a&e features
Michael Feinstein on Sinatra, married life and more
Out crooner to play Strathmore on Dec. 11

Michael Feinstein says he’s cultivated a niche career by staying busy and giving his audience ways to grow musically with him. (Photo by Gilles Toucas courtesy Strathmore)
Michael Feinstein Sinatra Centennial
Friday, Dec. 11
8 p.m.
$55-125
Music Center at Strathmore
5301 Tuckerman Lane
North Bethesda, Md.
With two albums and a PBS special dedicated to Frank Sinatra, out crooner Michael Feinstein, who’s been called the “ambassador of the Great American Songbook” is no stranger to the music of “Ol’ Blue Eyes.”
On Friday, Dec. 11, the eve of Sinatra’s 100th birthday, Feinstein will bring his Sinatra Centennial show to the Strathmore. We spoke to him by phone from Manhattan last week. His comments have been slightly edited for length.
WASHINGTON BLADE: You’ve recorded a lot of Sinatra material. Will this show be mostly those songs or others as well?
MICHAEL FEINSTEIN: Yes, it will include some of those things.
BLADE: Tell us a bit more.
FEINSTEIN: The concert is the centenary tribute to Sinatra, literally the day before his hundredth birthday and we have a fantastic swing band, a 17-piece big band that will be playing this music, which will consist of familiar Sinatra songs and some less familiar things that I think tell the story of his life and career. The show is not your typical Sinatra tribute in that I have no desire to imitate him or sound like him or do arrangements exactly as he did them. It’s my interpretation and my point of view of this great artist and a chance to share this musical experience with people that helps illuminate the glory of what he left for us. It’s a very personal tribute and a very upbeat, fun show with a lot of humorous anecdotes. Very interactive. … I was lucky to get to know him and he was very nice to me.
BLADE: Will you be doing any Christmas material as well?
FEINSTEIN: No Christmas material is planned. I assume people will be hearing enough Christmas music.
BLADE: Why has Sinatra lasted?
FEINSTEIN: Sinatra lasts because his art is timeless. He took what we now call the Great American Songbook and helped elevate it to its current status as being appreciated for its uniqueness of artistic expression. When he started singing these songs, he was one of the few who recognized that these were classics and many of them were fairly new then. Some were only 10 or 15 years old when he sang them but at that point he already perceived them as being set apart from other pop music that was happening at the time and that helped build an audience appreciation for Cole Porter or George Gershwin or Irving Berlin or you name it. Throughout his career he always championed and mentioned the names of his songwriters and brought them to Carnegie Hall or the Hollywood Bowl or whoever. He’s one of the key components of why these songs have survived.
BLADE: Albums were kind of a different animal then and were recorded very quickly. Obviously his songs have lasted but do his albums still stand up today?
FEINSTEIN: They were able to be recorded quickly because of the level of talent involved and that was just the way it was done. … The fact that they could record an album like “Songs for Swingin’ Lovers!” in a day or two days is pretty remarkable and spectacular and that’s because all those musicians played live perfectly so there was no need for overdubbing, no need for the technology that we use now to compensate for lesser ability and sloppy craft in some cases. I mean, I love technology now and it has affected the evolution of recorded music in a great way, but in those times, that was just the way it was done. Recorded live and Sinatra was prepared like an athlete prepares for an event. He was in shape and he went out and did it.
BLADE: Frank Sinatra Jr. was here with a tribute show to his dad a few months ago. Have you seen his show?
FEINSTEIN: I know Frank Jr. but I’ve never seen his tribute. But I’ve spent time with him and am very fond of him.
BLADE: So often when the public is interested in old school pop culture all they care about is who was sleeping with whom or who was gay and this kind of thing. You’re so knowledgeable about songwriters and craft and that side of it. Does this endless preoccupation with the stars’ personal lives ever annoy you or is there enough space to discuss craft that it’s satisfaction enough?
FEINSTEIN: The reason Frank Sinatra survives is because of his art and all the other stuff is sensational. I understand why it interests people and they love to connect that to his art and there is certainly, to a degree, a connection. His marriage and tempestuous relationship with Ava Gardner famously affected the way he sang torch songs in that phase of his life. But ultimately it’s about the art and the craft. It doesn’t frustrate me that people are interested in the other aspects because hopefully it will lead them to the art. Many years ago I was at the funeral of Jay Livingston, an Oscar-winning songwriter. We were at his service at Westwood Cemetery where Marilyn Monroe is buried and a lot of other famous people. I noticed some young girls gathered around Marilyn’s crypt and they started talking to me. They said, “Oh, we love Marilyn Monroe.” And I said, “What movies do you like?” And they said, “Oh, we’ve never seen any of her movies.” It made me laugh. But hopefully they’ll discover why Marilyn Monroe was a star.
BLADE: You’ve done a lot of work for music conservation. What did you make of the recent news that the University of California at Santa Barbara has digitized thousands of old wax cylinders from the turn of the century and made them available for digital download?
FEINSTEIN: Yes, they’re opening a new facility in January and it’s just an extraordinary place. David Seubert is part of the recording preservation board of which I’m also a member and you know we have, in Carmel, Indiana, the foundation that I started, the Great American Songbook Foundation and we have a similar but different archive for American popular music and we’ve digitized a couple of thousand lacquer discs that we hope to put online. The cylinders are available to put online because they’re so old, there are no copyright issues. RCA gave permission to the university to put them online but the problem is that a lot of things can’t legally be put online because of copyright issues so that’s what’s wonderful about what they’ve been able to accomplish. We hope to be able to put a lot of ours online and we just had a meeting about that last week. That’s the key to the survival of this music.
BLADE: I saw a photo of you recently with Tab Hunter. Did you meet him recently?
FEINSTEIN: Tab is a friend and his partner, Allan (Glaser), they live in Montecito and I have a ranch a few miles away so we spend a lot of time together when we’re in the same part of the world.
BLADE: All kinds of pop and rock acts are having charts made of their hits and doing shows with various orchestras. What do you make of this trend?
FEINSTEIN: I guess it’s an inevitable progression of one’s career where eventually they’ll start performing with symphonies. With the aging of their audience, orchestras are looking for more repertoire that they can perform to draw in these audiences. Sometimes these shows are sublime and sometimes not so good. It depends on whether the artists have had orchestrations made that really use the symphony to augment their art or if they just have the symphony playing what we call footballs, whole notes with the strings just sort of sawing away this incidental accompaniment. I’ve seen both but I don’t want to say which is which.
BLADE: Do you have a new album planned for 2016?
FEINSTEIN: I am working on a project that unfortunately I can’t speak about yet but it’s going to be a massive, multi-CD project and something quite unique in my discography. That has a great deal of my focus right now.
BLADE: You have carved out an interesting musical niche for yourself it appears. Has that been difficult? Have there been label people along the way who’ve pushed you to be more commercial?
FEINSTEIN: My career has been constant and that’s been a great gift because when I look at who was starting at the same time, a lot of them are not around anymore. I’m lucky I’m still doing what I love and I have new faces in my audience all the time. It’s an evolving audience and something I didn’t expect would happen. … There’s a core audience of the material and it doesn’t matter whether it’s mainstream or not in that most pop music is only a flash in the pan. It’s of the moment, then it fades. So to have the resonance, the life of this music to embrace, is really special and extraordinary.
BLADE: You and Terrence Flannery have been married several years now. How’s married life?
FEINSTEIN: It’s wonderful. My relationship with Terrence deepens in a way that is beautiful. All relationships take work and we work very hard at staying connected and growing in ways that will serve both of us and try to put good in the world. … Judge Judy, who is a friend, pushed us to get married when there was that window of opportunity the first time in California and the minute we did, it was life changing. … It’s been wonderful.

Michael Feinstein (Photo by Zach Dobson; courtesy Strathmore)
a&e features
Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
a&e features
Tickets on sale for chef Patrick O’Connell’s book launch event
Sept. 18 kickoff to feature José Andrés, Tom Sietsema
Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.
Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.
O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.
“I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”
O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.
“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”
The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination.
The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.
a&e features
The queer Asian comics building collective joy in D.C.
Spotlighting chaotic ways family, romance, identity take shape in their lives
Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward.
“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.
Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives.
From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together.
“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”
Each performance evoked queer Asian joy through a medium that could use more of its presence.
According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said.
When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”
“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”
But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center.
Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.
“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said.
Family is a major throughline of their comedic repertoires.
Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down.
“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”
Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form.
“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’”
Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church.
“I’ve been finding it hard to escape her,” Kim said.
Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.
Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet.
“As a person of color, I just don’t think I should be with a Swiftie,” they said.
Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training.
“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked.
Laughter is not the only reward for the comics.
To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said.
Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition.
“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”
Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.
Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.
“As long as I can keep doing this, I’m super happy,” he said.
This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).
