Arts & Entertainment
Tony Awards: De Niro slams Trump, Parkland students perform
‘The Band’s Visit,’ ‘Harry Potter and the Cursed Child’ win big

Students from Marjory Stoneman Douglas High School in Parkland, Florida, performing Rent’s ‘Seasons Of Love’ at the 2018 Tony Awards (Screenshot via Twitter)
The 72nd annual Tony Awards, hosted by Rachel Bloom, featured a clean sweep from “The Band’s Visit” and “Harry Potter and the Cursed Child, Parts One and Two” as well as plenty of onstage antics.
“The Band’s Visit” won 10 awards including Best Musical, Best Actor in a Leading Role in a Musical and Best Actress in a Leading Role in a Musical. “Harry Potter and the Cursed Child, Parts One and Two” won six awards including Best Play and Best Director. Another notable win was “Angels in America” for Best Revival of a Play. Andrew Garfield also won for Best Performance by an Actor in a Leading Role in a Play for “Angels in America.”
The ceremony included many memorable moments but Robert De Niro’s not so subtle dig at President Donald Trump appeared to be a crowd favorite.
“First, I wanna say, ‘f**k Trump,'” De Niro said before introducing Bruce Springsteen. “It’s no longer ‘Down with Trump,’ it’s ‘f**k Trump.”
His bleeped out statement was met with wild applause.
Robert De Niro’s popularity is suddenly rising in Canada. pic.twitter.com/30LPxiWg7f #TonyAwards
— David Beard (@dabeard) June 11, 2018
Parkland’s Marjory Stoneman Douglas High School Drama Club performed the classic song “Seasons of Love” from the musical “Rent.” Their rendition earned them a standing ovation from the crowd.
Nearly five months after tragedy struck their school, drama students from Parkland, Florida, took to the Tony’s stage with an emotional rendition of “Seasons of Love.” https://t.co/sAwQVVlwZL pic.twitter.com/wJEEWaIACn
— CBS News (@CBSNews) June 11, 2018
Also that night, their drama teacher Melody Herzfeld was honored with a Tony Award for excellence in theater education.
Herzfeld hid 65 of her students in her office for two hours during the Marjory Stoneman Douglas High School mass shooting.
“I’m overwhelmed. But I hope that this award will remind everyone of how vital and important arts education is to our kids. Drama, music, art, creative writing that’s how you make good citizens,” Herzfeld said in her acceptance speech.
Offstage, Neil Patrick Harris and Bloom got into an awkward Twitter interaction when Harris didn’t recognize the “My Crazy Ex-Girlfriend” star.
“Who is the woman in the top hat backstage at @TheTonyAwards? Gideon remarked that she says ‘like’ and ‘oh my god’ a lot. I’m confused,” Harris tweeted during the ceremony.
Who is the woman in the top hat backstage at @TheTonyAwards? Gideon remarked that she says ‘like’ and ‘oh my god’ a lot. I’m confused…
— Neil Patrick Harris (@ActuallyNPH) June 11, 2018
Bloom responded that she did, in fact, know Harris.
“I’m a big fan of yours,” Bloom replied. “We’ve met numerous times and my husband, Dan Gregor, wrote for ‘How I Met Your Mother’ for 5 years. Notably, he wrote the episode where your character finally meets his father.”
I’m a big fan of yours. We’ve met numerous times and my husband, Dan Gregor, wrote for “How I Met Your Mother” for 5 years. Notably, he wrote the episode where your character finally meets his father.
— Rachel Bloom (@Racheldoesstuff) June 11, 2018
Harris didn’t apologize for the slip but tweeted, “Indeed! Well said. Thanks for the reminder. How was backstage?”
Indeed! Well said. Thanks for the reminder. How was backstage?
— Neil Patrick Harris (@ActuallyNPH) June 11, 2018
See the complete list of winners below.
Best Book of a Musical
“The Band’s Visit”
“Frozen”
“Mean Girls”
“SpongeBob SquarePants: The Musical”
Best Original Score (Music and/or Lyrics) Written for the Theatre
“Angels in America”
“The Band’s Visit”
“Frozen”
“Mean Girls”
“SpongeBob SquarePants: The Musical”
Best Performance by an Actor in a Leading Role in a Play
Andrew Garfield, “Angels in America”
Tom Hollander, “Travesties”
Jamie Parker, “Harry Potter and the Cursed Child, Parts One and Two”
Mark Rylance, “Farinelli and The King”
Denzel Washington, “Eugene O’Neill’s The Iceman Cometh”
Best Performance by an Actress in a Leading Role in a Play
Glenda Jackson, “Edward Albee’s Three Tall Women”
Condola Rashad, “Saint Joan”
Lauren Ridloff, “Children of a Lesser God”
Amy Schumer, “Meteor Shower”
Best Performance by an Actor in a Leading Role in a Musical
Harry Hadden-Paton, “My Fair Lady”
Joshua Henry, “Rodgers & Hammerstein’s Carousel”
Tony Shalhoub, “The Band’s Visit”
Ethan Slater, “SpongeBob SquarePants: The Musical”
Best Performance by an Actress in a Leading Role in a Musical
Lauren Ambrose, “My Fair Lady”
Hailey Kilgore, “Once On This Island”
LaChanze, Summer: “The Donna Summer Musical”
Katrina Lenk, “The Band’s Visit”
Taylor Louderman, “Mean Girls”
Jessie Mueller, “Rodgers & Hammerstein’s Carousel”
Best Performance by an Actor in a Featured Role in a Play
Anthony Boyle, “Harry Potter and the Cursed Child, Parts One and Two”
Michael Cera, “Lobby Hero”
Brian Tyree Henry, “Lobby Hero”
Nathan Lane, “Angels in America”
David Morse, Eugene O’Neill’s “The Iceman Cometh”
Best Performance by an Actress in a Featured Role in a Play
Susan Brown, “Angels in America”
Noma Dumezweni, “Harry Potter and the Cursed Child, Parts One and Two”
Deborah Findlay, “The Children”
Denise Gough, “Angels in America”
Laurie Metcalf, Edward Albee’s “Three Tall Women”
Best Performance by an Actor in a Featured Role in a Musical
Norbert Leo Butz, “My Fair Lady”
Alexander Gemignani, “Rodgers & Hammerstein’s Carousel”
Grey Henson, “Mean Girls”
Gavin Lee, “SpongeBob SquarePants: The Musical”
Ari’el Stachel, “The Band’s Visit”
Best Performance by an Actress in a Featured Role in a Musical
Ariana DeBose, “Summer: The Donna Summer Musical”
Renée Fleming, “Rodgers & Hammerstein’s Carousel”
Lindsay Mendez, “Rodgers & Hammerstein’s Carousel”
Ashley Park, “Mean Girls Diana Rigg, My Fair Lady”
Best Direction of a Play
Angels in America
Edward Albee’s Three Tall Women
Travesties
Harry Potter and the Cursed Child, Parts One and Two
Eugene O’Neill’s The Iceman Cometh
Best Direction of a Musical
Once On This Island
The Band’s Visit
SpongeBob SquarePants: The Musical
Mean Girls
My Fair Lady
Best Play
“The Children”
“Farinelli and The King”
“Harry Potter and the Cursed Child, Parts One and Two”
“Junk”
“Latin History for Morons”
Best Revival of a Play
“Angels in America”
Edward Albee’s, “Three Tall Women”
Eugene O’Neill’s “The Iceman Cometh”
“Lobby Hero”
“Travesties”
Best Musical
“The Band’s Visit”
“Frozen”
“Mean Girls”
“SpongeBob SquarePants: The Musical”
Out & About
Plan your wedding the LGBTQ way
Washington D.C. LGBTQ+ Wedding Expo scheduled for Sunday
Rainbow Wedding Network will host “Washington D.C. LGBTQ+ Wedding Expo” on Sunday, March 1 at 12:30 p.m.
Guests can meet and mingle with a curated selection of LGBTQ-welcoming wedding professionals from across the region, each ready to help bring your vision to life, and spend a beautiful afternoon exploring everything they need to create a celebration that reflects them.
There will be a relaxed, self-guided look at the Watergate’s spaces and amenities, savor signature cocktails and delicious tasting samples, and connect with other couples who are on the same journey.
Visit Eventbrite to reserve a spot.
Friday, February 27
Center Aging Monthly Luncheon With Yoga and Drag Bingo will be at 12 p.m. at the DC Center for the LGBT Community. Email Mac at [email protected] if you require ASL interpreter assistance, have any dietary restrictions, or questions about this event.
Go Gay DC will host “LGBTQ+ Community Happy Hour Meetup” at 7 p.m. at Freddie’s Beach Bar and Restaurant. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
Trans Discussion Group will be at 7 p.m. on Zoom. This group is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].
Saturday, February 28
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.
Black Lesbian Support Group will be at 1 p.m. on Zoom. This is a peer-led support group devoted to the joys and challenges of being a Black lesbian. You do not need to be a member of the Beta Kappa Chapter or the Beta Phi Omega Sorority in order to join, but they do ask that you either identify as a lesbian or are questioning that aspect of your identity.Send an email to [email protected] to receive the zoom link.
Sunday, March 1
LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite.
Monday, March 2
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Tuesday, March 3
Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. For more details, email [email protected].
Wednesday, March 4
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.
Center Aging Women’s Social and Discussion Group will be at 6 p.m. on Zoom. This group is a place where older LGBTQ+ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more information, email [email protected].
Thursday, March 5
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
a&e features
Transmission DC breathes new life into a storied sound space
A fresh home for boundary-pushing culture on H Street
Late last year, phoenix-style, a fresh home for boundary-pushing culture arose on the H Street corridor. Transmission DC – a queer, trans, and POC-owned, operated, and centered community-focused venue – powered on in the former home to the Rock & Roll Hotel (famously, not a hotel, but very much rock & roll). Transmission (1353 H St., N.E.) arrives secure in its mandate – or even birthright – to provide a place to celebrate creativity and music through a lens of inclusivity and respect.
Transmission’s team brings experience, but also representation. Owners/partners Kabir Khanna (who is also programming director), Katii B, Ellie McDyre, and Kelli Kerrigan together previously managed 618 productions, a venue in Chinatown, crafting “some of D.C.’s freakiest parties, raves, and mosh pits” they note.
They packed up operations last fall to a space curated specifically for D.C.’s underground music and culture scene, building their efforts in Chinatown to bring in more fans in queer and POC circles.
Transmission, Khanna points out, is built on DIY values. In the music scene, DIY means that promoters and organizers – often disconnected from the mainstream and part of marginalized communities – build shows and programs collaboratively, but independently from institutions, supporting each other as smaller, independent venues close. Here, Transmission aims to ensure that those putting together these underground inclusive shows have a more permanent and stable home, can have access to resources, and can provide more sustainable income to artists. “We’re trying to get more people to support and enjoy the music, and also give artists and organizers within the DIY community more structure and a larger cut,” says Khanna.
Khanna also notes that Transmission operates “under the principles of safety, inclusivity, and respect.” McDyre added that even at venues that claim inclusivity, that statement might not take place in practice. We’re “not just pitting up a rainbow flag,” says McDyre, but as some of the owners are trans and POC, audiences can see themselves reflected at the top.
Much like the DIY nature of the music community, the Transmission owners brought a DIY ethos to turning around their space.
In March 2020 – the height of COVID lockdowns – Rock & Roll Hotel suddenly shuttered, though not due to the pandemic; instead, the venue claimed that decreasing sales and increasing competition led to the closure. For 14 years, it was the central spot for cheap beer and lesser-known and celebrated acts. The space stood vacant for more than five years, until Transmission turned the power back on.
“When we got into the space, it was effectively abandoned for years,” says Khanna. “There was a ton of mold, and paint primer covering all surfaces. It was nearly falling apart.” Khanna noted that many music venues like this one, regardless of how well it was maintained, “get the shit kicked out of it,” given the nature of shows. The team called in mold removal contractors, ripped up most of the floorboards, and started fresh.
Transmission’s first floor is styled as a stripped-down black box: the better to take in the music. “It’s minimal on purpose to act as a canvas for set design and music,” without a specific aesthetic, says Khanna. Moving upstairs, the second floor has been opened up, removing some walls, and now has a larger dance area than the first floor. Beyond the first two performance levels, and a holdover from Rock & Roll Hotel, is the rooftop. Though without a stage, the rooftop space is filled with murals splashed across the walls, with a full bar. Transmission’s current capacity is 496, but the team is looking to grow that number. Transmission will also leverage the full kitchen that Rock & Roll Hotel operated, bringing in Third Hand Kitchen to offer a variety of food, including vegan and vegetarian options.
Khanna pointed out an upcoming show reflective of Transmission’s inclusive ethos: Black Techo Matters on Feb. 27. The event is set to be “a dynamic, collaborative night of underground electronic music celebrating Black History Month.” Khanna says that techno came from Black music origins, and this event will celebrate this genesis with a host of artists, including DJ Stingray 313, Carlos Souffront, and Femanyst.
