Arts & Entertainment
Fans question if Ariana Grande is queerbaiting in new music video
‘Break Up With Your Girlfriend, I’m Bored’ has surprise lesbian ending

Ariana Grande has fans questioning if she is hinting at her bisexuality in her new music video for the single “Break Up With Your Girlfriend, I’m Bored.”
In the lyrics of the song, which appears on her latest album “thank u, next,” Grande describes her lust for her love interest who has a girlfriend. The video seems to follow the same storyline with Grande spotting Charles Milton (“Riverdale”) at the club. She appears attracted to him but notices he came with his girlfriend. The couple invites Grande to hang out with them and Grande, annoyed with their relationship, tries to get in between them.
At the end of the video, the trio is in the pool when Grande leans in for a kiss, not with Milton, but with his girlfriend.
Fans wondered if Grande was actually revealing she is bisexual or if she was queerbaiting for views.
“twist ending” ariana rlly just be using the gays for shock value huh
— maya sánchez (@mayatereza) February 8, 2019
really hope ariana is actually bi bc if not then that mv ending was just queer bating n that’s just. really Not it pic.twitter.com/yor99YtXnd
— ☆ (@jung7ook) February 8, 2019
so like. Is Ariana bi or is she just a straight woman using the concept of bisexuality to sell music?? I need ANSWERS
— hae (@hailstormhay) February 8, 2019
Other fans pointed out a theory that the girlfriend is another version of Grande but some people still didn’t like Grande implying she’s bisexual in the video.
i love ariana so much and i’m so proud of her always but the buwygib mv wasn’t right of her.
— tahlia ♡ 48 (@bermanswife) February 8, 2019
i know some people are saying the other girl is supposed to be a version of her, but being lgbtq shouldn’t be used for aesthetic or trend, like the ending, no matter the intended meaning
ok tea but if ariana isnt bi and had that ending to break up with ur gf im bored idk im gonna be a lil :/ bc lgbt themes shouldn’t be used in music videos just to add shock value or be like wow look at me idk
— Val?⭐ (@galaxy_pal) February 8, 2019
i understand what the ending of Ariana’s video is supposed to mean but i really don’t like how she is riding this wave of rumors that she’s bi or whatever when she’s a straight woman. gay ppl aren’t a trend and kissing a girl is not something to bait wlw/the lgbt community w.
— i dont stan anyone except myself (@saintmctel) February 8, 2019
Watch below.
Arts & Entertainment
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The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
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