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Tony Awards: De Niro slams Trump, Parkland students perform

‘The Band’s Visit,’ ‘Harry Potter and the Cursed Child’ win big

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Students from Marjory Stoneman Douglas High School in Parkland, Florida, performing Rent’s ‘Seasons Of Love’ at the 2018 Tony Awards (Screenshot via Twitter)

The 72nd annual Tony Awards, hosted by Rachel Bloom, featured a clean sweep from “The Band’s Visit” and “Harry Potter and the Cursed Child, Parts One and Two” as well as plenty of onstage antics.

“The Band’s Visit” won 10 awards including Best Musical, Best Actor in a Leading Role in a Musical and Best Actress in a Leading Role in a Musical. “Harry Potter and the Cursed Child, Parts One and Two” won six awards including Best Play and Best Director. Another notable win was “Angels in America” for Best Revival of a Play. Andrew Garfield also won for Best Performance by an Actor in a Leading Role in a Play for “Angels in America.”

The ceremony included many memorable moments but Robert De Niro’s not so subtle dig at President Donald Trump appeared to be a crowd favorite.

“First, I wanna say, ‘f**k Trump,'” De Niro said before introducing Bruce Springsteen. “It’s no longer ‘Down with Trump,’ it’s ‘f**k Trump.”

His bleeped out statement was met with wild applause.

Parkland’s Marjory Stoneman Douglas High School Drama Club performed the classic song “Seasons of Love” from the musical “Rent.” Their rendition earned them a standing ovation from the crowd.

Also that night, their drama teacher Melody Herzfeld was honored with a Tony Award for excellence in theater education.

Herzfeld hid 65 of her students in her office for two hours during the Marjory Stoneman Douglas High School mass shooting.

“I’m overwhelmed. But I hope that this award will remind everyone of how vital and important arts education is to our kids. Drama, music, art, creative writing that’s how you make good citizens,” Herzfeld said in her acceptance speech.

Offstage, Neil Patrick Harris and Bloom got into an awkward Twitter interaction when Harris didn’t recognize the “My Crazy Ex-Girlfriend” star.

“Who is the woman in the top hat backstage at @TheTonyAwards? Gideon remarked that she says ‘like’ and ‘oh my god’ a lot. I’m confused,” Harris tweeted during the ceremony.

Bloom responded that she did, in fact, know Harris.

“I’m a big fan of yours,” Bloom replied. “We’ve met numerous times and my husband, Dan Gregor, wrote for ‘How I Met Your Mother’ for 5 years. Notably, he wrote the episode where your character finally meets his father.”

Harris didn’t apologize for the slip but tweeted, “Indeed! Well said. Thanks for the reminder. How was backstage?”

See the complete list of winners below.

Best Book of a Musical
“The Band’s Visit” 
“Frozen”
“Mean Girls”
“SpongeBob SquarePants: The Musical”

Best Original Score (Music and/or Lyrics) Written for the Theatre
“Angels in America”
“The Band’s Visit”
“Frozen”
“Mean Girls”
“SpongeBob SquarePants: The Musical”

Best Performance by an Actor in a Leading Role in a Play
Andrew Garfield, “Angels in America”
Tom Hollander, “Travesties”
Jamie Parker, “Harry Potter and the Cursed Child, Parts One and Two”
Mark Rylance, “Farinelli and The King”
Denzel Washington, “Eugene O’Neill’s The Iceman Cometh”

Best Performance by an Actress in a Leading Role in a Play
Glenda Jackson, “Edward Albee’s Three Tall Women”
Condola Rashad, “Saint Joan”
Lauren Ridloff, “Children of a Lesser God”
Amy Schumer, “Meteor Shower”

Best Performance by an Actor in a Leading Role in a Musical
Harry Hadden-Paton, “My Fair Lady”
Joshua Henry, “Rodgers & Hammerstein’s Carousel”
Tony Shalhoub, “The Band’s Visit”
Ethan Slater, “SpongeBob SquarePants: The Musical”

Best Performance by an Actress in a Leading Role in a Musical
Lauren Ambrose, “My Fair Lady”
Hailey Kilgore, “Once On This Island”
LaChanze, Summer: “The Donna Summer Musical”
Katrina Lenk, “The Band’s Visit”
Taylor Louderman, “Mean Girls”
Jessie Mueller, “Rodgers & Hammerstein’s Carousel”

Best Performance by an Actor in a Featured Role in a Play
Anthony Boyle, “Harry Potter and the Cursed Child, Parts One and Two”
Michael Cera, “Lobby Hero”
Brian Tyree Henry, “Lobby Hero”
Nathan Lane, “Angels in America”
David Morse, Eugene O’Neill’s “The Iceman Cometh”

Best Performance by an Actress in a Featured Role in a Play
Susan Brown, “Angels in America”
Noma Dumezweni, “Harry Potter and the Cursed Child, Parts One and Two”
Deborah Findlay, “The Children”
Denise Gough, “Angels in America”
Laurie Metcalf, Edward Albee’s “Three Tall Women”

Best Performance by an Actor in a Featured Role in a Musical
Norbert Leo Butz, “My Fair Lady”
Alexander Gemignani, “Rodgers & Hammerstein’s Carousel”
Grey Henson, “Mean Girls”
Gavin Lee, “SpongeBob SquarePants: The Musical”
Ari’el Stachel, “The Band’s Visit”

Best Performance by an Actress in a Featured Role in a Musical
Ariana DeBose, “Summer: The Donna Summer Musical”
Renée Fleming, “Rodgers & Hammerstein’s Carousel”
Lindsay Mendez, “Rodgers & Hammerstein’s Carousel”
Ashley Park, “Mean Girls Diana Rigg, My Fair Lady”

Best Direction of a Play
Angels in America
Edward Albee’s Three Tall Women
Travesties
Harry Potter and the Cursed Child, Parts One and Two
Eugene O’Neill’s The Iceman Cometh

Best Direction of a Musical
Once On This Island
The Band’s Visit
SpongeBob SquarePants: The Musical
Mean Girls
My Fair Lady

Best Play
“The Children”
“Farinelli and The King”
“Harry Potter and the Cursed Child, Parts One and Two”
“Junk”
“Latin History for Morons”

Best Revival of a Play
“Angels in America”
Edward Albee’s, “Three Tall Women”
Eugene O’Neill’s “The Iceman Cometh”
“Lobby Hero”
“Travesties”

Best Musical
“The Band’s Visit”
“Frozen”
“Mean Girls”
“SpongeBob SquarePants: The Musical”

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Memorial for groundbreaking bisexual activist set for May 2

Loraine Hutchins remembered as a ‘force of nature’

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Loraine Hutchins died last year. (File photo courtesy of Hutchins)

The Montgomery County Pride Center will host a celebration honoring the life and legacy of Loraine Hutchins, Ph.D., on May 2. People are invited to attend the onsite memorial or a livestream event. The on-site event will begin at 10 a.m. with a meet-and-greet mixer before moving into a memorial service around the theme “Loraine a Force of Nature!” at 11 a.m., a panel talk at 12 p.m., break out sessions for artists, academics, and activists to build on her legacy at 1 p.m. and a closing reception at 2 p.m. 

Attendees are encouraged to register for the on-site memorial gathering or the livestreamed memorial. The goal of this event is also to collect stories and memories of Loraine. Attendees and others can share their stories at padlet.com. 

An obituary for Hutchins was published in the Bladelast Nov. 24, where people can learn more about her activism in the bisexual community. A private service for friends and family was held in December but this memorial service is open to all. 

Alongside her groundbreaking work organizing for U.S. bisexual rights and liberation including co-editing “Bi Any Other Name: BIsexual People Speak Out” (1991), she also integrated faith into her sexual education and advocacy work. Her 2001 doctoral dissertation, “Erotic Rites: A Cultural Analysis of Contemporary U.S. Sacred Sexuality Traditions and Trends,” offered a pointed queer and feminist analysis to sex-neutral and sex-positive spiritual traditions in the United States. Her thesis was also groundbreaking in exploring the intersections between sex workers and those in caregiving professionals, including spiritual ones.

In an oral history interview conducted by Michelle Mueller back in August 2023, Hutchins described herself as a “priestess without a congregation.” While she has occasionally had a sense of community and feels part of a group of loving people, she admitted that “I don’t feel like we have the shape or the purpose that we need.”

“I’ve often experienced being the Cassandra in the room, the Cassandra in the community. Somebody who’s kind of way out there ahead, thinking through the strategic action points that my community hasn’t gotten to yet, and getting a lot of resistance and hostile responses from people who are frightened by dissent and conflict and not ready for the changes we have to make to survive,” she said.

“For somebody who’s bisexual in an out political way and who’s been a spokesperson for the polyamory movement in an out political way, it’s very exposing. And it’s very important to me to be able to try to explain and help other people understand the connection between spirituality and sexuality,” she explained citing how even as a graduate student she was “exploring how to feel erotic and spiritual, and not feel them in conflict with each other in my own spiritual contemplative life and my own sensual body awareness of being alive in the world.”

“Every religion has a sense of sacred sexuality. It’s just they put a lot of boundaries and regulations on it, and if we have a spiritual practice that is totally affirming of women’s priesthood and of gay people, queer people’s ability to minister to everyone and to be ministered to be everyone, what does that do to the gender of God, or our understanding of how we practice our spirituality and our sexuality in community and privately?”

“There’s no easy answer,” she concludes, and she continued to grapple with these questions throughout her life, co-editing another seminal text, “Sexuality, Religion and the Sacred: Bisexual, Pansexual, and Polysexual Perspectives,” published in 2012. Her work blending spiritual and queer liberation remains groundbreaking to this day. 

Rev. Eric Eldritch, a local community organizer and ordained Pagan minister with Circle Sanctuary who has worked for decades with the DC Center’s Center Faith to organize the Pride Interfaith Service, is eager to highlight this element of her legacy at the memorial service next month.  

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History

Julius’ Bar ‘sip-in’ laid groundwork for Stonewall

Tuesday marked 60 years since four gay activists held protest

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(Washington Blade photo by Ernesto Valle)

While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.

Tuesday marked 60 years since the Julius’ Bar “sip in.”

On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.

Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.

At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.

Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.

Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.

The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.

Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.

Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.

“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”

For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.

“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”

The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.

“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.

The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.

Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:

Alice Austen House at Steiny’s Pub, Staten Island, N.Y.

Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.

Brick Road Coffee, Mesa, Ariz.

Brick Road Coffee, Tempe, Ariz.

Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.

The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans

Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York

JOYR!DE KiKi at Loafers Cocktail Bar, New York

Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.

Mazer Lesbian Archives at Alana’s Coffee, Los Angeles

New Hope Celebrates at The Club Room, New Hope, Pa.

Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.

Sandy Jack’s Bar, Brooklyn, N.Y.

St. Louis LGBT History Project at Just John Club, St. Louis

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Photos

PHOTOS: National Champagne Brunch

Gov. Beshear honored at annual LGBTQ+ Victory Fund event

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Gov. Andy Beshear (D-Ky.) speaks at the LGBTQ+ Victory Fund National Champagne Brunch on Sunday, April 19. (Washington Blade photo by Michael Key)

The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.

(Washington Blade photos by Michael Key)

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