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SPRING ARTS 2019 DANCE: Pirouettes and arabesques

Dorsey Dance Company’s gender exploration among season’s dance highlights

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gay dance 2019, gay news, Washington Blade
‘Fluid’ by Dissonance Dance Theatre. (Photo by Shawn Short; courtesy DDT)

The Washington Ballet presents “The Sleeping Beauty” through March 3 at the Kennedy Center (2700 F St., N.W.). The classic tale is reimagined as a ballet with the familiar characters of Princess Aurora, her prince and her wicked fairy godmother Carabosse. Tickets range from $25-160. For more information, visit washingtonballet.org.

Dissonance Dance Theatre performs “Fluid” at the Atlas Performing Arts Center (1333 H St., N.E.) on Sunday, March 3 at 2:30 p.m. Set to the music of Ezio Bosso, the dance explores the themes of trust, lost, betrayal and love, through contemporary ballet inspired by physical theater and Afro-modern dance. Tickets are $30. For more details, visit atlasarts.org/events/fluid.

Akiko Kitamura presents “Cross Transit” at the Kennedy Center (2700 F St., N.W.) on March 19 at 7:30 p.m. “Cross Transit” focuses on Cambodia’s folk culture using movement choreographed by Kitamura. The work is inspired by artists Kitamura encountered during his field work in Cambodia provided by funding from the Japan Society. Tickets range from $29-39. For more information, visit kennedy-center.org.

Bon Iver and TU Dance present “Come Through” to kick-off the Kennedy Center’s Direct Current series on Monday, March 25 at 7:30 p.m. The performance includes new music from Bon Iver bandmate Justin Vernon and new choreography from TU Dance. “Come Through” is a blend of modern dance and classical ballet with African-based movements.Tickets range from $49-189. For more details, visit kennedy-center.org

The Kennedy Center (2700 F St., N.W.) presents the Bill T. Jones/Arnie Zane Company’s “Analogy Trilogy” as part of its Direct Current series from March 28-30. The company will perform “Analogy/Dora: Tramontane” on Thursday, March 28. This show is based on an oral history that Jones received from mother-in-law, a French Jewish nurse and social worker, as she told him about her story of survival during World War II. “Analogy/Lance: Pretty aka the Escape Artist” is on Friday, March 29. This performance explores the struggles of Jones’s nephew Lance as he navigates the club culture and sex trade of the late ‘80s and early ‘90s. “Analogy/Ambros: The Emigrant” is on Saturday, March 30 and is inspired by the novel “The Emigrant” by W.G. Seblad. Tickets range from $29-79. For more information, visit kennedy-center.org.

The Washington Ballet presents its annual program “Three World Premieres” in Sidney Harmon Hall (610 F St., N.W.) April 3-7. Audiences can experience three, never-before-seen works by choreographers Dana Genshaft, Trey McIntyre and Ethan Stiefel. Tickets range from $25-100. For more information, visit washingtonballet.org.

‘Three World Premieres’ by Washington Ballet. (Photo by Procopio Photography; courtesy Washington Ballet)

Shen Yun returns to the Kennedy Center (2700 F St., N.W.) April 17-21 to perform “5,000 Years of Civilization Reborn,” a performance that recreates the spirit of ancient China. The dance incorporates intricate costumes, a theatrical background and an orchestra to revisit various eras of China’s past up until the present. Tickets range from $80-250. For more details, visit kennedy-center.org.

The Alvin Ailey American Dance Theater brings its 60th anniversary tour to the Modell Lyric (140 W. Mt Royal Ave., Baltimore) April 23-24. In 1958, Alvin Ailey, who was gay, founded the Alvin Ailey American Dance Theater and since then the company has celebrated African-American heritage and other cultures in performances for an estimated 25 million people

On April 23, the dance company will perform “Lazarus” and “Revelations.” On April 24, the company will perform the works “Members Don’t Get Weary,” The Call,” “Pause,” “Juba” and “Revelations.” Tickets range from $36-46. For more information, visit modell-lyric.com.

Dana Tai Soon Burgess Dance presents “Tracings” at the National Portrait Gallery (8th St., N.W. and F St., N.W.) on May 4 at 6 p.m. The work, choreographed by Burgess (who’s gay), examines the Korean planation experience in Hawaii. Admission is free. For more details, visit dtsbdc.org.

‘Tracings’ by Dana Tai Soon Burgess Dance. (Photo by Mary Nobel Ours; courtesy DTSB)
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Theater

D.C. theater scene has something for everyone this holiday season

‘Nutcracker,’ ‘A Christmas Carol,’ and much more

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Michael Russotto in ‘A Christmas Carol: A Ghost Story of Christmas’ at Olney Theatre Center. (Photo by Teresa Castracane Photography)

With its familiar music, yuletide imagery, and storytelling, theater can be a big part of the holidays. Add to that making memories and theater tickets wrapped as presents under the tree, and it’s a seasonal no brainer.

Folger Theatre presents “Resplendent Joy: Christmas Traditions from Spain and Portugal” (Dec. 5-14); the marvelous Folger Consort will perform early Spanish Christmas carols and traditional holiday music from early modern Spain and Portugal: folger.edu/resplendent

At Round House Theatre, playwright Sam Holcroft’s “Rules for Living” (Dec. 3-Jan. 4) makes its U.S. premiere. The darkly funny holiday comedy was a hit in London and is now hoping to repeat that success with a version tailored for the states. The seven-person cast includes versatile actors Naomi Jacobson and real-life spouse John Lescault. Ryan Rillette directs. roundhousetheatre.org

Theatre J presents “Chanukah in the Dark” (Dec. 6-21), an hour-long play ideal for ages five and up. “When the lights go out during Chanukah, Max and family begin sharing songs, stories, and traditions — only to discover the lights they needed and the miracles they searched for were in their midst all along.”  edcjcc.org

The Cathedral Choral Society’s “Joy of Christmas” (Dec. 13-14) presents a wonderful program of carols and beloved holiday favorites at the festively decorated National Cathedral. The program features Seraph Brass, organist Edward Hewes, Carillonneur Edward M. Nassor, percussionist Mary La Blanc of “The President’s Own” U.S. Marine Band, and the Eastern Concert Choir from Eastern Senior High School. Cathedralchoralsociety.org 

With “The Holiday Show,” (Dec. 13, 14, and 20), the Gay Men’s Chorus returns to entertain audiences with its annual and most popular show. 

This year the holiday extravaganza is bigger than ever at historic Lincoln Theatre with new, soulful arrangements of favorite holiday carols: “The reindeer will be high-kicking and the snowflakes will sparkle. Songs include “O Holy Night,” “Rudolph the Red Nosed Reindeer,” “Let It Snow,” “We Wish You the Merriest,” and “Go Tell It on the Mountain.’” gmcw.org

At Olney’s intimate Mulitz-Gudelsky Theatre Lab, out actor Michael Russotto is back for the holiday season in his solo show “Christmas Carol: A Ghost Story of Christmas” (through Dec. 28). The talented Russotto portrays nearly 50 different characters from the Charles Dickens classic, that proves “funnier and far more relevant than you might imagine.” Olneytheatre.org

Also on holiday offer in the DMV are a jolly bunch of musical chestnuts as well as reliable Christmas crowd-pleasers.

Included on the roster is Olney Theatre’s production of Jerry Herman’s “Hello, Dolly!” (through Jan. 4) starring the mega-talented Nova Y. Payton. Based on the play “The Matchmaker” by famed gay playwright Thornton Wilder, the musical has proved a vehicle for many a diva including Carol Channing, Pearl Bailey, Bette Midler, and Barbra Streisand. Now Payton dons the mantle and the buzz is good.

Another beloved musical is “Fiddler on the Roof” (through Jan. 25), the story of Tevye, a poor Jewish milkman, his family and their tight-knit community who honor tradition while contending with pogroms in Czarist Russia. Currently being performed intimately in the round at Signature Theatre in Arlington and directed by Joe Calarco, the large cast features actors Douglas Sills, Chrisopher Bloch, and terrific out actor Jake Loewenthal as the poor tailor Motel Kamzoil, all singing Broadway favorites like “Sunrise, Sunset” “If I Were a Rich Man” and “Matchmaker.” sigtheatre.org  

At Shakespeare Theatre Company’s Harman Hall is Frank Loesser’s “Guys and Dolls” (through Jan. 4). Based on tales from famed American journalist Damon Runyon, the show focuses on two overlapping love stories set in Depression-era Times Square. The terrific score includes songs like “Luck Be a Lady,” “Sit Down, You’re Rockin’ the Boat,” “A Bushel and a Peck,” and more songs you’ll know. Directed by Francesca Zambello and choreographed by Joshua Bergasse. 

The cast includes Julie Benko, Lamont Brown, and Holly Twyford as General Matilda B. Cartwright, which is reason enough to buy a ticket. shakespearetheatre.org 

And for hardcore traditionalists there’s the Washington Ballet’s “The Nutcracker” (through Dec. 29) with its balletic magic at the charming gilded Warner Theatre. The beloved production of Tchaikovsky’s ballet, here set in 1882 Georgetown, features a retinue of agile partiers, children, soldiers, rats, and notable figures from American history.  washingtonballet.org

And last but hardly least, historic Ford’s Theatre presents “A Christmas Carol” (through Dec. 31), an enduring Washington tradition since I was youngish. Conceived by Michael Baron, this charming Dickens’ moneymaker again spotlights Craig Wallace as miserly Ebenezer Scrooge who after a night of ghostly visits, rediscovers Christmas joy. Fords.org

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Drag

Pattie Gonia calls out Hegseth’s anti-LGBTQ policies — while doing better pull-ups

Drag queen Pattie Gonia uses a viral instagram video to call out Hegseth’s exclusionary policies while doubling down on activism for LGBTQ rights and the environment.

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Screenshot of Pattie Gonia's viral video now has over 600k likes and 31k shares. (Screenshot courtesy of Pattie Gonia Instagram)

Drag queen and environmental activist Pattie Gonia has gone viral after posting a video last week calling out Defense Secretary Pete Hegseth — and doing so while knocking out a set of pull-ups with cleaner form than his own, all while in full drag. The clip is a direct response to a separate viral video Hegseth himself posted days earlier, in which he performed less-than-perfect pull-ups that drew widespread mockery online.

“Hi Pete Hegseth, Pattie Gonia here, while you’re busy trying to take away the rights of queer people, I’m over here advocating for the rights of all people, including my right to do better pull-ups than you all with my balls tucked inside of me,” she declares in the now-viral Instagram clip, delivering the message in full drag garb with the theatricality she’s known for.

The video lands at a moment when Hegseth’s record on LGBTQ rights continues to draw scrutiny. Since being appointed by President Trump to lead the Pentagon, the Defense Secretary has pushed the twice impeached president toward a series of exclusionary shifts inside the department.

Hegseth’s efforts have included pressing for the rollback of DEI measures, pausing all gender-affirming care for service members, and blocking promotions for personnel with “a history of gender dysphoria.” He has also openly stated that transgender people should not serve in the military and drew controversy for formally renaming a ship previously dedicated to Navy veteran and LGBTQ icon Harvey Milk to USNS Oscar V. Peterson. Hegseth has long criticized the repeal of “Don’t Ask Don’t Tell,” framing the policy change as harmful to the armed forces. And in October, he courted further backlash after suggesting women could be barred from military service altogether, arguing that the government would hold personnel to the “highest male standard.”

Pattie’s viral moment is only the latest in her growing portfolio of environmental and queer activism. In August, she joined a team of climbers in Yosemite, helping raise a massive 66-foot-wide trans flag across the iconic El Capitan wall — a striking symbol of trans visibility in one of the most storied national parks in the country. Her drag name even riffs on Patagonia, the famed South American mountain range, blending outdoor culture with camp.

Last week, Pattie Gonia also made a bold statement at the Out 100 award celebration in Los Angeles, wearing a dress crafted from the same trans flag flown at El Capitan in Yosemite National Park. She attended the event alongside non-binary NSP agent SJ Joslin who was fired for her role in helping put up the flag.

Since the beginning of her drag career, Pattie has steadily expanded her influence beyond the stage. She co-founded the Outdoorist Oath, a nonprofit dedicated to helping BIPOC, LGBTQIA+ people and femmes build community in the outdoors through education and shared stewardship. She also launched the Queer Outdoor and Environmental Job Board, a free resource that supports queer people seeking work in environmental and nature-based industries, with the aim of diversifying fields where LGBTQ representation remains limited. Her fundraising efforts have generated over $2.7 million for LGBTQIA+, Black, Indigenous, and People of Color (BIPOC), and environmental nonprofits, underscoring her ability to mobilize huge audiences toward collective action.

Her recent projects also include a national tour of her environmental drag show, “SAVE HER!”, which blends performance art with climate messaging, and the release of a documentary TV series, “Go Gently,” co-created with Harry Potter’s Bonnie Wright (Ginny Weasley). The series follows their journey from Los Angeles to Portland, Oregon, where they explore sustainable living and meet with communities protecting the Earth in innovative ways.

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Photos

PHOTOS: Remove the Regime rally and march

Dropkick Murphys, Earth to Eve perform on steps of Lincoln Memorial

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The Dropkick Murphys perform at the Remove the Regime rally outside of the Lincoln Memorial in Washington, D.C. on Saturday, Nov. 22. (Washington Blade photo by Michael Key)

The Remove the Regime rally and march was held on Saturday, Nov. 22.

(Washington Blade photos by Michael Key)

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