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GLAAD calls out Disney, Paramount for lack of LGBT characters

organization urges for inclusion in movies like ‘Star Wars’

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(Screenshot via YouTube)

(‘Get Hard’ Screenshot via YouTube)

GLAAD released its fourth annual Studio Responsibility Index and reports studios, including Disney, Paramount and Warner Bros., are failing to include LGBT characters.

As reported by The Hollywood Reporter, in 2015 all studios included LGBT characters in less than 40% of their films. Lionsgate earned 33%, Sony 19%, Universal 19% and Fox came in at 15%, giving these studios an “Adequate” mark. Warner Bros. came in at 20% with Disney and Paramount not including any LGBT characters at all. Those numbers gave the three studios a “Failing” grade.

Disney distributes films for Marvel and LucasFilms and GLAAD believes the studio should include LGBT characters in films such as “Star Wars.”

“As sci-fi projects have the special opportunity to create unique worlds whose advanced societies can serve as a commentary on our own, the most obvious place where Disney could include LGBT characters is in the upcoming eighth ‘Star Wars film,'” GLAAD states in the report.

“2015’s ‘The Force Awakens’ has introduced a new and diverse central trio, which allows the creators opportunity to tell fresh stories as they develop their backstory. Recent official novels in the franchise featured lesbian and gay characters that could also be easily written in to the story,” GLAAD continued.

GLAAD also points out an alarming trend in “a noticeable resurgence of outright offensive depictions of LGBT, which relied on gay panic and defamatory stereotypes for cheap laughs.” Specifically the report mentions “Get Hard” starring Kevin Hart and Will Ferrell for “more blatant and incessant gay panic humor than we have seen in a Hollywood film in years.” “The Wedding Ringer” also starring Hart, and “Hot Tub Time Machine 2” were also mentioned for their gay panic humor.

Indie film distributors faired better with Universal’s Focus Features, a distributor of “The Danish Girl,” coming in at 30%, Sony Pictures Classics scoring 28% and Roadside Attractions earning 20%. Fox Searchlight received a failing grade for including no LGBT characters in its 2015 releases.

“Hollywood’s films lag far behind any other form of media when it comes to portrayals of LGBT characters,” Sarah Kate Ellis, GLAAD president and CEO said in a statement. “Too often, the few LGBT characters that make it to the big screen are the target of a punchline or token characters. The film industry must embrace new and inclusive stories if it wants to remain competitive and relevant.”

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Photos

PHOTOS: Vitamin C at JR.’s

Live drag show follows ‘Drag Race All Stars’ viewing party

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Brooke N Hymen performs at JR.'s at the Vitamin C drag show on Friday. (Washington Blade photo by Landon Shackelford)

JR.’s Bar held a “RuPaul’s Drag Race: All Stars” watch party followed by a live drag show on Friday, July 17. The Vitamin C weekly drag show was hosted by Citrine with performers Brooke N Hyman and Rosie Beret.

(Washington Blade photos by Landon Shackelford)

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Photos

PHOTOS: Rehoboth Beach Pride Festival

LGBTQ celebration held at convention center

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A scene from the 2026 Rehoboth Beach Pride Festival. (Washington Blade photo by Daniel Truitt)

The 2026 Rehoboth Beach Pride Festival was held at the Rehoboth Beach Convention Center on Saturday, July 18.

(Washington Blade photos by Daniel Truitt)

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Books

Liza’s book a tale that’s better than most celebrity memoirs

‘Kids, Wait Till You Hear This!’ dishes on marriages, heartbreak

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(Book cover image courtesy of Grand Central)

‘Kids, Wait Till You Hear This! My Memoir’
By Liza Minnelli, as told to Michael Feinstein
c.2026, Grand Central
$36/ 421 pages

Twenty feet In front of you, and you can’t see a thing.

Even the closest faces are in shadow – lit, but not quite enough for you to see for sure what the people there are thinking. Still, you can hear them, their gasps, their laughter, and applause. Such is life, on-stage. Now read “Kids, Wait Till You Hear This! My Memoir” by Liza Minnelli, as told to Michael Feinstein, and read about it beyond the spotlight.

Almost from the moment she was born, Liza Minnelli was famous.

It was inevitable: her mother was Judy Garland. Her father was director Vincente Minnelli. Her godparents were Hollywood glitterati, her neighbors were famous, her playmates would be famous someday, too.

But her life wasn’t all starlight and happiness.

She made her stage debut as a toddler. She became her “mother’s caretaker” at age 13.

At 16, she had a growing career of her own – one that her mother tried to stop. But, she says, “In her own way, Mama was wonderful to me. Try understanding – she was my mother, not a movie star…. I knew her as the person who loved me and always would.”

At 19, Minnelli was working, happy, and madly in love with the man who’d become her first husband, and life was wonderful – until she came home one day to find him in their bed with another man. Before they were divorced, she lost her beloved mother, and became “engaged” to two other men simultaneously, neither of which made it to the altar with her.

She married her second husband, the son of one of her mother’s former co-stars, in 1974 but her love affairs and addictions led to a second divorce.

Her third husband was a stage manager.

She doesn’t have much good to say about her fourth, and last, husband.

Overall, she says, “You gotta play the comedy for all it’s worth and leave ‘em laughing. Even when your heart is breaking.”

Are you expecting bluntness, sass, or attitude here? Good, because that’s what you get inside “Kids, Wait Till You Hear This!” It’s strong on honesty and don’t-give-a-flip. It’s wonderfully edited, so it moves fast. It’s eye-opening and funny and a pleasant surprise for a first, and only (so far), memoir.

Even better, author Liza Minnelli (with best friend, Michael Feinstein) is really quite candid and nicely gossipy, starting from the beginning. There are some Hollywood folks, in fact, who are feeling edgy because of what’s inside this book and the secrets spilled. Minnelli and Feinstein seemed to have fun telling her story, and they comfortably lure readers in.

That’s not to say that it’s all a cabaret. Minnelli tells about her addictions and recoveries, her marriages and why she wed two gay men, and the losses she endured, including miscarriages, deaths, and broken relationships. The bad balances well with the good for a tale that’s several notches above most celebrity memoirs. “Kids, Wait Till You Hear This!” is, in fact, a real joy to read, a genuine bright spot.

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