Arts & Entertainment
Remembering the queer voices and allies we lost in 2019
Authors, artists and others who changed the world
Many acclaimed LGBTQ people and allies died in 2019. They include:
Carol Channing, the legendary Broadway actress, died on Jan. 15 at age 97 in Rancho Mirage, Calif. She was best know for her performances as Lorelei Lee in “Gentlemen Prefer Blondes” and Dolly Gallagher Levi in “Hello Dolly!”
Mary Oliver, a lesbian poet, died on Jan. 17 at her Florida home at age 83. Her collection “American Primitive, won the 1984 Pulitzer Prize.
Harris Wofford, a Democratic senator and civil rights crusader, died on Jan. 21 at age 92. After his wife died, Wofford fell in love with Matthew Charlton. They married in 2018.
Barbra Siperstein, a transgender rights crusader died on Feb. 3 at age 76 from cancer at a New Brunswick, N.J. hospital. A New Jersey law bears her name. It permits people in New Jersey to change their gender on their birth certificates without having to prove they’ve had surgery.
Patricia Nell Warren, author of the 1974 novel “The Front Runner” died on Feb. 9 at age 82 in Santa Monica, Calif. from lung cancer. The iconic book was one of the first to feature an open same-sex male relationship.
Hilde Zadek, a Vienna State Opera mainstay, died on Feb. 21 at 101 in Karlsruhe, Germany. She debuted in the title role of in Verdi’s “Aida” in 1947. She retired in 1971.
Jackie Shane, a black transgender soul singer who received a 2018 Grammy nomination for best historical album for her album “Any Other Way,” died at age 78 in Nashville. Her body was found at her home on Feb. 21.
Gillian Freeman, the British novelist who wrote the 1961 novel “The Leather Boys” died on Feb. 23 at age 89 in London. The book was one of the first to portray working-class gay characters.
Carrie Ann Lucas, a queer lawyer and disability rights advocate, died on Feb. 24 at age 47 in Loveland, Colo. She championed the rights of disabled parents.
John Richardson, an art historian renowned for his four-volume biography of Pablo Picasso, died at age 95 on March 12 at his Manhattan home.
Barbara Hammer, a lesbian filmmaker, died at age 79 from ovarian cancer at her partner Florrie Burke’s home in Manhattan on March 16. Hammer celebrated lesbian sexuality in “Dyketactics” and other films.
Dr. Richard Green, a psychiatrist, died at age 82 on April 6 at his London home. He was one of the first to critique the idea that being queer is a psychiatric disorder.
Michael Fesco, the nightclub owner who provided open spaces (Ice Palace, Flamingo and other venues) for gay men to dance when LGBTQ people couldn’t be out, died on April 12 at age 84 in Palm Springs, Calif.
Lyra McKee, a 29-year-old, queer Northern Ireland journalist, died on April 18. She was killed while covering violence in Londonderry.
Giuliano Bugialli, a gay culinary historian and three-time James Beard Award winner, died at age 88 on April 26 in Viareggio, Italy.
Doris Day, queer icon, actress and singer best known for her romantic comedies with Rock Hudson, died at age 97 on May 13 at her Carmel Valley, Calif. home from pneumonia.
Binyavanga Wainaina, a Kenyan author, founder of the magazine “Kwani?” and one of the first prominent African writers to come out as gay, died at age 48 on May 21 in a Nairobi hospital.
Charles A. Reich, author of the 1970 counter-culture manifesto “The Greening of America,” died on June 15 at age 91 in San Francisco.
Douglas Crimp, an art critic and AIDS activist, died on July 5 at age 74 at his Manhattan home from multiple myeloma. He wrote many articles for journals. Yet he also attended meetings of the AIDS group ACT UP.
Elka Gilmore, a queer chef known for her fusion cuisine, died at age 59 on July 6 in San Francisco. The New York Times Magazine called her “the enfant terrible of the modern California kitchen.”
George Hodgman, a gay editor, died on July 19 at age 60 at his Manhattan home. The cause was thought to be suicide. Hodgman’s memoir “Bettyville” is his story of staying in Paris, Mo. with his widowed mother who had dementia.
Lee Bennett Hopkins, a gay poet who wrote and edited many books for children, died on Aug. 8 at age 81 in Cape Coral, Fla. In 2018, he edited “World Make Way: New Poems Inspired by Art from The Metropolitan Museum.”
Sally Floyd, one of the inventors of Random Early Detection (RED), a widely used internet algorithm, died at age 69 on Aug. 25 at her Berkeley, Calif. home from cancer. She is survived by her wife Carole Leita.
Valerie Harper, the actress best known as Rhoda Morgenstern on “The Mary Tyler Moore Show,” died on Aug. 30 at age 80 from cancer. Harper was D.C.’s 2009 Capital Pride Parade grand marshal.
Rip Taylor, a gay comedian known as The King of Confetti, died on Oct. 6 at age 88 at Cedars-Sinai Medical Center in Los Angeles.
John Giorno, a gay artist, died on Oct. 11 at his home in Manhattan at age 82. In 1969, he founded Dial-A-Poem, a communications system enabling people to hear Allen Ginsberg and other poets read their poems.
Gillian Jagger, an artist whose work (installations of animal carcasses and tree trunks) wasn’t aligned with any one movement, died on Oct. 21 in Ellenville, N.Y. at age 88. “I felt that nature held the truth I wanted,” she told the U.K’s Public Monuments and Sculpture Association magazine. She is survived by her wife Connie Mander.
Howard Cruse, a gay cartoonist whose comic strip “Wendel” ran in The Advocate for several years, died on Nov. 26 at age 75 in Pittsfield, Mass. from lymphoma. His graphic novel “Stuck Rubber Baby” and other work influenced other queer cartoonists. He is survived by his husband Ed Sedarbaum.
Michael Howard, a gay military historian and decorated combat veteran and pioneer of the “English school” of strategic studies, died on Nov. 30 in Swindon, England at age 97.
Shelley Morrison, who played Rosario on “Will and Grace” from 1999 to 2006, died on Dec. 1 in Los Angeles at age 83 from heart failure.
William Luce, who wrote the acclaimed plays “The Belle of Amherst” about Emily Dickinson and “Barrymore” about John Barrymore, died on Dec. 9 at a memory-care facility in Green Valley, Ariz. at age 88. Ray Lewis, his partner of 50 years, died in 2001.
The Washington Blade held its 18th annual Summer Kickoff Party in Rehoboth Beach, Del., on Friday, May 16. Delaware Gov. Matt Meyer spoke along with State Sen. Russ Huxtable, CAMP Rehoboth Executive Director Kim Leisey, Blade Editor Kevin Naff, and Clear Space Theatre Managing Director Joe Gfaller. The event raises funds for the Steve Elkins Memorial Fellowship in Journalism, which was awarded to AU student Abigail Hatting.
(Washington Blade photos by Daniel Truitt)
In some fowl fiction foreshadowing, a gay-owned chicken joint has come home to roost on U Street, taking a page from the chicken window subplot on the HBO show “Looking.”
Last Friday, Lucky Pollo – much more than just a takeout window – stretched its wings atop the busy nightlife corner of 14th and U Streets NW.
Behind the poultry production place is Zach Renovátes, a D.C.-based nightlife operator and managing partner of LGBTQ venues Bunker and District Eagle, as well as the LGBTQ event production company KINETIC Presents.
Renovátes opened Bunker in February 2023 and District Eagle in January of this year. Lucky Pollo is the third in his growing gay empire, though this time there are noshes.
“Lucky Pollo was meant to be fun and a little provocative,” Renovátes said.
Based around its Peruvian-style rotisserie chicken, Lucky Pollo is a quick-service restaurant boasting a small menu of poultry and sides. Renovátes says that the dishes are deeply rooted in Peruvian culinary tradition, “a playful experience alongside seriously good food.”
Lucky Pollo’s signature chicken is steeped in a dozen-plus-spice marinade for 24 hours. The meat is then slow-roasted, rotisserie-style, over oak-wood charcoal. Chicken options include quarter, half, and whole.
Helming the kitchen at Lucky Pollo is Chef Luis Herrera, who brings Peruvian recipes passed down through three generations, including his grandmother Laura’s original creations.
Beyond the full bird, the menu features Peruvian-inspired sides like yuca fries (“I personally love these,” says Renovátes) and fried plantains, as well as comfort classics such as mac and cheese and mashed potatoes, and bowls, wraps, and salads. Herrera oversees development of the multiple sauces (including staff favorite, the “secret green sauce”), crafted in-house using traditional Peruvian ingredients.
Lucky Pollo, in its streetside perch, is an independent concept from District Eagle, open to the public and staying open late (3 a.m. on weekends) to serve both nightlife guests and the wider U Street crowd hungry for late-night bites. However, just beyond the kitchen, tucked in the back lies a vintage 1950s candy machine—labeled “Out of Order,” which serves as the door leading to subterranean District Eagle.
Renovátes notes that when District Eagle is open, security staff will maintain a strict two-line policy, ensuring that those seeking meat to eat will not get entwined with those looking to gain access to District Eagle.
Lucky Pollo unites the need for sustenance with the idea of a bit of fortune, given its motto, “Get Lucky” and the whimsical brand mascot: a leather-booted chicken perched on a horseshoe. Renovátes and his District Eagle business partner had always been interested in opening a restaurant, and the Lucky Pollo space was indeed lucky: It already came with a functional kitchen. Plus, he says, the nearby fast-casual places around 14th and U streets “don’t offer a lot of quality options,” so opening the chicken spot “was a no-brainer.”
The space, designed by NYC creative Jasin Cadic, blends theatrical street-art-style vibes with Keith Haring-inspired wall prints, neon signs, and ceiling-hung chicken figurines —”some edgy, some sweet,” says Renovátes —creating an immersive, playful atmosphere. Lucky Pollo and District Eagle maintain separate amenities for their respective customers.
Lucky Pollo opened last week with a competition to devour a whole rotisserie chicken in the fastest time, with the winner earning $1,000 and a framed spot on the restaurant’s “Wall of Fame.” The opening also featured other games and prizes, and a full crowd spilling out the door.
“We want it to be a great place to eat, but also serve as a playful front for something completely unexpected.” Renovátes says.
On weekends especially, he jokes, the motto will be, ‘Come for the chicken, stay for the cock.’”
Theater
Mike Millan prepares to co-host Helen Hayes Awards
Accomplished actor has background in standup and improv
2025 Helen Hayes Awards
May 19
For tickets go to theatrewashington.org
It helps to have “an amalgamation of tricks, some more useful than others,” to host the Helen Hayes Awards. With a background in standup and improv and experience hosting children’s dance competitions and basement comedy clubs, out actor Mike Millan fits the ticket.
And if he has any misgivings, Millan isn’t showing them. He’s mostly looking forward to co-hosting with Felicia Curry, a Helen Hayes Award-winning local actor who’s successfully hosted the event more than once.
Based in both L.A. and New York, Millan is an accomplished actor whose connection to the DMV involves two productions at Arlington’s Signature Theatre, “Which Way to the Stage” (2022) and Sondheim’s zany romp “A Funny Thing Happened on the Way to the Forum” (2024).
This year, “Forum” has nabbed seven Helen Hayes nominations including Outstanding Ensemble in a Musical, Hayes, and Outstanding Lead Performer in a Musical, Hayes, for Erin Weaver who plays the central character Pseudolus, a cunning slave usually played by a man.
While Millan hasn’t been singled out for his memorable turn as Hysterium, a nervous gay slave in “Forum,” he enjoyed the part, and teasingly adds, “If they don’t nominate you, they will make you work for the event, so here we are.”
Both he and Curry will have their moments to shine: “It’s not my Netflix special; it’s not all about me. Granted that’s a twist for me, but I’ll do my best to share the spotlight” he promises.
The 41st Helen Hayes Awards celebration will be held on Monday, May 19, at The Anthem on the District Wharf in D.C. Named for Helen Hayes, the legendary first lady of Broadway, the lengthy program is comprised of an awards presentation, a leisurely intermission, all followed by an after-party with dancing.
Recognizing work from 165 eligible productions presented in the 2024 calendar year, nominations were made in 41 categories and grouped in “Helen” or “Hayes” cohorts, depending on the number of Equity members involved in the production with Hayes counting more.
The nods are the result of 51 carefully vetted judges considering 2,188 individual pieces of work, such as design, direction, choreography, performances, and more. Productions under consideration in 2024 included 57 musicals, 108 plays, and 37 world premieres.
Out sound designer Madeline ‘Mo’ Oslejsek is up for Outstanding Sound Design, Helen, for Flying V Theatre’s production of Natsu Onoda Power’s “Astro Boy and the God of Comics,” a retro-sci-fi piece. Oslejsek, 29, brings queerness to her work, both professionally and personally.
She describes “Astro Boy,” as a multimedia love letter: “We wanted it to be nostalgic, cartoonish when it was meant to be, and reality too.”
Based in Baltimore, Oslesjek who identifies alternately as queer and lesbian, says “my work is deeply tied to being queer. The reason I describe myself as a queer multidisciplinary artist is because I think it’s important for that word to be used and heartily embraced.
“I came out at 21 just before immersing myself in the study of sound design,” she says. “A big part of that allowed me to be serious about the work that I do. Also, part of coming out was to be unabashedly ambitious and unafraid to ask for what I want when it comes to art.
Director, playwright, and actor Nick Olcott is no stranger to the Helen Hayes Awards. Currently celebrating his 45th year in Washington theater, Olcott has received multiple Helen Hayes Awards nominations, and received the Charles MacArthur Award for Outstanding New Play; he’s also directed the ceremony several times.
This year he’s nominated for Outstanding Director for a Play, Helen, for 1st Stage’s production of “The Nance,” Douglas Carter Beane’s story of burlesque performers during the 1930s.
“It’s funny the way things have changed, says Olcott, who’s gay. “It used to be The Washington Post would review something and you knew whether it was a hit or not. Well, the Post never came to ‘The Nance’ so I never knew if the show generated any interest. Naturally, I was staggered to learn that we received 11 nominations including nods for Outstanding Ensemble, Helen, Outstanding Production – Play, Helen, and Outstanding Lead Performer in a Play, Helen, for out actor Michael Russotto as Chauncey, the camp stock character.”
Olcott and Russotto go back to 1983 when both acted in a production of Agatha Christie’s “Mouse Trap” at Petrucci’s Dinner Theatre in Laurel, Md., and have worked together on and off ever since.
Four years in the making, “The Nance” was slated to open in May 2020, but the pandemic shut it down. Rather heroically, 1st Stage’s artistic doctor Alex Levy stuck with the production along with most of the cast and design team.
“In 2020, questions of gender and sexuality weren’t looming as heavily on the American political scene,” says Olcott, “but by the time we brought the play back those topics had become increasingly important. That’s something that rarely happens.
“The characters at the burlesque house were a family, bonded together to stand up to the outside world. It’s a fun milieu and slice of history that not many of us know about, and didn’t realize how relevant it would become.”
Other queer Helen Hayes nominees include Jon Hudson Odom for Outstanding Lead Performer in a Play, Hayes, in Folger Theatre’s “Metamorphoses.” And for Outstanding Lead Performer in a Musical, Hayes, are Johnny Link in Signature’s “Private Jones” and Brandon Uranowitz in “tick, tick… BOOM!” at the Kennedy Center. Beanie Feldstein is up for Outstanding Supporting Performer in a Musical, Hayes, in “The 25th Annual Putnam County Spelling Bee,” also at the Kennedy Center.
A full list of award recipients will be available at theatrewashington.org on Tuesday, May 20.
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