a&e features
Happy 25th, CAMP Rehoboth
Community center founded by gay couple that met at White House
CAMP Rehoboth serves the local LGBT community in and around the popular beach resort. (Washington Blade photo by Michael Key)
Silver Gala
Friday, Oct. 9, 7-11 p.m.
Nassau Valley Vineyards
Tickets start at $100
Silver Block Party
Sunday, Oct. 11, 12-4 p.m.
Baltimore Avenue, 2nd block
Suggested donation $10
REHOBOTH BEACH, Del. — As it celebrates its 25th anniversary this weekend, CAMP Rehoboth, the LGBT community center and community services group here, is continuing its role as a well-known and highly regarded operation in Delaware and in the Mid-Atlantic region.
Before Steve Elkins and Murray Archibald, who have been a couple for 37 years, moved to Rehoboth Beach in October 1990 and founded CAMP Rehoboth less than one year later they had been vacationing there since the summer of 1981.
Like the large number of other LGBT people who began to flock to the Delaware beach resort town in the 1970s the two noticed that at least some longtime, year-round residents had become uncomfortable as Rehoboth became increasingly known as a gay destination.
According to Archibald, he and Elkins along with some of their friends sensed the need for an LGBT support and advocacy group in the town around 1989 or 1990. That’s when the Rehoboth Beach Homeowners Association produced and circulated a bumper sticker that said, “Keep Rehoboth A Family Town.”
Everyone knew that message was aimed at the town’s LGBT visitors and growing number of LGBT residents, implying if not saying so openly, that they were not welcome, Archibald and Elkins told the Washington Blade.
“And I always said we wanted it to be a family town as well but families come in all sizes, shapes and orientations,” Elkins said.
Following a series of meetings in late 1990, Elkins and Archibald in 1991 launched CAMP Rehoboth, the town’s first LGBT advocacy and civic organization whose name was an acronym for ‘Create a More Positive’ Rehoboth.
“We thought everybody was focusing on the negative and we said, ‘Let’s create a more positive Rehoboth,’” said Elkins in reflecting on the group’s and the town’s evolution in gay-straight relations since that time.
Archibald said in addition to concerns over the hostile message from the bumper sticker, the atmosphere for gay men in the late ‘80s and early ‘90s was still being shaped by the AIDS epidemic, and he and Elkins thought an LGBT organization would provide support services on that front.
“We were just coming out of that period where so many people were dying and were still dying,” said Archibald. “We were fighting some resistance in town against so many gay people coming to town,” he said. “And you knew we needed something.”
In its first two years, the then all-volunteer group operated in a small rented space on Baltimore Avenue in downtown Rehoboth located two blocks from the boardwalk and beach. The fledgling group had a budget of about $40,000 from money that it managed to raise among early supporters.
It currently has a budget of just under $1 million, with anticipated revenue of $1.1 million for 2015. It has a staff of five full-time paid employees, including Elkins, who serves as executive director. The group’s website proudly says there are three full-time, unpaid volunteer staff members, including Archibald, who play a key role in its operations.
Since 1993, Archibald has served as president of the CAMP Rehoboth Board of Directors. He also serves as producer of the group’s annual Sundance fundraising benefit and as creative director for the CAMP Rehoboth Community Center and for Letters from CAMP Rehoboth.
“Letters,” as many call it, serves as the group’s newsletter-magazine that comes out twice monthly during the summer season and once a month during the off season. The publication is filled with ads from dozens of local businesses, turning it into an important source of revenue supporting CAMP Rehoboth’s multitude of programs and activities.
The ad revenue from Letters; a separate stream of revenue from more than 800 paid members/supporters, which generates about $240,000 annually; and money raised by fundraising events such as Sundance helped the group purchase a complex of several small and larger buildings at the site where it first rented space in 1990.
The successful revenue generating efforts also helped to fund construction of the CAMP Rehoboth Community Center, which now occupies the largest building on the site and the attractively designed courtyard that lies between two larger buildings. The building across the courtyard from the main CAMP Rehoboth building and community center is occupied by a home furnishing and interior design gallery and shop, which rents the space from CAMP Rehoboth, generating further revenue.
Similarly, a small financial services firm and the lesbian-owned Lori’s Café, which occupy small annex buildings located in the rear of the courtyard, also rent their space from CAMP Rehoboth.
Adding yet another stream of revenue is the community center’s “big” room, which can serve as a catering hall or auditorium with a seating capacity of about 90, and several smaller meeting rooms, all of which are available for rent. Archibald said the “big” room is regularly rented to same-sex couples for their wedding receptions.
Among CAMP Rehoboth’s largest programs is CAMPsafe, which for close to 20 years has provided HIV prevention related services, including HIV testing and counseling. Archibald said that although it has catered mostly to gay and bisexual men in the Rehoboth area and eastern Sussex County everyone is welcome to come in for its services.
In recent years the program has expanded under a $120,000 contract from the state health department to include testing for other sexually transmitted infections (STIs).
“We do it for gonorrhea, chlamydia and we have just been selected for doing the first rapid test for syphilis in the state of Delaware,” Elkins said. “That will start in January.”
The CAMPsafe program along with a general mental health counseling program is directed by Salvatore Seeley, a licensed clinical social worker with a Ph.D. in sexual health counseling, Elkins said. Under Seeley’s direction, the counseling program usually involves up to six counseling sessions for any individual client after which Seeley refers them to a clinical therapist if needed.
Seeley’s reputation as a trusted counselor in a wide range of areas, including sexual health and couple counseling, has spread throughout the Sussex County area and even straight couples sometimes drop in, said Elkins.
“Occasionally it’s a straight couple – a husband or wife – where one spouse comes out and he counsels them on that,” Elkins said. “It runs the full gamut.”
Another program is the CAMP Rehoboth Chorus, which has close to 90 members and performs at venues in Rehoboth and surrounding areas, including nursing homes and community events.
Elkins serves as head of a longstanding CAMP Rehoboth program that provides LGBT-related sensitivity training for Rehoboth police officers and state park police officers assigned to the Rehoboth area. Among other things, Elkins said the trainings have resulted in improved relations with police.
Some of the other programs, all of which are listed on the site camprehoboth.com, include a women’s golf league; gallery and performance space for artists; advocacy for and education of local residents, visitors and businesses on LGBT issues; grief counseling; public WiFi access; an annual women’s conference and women’s weekend; and promotion of non-profit local LGBT and general community events.
Archibald noted that as CAMP Rehoboth’s visibility increased over the past 25 years, some in the LGBT community called for it to become more activist and aggressive in its advocacy work similar to the model of the 1980s-era AIDS direct action group ACT UP. He said he and Elkins and the original corps of supporters chose not go in that direction, instead choosing a more conciliatory path.
To this day, the group’s mission statement published in each issue of Letters says, among other things, “We seek to promote cooperation and understanding among all people, as we work to build safe, inclusive communities with room for all.”
Elkins said he believes that approach has succeeded, helping to make Rehoboth Beach a welcoming place for LGBT people that continues to attract LGBT tourists and new residents to the town.
“The thing I’ve always said is once we actually started talking to one another we all realized that we had the same desire – and that’s to have a safe and inclusive community,” Elkins said. “And once we started talking about what we had in common we find we have a lot more in common than we have difference.”
Elkins’ and Archibald’s journey that eventually led them to the founding of CAMP Rehoboth began in Washington, D.C., when the two met on Sept. 18, 1978, and soon fell in love, as Elkins tells it.
Elkins had been working as a White House administrator during the Carter administration and Archibald, an artist and painter, was helping a friend in Washington deliver a painting to Elkins’ office in the Old Executive Office Building, which is part of the White House grounds.
“She called and Steve cleared us all in,” Archibald recalls. “And she said we have to go get another one and he said well Murray’s going to stay here and I’m going to give him a tour of the White House. It was all part of the compound, and he walked me right into the Oval Office that day,” said Archibald.
“And that was it. From that time on it was the two of us,” he said.
When Carter left the White House after losing his re-election bid in 1980 to Ronald Reagan, Elkins, whose job was a political appointment, took a new job as sales manager at a computer company in New York City, where he and Archibald moved. After losing that job in the 1990s when his company went bankrupt, Elkins and Archibald decided to move permanently to Rehoboth Beach, where Elkins became general manager for the Strand nightclub.
In 1993, two years after he and Archibald founded CAMP Rehoboth and served on its board as volunteers, the board asked Elkins to become the group’s first paid executive director, and he accepted. That set in motion a 25-year journey for him and Archibald that has placed them largely at the center of CAMP Rehoboth’s whirlwind of activities today.
Kristen Minor, now 33, was 13 when she first began grappling with the realization that she might be a lesbian and ventured into CAMP Rehoboth 20 years ago and was greeted by Archibald, she writes in a column in the current issue of Letters. She tells of how she first met Archibald and Elkins at the church she and her family attended in Rehoboth and how CAMP Rehoboth became a refuge for her at a time when she “navigated the terrors of middle and high school” and was able to meet a “handful” of other LGBT teenagers.
“The influence of a community organization is sometime hard to measure,” she wrote. “I don’t know how to measure that CAMP saved my life and the lives of many of my friends; it was our real life ‘It Gets Better’ campaign far before such a thing ever existed.”
Steve Elkins, left, and Murray Archibald of Camp Rehoboth are gearing up for a busy October celebrating the community center’s 25 years. (Washington Blade photo by Michael Key)
a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
a&e features
Looking back at the 10 biggest A&E stories of 2025
‘Wicked,’ Lady Gaga’s new era, ‘Sexy’ Bailey and more
Although 2025 was a year marked by countless attacks on trans rights and political setbacks, the year also saw brilliant queer artists continuing to create art. From Cannes and Sundance Award winners now vying for Oscar consideration to pop icons entering new stages of their careers, queer people persevered to tell their stories through different media.
With the state of the world so uncertain, perhaps there’s no more vital time to celebrate our wins, as seen through some of this year’s top pop culture moments. While there’s no collection of 10 stories that fully encompass “the most important” news, here are some events that got the gays going:
10. ‘Mysterious Gaze of the Flamingo’ wins big at Cannes
The Cannes Film Festival has become a crucial start for films hoping to make their way to the Oscars, and first-time director Diego Céspedes won the top Un Certain Regard prize for his intimate western “The Mysterious Gaze of the Flamingo.” The film is set in the ‘80s and is intended as an allegory for the AIDS epidemic. Seeing a film that unpacks vital queer history win one of the most coveted awards at Cannes has been a huge point of pride in the independent filmmaking community.
Since the film bowed at Cannes, it has been selected as Chile’s Oscar entry in the Best International Feature race. Speaking with The Blade during the film’s AFI Fest run in October, Céspedes said: At first, I was kind of scared to have this campaign position in the times that we’re living [in] here. But at the same time, I think the Oscars mean a huge platform — a huge platform for art and politics.”
9. ‘The Last of Us’ returns for an even gayer season 2
While the first season of The Last of Us gave us one of TV’s most heartbreaking queer love stories in the episode “Long, Long Time,” Season 2 doubled down on its commitment to queer storytelling with the blossoming relationship between Ellie (Bella Ramsey) and Dina (Isabela Merced). The show expanded on the pair’s relationship in the original video game, making it perhaps the central dynamic to the entire season. That unfortunately came with more homophobic backlash on the internet, but those who checked out all the episodes saw a tender relationship form amid the show’s post-apocalyptic, often violent backdrop. For their performance, Ramsey was once again nominated for an Emmy, but Merced deserved just as much awards attention.
8. ‘Emilia Pérez’ sparks controversy
Jacques Audiard’s genre-bending trans musical “Emilia Pérez” proved to be an awards season juggernaut this time last year, winning the Golden Globe for Best Musical/Comedy. But when the lead star Karla Sofia Gascón’s racist, sexist, and homophobic old tweets resurfaced, the film’s Oscar campaign became a tough sell, especially after Netflix had tried so hard to sell Emilia Pérez as the “progressive” film to vote for. Mind you, the film had already received significant backlash from LGBTQ+ audiences and the Mexican community for its stereotypical and reductive portrayals, but the Gascón controversy made what was originally just social media backlash impossible to ignore. The only person who seemed to come out of the whole debacle unscathed was Zoe Saldaña, who won the Oscar for Best Supporting Actress over Ariana Grande.
7. ‘Sorry, Baby’ establishes Eva Victor as major talent
Back in January at the Sundance Film Festival, Eva Victor (known by many for her brand of sketch comedy) premiered their directorial debut “Sorry, Baby” to rave reviews, even winning the Waldo Salt Screening Award. Victor shadowed Jane Schoenbrun on the set of “I Saw the TV Glow,” and seeing Victor come into their own and establish such a strong voice immediately made them one of independent cinema’s most exciting new voices. A memorable scene in the film sees the main character, Agnes (played by Victor), struggling to check a box for male or female, just one example of how naturally queerness is woven into the fabric of the story.
Most recently, Victor was nominated for a Golden Globe for her performance in the film, and she’s represented in a category alongside Jennifer Lawrence (“Die My Love”), Jessie Buckley (“Hamnet”), Julia Roberts (“After the Hunt”), Renate Reinsve (“Sentimental Value”) and Tessa Thompson (“Hedda”). The film also received four Independent Spirit Award nominations overall.
6. Paul Reubens comes out in posthumous doc
While Paul Reubens never publicly came out as gay before passing away in 2023, the two-part documentary “Pee-wee as Himself” premiered back in May on HBO Max, giving the legendary comedian a chance to posthumously open up to the world. Directed by Matt Wolf, the documentary explores how Reubens found his alter ego Pee-Wee Herman and why he kept his private life private.
The documentary won an Emmy in the Outstanding Documentary or Nonfiction Special category and remains one of the most critically acclaimed titles of the year with a 100% Rotten Tomatoes score. Also worth noting, the National Geographic documentary Sally told the posthumous coming out story of Sally Ride through the help of her long-time partner, Tam O’Shaughnessy.
5. Lady Gaga releases ‘Mayhem’
Lady Gaga entered a new phase of her musical career with the release of Mayhem, her seventh album to date. From the frenzy-inducing pop hit Abracadabra to the memorable Bruno Mars duet featured on “Die With a Smile,” seeing Gaga return to her roots and make an album for the most die-hard of fans was especially rewarding after the underwhelming film releases of “House of Gucci” and “Joker: Folie à Deux.” Gaga has been touring with The Mayhem Ball since July, her first arena tour since 2018. She even extended her tour into 2026 with more North American dates, so the party isn’t stopping anytime soon. And Gaga is even set to make an appearance next May in “The Devil Wears Prada 2.”
4. Cynthia Erivo, Ariana Grande perform at the Oscars
While “Wicked: For Good” didn’t quite reach the heights of the first film, we will forever have Cynthia Erivo and Ariana Grande’s breathtaking live performance that opened the 97th Academy Awards. The pair sang a rendition of “Over the Rainbow,” “Home,” and “Defying Gravity,” paying proper homage to the original 1939 “Wizard of Oz.” Even non-Wicked fans can’t deny how magical and brilliantly staged this performance was. With both Erivo and Grande up for acting Oscars last year, they’re hoping to repeat success and make history with consecutive nominations. Either way, let’s hope there’s another live performance in the making, especially with two new original songs (The Girl in the Bubble and No Place Like Home) in the mix.
3. Indya Moore speaks out against Ryan Murphy
Indya Moore has consistently used social media as a platform for activism, and in September, posted a 30-minute Instagram live speaking out against “Pose” co-creator Ryan Murphy. Moore claimed that Murphy wasn’t being a true activist for trans people. “Ryan Murphy, we need you to do more. You need to address the racism, the violence, and the targeting of people on your productions, Ryan Murphy. You do need to make sure trans people are paid equally. Yes, Janet did the right thing,” Moore said. Murphy was also back in the headlines this year for the critically panned “All’s Fair” and the controversial “Monster: The Ed Gein Story” starring Laurie Metcalf and Charlie Hunnam.
2. Cole Escola wins Tony for Best Leading Actor
Few pop culture moments this year brought us together more than Cole Escola winning a Tony award for “Oh, Mary!” the Broadway show they created, wrote and starred in (we love a triple threat!) Escola made history by becoming the first nonbinary person to win a Tony in the leading actor category, and seeing them excitedly rush to the stage wearing a Bernadette Peters-inspired gown instantly became a viral social media moment.
The cherry on top of Escola’s major moment is the recent news that they are writing a Miss Piggy movie with Jennifer Lawrence and Emma Stone producing — news that also broke the internet for the better. We cannot wait!
1. Jonathan Bailey makes gay history as ‘Sexiest Man Alive’
The same year as his on-screen roles in blockbusters “Jurassic World Rebirth” and “Wicked: For Good,” Jonathan Bailey made history as the first openly gay man to be named People magazine’s “Sexiest Man Alive.” The fact that it took 40 years for an openly gay man to earn the title is a signifier of how far we still have to go with queer representation, and seeing Bailey celebrated is just one small step in the right direction.
“There’s so many people that want to do brilliant stuff who feel like they can’t,” he told PEOPLE, “and I know the LGBT sector is under immense threat at the moment. So it’s been amazing to meet people who have the expertise and see potential that I could have only dreamed of.” In 2024, Bailey founded the charity titled The Shameless Fund, which raises money for LGBTQ+ organizations.
a&e features
Your guide to D.C.’s queer New Year’s Eve parties
Ring in 2026 with drag, leather, Champagne, and more
With Christmas in the rear view mirror, we can turn our attention to ringing in a much-anticipated New Year with a slew of local LGBTQ parties. Here’s what’s on tap.
Pitchers
This spacious Adams Morgan bar is hosting the “Pitchers’ Perfect New Year’s Eve.” There will be a midnight Champagne toast, the ball drop on the big screens, and no cover, all night long. The bar doesn’t close until 4 a.m., and the kitchen will be open late (though not until close). All five floors will be open for the party, and party favors are promised.
Trade
D.C.’s hottest bar/club combo is leaning into the Shark motif with its NYE party, “Feeding Frenzy.” The party is a “glitterati-infused Naughty-cal New Year’s Even in the Shark Tank, where the boats are churning and the sharks are circling.” Trade also boasts no cover charge, with doors opening at 5 p.m. and the aforementioned Shark Tank opening at 9 p.m.. Four DJs will be spread across the two spaces; midnight hostess is played by Vagenesis and the two sea sirens sensuously calling are Anathema and Justin Williams.
Number Nine
While Trade will have two DJs as part of one party, Number Nine will host two separate parties, one on each floor. The first floor is classic Number Nine, a more casual-style event with the countdown on TVs and a Champagne midnight toast. There will be no cover and doors open at 5 p.m. Upstairs will be hosted by Capital Sapphics for its second annual NYE gathering. Tickets (about $50) include a midnight Champagne toast, curated drink menu, sapphic DJ set by Rijak, and tarot readings by Yooji.
Crush
Crush will kick off NYE with a free drag bingo at 8 p.m. for the early birds. Post-bingo, there will be a cover for the rest of the evening, featuring two DJs. The cover ($20 limited pre-sale that includes line skip until 11 p.m.; $25 at the door after 9 p.m.) includes one free N/A or Crush, a Champagne toast, and party favors (“the legal kind”). More details on Eventbrite.
Bunker
This subterranean lair is hosting a NYE party entitled “Frosted & Fur: Aspen After Dark New Year’s Eve Celebration.” Arriety from Rupaul Season 15 is set to host, with International DJ Alex Lo. Doors open at 9 p.m. and close at 3 p.m.; there is a midnight Champagne toast. Cover is $25, plus an optional $99 all-you-can-drink package.
District Eagle
This leather-focused bar is hosting “Bulge” for its NYE party. Each District Eagle floor will have its own music and vibe. Doors run from 7 p.m.-3 a.m. and cover is $15. There will be a Champagne toast at midnight, as well as drink specials during the event.
Kiki, Shakiki
Kiki and its new sister bar program Shakiki (in the old Shakers space) will have the same type of party on New Year’s Eve. Both bars open their doors at 5 p.m. and stay open until closing time. Both will offer a Champagne toast at midnight. At Kiki, DJ Vodkatrina will play; at Shakiki, it’ll be DJ Alex Love. Kiki keeps the party going on New Year’s Day, opening at 2 p.m., to celebrate Kiki’s fourth anniversary. There will be a drag show at 6 p.m. and an early 2000s dance party 4-8 p.m.
Spark
This bar and its new menu of alcoholic and twin N/A drinks will host a NYE party with music by DJ Emerald Fox. Given this menu, there will be a complimentary toast at midnight, guests can choose either sparkling wine with or without alcohol. No cover, but Spark is also offering optional wristbands at the door for $35 open bar 11 p.m.-1 a.m. (mid-shelf liquor & all NA drinks).
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