Arts & Entertainment
Short film ‘American Male’ shows wrath of internalized homophobia
movie won MTV filmmaker competition

(Screenshot via YouTube.)
Short film “American Male,” winner of MTV’s Look Different Creator Competition, examines the detrimental nature of internalized homophobia. The competition required up-and-coming filmmakers to focus on the topic of privilege.
The film, directed by Michael Rohrbaugh, follows a frat boy who is working overtime to present as hyper-masculine. Shots of the college student performing stereotypical masculine activities such as working out, attending frat parties and drinking beer are shown throughout.
In a voice-over the student explains how he has carefully crafted his persona to appear as masculine as possible and schools the viewer on the behaviors of women and men. At one point he explains how women gesture more and that as a child he would gesture a lot, but trains himself to stop.
“Order beer. Not wine. And beef, not chicken. Never light beer, though. And no tofu. Can’t get more gay than tofu,” he says.
Living life isn’t easy for the student as he is shown struggling with attraction to his fellow frat brother and overall unhappiness at supressing his identity.
In an interview with Huffington Post, Rohrbaugh explained the message of the film.
“I would like for viewers to gain a better understanding of what life feels like in the closet. I also hope they’ll reflect upon their own lives and think about falsehoods that might be holding them back,” Rohrbaugh says.
“So many of the social norms we’ve been taught are rooted in discrimination, and so many young people are taught to feel ashamed of who they are, raised to believe that there’s something wrong with them, that they’re not normal or not who they should be. Those types of lies are really destructive, which is why they must be exposed and debunked,” Rohrbaugh continued.
Watch “American Male” below.
Celebrity News
Madonna announces release date for new album
‘Confessions II’ marks return to the dance floor
Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.
Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit.
The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”
“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)














Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
