Arts & Entertainment
Tony Awards: De Niro slams Trump, Parkland students perform
‘The Band’s Visit,’ ‘Harry Potter and the Cursed Child’ win big

Students from Marjory Stoneman Douglas High School in Parkland, Florida, performing Rent’s ‘Seasons Of Love’ at the 2018 Tony Awards (Screenshot via Twitter)
The 72nd annual Tony Awards, hosted by Rachel Bloom, featured a clean sweep from “The Band’s Visit” and “Harry Potter and the Cursed Child, Parts One and Two” as well as plenty of onstage antics.
“The Band’s Visit” won 10 awards including Best Musical, Best Actor in a Leading Role in a Musical and Best Actress in a Leading Role in a Musical. “Harry Potter and the Cursed Child, Parts One and Two” won six awards including Best Play and Best Director. Another notable win was “Angels in America” for Best Revival of a Play. Andrew Garfield also won for Best Performance by an Actor in a Leading Role in a Play for “Angels in America.”
The ceremony included many memorable moments but Robert De Niro’s not so subtle dig at President Donald Trump appeared to be a crowd favorite.
“First, I wanna say, ‘f**k Trump,'” De Niro said before introducing Bruce Springsteen. “It’s no longer ‘Down with Trump,’ it’s ‘f**k Trump.”
His bleeped out statement was met with wild applause.
Robert De Niro’s popularity is suddenly rising in Canada. pic.twitter.com/30LPxiWg7f #TonyAwards
— David Beard (@dabeard) June 11, 2018
Parkland’s Marjory Stoneman Douglas High School Drama Club performed the classic song “Seasons of Love” from the musical “Rent.” Their rendition earned them a standing ovation from the crowd.
Nearly five months after tragedy struck their school, drama students from Parkland, Florida, took to the Tony’s stage with an emotional rendition of “Seasons of Love.” https://t.co/sAwQVVlwZL pic.twitter.com/wJEEWaIACn
— CBS News (@CBSNews) June 11, 2018
Also that night, their drama teacher Melody Herzfeld was honored with a Tony Award for excellence in theater education.
Herzfeld hid 65 of her students in her office for two hours during the Marjory Stoneman Douglas High School mass shooting.
“I’m overwhelmed. But I hope that this award will remind everyone of how vital and important arts education is to our kids. Drama, music, art, creative writing that’s how you make good citizens,” Herzfeld said in her acceptance speech.
Offstage, Neil Patrick Harris and Bloom got into an awkward Twitter interaction when Harris didn’t recognize the “My Crazy Ex-Girlfriend” star.
“Who is the woman in the top hat backstage at @TheTonyAwards? Gideon remarked that she says ‘like’ and ‘oh my god’ a lot. I’m confused,” Harris tweeted during the ceremony.
Who is the woman in the top hat backstage at @TheTonyAwards? Gideon remarked that she says ‘like’ and ‘oh my god’ a lot. I’m confused…
— Neil Patrick Harris (@ActuallyNPH) June 11, 2018
Bloom responded that she did, in fact, know Harris.
“I’m a big fan of yours,” Bloom replied. “We’ve met numerous times and my husband, Dan Gregor, wrote for ‘How I Met Your Mother’ for 5 years. Notably, he wrote the episode where your character finally meets his father.”
I’m a big fan of yours. We’ve met numerous times and my husband, Dan Gregor, wrote for “How I Met Your Mother” for 5 years. Notably, he wrote the episode where your character finally meets his father.
— Rachel Bloom (@Racheldoesstuff) June 11, 2018
Harris didn’t apologize for the slip but tweeted, “Indeed! Well said. Thanks for the reminder. How was backstage?”
Indeed! Well said. Thanks for the reminder. How was backstage?
— Neil Patrick Harris (@ActuallyNPH) June 11, 2018
See the complete list of winners below.
Best Book of a Musical
“The Band’s Visit”
“Frozen”
“Mean Girls”
“SpongeBob SquarePants: The Musical”
Best Original Score (Music and/or Lyrics) Written for the Theatre
“Angels in America”
“The Band’s Visit”
“Frozen”
“Mean Girls”
“SpongeBob SquarePants: The Musical”
Best Performance by an Actor in a Leading Role in a Play
Andrew Garfield, “Angels in America”
Tom Hollander, “Travesties”
Jamie Parker, “Harry Potter and the Cursed Child, Parts One and Two”
Mark Rylance, “Farinelli and The King”
Denzel Washington, “Eugene O’Neill’s The Iceman Cometh”
Best Performance by an Actress in a Leading Role in a Play
Glenda Jackson, “Edward Albee’s Three Tall Women”
Condola Rashad, “Saint Joan”
Lauren Ridloff, “Children of a Lesser God”
Amy Schumer, “Meteor Shower”
Best Performance by an Actor in a Leading Role in a Musical
Harry Hadden-Paton, “My Fair Lady”
Joshua Henry, “Rodgers & Hammerstein’s Carousel”
Tony Shalhoub, “The Band’s Visit”
Ethan Slater, “SpongeBob SquarePants: The Musical”
Best Performance by an Actress in a Leading Role in a Musical
Lauren Ambrose, “My Fair Lady”
Hailey Kilgore, “Once On This Island”
LaChanze, Summer: “The Donna Summer Musical”
Katrina Lenk, “The Band’s Visit”
Taylor Louderman, “Mean Girls”
Jessie Mueller, “Rodgers & Hammerstein’s Carousel”
Best Performance by an Actor in a Featured Role in a Play
Anthony Boyle, “Harry Potter and the Cursed Child, Parts One and Two”
Michael Cera, “Lobby Hero”
Brian Tyree Henry, “Lobby Hero”
Nathan Lane, “Angels in America”
David Morse, Eugene O’Neill’s “The Iceman Cometh”
Best Performance by an Actress in a Featured Role in a Play
Susan Brown, “Angels in America”
Noma Dumezweni, “Harry Potter and the Cursed Child, Parts One and Two”
Deborah Findlay, “The Children”
Denise Gough, “Angels in America”
Laurie Metcalf, Edward Albee’s “Three Tall Women”
Best Performance by an Actor in a Featured Role in a Musical
Norbert Leo Butz, “My Fair Lady”
Alexander Gemignani, “Rodgers & Hammerstein’s Carousel”
Grey Henson, “Mean Girls”
Gavin Lee, “SpongeBob SquarePants: The Musical”
Ari’el Stachel, “The Band’s Visit”
Best Performance by an Actress in a Featured Role in a Musical
Ariana DeBose, “Summer: The Donna Summer Musical”
Renée Fleming, “Rodgers & Hammerstein’s Carousel”
Lindsay Mendez, “Rodgers & Hammerstein’s Carousel”
Ashley Park, “Mean Girls Diana Rigg, My Fair Lady”
Best Direction of a Play
Angels in America
Edward Albee’s Three Tall Women
Travesties
Harry Potter and the Cursed Child, Parts One and Two
Eugene O’Neill’s The Iceman Cometh
Best Direction of a Musical
Once On This Island
The Band’s Visit
SpongeBob SquarePants: The Musical
Mean Girls
My Fair Lady
Best Play
“The Children”
“Farinelli and The King”
“Harry Potter and the Cursed Child, Parts One and Two”
“Junk”
“Latin History for Morons”
Best Revival of a Play
“Angels in America”
Edward Albee’s, “Three Tall Women”
Eugene O’Neill’s “The Iceman Cometh”
“Lobby Hero”
“Travesties”
Best Musical
“The Band’s Visit”
“Frozen”
“Mean Girls”
“SpongeBob SquarePants: The Musical”
Theater
Rorschach stages ‘Dragon Play’ in unlikely, raw space
Out sound designer Madeline ‘Mo’ Oslejsek notes ‘sound is my bag’
‘Dragon Play’
Through May 17
Rorschach Theatre
The Stacks @ Buzzard Point
101 V St., S.W.
$50 ($35 for students and seniors)
Rorschachtheatre.org
Celebrated for its site-specific, immersive productions, Rorschach Theatre puts on plays all over town. The unlikely spots have included greenhouses, church vestibules, closed retail spaces (including a vacant downtown big and tall men’s store) and historic locales like Rock Creek Cemetery’s Adams Memorial.
For its current offering “Dragon Play” (through May 17), a tale of love and longing, Rorschach is using a raw space in The Stacks at Buzzard Point, a new mixed-use neighborhood situated where the Anacostia and Potomac rivers meet.
Out sound designer Madeline ‘Mo’ Oslejsek considers all sites – whether traditional theatrical spaces or not – specific, particularly in terms of sound. She says, “Part of my practice is if you’re creating a soundscape for a theatrical production you’re also working with sound that already exists with the space.”
For instance, The Stacks space comes with its own unique qualities. It’s a large cement room that has a different reverberation, an echo.
“Some sounds (a car, dog bark) are planted or they might just happen. What starts as a live sound might be heard again as something recorded.”
Whip smart with a ready laugh, Oslejsek never set out to be a sound designer. She was going to direct. And now, the 2025 Helen Hayes Award nominee for Outstanding Sound Design (“Astro Boy and the God of Comics” at Flying V,) says, “Sound is my bag. Sometimes it seems that I’m the only one in the room thinking about it.”
As an undergrad studying theater at Ohio Wesleyan University, she was first exposed to sound design, but it didn’t make a big impression.
In grad school at Royal Central School of Speech and Drama, University of London, she was interested in direction. But when students were offered a choice of three more specific tracks to choose from (performance, composition, and scenography, which includes sound design), Oslejsek was swayed.
“An introduction to scenography by the department head radically changed the course of my life,” she says.
What struck her most about sound was the subjectivity: “The core of my practice is that sound has no meaning until it’s experienced. All sound is noise. It’s just a pitch, active, or vocalization. It becomes real when you hear it and apply meaning to it. That’s very exciting to me.”
Today, Oslejsek and partner Caitlin Hooper, an actor and intimacy choreographer, are based in Baltimore but work primarily in D.C.
“It feels good to be in a place where art and queerness in art are celebrated. It’s not like that everywhere, and making that kind of work down the street from this White House where that’s not the vibe, is real resistance. That feels really meaningful.”
Also important to Oslejsek (who identifies alternately as queer and lesbian) is “queer as a practice,” a concept suggesting that a queer identity or practice does not seek to replace other identities but to encompass and bridge them.
“I’m queer because I like women, but the work is more about making room for what everyone in the room hears,” she says. “Never do I want to come into a space thinking I have all the answers. That’s no fun.”
As its title might suggest, Jenny Connell Davis’ play directed by Rorschach’s Randy Baker is filled with magic. “Dragon Play,” blurs the past and present; one world bleeds into the next; and, of course, there are dragons. At 80 minutes with no intermission, the play moves in and out of different timelines; increasingly things start to overlap.
And it’s also about the magic of relationships – all kinds. There’s a line where the dragon girl asks a Texas boy what he dreams about and he replies “you, always you.”
Oslejsek, 30, is touched by those words: “In my little gay heart, I cried. It makes me think of my partner. This play is about the idea of people who strike a match in your heart that never really goes away.”
In creating a layered soundscape, she brings her own brand of magic to the production. Her big goal was “not to play with how we think a dragon might sound, but rather with how does the world sound to a dragon.”
Sometimes sound design takes the lead, but in some productions, sound is purposely subtle or secondary, she says. Either way, sound can be monumental in shaping theater.
Friday, April 17
Center Aging Monthly Luncheon With Yoga will be at 12 p.m. at the DC Center for the LGBT Community. Email Mac at [email protected] if you require ASL interpreter assistance, have any dietary restrictions, or questions about this event.
Go Gay DC will host “LGBTQ+ Social in the City” at 7 p.m. at Hotel Zena. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
Trans and Genderqueer Game Night will be at 7:00p.m. at the DC Center for the LGBT Community. This is a relaxing, laid-back evening of games and fun. All are welcome and there’ll be card and board games on hand. Feel free to bring your own games to share. For more details, visit the DC Center’s website.
Saturday, April 18
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.
Sunday, April 19
Go Gay DC will host “LGBTQ+ Community Lunch” at 11 a.m. at Federico Ristorante Italiano. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Monday, April 20
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Tuesday, April 21
Center Bi+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as Bi individuals in a private setting.Visit Facebook or Meetup for more information.
Senior Self Defense Class with Avi Rome will be at 12:30 p.m. This inclusive and beginner-friendly class, led by Instructor Avi Rome, offers a light warm-up, stretching, and instruction in basic techniques, patterns, and striking padded targets. Each session is designed to be adaptable for all ability and mobility levels, creating a welcoming space for everyone to build strength, confidence, and community through martial arts. For more details, visit the DC Center’s website.
Wednesday, April 22
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Asexual and Aromantic Group will meet at 7 p.m. on Zoom. This is a space where people who are questioning this aspect of their identity or those who identify as asexual and/or aromantic can come together, share stories and experiences, and discuss various topics. For more details, email [email protected].
Thursday, April 23
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5:00 pm if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
Out & About
Team DC’s annual gala set for this weekend
LGBTQ sports organization to hold annual ‘Night of Champions’
Team DC will host “Night of Champions Gala” on Saturday, April 18 at 6 p.m. at the Georgetown Marriott.
This will be an evening of celebration and inspiration as Team DC honors remarkable individuals and supports the next generation of LGBTQ student-athletes.
There will be opportunities to support Team DC through auctions. The Silent Auction items will offer an array of unique goods and experiences. Additionally, Team DC will feature an exclusive selection of live auction items for those looking to make a significant impact.
This year, Team DC will recognize six outstanding awardees who have made significant contributions to the LGBTQ community and sports:
- Trailblazer Award – Adam Peck, District Wrestling
- Most Valuable Person Award – Sean Bartel (posthumously)
- Champion Award – Dan Martin
- Clark Ray Horizon Award – Manuel Montelongo, aka Mari Con Carne
- Bernard Jude Delia Award – Dr. Sara Varghai
- Platinum All Star Award – Centaur Motorcycle Club
To purchase tickets, visit Team DC’s website.
