Arts & Entertainment
GLAAD Media Awards announces 2019 nominees
‘Pose,’ The Favorite,’ ‘Love, Simon’ and more honored for LGBT-inclusivity

The 30th annual GLAAD Media Awards were announced on Friday at the Sundance Film Festival in Park City, Utah by “Pose” star
This year GLAAD expanded its nominations in the Outstanding Film – Limited Release category from five nominees to 10. The nominees include “The Favourite,” “Can You Ever Forgive Me?” “Boy Erased and “The Miseducation of Cameron Post,” among others. As for the Outstanding Film – Wide Release category, the teen rom-com “Love, Simon” and Marvel superhero sequel “Deadpool 2” were among the nominees.
For television, Netflix, Hulu and Amazon collectively received the most nominations with 11.
FX’s “Pose,” which made history as the first scripted television series to include a majority transgender cast, was nominated for Outstanding Drama Series along with “Supergirl” (CW), “Billions” (Showtime) and more.
This year GLAAD also opened up the awards to recognize LGBT-inclusive content in video games as well.
“GLAAD has always leveraged diverse forms of media to share LGBTQ stories which change hearts and minds, and as the video game industry reaches new heights of popularity and influence, it is imperative that LGBTQ people and issues are included in fair and accurate ways,” Sarah Kate Ellis, GLAAD President and CEO, said in a statement.
In GLAAD’s music categories, J
“The images and stories recognized by the GLAAD Media Awards over the past 30 years raised the bar for LGBTQ inclusion in the media industry and changed the hearts and minds of countless audience members around the world,” Ellis said. “This year’s nominees are changing the game by showcasing diverse races, genders, religions, ages, geographies, and genres in ways that challenge misconceptions and inspire LGBTQ acceptance. The 30th anniversary of the GLAAD Media Awards will honor these groundbreaking new LGBTQ stories while remembering the astounding positive cultural change that LGBTQ media representations have achieved.”
The GLAAD Media Awards will be held in a bi-coastal celebration on Thursday, March 28 in Los Angeles at The Beverly Hilton and Saturday, May 4 in New York City at the Hilton Midtown.
Check out the list of nominees below.
Outstanding Film – Wide Release
“Blockers” (Universal)
“Crazy Rich Asians” (Warner Bros.)
“Deadpool 2” (20th Century Fox)
“The Girl in the Spider’s Web” (Sony Pictures)
“Love, Simon” (20th Century Fox)
Outstanding
“1985” (Wolfe Releasing)
“Boy Erased” (Focus Features)
“Can You Ever Forgive Me?” (Fox Searchlight)
“Disobedience” (Bleecker Street)
“The Favourite” (Fox Searchlight)
“Hearts Beat Loud” (Gunpowder & Sky)
“A Kid Like Jake” (IFC Films)
“The Miseducation of Cameron Post” (FilmRise)
“Saturday Church” (Samuel Goldwyn Films)
“We the Animals” (The Orchard)
Outstanding Drama Series
“Billions” (Showtime)
“Black Lightning” (The CW)
“Grey’s Anatomy” (ABC)
“The Handmaid’s Tale” (Hulu)
“Instinct” (CBS)
“Pose” (FX)
“Shadowhunters” (Freeform)
“Star” (Fox)
“Supergirl” (The CW)
“Wynonna Earp” (Syfy)
Outstanding Comedy Series
“Brooklyn Nine-Nine” (FOX)*
“Crazy Ex-Girlfriend” (The CW)
“Dear White People” (Netflix)
“Modern Family” (ABC)
“One Day at a Time” (Netflix)
“Schitt’s Creek” (Pop)
“Superstore” (NBC)
“This Close” (Sundance Now)
“Vida” (Starz)
“Will & Grace” (NBC)
*Note: Brooklyn Nine-Nine now airs on NBC
Outstanding Individual Episode (in a series w/o a regular LGBTQ character)
“King in the North”-“Fresh Off the Boat” (ABC)
“Prom” -“Fuller House” (Netflix)
“Service” – “Law & Order: Special Victims Unit” (NBC)
“She”- “The Good Doctor” (ABC)
“Someplace Other Than Here”-“The Guest Book” (TBS)
Outstanding TV Movie or Limited Series
“American Horror Story: Apocalypse” (FX)
“The Assassination of Gianni Versace: American Crime Story” (FX)
“Life-Size 2” (Freeform)
“Sense8” (Netflix)
“A Very English Scandal” (Amazon Prime)
Outstanding Documentary
“Believer” (HBO)
“Call Her Ganda” (Breaking Glass Pictures)
“My House” (
“Quiet Heroes” (Logo)
“When the Beat Drops” (Logo)
Outstanding Kids & Family Programming
“Adventure Time” (Cartoon Network)
“Andi Mack” (The Disney Channel)
“Anne with an E” (Netflix)
“She-Ra” (Netflix)
“Steven Universe” (Cartoon Network)
Outstanding Reality Program
“American Idol” (ABC)
“I Am Jazz” (TLC)
“Love & Hip Hop” (VH1)
“Queer Eye” (Netflix)
“RuPaul’s Drag Race” (VH1)
Outstanding Music Artist
Brandi Carlile, “By the Way, I Forgive You” (Low Country Sound/Elektra)
Brockhampton, “Iridescence” (RCA)
Christine and the Queens, “Chris” (
Hayley Kiyoko, “Expectations” (Atlantic)
Janelle Monáe, “Dirty Computer” (Bad Boy Records)
Kim Petras, “Turn Off the Light, Vol. 1” (BunHead)
Shea Diamond, “Seen It All” (Asylum Worldwide)
Sophie, “Oil of Every Pearl’s Un-Insides” (Future Classics)
Troye Sivan, “Bloom” (Capitol Records)
Years & Years, “Palo Santo” (Polydor)
Outstanding Comic Book
“Batwoman,” written by Marguerite Bennett, K. Perkins (DC Comics)
“Bingo Love,” written by Tee Franklin (Image Comics)
“Exit Stage Left: The Snagglepuss Chronicles,” written by Mark Russell (DC Comics)
“Fence,” written by C.S. Pacat (BOOM! Studios)
“Iceman,” written by Sina Grace (Marvel Comics)
“Lumberjanes: The Infernal Compass,” written by Lilah Sturges (BOOM! Studios)
“Oh S#!t It’s Kim & Kim,” written by Magdalene Visaggio (Black Mask Comics)
“Runaways,” written by Rainbow Rowell (Marvel Comics)
“Star Wars: Doctor Aphra,” written by Kieron Gillen, Simon Spurrier (Marvel Comics)
“Strangers in Paradise XXV,” written by Terry Moore (Abstract Studio)
Outstanding Video Game
“Assassin’s Creed: Odyssey” (Ubisoft)
“The Elder Scrolls Online: Summerset” (Bethesda Softworks)
“Guild Wars 2: Path of Fire” (ArenaNet)
“Pillars of Eternity II: Deadfire” (Versus Evil)
“The Sims Mobile” (Electronic Arts)
Outstanding Variety or Talk Show Episode
“Mike Pence and ‘A Day in the Life of Marlon
“NRA Problems, Chicken Bone Problems, Birmingham Problems” -“Wyatt Cenac’s Problem Areas “(HBO)
“Trans Rights Under Attack” -“Full Frontal with Samantha Bee” (TBS)
“Troye Sivan Hopes ‘Boy Erased’ Reaches All Parents”- “The Late Show with Stephen Colbert” (CBS)
“Valedictorian Seth Owen”-“The Ellen DeGeneres Show” (syndicated)
Outstanding TV
“Conversion Therapy: God Only Knows” -“CBS Sunday Morning” (CBS)
“Gender: The Space Between”- “CBS News” (CBS)
“Legacy of Hope” -“Nightline” (ABC)
“Respect” -“SC Featured” (ESPN)
“South Texas Pride” [series]- “KSAT News” (KSAT-TV [San Antonio, Texas])
Outstanding TV Journalism Segment
“Historic Number of LGBTQ Candidates on Ballots This Year”- “NBC Nightly News” (NBC)
“Mississippi Town Denies Pride Parade”- “Vice News Tonight” (HBO)
“Olympian Adam Rippon”- “New Day” (CNN)
“Same-sex Couple Reacts to Supreme Court Ruling” -“CNN Tonight with Don Lemon” (CNN)
“Trump: ‘Looking Very Seriously’ at Changing Transgender Definition” -“Velshi & Ruhle” (MSNBC)
Outstanding Newspaper Article
“He Took a Drug to Prevent AIDS. Then He Couldn’t Get Disability Insurance.” by Donald G. McNeil Jr. (The New York Times)
“LGBTQ Parents Challenge Stereotypes in China” by Sue-Lin Wong, Jason Lee (Reuters)
“‘More Than Fear’: Brazil’s LGBT Community Dreads Looming Bolsonaro Presidency” by Marina Lopes (The Washington Post)
“Pistons’ Reggie Bullock to Transgender Community: ‘I see y’all as people that I love'” by Malika Andrews (Chicago Tribune)
“Transgender Students Asked Betsy DeVos for Help. Here’s What Happened.” by Caitlin Emma (Politico)
Outstanding Magazine Article
“21 Transgender Stars, Creators Sound Off on Hollywood: ‘I Want to Portray These Characters, and I’m Ready'” by Chris Gardner, Rebecca Sun, Lindsay Weinberg, Joelle Goldstein, Bryan White (The Hollywood Reporter)
“Can a Transgender Woman Get Justice in Texas?” by Nate Blakeslee (Texas Monthly)
“Ex-Scientologist Michelle LeClair Says Church Officials Humiliated Her After She Came Out as Gay” by Johnny Dodd, Tierney McAfee (People)
“Lena Waithe is Changing the Game” by Jacqueline Woodson (Vanity Fair)
“They are the Champions” by Katie Barnes (ESPN The Magazine)
Outstanding Magazine Overall Coverage
Billboard
Ebony
Entertainment Weekly
GQ
Variety
Outstanding Digital Journalism Article
“Across U.S., LGBTQ Christians Try to Change Hearts and Minds From the Pews” by Julie Compton (NBCNews.com)
“Bermuda Same-sex Marriage Ban Means Trouble for Tourism and Cruise Ships” by Ryan Ruggiero (CNBC.com)
“Deadnamed” by Lucas Waldron, Ken Schwencke (ProPublica.org)
“LGBTQ Caravan Migrants Marry While Waiting for Asylum in Tijuana” by Sarah Kinosian (INTOmore.com)
“Workplaces Need to Prepare for the Non-Binary Future” by Samantha Allen (TheDailyBeast.com)
Outstanding Digital Journalism – Video or Multimedia
“I Was Jailed for Raising the Pride Flag in Egypt” by Amro Helmy (Buzzfeed Video)
“The Latinx Drag Queens Spearheading HIV Activism on the Border” by Paola Ramos (Vice.com)
“March for Our Lives and LGBT activism: ‘They’re definitely linked for me,’ says Emma González” by Beth Greenfield (Yahoo! Lifestyle)
“Marielle and Monica: The LGBT Activists Resisting Bolsonaro’s Brazil” by Fabio Erdos, Marina Costa, Charlie Phillips, Jacqueline Edenbrow (TheGuardian.com)
“Trans Model Aaron Philip is Making a Space for Disabilities on the Runway” (NowThis)
Outstanding Blog
Gays With Kids
Holy Bullies and Headless Monsters
My Fabulous Disease
Pittsburgh Lesbian Correspondents
TransGriot
Special Recognition
“Nanette” (Netflix)
“TransMilitary” (Logo)
SPANISH-LANGUAGE NOMINEES
Outstanding Scripted Television Series (Spanish-Language)
“Élite” (Netflix)
“Mi familia perfecta” (Telemundo)
“Mi marido tiene más familia” (Univision)
“Papá a toda madre” (Univision)
Outstanding TV
“Denuncian trabas migratorias contra la comunidad transgénero”- “Un Nuevo Dia” (Telemundo)
“Entrevista con Luis Sandoval para National Coming Out Day” -“Despierta América” (Univision)
“No es fácil en EEUU ser un gay latino” -“Noticias Telemundo Mediodía” (Telemundo)
“La primera escuela para niños transgénero de Chile” -“Nuestro Mundo” (CNN en Español)
Outstanding TV Journalism Segment (Spanish-Language)
“Entrevista con Pat ‘Cacahuate’ Manuel”- “NoticiasYa Tampa Bay” (Univision)
“LAFC Pride Republic” -“Noticiero Univision Los Ángeles” (Univision)
“Madre hispana lucha contra un agresivo cáncer seno” -“Noticias Univision Arizona” (Univision)
“Primera Pareja Gay en Casarse en un Consulado Mexicano”- “Noticias Telemundo Mediodía” (Telemundo)
“Transpesina”- “Univision 21 Fresno” (Univision)
Outstanding Digital Journalism (Spanish-Language)
“Apoyo y recursos para jóvenes LGBTQ y sus familias” por Virginia Gaglianone (LaOpinion.com)
“Así pinta la televisión hispana a los personajes LGBTQ, una representación preocupante” por Daniel Shoer Roth (ElNuevoHerald.com)
“Dallas: Para jóvenes LGBT con DACA, la lucha ha sido salir de dos clósets” por Jenny Manrique (AlDiaDallas.com)
“De la censura a la celebración: la historia de una exposición queer en Brasil” por Ernesto Londoño (NewYorkTimes.com/es)
“Desaliento y miedo en medio de celebración del Orgullo LGBT en NYC” por José Martínez (ElDiarioNY.com)
Special Recognition (Spanish-Language)
“House of Mamis” (INTOmore.com)
Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.
(Washington Blade photos by Michael Key)

















Arts & Entertainment
Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week
Pride on the Pier officially launches Pride Week in D.C.
The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.
Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.
“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”
Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.
Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.
Event Details:
📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026
⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

Theater
National tour of ‘Gatsby’ comes to National Theatre
Out actor Edward Staudenmayer talks playing the show’s gangster
‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com
Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.
Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.
It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”
Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).
While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.
WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?
EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].
There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.
BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.
STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].
BLADE: When did the 1925 novel first surface on your radar?
STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.
Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.
BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?
STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.
Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.
BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?
STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.
BLADE: Have you had to do that in your career?
STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.
It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.
BLADE: What was your coming of age like?
STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.
BLADE: Did he live to see your success in theater?
STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.
BLADE: Looking ahead, is there a part you’d especially like to play?
STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.
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