGBTQ-inclusion in sports. Valentina Petrillo, a trans Paralympian, is among those will participate in a discussion that Simone Alliva, a journalist who writes for the Italian newspaper Domani, will moderate.
“The event explores inclusivity in sport — including amateur levels — with a focus on transgender people, highlighting the role of civil society, lived experiences, and the voices of athletes,” says Milano Pride on its website.
The games will take place against the backdrop of the U.S. Olympic and Paralympic Committee’s decision to ban trans women from competing in women’s sporting events.
President Donald Trump last February issued an executive order that bans trans women and girls from female sports teams in the U.S. A group of Republican lawmakers in response to the directive demanded the International Olympics Committee ban trans athletes from women’s athletic competitions.
The IOC in 2021 adopted its “Framework on Fairness, Inclusion and Nondiscrimination on the Basis of Gender Identity and Sex Variations” that includes the following provisions:
• 3.1 Eligibility criteria should be established and implemented fairly and in a manner that does not systematically exclude athletes from competition based upon their gender identity, physical appearance and/or sex variations.
• 3.2 Provided they meet eligibility criteria that are consistent with principle 4 (“Fairness”, athletes should be allowed to compete in the category that best aligns with their self-determined gender identity.
• 3.3 Criteria to determine disproportionate competitive advantage may, at times, require testing of an athlete’s performance and physical capacity. However, no athlete should be subject to targeted testing because of, or aimed at determining, their sex, gender identity and/or sex variations.
The 2034 Winter Olympics are scheduled to take place in Salt Lake City. The 2028 Summer Olympics will occur in Los Angeles.
Theater
Out dancer on Alvin Ailey’s stint at Warner Theatre
10-day production marks kickoff of national tour
Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org
The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May.
“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.
Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour.
Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”
Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.
He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”
Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.
WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989.
RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.
BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.
MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body.
That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.
BLADE: Is “Revelation” a meaningful piece for you?
MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old.
BLADE: How can a dancer in a prestigious company also be a ballroom house father?
MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.
I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance.
BLADE: Any message for queer audiences?
MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do.
BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?
MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great.
Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.
Tickets are $17.85 and can be purchased on Eventbrite.
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