Arts & Entertainment
Broadway legend Carol Channing dies at 97
The iconic performer brought ‘Hello, Dolly!’ to life

Legendary Broadway star Carol Channing died of natural causes at her home in Rancho Mirage, Calif. early Tuesday morning. She was 97.
B. Harlan Boll, Channing’s publicist, made the announcement in a Facebook post.
“It is with extreme heartache, that I have to announce the passing of an original industry pioneer, legend and icon, Miss Carol Channing,” Boll wrote. “I admired her before I met her, and have loved her since the day she stepped … or fell rather … into my life. It is so very hard to see the final curtain lower on a woman who has been a daily part of my life for more than a third of it. We supported each other, cried with each other, argued with each other, but always ended up laughing with each other. Saying goodbye is one of the hardest things I have ever had to do, but I know that when I feel those uncontrollable urges to laugh at everything and/or nothing at all, it will be because she is with me, tickling my funny bone.”
Channing was born in Seattle on Jan. 31, 1921. At age 19, she began performing on Broadway. She gained widespread acclaim for her role as Lorelei Lee in the 1949 musical “Gentlemen Prefer Blondes;” the same role was famously played by Marilyn Monroe in the 1953 film version.
In 1964, Channing portrayed the title role in the iconic musical “Hello, Dolly!” which earned her the Tony Award for Best Actress. Channing played Dolly more than 5,000 times over the years giving her final performance in 1996.
Channing also was a film star appearing in the films “Paid In Full,” “The First Traveling Saleslady” and “Sgt. Pepper’s Lonely Hearts Club Band.” She won a Golden Globe and was nominated for an Academy Award for the 1967 film “Thoroughly Modern Millie.”
She is survived by her son, Channing Lowe.
Social media lit up with tributes to one of Broadway’s most iconic stars.
“When the whistles blow
— Lin-Manuel Miranda (@Lin_Manuel) January 15, 2019
And the cymbals crash
And the sparklers light the sky
I’m gonna raise the roof
I’m gonna carry on
Give me an old trombone
Give me an old baton
Before the parade passes by!”
Goodbye, Carol.
❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️ https://t.co/Z6KFQzrcWV
I am so sad just lost my incredible original inspiration #carolchanning I saw her in Hello Dolly when I was 8 and she changed my DNA love you lady forever one of the greatest entertainers of all times
— Sandra Bernhard (@SandraBernhard) January 15, 2019
One of Broadway’s greatest lights, Carol Channing, has passed on. She rejoins the heavens as a new diamond in the night sky, and as she famously sang, they are a girl’s best friend. Goodbye and farewell, forever our Dolly. https://t.co/0u2zLcAnff
— George Takei (@GeorgeTakei) January 15, 2019
When Mary Martin died, Carol Channing said a wisp of smoke came out of the top of her head when she passed. I have a feeling last night, Ms. Channing tap danced her way into the wings. If you didn’t know her work look up Channing Diamonds – her voice will make you smile. pic.twitter.com/PLd46N6rU5
— David Sobolov (@volobos) January 15, 2019

The 2025 Silver Pride Resource Fair and Tea Dance was held at the Eaton Hotel on Wednesday, May 21.
(Washington Blade photos by Michael Key)










Out & About
Queer film festival comes to D.C.
DC/DOX to showcase LGBTQ documentaries made by LGBTQ filmmakers

DC/DOX will host a film festival beginning on Thursday, June 12, at the Regal Gallery Place, Eaton Cinema, and the U.S. Navy Memorial Burke Theatre.
This festival will premier LGBTQ documentaries made by LGBTQ filmmakers. Each screening will be followed by in-person Q&As with the filmmakers.
For more details, visit dcdoxfest.com
Movies
Gay director on revealing the authentic Pee-wee Herman
New HBO doc positions Reubens as ‘groundbreaking’ performance artist

In the new HBO two-part documentary, “Pee-wee as Himself,” director Matt Wolf gives viewers a never-before-seen look into the personal life of Paul Reubens, the comedic actor behind the much loved television persona, Pee-wee Herman.
Filmed before Reubens passed away in 2023 from cancer, Wolf and his creative team created the riveting documentary, interspersing several interviews, more than 1,000 hours of archival footage, and tens of thousands of personal photos.
Determined to set the record straight about what really happened, Reubens discussed his diverse influences, growing up in the circus town of Sarasota, Fla., and his avant-garde theater training at the California Institute of the Arts.
Ruebens joined the Groundlings improv group, where he created the charismatic Pee-wee Herman. He played the quirky character during the Saturday morning show, “Pee-wee’s Playhouse,” and in numerous movies, like “Pee-wee’s Big Adventure” and “Big Top Pee-wee.” He also brought Pee-wee to Broadway, with “The Pee-wee Herman Show.”
To get an enigma such as Reubens to open up was no easy task for Wolf.
“I felt determined to get Paul to open up and to be his authentic self,” acknowledged Wolf at a recent press conference. “And I was being tested and I wanted to meet my match in a way so I didn’t feel frustrated or exhausted, I felt determined but I also, it was thrilling to go this deep. I’ve never been able, or I don’t know if I ever will, go this deep with another human being to interview them in an intimate way for over 40 hours.”
Wolf described the collaborative interview experience as a dream, “like we were in a bubble where time didn’t matter.” he also felt a deep connection to the material, having come of age watching “Pee-wee’s Playhouse.”
“I wouldn’t have been able to put words to it at the time, but I think it was my first encounter with art that I felt emotionally involved in,” noted Wolf.
“He continued: “I recognize that that show created a space for a certain kind of radical acceptance where creativity thrives. And as a gay filmmaker, I also recognize things like Pee-wee Herman marrying a bowl of fruit salad at a slumber party or dancing in high heels to the song, ‘Fever.’ That stuff spoke to me. So that was my connection to it.”
During the documentary, Reubens comes out as a gay man.
“Paul went into this process wanting to come out,” said Wolf. “That was a decision he had made. He was aware that I was a gay filmmaker and had made portraits of other gay artists. That was the work of mine he was attracted to, as I understood. And I wanted, as a younger person, to support him in that process, but he also was intensely sensitive that the film would overly emphasize that; or, focused entirely from the lens of sexuality when looking at his story.”
Their complicated dynamic had an aspect of “push and pull” between them.
“I think that generational difference was both a source of connection and affinity and tension. And I do think that the level to which Paul discusses his relationships and intimacy and vulnerability and the poignant decision he made to go back into the closet. I do have to believe to some extent he shared that because of our connection.”
Wolf hopes that the “Pee-wee as Himself” positions Reubens as one of the most “groundbreaking” performance artists of his generation who in a singular way broke through into mainstream pop culture.
“I know he transformed me. He transformed how I see the world and where I went as a creative person. And it’s so clear that I am not alone in that feeling. For me, it was fairly abstract. I couldn’t necessarily put words to it. I think people who grew up on Pee-wee or were big fans of Pee-wee, seeing the film, I hope, will help them tap into intangible and specific ways how transformative his work was for them. It really is a gift to revisit early seminal experiences you had and to see how they reverberate in you.”
He added: “So, to me, this isn’t so much about saying Paul Reubens is a genius. I mean, that’s overly idealizing and I don’t like hero worship. It’s more about understanding why many of us have connected to his work and understanding where he lives within a legacy of performance art, television, and also, broader pop culture.”
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