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Shania Twain apologizes for saying she would have voted for Trump

the Canadian country singer believed the president was an ‘honest’ candidate

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albums, gay news, Washington Blade

Shania Twain (Photo by Giampaolo Sgura; courtesy the Karpel Group)

Shania Twain has apologized for saying she would have voted for Donald Trump.

In an interview with the Guardian, the Canadian country singer explained she felt Trump was an “honest” candidate.

“I would have voted for him because, even though he was offensive, he seemed honest. Do you want straight or polite? Not that you shouldn’t be able to have both. If I were voting, I just don’t want bulls**t. I would have voted for a feeling that it was transparent. And politics has a reputation of not being that, right?” Twain said.

Now, Twain is backtracking on her earlier statement and says her response deserved “more context.” She also says she doesn’t “hold any common moral beliefs” with Trump.

“I would like to apologise [sic] to anybody I have offended in a recent interview with the Guardian relating to the American President. The question caught me off guard. As a Canadian, I regret answering this unexpected question without giving my response more context,” Twain tweets. “I am passionately against discrimination of any kind and hope it’s clear from the choices I have made, and the people I stand with, that I do not hold any common moral beliefs with the current President.”

She added, “I was trying to explain, in response to a question about the election, that my limited understanding was that the President talked to a portion of America like an accessible person they could relate to, as he was NOT a politician.”

However, some fans weren’t willing to accept Twain’s apology.

While other fans didn’t feel she needed to apologize for having a different political opinion.

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Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

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Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

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PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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