Music & Concerts
KT Tunstall finds joy after trial, creative burnout
‘Suddenly I See’ singer returns to the big pop sound that brought her success

KT Tunstall plays the Lincoln Theatre on Wednesday, Sept. 14. (Photo by Tom Oxley)
KT Tunstall
Wednesday, Sept. 14
The Lincoln Theatre
1215 U St., N.W.
thelincolndc.com
6:30 p.m.
$35
KT Tunstall’s hit 2005 single “Suddenly I See” from her debut album “Eye to the Telescope” was heard on every screen big and small from the film “The Devil Wears Prada” to being featured on shows like “Grey’s Anatomy.” That kind of success may have appeared like the best time in a musician’s life, but now following the death of her father and a divorce from her husband, drummer Luke Bullen, Scottish singer-songwriter Tunstall, 41, is the happiest she’s ever been. Her new album “KIN,” released on Sept. 9, reflects how she was able to come out on the other side with not only new material, but a fresh perspective.
Washington Blade spoke with Tunstall from the road on tour in promotion of her latest album about how she was able to turn pain into art, her distaste for sexuality labels and how she accidentally gained a lesbian following with a simple wardrobe choice.
WASHINGTON BLADE: What was the inspiration behind your latest album “KIN?” What was the recording process like?
KT TUNSTALL: It was a real rollercoaster ride actually and quite unexpected. The last record I made had been a down-tempo, folk record (2013’s “Invisible Empire//Crescent Moon”). During the recording my dad had died and my marriage broke up. So it was just this tectonic shift in life and it was very intense. I was very proud of the record, but it was the first time I had written a record that wasn’t very dynamic. I went on tour, mostly solo, and I’m wearing this amazing custom-made Dior suit and playing to seated audiences for the first time in beautiful theaters. But I just got completely burnt out and I felt that I was done really with making records for a good while and I didn’t want to make another record and I didn’t want to tour. And I just think that on a personal level I just had all of that stuff happen and I just needed to start again.
So I sold everything I owned and I moved to Venice Beach in California. I really intended to just focus on film music for a little while. I’d wanted to record music for film for many years and hadn’t had time. I trained with the Sundance Institute for a year, and built some relationships in the film industry and wrote for some short films. I was just loving life and finally finding life where I could be and not just do. Because it had just been 100 percent doing living in London and never finding any peace and tranquility in life.
So I really found sanctuary in Venice Beach. While living there, I really loved listening to music in the car and I’d be driving around listening to Joni Mitchell, Neil Young, Fleetwood Mac and Tom Petty driving around Laurel Canyon and the PCH (Pacific Coast Highway). After about a year I just started writing these really big, muscular, emotional pop choruses. And they just started coming and my brain and my body were just like, ’No I don’t want to do it!” and really its up to the subconscious and the spirit and they took over and were like ‘Nope you’re gonna do it.” It’s definitely a very kindred spirit to the first album. It feels like I’ve taken three records to write my second album. Not to disrespect the other records because I’m really proud of them, but I just feel like for the first time since the first record I’m in a really carefree, unselfconscious, vulnerable, strong place again. And it’s that mixture of being vulnerable and being strong at the same time that I think leads to my best music personally.
I’d just become very self conscious, very guarded after becoming successful. And it took cutting the umbilical cord with needing to make records and being a record-producing solo artist completely defining who I was. I didn’t know who I was outside of being that and I needed to find out and I needed to let go of it to find out, and then I did find out, and it’s awesome. And now I feel like a total boss now and I’m ready to go. It feels like part two of a story.
BLADE: A lot of people after coming out of a rough personal patch could have come back and made a really angry or sad album. “KIN” is more happy and hopeful. Why did you decide on a more uplifting approach?
TUNSTALL: It’s what’s come out. I’m the happiest I’ve ever been. It’s such a journey and now I understand. I hadn’t gone through things like that before, the death of a parent and break up of a marriage and moving continents. And it was just the most liberating, transformative experience. Yeah, it was really, really hard at times. But I look at where I am in my life now and I love where I live. I have such great friends and family. My life is much simpler. I never would have found this place if that whole shit storm hadn’t hit me. I’d have never taken the time to take myself apart and look at the darkest corners. I deconstructed myself and put myself back together in a much healthier way. So really the record is for me to go and celebrate with the human beings that these really difficult times in your life can actually provide you with a clear path to something better than you had before.
BLADE: How did your lesbian following come about? How do you feel about it?
TUNSTALL: I’ve always been very flattered and very happy that a group of people who have to deal with a load of shit on a daily basis, that they shouldn’t have to deal with, find meaning and attachment to my music. I think it’s a really big compliment. My gay followers have been incredibly loyal as well. I really relate to the gay community. I feel total indigenous that there is anything but support for human beings loving each other, getting married, living together and having children together. I just don’t fucking understand anyone having a problem with other people being happy. So I’ve always championed and fought hard for opinion to change on that. I think it probably stemmed from the fact that, first of all, I’m not a female singer that bares a lot of skin when I play. I think that my fashion sense has always had an element of androgyny to it. So I think that probably had people questioning my sexuality. I know because I would read about it. And also, my first record cover I wanted to pay homage to Patti Smith on the cover of “Horses.” I love “Mork and Mindy” and I love Robin Williams’ rainbow suspenders. My stylist on the shoot thought this would be fun, a big child version of Patti Smith. We didn’t think twice about it and, of course, it was like a an absolute rainbow flag that I was gay when it isn’t meant to be that. It was a total oversight by everyone and looks like I’m gay, but I’m not. Although having said that, I don’t like to put labels on it. And I love the fact that the younger generation are refusing to put labels on it because at that age, I would absolutely relate to that feeling of not wanting to put myself in a box. I grew up in theater and music and it’s weird if you don’t kiss people who are girls or boys. It’s uptight not to. It was always pretty fluid in the community I grew up with as a late teenager and early 20s and all that. It’s exciting times I think that it’s becoming questions that these labels are as rigorous as they are.
BLADE: What do you want people to take away from your upcoming show?
TUNSTALL: Joy one hundred percent. That’s the goal. For me that’s the meaning of life, finding that in your life. And doing whatever you need to do to find it, and follow it and be aware of what brings you joy. Not to fight difficulty and confrontation and try and rise through the hard times with grace and love. The thing that’s so amazing for me playing this new material for audiences is I’m just seeing them feeling, grinning, laughing and dancing and maybe sometimes crying at the same time. It’s just a beautiful connection between human beings and recognizing that, yeah, life is shit sometimes, but we survived and we’re here and we’re dancing and we’re celebrating being here.
Music & Concerts
DJ Chanel Santini is bringing the heat and some gender-fluid diversity to XBIZ Miami
Pool party celebrates most charismatic personalities, creative artists in adult entertainment
Chanel Santini has crossed over to being a DJ, performing at clubs all over the country. Now known as Santini, they will be making music and hyping the pool party, DJ-ing at XBIZ, the conference for adult creators and digital players, in Miami.
Taking place on Monday to Wednesday, the event honors the most charismatic personalities and creative artists in entertainment.
“I am honestly so excited — getting to DJ in Miami Beach is literally a DJ’s dream!” Santini told the Los Angeles Blade.
“I thought it would be a good opportunity because I haven’t been around my industry peers in a long time. It’s a great event to network and show off the new me!” said Santini.
While Santini is unsure what music they will be playing, they want everyone to have a good time. “My goal is to ignite the dance floor and play great music that everyone will vibe to. My sound includes house music, bass house, tech house, and I always like to throw a little bit of hip-hop in my sets.”
Santini loves how DJ-ing brings people together.
“Music really ignites us all! It is so universal, no matter what language you speak. I think it’s the best high in the world when you play a banger track, and everybody on the dance floor screams loudly. You can’t describe that feeling until you’re up there on that stage.”
Santini describes DJs as the “modern rock stars” in today’s world.
“I always feel like such a superstar when I’m up on that stage. The best feeling is after my set when I have people come up to me and say, ‘Thank you for sharing that amazing music.’ That’s how you know that you’re a good DJ — I love when I get those types of compliments!”

While sometimes it’s hard to please everyone’s musical tastes, Santini endeavors to try! “You just have to go out there and give it your all and be the best DJ that you can be,” he noted.
Santini, who had previously identified as transgender, recently decided to transition back to being gender fluid.
“It’s definitely been a journey, but I’m definitely happier in my own skin now than I was. I don’t go by he/him pronouns. I don’t go by they/them either. I guess I just really don’t have a preference. Whatever you see me as is your opinion. I’ve learned over the years that I’m not trying to be one specific thing. I’m just Santini. I’m just me.”
Santini acknowledged they felt respected more when dressed as a woman.
“I think it’s just because femininity runs the world. When I started to de-transition, I felt like I had to just be a boy all the time. But I’ve realized over the years that I don’t need to stick to one specific thing. I am always gonna be feminine, and that’s OK.”
Recently, Santini has been embracing their feminine side more.
“I definitely feel more comfortable in female presentation, and more powerful when I’m on stage dressed as Chanel. I love DJ-ing in drag because there are so many straight male DJs in the world. It’s almost like a superhero when he puts on his cape! I think it makes me confident and stand out more as an artist.”
And because Santini loves makeup and fashion, they can incorporate that into their sets. “I’m not just bringing you good vibes and good music. I’m bringing you a show/ production!”

Santini is already working on big plans for the future.
“I’m opening up for a huge Pride block party in my hometown, Albuquerque, N.M., on June 12 and 13. It’s a two day festival and I’m super excited for this opportunity. I’m even hiring backup dancers and a choreographer.”
Santini plans to go “all out” for this show.
“It’s gonna be the biggest crowd that I’ve ever played for,” Santini enthused. “I’m putting my heart and soul into this performance, especially because it’s Pride in my hometown, and that means so much to me. I know the younger me would be so proud.”
Santini remembers going to Pride when they were younger and telling themself they couldn’t wait to be up on that stage.
“I’m truly living my dream right now, and I’m so excited for the future. The last 10 years of being in the adult entertainment business have been great and have given me major success. But I always knew that I didn’t want to be in this industry for long.”
Santini acknowledged that, in the recent past, it was a struggle.
“I’ve been trying to find myself and figure out what I wanna do next with my life. Now that I’ve found this passion for DJ-ing, it makes me want to go far in this business.”
In addition to being a DJ/artist, Santini is starting college next semester.
“I’m gonna get my degree in audio engineering,” Santini enthused. “I can’t wait to start producing my own tracks. I especially can’t wait till the day I’m headlining a major festival! I know with a little bit of patience and hard work that I can get there! I just have to continue believing in myself.”
Santini wanted to thank all of their fans for their support. “Truly, if it wasn’t for them, I wouldn’t be able to fund my art in the way that I have. I’m truly grateful. And I’m excited for the future!”
Music & Concerts
Gaga, Cardi B, and more to grace D.C. stages this spring
Shake off your winter doldrums at a local concert
D.C. shakes off its winter blues this spring as the music scene pops off. We all know the big star is coming: Lady Gaga will perform at Capital One Arena on March 23. But plenty of other stars, big and small, will grace D.C. stages, including many LGBTQ and ally artists.
March
3/15, 9:30 Club, St. Lucia – Indie electronic music project known for its synth-pop sound, which blends ‘80s influences with electronic and indie rock elements.
3/31, Lincoln Theatre, Perfume Genius – Indie/pop singer/songwriter Mike Hadreas, also known as Perfume Genius, has toured with a full band, but he is stripping things back for this tour.
April
4/8, Capital One, Cardi B. Cardi B, from New York, unapologetic and proud, is the first solo female artist to win the Grammy Award for Best Rap Album. This year, she’s on her Little Miss Drama Tour, in support of her second studio album, “Am I the Drama?”
4/13, Lincoln Theatre, The Naked Magicians. Australia’s The Naked Magicians are two performers who deliver live magic and laughs while wearing nothing but a top hat and a smile.
4/18, Capital One, Florence and the Machine. Longstanding indie rock back from Great Britain, much-loved for lead singer Florence’s powerful vocals. On their Everybody Scream Tour.
4/16, Capital One, Demi Lovato. Singer/songwriter from Texas, who came out as nonbinary, is traveling on her “It’s Not That Deep Tour.”
4/21, The Anthem, Calum Scott. Platinum-selling gay singer/songwriter Calum Scott released his latest project, Avenoir, last year. Scott rose to fame in 2015 after competing on Britain’s Got Talent, where he performed a cover of Robyn’s hit “Dancing on My Own“.
4/26, Atlantis, Caroline Kingsbury. American queer pop musician from Los Angeles. She released her debut album in 2021, and has two additional EPs. She’s played Lollapalooza 2025 and All Things Go 2025, as well as gone on a co-headlining U.S. tour with MARIS. Shock Treatment is her latest EP.
4/26, Anthem, Raye. This bisexual artist, known for her current chart-topping “”Where Is My Husband!” single, blends pop, jazz, R&B, and more.
4/30, Union Stage, Daya. This bisexual singer/songwriter is on her “Til Every Petal Drops Tour,” touring the album of the same name that was released last year.
May
5/1, The Anthem, Joost Klein. Eurovision comes to D.C. in Joost Klein: Originally a Youtuber, he was selected to represent the Netherlands at Eurovision in 2024 with his song “Europapa.” He released a new album on New Year’s Day.
5/1, Fillmore, MIKA. MIKA is on his Spinning Out Tour. Born in Beirut and raised in both Paris and London, MIKA sings in multiple languages and has co-hosted Eurovision.
5/7, 9:30 Club, COBRAH. Clara Christensen, is a Swedish singer, songwriter, record producer, and club queen, making electronic dance music.
5/19, Atlantis, Grace Ives. New York-born singer/songwriter, known for her high-energy synth/electronic, bedroom-pop-style music.
June
6/2, The Anthem, James Blake. English crooner got big from his self-titled debut album in 2011. He won two Grammys and just released his 7th album,Trying Times, in March.
Music & Concerts
Washington chorale kicks off Christmas with vibrant program
‘Thine Own Sweet Light’ concerts planned
The full Washington Master Chorale will return for its annual holiday concert tradition with “Thine Own Sweet Light” on Friday, Dec. 19 and Sunday, Dec. 21 at St. Ann’s Catholic Church (D.C.) and Church of the Epiphany (D.C.).
The concert will feature the rich sounds of the 50-voice, a cappella chorus performing lush, seasonal choral music inspired by the theme of light. Highlights include Edvard Grieg’s “Ave Maris Stella,” Eric Whitacre’s “Lux Aurumque,” and Christopher Hoh’s “Holy, Holy, Holy is the Lord God of Hosts.” The program will also present a new work by Barcelona composer Josep Ollé i Sabaté, along with charming holiday folk songs and seasonal favorites.
For more details, visit the Washington Master Chorale website.
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