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‘Trump Survival Guide’ author on what to do now
From energy, education, LGBT issues and more, new book is road map for progressives
President-elect Donald Trump (Washington Blade photo by Michael Key)
Feeling helpless in the impending Trump administration? Author Gene Stone is here to help with his new book “The Trump Survival Guide.”
The new book, out Jan. 10 from Dey Street Books (a HarperCollins imprint), is a trade paperback priced at $9.99 that’s subtitled “Everything You Need to Know About Living Through What You Hoped Would Never Happen.”
Bereft for about eight days after the Nov. 8 election, Stone, a New York Times bestselling author with 40 eclectic titles of several genres to his credit, says he couldn’t bear to watch or read the news. “Survival Guide” was written over the next 12 days (“I’ve had magazine deadlines that were much longer,” he says) with the help of seven co-writers.
Its chapters are devoted to topics like civil rights, the economy, education, energy, national security, LGBT issues and more. It’s billed as a “serious call to action for all anti-Trump dissenters across the political spectrum” that “succinctly analyzes crucial social and political policies, explains how Donald J. Trump has the power to undermine them and provides concrete practical solutions ordinary people can use to fight back.”
Stone spoke to the Blade by phone from his office in New York City. His comments have been slightly edited for length.
Author Gene Stone has written 12 books that have made the New York Times Bestseller list. Five hit No. 1. (Photo courtesy Dey Street Books)
WASHINGTON BLADE: How did you channel your election funk into this project so quickly?
GENE STONE: After about a week of feeling sorry for everything, I decided, you know — and this is the point of the book — it’s one thing to be depressed and mopey and God knows I have friends who are still crying, but you have to do something. Being depressed doesn’t get you anywhere. Being dejected and crying doesn’t solve anything. … Sitting around doing nothing accomplishes nothing. I thought, “Well, I have to do something.” I’m not the deepest thinker in the world, but I’m certainly one of the fastest and I realized I could do this. I knew that I could turn this book around in a short period of time. I have a pretty solid publishing history so I knew I had the credibility to get a book contract for something like this. They knew I was dependable, that I’d done it before and could do it again. All that meant that I should do the book, I could do the book so therefore I felt I had to do the book.
BLADE: How unusual is this tight of a turnaround time in the book publishing world?
STONE: There was a time years ago when instant books were much more common. Bantam Books was famous for being able to turn around books in a couple of weeks. … It has actually gotten much less common because the way those books were often sold was through the bookstores that would support the book, put it on their counters and make people aware of it that way, but as bookstores have less and less market share, it’s actually harder to get something like this out now. A book like this on a counter priced at $10 is a very appealing prospect that doesn’t quite have the same appeal on Amazon …. so it’s become less and less common.
BLADE: Obviously all the chapters were important to you but did the LGBT chapter have any special significance being gay yourself?
STONE: I can’t really say any were less important than the others but when it came time to do the book — I had some friends help me; I couldn’t do it all myself, so I hired a few friends to help write, research and fact check, etc. — but I needed right away to come up with a template for each chapter and the LGBT chapter was the one I wrote first myself the night I got the book contract staying up till God knows when in the morning in order to get the template done because frankly, it was a chapter I knew really well. … That established the pattern for the rest of the book.
BLADE: When you mention the agencies readers may want to support at the end of that chapter, you mention GLAAD, GLSEN, Lambda Legal and others but only sort of mention the Human Rights Campaign, the largest, under “and don’t forget …” Why?
STONE: (pauses) As you can tell, I have some issues there.
BLADE: You also wrote “The Bush Survival Bible.” Did his presidency end up being better or worse than you expected at the outset?
STONE: Well, they’re in fact much different books. The Bush book was actually kind of a funny book. A mix of satire and jokes and some serious advice, but in the guise of a funny book. When Bush won, I was also depressed, unhappy, I didn’t like it, but at least Bush was in the ballpark. I didn’t agree with it, but there was no sense that the world was going to be turned upside down. The Trump book is not a funny book, it’s a serious book because I do have a strong sense that there’s a possibility that the world could be turned upside down and there’s nothing funny about that.
BLADE: Are there any lessons we can glean from the Bush years as a sign of things to come or is it not analogous enough to justify that sort of thinking?
STONE: Well, again, even with that Republican administration, even though we disagreed with so many of their policies, it felt nonetheless that there was some kind of dialogue available between the right and the left …. but I’m not getting that feeling with the Trump administration. Obviously it hasn’t started yet, but in looking at his cabinet picks and watching his first press conference, I’m not getting the sense that things are going to seem as normal as they seemed during the Bush administration so it’s almost like you look back and think, “Gee, could it ever be worse?” and now you realize, “Oh man, it is worse. It’s much worse.” So I’m not sure the lessons we learned in the Bush years really apply because we’re dealing with an entirely new creature and I don’t think he is going to abide by the rules. Previously there’s been a norm in politics and civil discussion that both sides, with a bit of a stretch, have maintained. We’re not seeing that now and that’s one of the things that worries me most.
BLADE: Does Trump’s impulsiveness and reactionary personality lessen the value we would ordinarily perhaps glean from all the endless prognostication and tealeaf reading we see at the outset of any administration?
STONE: Two months ago, I probably would have said yeah, but now we have been seeing a fairly consistent pattern so I’m beginning to think the mixed signals from Trump are a thing of the past. What we’re seeing now is a pretty consistent formula of appealing to the alt right or right policies. We haven’t seen anything to the left or even the center so it’s been pretty consistent. It feels like the inconsistency of the past is melting into this kind of dreary consistency.
BLADE: Ideology aside, is that a good sign or do you still feel he could go off on some crazy limb at any point?
STONE: Yeah, the latter. Obviously we don’t know what’s going to happen till it happens, but all the signals so far have been pretty negative if not very negative.
BLADE: What do you think was the biggest factor in Hillary’s loss?
STONE: That’s something we always want to do in the media, and I’m as much to blame as anybody else, but we want to talk about the thing, the one thing, that made this happen but I would say it was really a combination of the Comey letter, perhaps faulty campaigning on her part, the country wanting change and any number of other factors. I really think it was the imperfect storm of factors and remember — she did win the popular vote. … It was very close. He’s also coming in with the lowest favorability ratings since polling began.
BLADE: By design, this book will have a short shelf life. Are you OK with that?
STONE: That’s just the nature of a book like this — nobody will be reading this in two years. I write a lot of books. I co-wrote a book on how not to die based on plant-based diets and it’s sort of an antidote to the major causes of death in America and I like to think that book will be around for many, many years to come. … I’d be very happy if all the sales of this book took place in the next six months. For the lessons here to be applied, people need to read the book now.
BLADE: There are a lot of things one could point to — eight years of Obama, the Obergefell ruling, the outcry from the Trayvon Martin case and so on, that made it feel like we’d really turned a corner on the straight, white, old boys’ club in politics then bam, in one fell swoop the old boys’ club came roaring back to win the White House and both chambers of Congress. Is it just that entrenched or something else?
STONE: It does speak to entrenchment yes, but it also points to another factor that’s been prevalent in American politics since the beginning, its back and forth nature. Carter to Reagan, Bush to Clinton, Clinton to Bush, Bush to Obama — it’s been a lot of back and forth. And also the fact that they barely made it in this time makes me hopeful. I mean here we had a centrist, liberal woman running with very, very negative favorability ratings and yet she came really close to winning. I also like to think that unless the damage Trump does to our democracy is really overwhelming, that the pendulum will eventually swing back again.
BLADE: Did progressives get too complacent? If this shakes us from our complacency, is that the silver lining?
STONE: I agree with that. I think liberals have a tendency to think that we’re right. We know what’s right, we’re kind and decent and empowering. That’s the way humans are supposed to be but unfortunately, that’s not the way all humans are. We did get very complacent having a terrific president for eight years and this is going to shock us out of our complacency and hopefully make us work in a way we saw the Tea Party work. As much as I don’t agree with anything they stood for, I admire the way they got their objectives into the policies of America and we need to do the same. If my book is really about anything, it’s about fighting back and finding ways to take on the Trump administration, not by waiting four years to vote against it, but by turning every day of your life into some kind of act of resistance. If there’s anything that’s going to make me happy, and I’ve heard it a few times already, it will be to hear people say, “I read your book and I joined an organization or I donated money or now I’m going to go march in the women’s protest. The point of the book is to try to get people to move.
BLADE: But how much can really be accomplished in this environment. How was the Tea Party able to become such a force while, say, the Occupy movement seemed like it had difficulty sustaining itself or harnessing that energy into something with any measurable impact? Is the right just better at mobilizing than the left? How can you be effective when you’re not the group in power at any given moment?
STONE: Well, I think one of the things that motivated the Tea party is that it didn’t have a titular head. You couldn’t say so-and-so ran everything because it was such a grass roots thing taking place in so many parts of the country. We need to learn from that. You don’t need a powerful leader. You don’t need a spokesperson. Every one of us can be a spokesperson just as everybody in the Tea Party felt they could go to the media and say whatever they wanted, we can do the same. … I also think politics tend to trickle up from the local level and we just don’t seem to get that. We get all excited about presidents and senators but it starts with local representatives and school boards. We just don’t seem to organize on the local level the way the Tea Party can do.
(Image courtesy Dey Street Books)
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Award-winning D.C. chef reaching new culinary heights
Anthony Jones of Marcus DC competing on ‘Top Chef’
In Anthony Jones’s kitchen, all sorts of flags fly, including his own. Executive chef at award-winning restaurant Marcus DC, Jones has reached culinary heights (James Beard Award semifinalist for Emerging Chef, anyone?), yet he’s just getting started.
Briefly stepping away from his award-winning station, Jones took a moment under a different set of lights. Recently, he temporarily gave up his post at the restaurant for a starring small-screen slot on the latest season of “Top Chef,” which debuted in March. (The show airs weekly on Bravo and Peacock).
Before his strategic slice-and-dice competition, however, Jones, who identifies as gay, draws from his deep DMV roots. In the years before “Top Chef” and the top chef spot at Marcus, he was born and raised in Sunderland, Md., in southern Maryland, near the Chesapeake.
Early memories were steeped in afternoons on boats with his dad bonding over fishing, and wandering the garden of his great-grandparents spread with fresh vegetables and a few hogs. “It was Southern, old-school ethics and upbringing,” he said. “Family and food went hand in hand.” Weekends meant grabbing bushels of crabs, dad and grandma would cook and crack them. Family members would host fish fries for extra cash. In this seafood-heavy youth, Jones managed time to sneak in episodes of the “OG” Japanese “Iron Chef” show, which helped inspire him to pursue a career in the kitchen.
Jones moved to D.C. after graduating from college, ending up at lauded Restaurant Eve, and met famed chef Marcus Samuelson, who brought him to Miami to be part of the opening team for Red Rooster Overtown. After three years, Jones moved back to D.C., where he ran Dirty Habit, reinventing and reimagining the menu, integrating West African flavors and ingredients.
Samuelson, however, wouldn’t let a talent like Jones stay away for too long. Pulling Jones back into his orbit, Samuelson elevated Jones to help him open his namesake restaurant Marcus DC, which has been named a top-five restaurant by the Washington Post. Since then, Jones has been nominated as a semifinalist for the RAMMYs Rising Culinary Star in 2026 and won the Eater DC’s Rising Chef award in 2025.
Samuelson’s Marcus is a tour de force interpreting the Black Diaspora on the plate, from the American South to West Africa, along with his signature “Swedopian” touches. Yet it’s Jones who has deeply informed the plate, elevating his own story to date. Marcus DC is primarily a seafood restaurant, which serves Jones well.
“Where I’m from is seafood heavy, and as I’ve progressed in my career, I’ve moved away from meat.” Veggies and fish are hero dishes. His own dish, Mel’s Crab Rice, was not only lauded by the Washington Post, but is framed by his youth carrying home the crustaceans from Mel’s crab truck. It’s a bowl of Carolina rice, layered with pickled okra, uni béarnaise, and crab. Jones also points to a dish on the opening menu, rockfish and brassica, paying respect to a landmark D.C. institution, Ben’s Chili Bowl. Jones reverse engineered a favorite bowl of chili that’s seafood instead of meat forward, leveraging octopus and rockfish along with different riffs of cauliflower: showing his intellectual, creative, and cultural sides.
While “Top Chef” is showing Jones’s spotlight side, he also lets his identity show at work. “In the kitchen, I make sure we’re inclusive. We don’t tolerate discrimination. Everyone that’s here should feel confident to express themselves. There are so many different flags in the kitchen.”
Jones says that he didn’t fully express his gay identity until fairly recently. He felt reluctant coming out to certain family members, “you’re scared to tell them about being different,” he says, and while that anxiety ate at him, “I’m lucky and fortunate to have unconditional love and that weight off my shoulders.”
Today, “I’m me all the time, Monday to Sunday. I’m honest with people, and my staff is honest with me.”
“Being a chef is hard,” he says, “and being a chef of color is even more difficult.”
Yet his LGBTQ identity is a juggling act, he says. “I need to keep that balance, because once someone finds out something about you, their opinion can change, whether you want it or not.”
Being on a whole season of TV cooking competition, however, might mean millions more might have an opinion of him (Jones has appeared on TV already, on an episode of “Chopped”). To prepare, he says, “I’ve just kept a level head. It’s just an honor to be on top chef with amazing people happy to be there.”
Plus, this season is set in the Carolinas, and Jones attended Johnson & Wales University in Charlotte, N.C. “It’s a full story of my life, now a monumental moment for me.”
Jones also recently was nominated for a James Beard Foundation Award. “JBF has been a north star, a dream for so long. I always had this goal on my wall.”
Being at the top spot at Marcus DC, making waves through his accolades, and cooking on Bravo means that Jones is highly visible. “I think that if someone has a similar background to me, and can see our story, trajectory, and success, they can have more ability to be themselves. This is my goal.”
Back at Marcus, Jones has plenty up his chef’s white’s sleeves. A new spring menu is in the works. He’ll be launching a new tasting menu “dining experience,” he says, and has plans to work on more events and collaborations with chefs and friends to bring in new talent and share the culinary wealth.
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Introducing the Torchbearers Awards honoring queer, trans women and nonbinary people
Meet the Legends and Illuminators lighting new paths
The Torchbearers Awards are more than recognition—they are a continuation of legacy. They honor the quiet architects of progress in our community: those who organize, advocate, build, and protect, often without fanfare but always with purpose. Rooted in a belief in intentional recognition, this honor names those who carry our movements forward—those who make room for others, who remind us that change is both generational and generative. In a time marked by uncertainty and challenge, these leaders push forward with courage, clarity, and an unwavering commitment to expanding opportunity and equity.
This year’s honorees reflect the full breadth of our community, spanning generations, backgrounds, identities, and industries. From Legends, with decades of leadership and having created pathways for others, to Illuminators, who are lighting new paths with creativity and innovation, each Torchbearer represents the power of intergenerational leadership and the strength found in our diversity. They are organizers, advocates, artists, policy leaders, healers, and changemakers whose lived experiences shape a shared vision for equity and liberation.
This award is our love letter to queer and trans women and nonbinary people who carry the flame when it would be easier to let it dim. To those who consistently show up, who use their voice and visibility and stand firm, often without recognition, so that others may live more freely and fully. The Torchbearers Awards celebrates not just what has been done, but the enduring spirit, responsibility, and collective care that ensure the work continues, and that the flame is always passed forward.
Co-Creators of the Torchbearers Awards: Shannon Alston, June Crenshaw, Heidi Ellis
Torchbearers Awards Advisory Board: Aditi Hardikar, Lesley Bryant, Jasmine Wilson-Bryant, Stephen Rutgers
ILLUMINATOR AWARDEES
- Representative Sharice Davids (she/her), (D, KS-03)
— U.S. House of Representatives - Greisa Martinez Rosas (she/her/ella)
— Executive Director, United We Dream - Paola Ramos (she/her)
— Journalist & Correspondent - Meagan A. Fitzgerald (she/her)
— Journalist & Correspondent - Jessica L. Lewis (she/her)
— Founder / Producer, Play Play DC - Savannah Wade (she/her)
— Founder, OAR Agency - Suhad Babaa (she/her)
— Filmmaker/ Former Executive Director of Just Vision - Ashlee Davis (she/her)
— Global Head of Inclusive Outcomes, Ancestry - Jazmine Hughes (she/her)
— Journalist and Former Editor at New York Times Magazine - Queen Adesuyi (they/she)
— Policy Advisor & Organizer, ReFrame Health & Justice - Michele Rayner, Esq. (she/her)
— Civil Rights Attorney, State Representative (Florida House of Representatives) - Gaby Vincent (she/her)
— Sports/Cultural Commentator and Community Leader - Jenny Nguyen (she/her)
— Founder & Owner, The Sports Bra - Denice Frohman (she/her)
— Independent Artist, Poet / Performer - Vida Rangel (she/her)
— Founder, Our Trans Capital - Roxanne Anderson (they/them)
— Executive Director, Our Space - Ann Marie Gothard (she/her)
— Co-Founder & President, Pride Live (Stonewall National Monument Visitor Center) - Diana Rodriquez (she/her)
— Co-Founder & CEO, Pride Live (Stonewall National Monument Visitor Center) - Wendi Cooper (she/her)
— Founder / Executive Director, Transcending Women - Toya Matthews (she/her)
— City of San Antonio, Texas - Mayor Gina Ortiz Jones (she/her)
— Sports/Cultural Commentator and Community Leader - Charity Blackwell (she/her)
— Poet, LGBTQ Advocate & Community Leader - Wilhelmina Indermaur (she/her)
— Director of Communications, Tyler Clementi Foundation - Em Chadwick (she/her)
— CMO, For Them & Autostraddle - Kylo Freeman (they/he)
— CEO, For Them & Autostraddle
LEGEND AWARDEES
- Sheila Alexander-Reid (she/her)
— Executive Director, PHL Diversity, Philadelphia Convention & Visitors Bureau - Cassandra Cantave Burton (she/her)
— Interim Director of Thought Leadership & Senior Research Advisor, AARP - leigh h. mosley (she/her)
— Photographer / Educator, PhotoFlo Photography - Jenn M. Jackson, PhD (they/them)
— Assistant Professor of Political Science; Author & Columnist, Syracuse University - Jordyn White (she/her)
— COO, Washington Prodigy / VP of Leadership Development & Research, HRC Foundation - AJ Hikes (they/them)
— Deputy Executive Director, ACLU - RaeShanda Lias (she/her)
— Digital Creator, RL Lockhart - Donna Payne-Hardy (she/her)
— Educator, EEO Specialist, Founder of NBJC, Former Leader at the Human Rights Campaign - Courtney R. Snowden (she/her)
— Principal, Blueprint Strategy Group - Gaye Adegbalola (she/her)
— Musician & Activist, Musician / Inductee of the Blues Hall of Fame - Cheryl A. Head (she/her)
— Independent Author, Novelist (Crime Fiction) - Letitia Gomez (she/her)
— The American LGBTQ+ Museum, Board Chair - Lynne Brown (she/her)
— Publisher, Washington Blade - Shay Franco-Clausen (She/Her/Ella/Queen)
— Political Strategist and Organizer - Melissa L. Bradley (she/her)
— Founder & Managing Partner, New Majority Ventures - Meghann Burke (she/her)
— Executive Director, NWSL Players Association - Victoria Kirby York, MPA (she/they)
— Director of Public Policy & Programs, National Black Justice Collective - Joli Angel Robinson (she/her)
— CEO, Center on Halsted - Jeannine Frisby LaRue (she/her)
— CEO, Moxie Strategies - Alice Wu (she/her)
— Film Director (Saving Face, The Half of It) / Screenwriter - Storme Webber (she/her)
— Interdisciplinary Artist / Educator, University of Washington - Kim Stone
— CEO of the Washington Spirit, Washington Spirit - Mickalene Thomas
— American Visual Artist, Mickalene Thomas Studio - Erika Lorshbough (any/they/she)
— Executive Director, interACT - J. Gia Loving (she/ella)
— Co-Executive Director, GSA Network
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D.C. springs back to life with new, returning events
Cherry blossoms, Rehoboth season kickoff, and more on tap
Longer and warmer days are back meaning: It’s time to get out of the house and enjoy Washington D.C.’s many events. Below are a few to check out this spring.
The National Museum of Women in the Arts will host “Making their Mark: Works from the Shah Garg Collection” until Sunday, July 26. This exhibition illustrates women artists’ vital role in abstraction, considers historical contributions, formal and material breakthroughs and intergenerational relationships among women artists over the last eight decades. For more details, visit. NMWA’s website.
Art in the Attic will host a pop-up on Saturday, March 14 at 6 p.m. at 1012 Madison St., Alexandria, Va. There will be a variety of vendors selling products across different modes of art. For more details, visit Eventbrite.
Play Play will host “Indoor Recess – The art of play” on Sunday, March 15 at 2 p.m. This event will embody classic recess energy, including opportunities to build and experience community and connections through games, movement, art stations, and creative freedom. Tickets are $12.51 and can be purchased on Eventbrite.
Spark Social will host “Gay Bar Crawl on U Street” on Friday, March 20 at 7:30 p.m. This will be a fun night out in gay D.C. with other gay people, whether you’re visiting D.C., new to the area, or just looking to expand your social circle. Many crawlers have formed lasting friendships and even romantic relationships after just one night out. Tickets are $35.88 and are available on Eventbrite.
Creative Suitland Arts Center will host “EFFERVESCENT: House of Swann” on Saturday, May 30 at 7 p.m. This will be a gay, good time where we will celebrate love, joy, wellness, and visibility for the LGBTQIA+ community. Tickets start at $17.85 and can be purchased on Eventbrite.
SWAG Works DC will host “Unapologetically Her” on Saturday, March 14 at 2 p.m. at 701 E St., S.E. This event is a powerful celebration of womanhood, resilience, creativity, and self-expression in honor of Women’s History Month. This all-women exhibition highlights the diverse voices, stories, and artistic perspectives of women who create boldly, live authentically, and stand confidently in their truth. This event is free and more details are available on Eventbrite.
9:30 Club will host “Gimme Gimme Disco: A Dance Party Inspired by ABBA” on Saturday, March 14 at 6 p.m. There will also be a “Donna Summer Power Hour – The Queen of Disco” segment during this event. It’ll be one hour of music with no skips. Tickets are available on 9:30 Club’s website.
Harder Better Faster Stronger will host “Heated Rivalry Rave” on Friday, March 20 at 9 p.m. at Howard Theatre. This event is open to all ages. Tickets are available on the theater’s website.
CAMP Rehoboth hosts its 25th annual Women’s+ FEST, April 9-12 in Rehoboth Beach, Del. Entertainers include headliner Mina Hartong, a comedian, storyteller, and founder of Lez Out Loud; and singer Yoli Mayor. There are dances, dinners, pickleball, and much more. Details and tickets at camprehoboth.org.
Also in Rehoboth Beach, the Washington Blade’s 19th annual Summer Kickoff Party is set for Friday, May 15 featuring Ashley Biden, who will accept an award on behalf of her brother Beau. State Rep. Claire Snyder-Hall will also speak. More speakers and the venue to be announced soon.
The annual D.C. Cherry Blossom Festival kicks off March 21 at DAR Constitution Hall and culminates with Petalpalooza on April 4, the day-long, outdoor street party with music and art, stretching across Navy Yard, and ending with fireworks over the Anacostia River.
Women’s FEST returns to Rehoboth Beach next week
Belarusian lawmakers approve bill to crackdown on LGBTQ rights
Calendar: April 3-9
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