Connect with us

a&e features

Virginia Opera conductor enjoys musical challenge

Adam Turner preps 2 performances of ‘La Boheme’

Published

on

Adam Turner, gay news, Washington Blade
Adam Turner, gay news, Washington Blade

Adam Turner says traditional arts companies must be willing to try new things if they hope to appeal to millennials. (Photo by Keitaro Harada; courtesy Virginia Opera)

‘La Boheme’

 

Giacomo Puccini

 

Virginia Opera

 

Saturday, Nov. 14 at 8 p.m.

 

Sunday, Nov. 15 at 2 p.m.

 

George Mason University

 

Center for the Arts

 

4400 University Dr.

 

Fairfax, VA

 

Tickets: $98, $80 and $48

 

cfa.gum.edu or vaopera.org

 

Adam Turner, principal conductor and artistic adviser of Virginia Opera, moved to Norfolk, Va., four-and-a-half years ago after attending college at D.C.’s Catholic University.

Next weekend, he’ll return to the Washington area to give two performances of Puccini’s “La Boheme” at George Mason University in a production the company is also doing this weekend (Nov. 6, 8 and 10) in Norfolk and in Richmond on Nov. 20 and 22.

Turner will be in the pit directing a 50-piece orchestra (the Virginia Symphony) with seven leads, a chorus of 24 and a 12-voice children’s choir.

“It’s like a huge old circus up there,” the 33-year-old Louisville, Ky., native says. “It’s a lot of people to manage and keep on the same track.”

We spoke with him during a break in rehearsals last week.

 

WASHINGTON BLADE: Was it a big adjustment moving to Norfolk from Washington?

ADAM TURNER: The short answer is yes. It was a pretty big adjustment because it’s just a different pace of life, I think, down here. But I enjoy it, being this close to the water. The Hampton Roads community when you put it all together is over a million people spread out over Virginia Beach, Hampton and Newport News yet it still feels kind of like a small town where everybody knows everybody. But there’s a good restaurant scene and the arts are extremely valued here so that’s what drew me.

 

BLADE: Tell us about “La Boheme.”

TURNER: It’s very romantic and super relevant and a familiar story to anyone who has ever been in love or who has an artistic side to them. It’s just one of those pieces that really resonates with just about anyone. … There’s an episode of “The Simpsons” where Homer wakes up from a coma and suddenly he’s an opera singer and he sings “La Boheme.” I remember thinking, “Wow, opera is everywhere … even ‘The Simpsons.’” It’s one of the classics.

 

BLADE: Was there opera in Louisville when you were growing up?

TURNER: My grandmother took me to “The Nutcracker” every year and later I saw Broadway musicals like “Phantom of the Opera” and “Starlight Express.” … Then when I was a little older, I saw my first opera in Louisville, which was “The Magic Flute.” I think just basically the vocal acrobatics of it and the stamina and the talent you need to sing those roles was just overwhelming. It really left an imprint on me.

 

BLADE: Is there overlap between the worlds of opera conducting and symphonic conducting? Do some conductors do both?

TURNER: I think the old-school conductors trained in Europe did both and always started in the opera house and then went to symphony conducting or ballet conducting or whatever. It was something that was just included and considered part of your job, but opera conducting is probably the most challenging work there is in classical music performance and I think that’s why I probably am drawn to it because it is such a challenge. There’s a lot more to manage and not only are you leading the orchestra and influencing the music and all of that, but you’re also keeping all these forces together, you know, uniting them with the same vision and the same precision. … Anytime I’ve done anything orchestral or with soloists, I love it, but I always kind of am wondering, “OK, where are the singers?”

 

BLADE: Why?

TURNER: I think singers give so much more drama to the process and they need attention and a lot of care and tenderness, care and attention. I just work really well with them. … It’s a real challenge but a fun challenge.

 

BLADE: Is opera your first love or conducting or did you sort of discover them simultaneously?

TURNER: I think I discovered them simultaneously. The first time I ever saw conducting was when I was 5 or 6 and I was immediately taken by the conductor and all he was doing and thinking, “Oh, I want to do that someday.” … I grew up listening to Elton John and Ben Folds and Billy Joel, you know, piano men, and then somewhere along the way I found out about Pavarotti and Domingo and all these famous opera singers and I was really attracted to that sound and just the romanticism of the music and I kind of float both sides. I really like pop music and old-school rock but then I’m just as happy working in opera which I think is just one of the more challenging things because it pulls all these great art forms together.

 

BLADE: There’s lots of handwringing in classical music. How are things overall at Virginia Opera?

TURNER: When I first came here there had been some major upheavals with the artistic director. He had been fired so there was a lot of instability and uncertainty about what the future direction was going to be. So I was hired to provide artistic stability and also some new fresh energy to the company and along with that, my goal was really for us to find new audiences, people my age. I would love to see more 20- and 30-somethings in the opera house and how do we do that? So for me the main goal was just getting people into the theater to experience it for themselves and let them know it’s not this scary, sacred institution. … Once they do that, they’re just overcome with the emotion and raw passion of live performance and live playing. … We try to find repertoire that will appeal to our seasoned opera goers … and also find a way to get new folks in. … Last year we did “Sweeney Todd” and it was thrilling to see so many young and new faces. … And then they come back and now they’re giving Puccini a run or maybe even Verdi or Mozart.

 

BLADE: There’s so much worry and prognosticating on this topic. Do you think when millennials get a little older, they will do a better job of picking up these batons or will our traditional arts companies continue facing challenges?

TURNER: I think they will face challenges if they don’t adapt and try new things and that’s the thing I keep harping on. We have to keep trying different approaches to find out what works best. People are all craving this kind of live experience. It’s not something you can get on Netflix sitting at home by yourself. Live acoustic performance is unlike any other form of entertainment and companies all over the world are trying new approaches. … We started an initiative where for the past five years, we’ve been doing one new production each season we’ve never done before in our 40-year history. … You have to do new things that will entice people to come to the theater and try a new piece they’ve never heard before.

 

BLADE: You’re running a marathon next Saturday the same day you’ll conduct in Fairfax. Why?

TURNER: I’m just crazy, that’s why. … I run all the time, sometimes up to 50 miles a week. It gives me so much more energy and really kind of sets the tone for my day and gives me a lot of focus and drive. … I just wanted to find a marathon that fit my schedule and this was the one that fit and that I thought I could handle.

 

BLADE: How long have you been out?

TURNER: Since I was 20. Basically in college in D.C., I blossomed, so to speak.

 

BLADE: Has opera been as gay as we typically think of it in your experience?

TURNER: People who like prissy things are attracted to opera and I think a lot of gay men appreciate beautiful singing and beautiful sets and costumes and the grandiosity of all that. I can certainly see why it would attract the gay culture. … All over the country there are gay men running opera companies … because they’re so passionate about the art form. I have no explanation for it or anecdote, but it’s refreshing to know we have all found our niche.

 

BLADE: Is there much gay life in Norfolk?

TURNER: Oh yeah, I have a great circle of friends here but it’s different than the gay community in D.C. or even in Richmond. It’s more laid back. I just found out last week that Norfolk has the highest gay marriage rate in the state. … I’m not getting married anytime soon, but I certainly enjoy dating and going out with my friends.

 

BLADE: You’re working on a production with the Washington National Opera next year. Does that have any connection to your work with Virginia Opera is that a separate thing altogether?

TURNER: That’s completely separate and I’ll be on staff for one of their productions as part of a fellowship I was awarded earlier this year. We strive to do different repertoire, like last year they did “La Boheme” and this year we’re doing it. Even though they’re totally separate productions and a completely different market … we strive to do our own thing.

 

BLADE: Who’s your favorite classic opera diva?

TURNER: I’m a huge fan of Marilyn Horne, a great mezzo-soprano. I tend to like the lower-voiced women.

 

BLADE: You were awarded a $10,000 stipend with the Julius Rudel/Kurt Weill Conducting Fellowship this year. What did you do with the money?

TURNER: It’s in savings, I haven’t done anything with it yet. I’ll probably use it for career-development stuff. Travel and networking stuff.

Adam Turner, gay news, Washington Blade

Adam Turner in action. Turner discovered opera growing up in Kentucky. (Photo courtesy Virginia Opera)

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

a&e features

Summer in D.C. brings sports, Restaurant Week, festivals, and more

Published

on

Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
Continue Reading

a&e features

Tickets on sale for chef Patrick O’Connell’s book launch event

Sept. 18 kickoff to feature José Andrés, Tom Sietsema

Published

on

Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.

Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.

 O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.

 “I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”

O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.

“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”

The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination. 

The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.

Continue Reading

a&e features

The queer Asian comics building collective joy in D.C.

Spotlighting chaotic ways family, romance, identity take shape in their lives

Published

on

Alex Kim performs at the Pride Comedy Special in Washington, D.C., on June 18, 2026. (Photo by Christina Lee/VOICES)

Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward. 

“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.

Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives. 

From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together. 

“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”

Each performance evoked queer Asian joy through a medium that could use more of its presence.

According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said. 

When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”

“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”

But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center. 

Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.

“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said. 

Family is a major throughline of their comedic repertoires. 

Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down. 

“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”

Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form. 

“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’” 

Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church. 

“I’ve been finding it hard to escape her,” Kim said. 

Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.

Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet. 

“As a person of color, I just don’t think I should be with a Swiftie,” they said. 

Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training. 

“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked. 

Laughter is not the only reward for the comics.

To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said. 

Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition. 

“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”

Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.

Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.

“As long as I can keep doing this, I’m super happy,” he said.

This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).

Continue Reading

Popular