Arts & Entertainment
Eminem receives backlash for homophobic lyrics on surprise album
The rapper calls Tyler, The Creator an anti-gay slur

Eminem in ‘Fall’ (Screenshot via YouTube)
Eminem dropped his surprise album “Kamikaze” on Thursday which features plenty of diss tracks of other celebrities but his diss against fellow rapper Tyler, The Creator is receiving controversy for its anti-gay lyrics.
On the track “Fall,” Eminem raps “Tyler create nothin’, I see why you called yourself a f—-t, bitch.”
Tyler, The Creator had criticized Eminem back in 2014 for his work on the album, “ShadyXV.”
“I love you Marshall, you are my favorite rapper but dude ShadyXV is fucking ASS hahaha why wont someone who loves him tell him NO,” Tyler, The Creator said at the time.
Eminem’s lyrical track record has included plenty of homophobic lyrics in the past but the rapper was called out by some of his celebrity peers for still using anti-gay language in 2018.
Bon Iver’s Justin Vernon is featured on the song but says he wasn’t in the studio for Eminem’s verses. In a tweet, he says he’s “not a fan of the message” and asked for the song to be changed but was denied.
Was not in the studio for the Eminem track… came from a session with BJ Burton and Mike Will. Not a fan of the message, it’s tired. Asked them to change the track, wouldn’t do it. Thanks for listening to BRM https://t.co/E0wmt732ty
— blobtower (@blobtower) August 31, 2018
Imagine Dragons lead singer Dan Reynolds, who has recently become a strong advocate for the LGBT community, denounced the use of the term on Twitter.
“it’s never ok to say a word that is filled with hate. I don’t care what year you were born in or what meaning it has to you,” Reynolds tweeted. “if it contributes to hate and bigotry then it is hateful. period. there is never an ok time to say the word fa**ot. I don’t care who you are.”
He continued: “it’s disgusting to be told this is being “overly sensitive” or “millennial”. LGBTQ kids are TAKING THEIR LIVES after being bullied with homophobic slurs. it’s not “sensitive” to take a stand against a word that has been used to spread hate for years.”
it’s never ok to say a word that is filled with hate. I don’t care what year you were born in or what meaning it has to you.
if it contributes to hate and bigotry then it is hateful. period.
there is never an ok time to say the word fa**ot
I don’t care who you are.
— Dan Reynolds (@DanReynolds) August 31, 2018
it’s disgusting to be told this is being “overly sensitive” or “millennial”.
LGBTQ kids are TAKING THEIR LIVES after being bullied with homophobic slurs.
it’s not “sensitive” to take a stand against a word that has been used to spread hate for years.
— Dan Reynolds (@DanReynolds) September 2, 2018
I’ve lived enough of my life remaining silent on these issues because of fear or lack of education.
I don’t live in fear anymore.
I still have lots to learn. but no. I will not be a silent voice with this platform I have been given.
— Dan Reynolds (@DanReynolds) September 2, 2018
“The Breakfast Club” co-host Charlamagne Tha God, who Eminem also disses on his album, told Esquire that he doesn’t think Eminem cares about offending the LGBT community.
“Well, here’s the thing about freedom of speech, you have the freedom to say what you want, but people are free to be offended—and I’m sure they will be about this line — but he’s actually quoting something Tyler said about himself. It personally didn’t offend me, but I’m a Oldhead who grew up in the era where that word was freely thrown around in records and interviews,” he says. “I’m not a member of the LGBT community. I would love to hear how a hip-hop fan who’s a member of the LGBT community reacts to this line, because I can’t tell them not to be offended. Eminem has to understand when he calls Tyler that he’s not just throwing a shot at Tyler, he’s throwing a shot at millions of gay people around the globe. But I don’t think he cares.”
History
Julius’ Bar ‘sip-in’ laid groundwork for Stonewall
Tuesday marked 60 years since four gay activists held protest
While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.
Tuesday marked 60 years since the Julius’ Bar “sip in.”
On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.
Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.
At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.
Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.
Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.
The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.
Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.
Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.
“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”
For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.
“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”
The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.
“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.
The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.
Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:
Alice Austen House at Steiny’s Pub, Staten Island, N.Y.
Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.
Brick Road Coffee, Mesa, Ariz.
Brick Road Coffee, Tempe, Ariz.
Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.
The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans
Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York
JOYR!DE KiKi at Loafers Cocktail Bar, New York
Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.
Mazer Lesbian Archives at Alana’s Coffee, Los Angeles
New Hope Celebrates at The Club Room, New Hope, Pa.
Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.
Sandy Jack’s Bar, Brooklyn, N.Y.
St. Louis LGBT History Project at Just John Club, St. Louis
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)



















The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai, Dan Martin and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.
(Washington Blade photos by Michael Key)















