Arts & Entertainment
Rehoboth legends Pamala Stanley and Magnolia Applebottom primed for summer ’19
Their favorite meals, hidden gems, on-stage experiences and more
It wouldn’t be summer in Rehoboth without the legendary Pamala Stanley and — in more recent years — drag virtuoso Magnolia Applebottom (aka Jeremy Bernstein). Rehoboth regulars know what it’s like to experience them in performance, but what’s it like from their perspective? Just for fun, we turned the tables on them to find out.
Stanley performs cabaret and dance at the Blue Moon (35 Baltimore Ave., Rehoboth Beach, Del.) Sundays-Thursdays from 6-8:30 p.m. all summer and into September. Magnolia is a very busy lady. She hosts bingo on Tuesdays at 9:30 p.m., “Rehoboth Idol” on Wednesdays nights (through July 3; after that it’s “Games With Magnolia in that time slot), the Spotlight Show (drag) Fridays at 9:45 p.m., she’s in the Legends show every Saturday at 9:30 p.m. (she does Cher, Celine Dion, Gaga, Reba and Freddie Mercury) and Climax with Magnolia is Sunday nights at 9:30. “Born This Way: a Pride Drag Show” is at the Milton Theatre with Magnolia on June 7. Full details here.
WASHINGTON BLADE: How long have you been in Rehoboth and what drew you here?
MAGNOLIA APPLEBOTTOM: I have been visiting Rehoboth since I was a teenager. I moved to the beach in 2015 after I started working at the Blue Moon full time. Rehoboth Beach has always felt like home to me. I’ve always felt comfortable and safe. The community was welcoming from the start so I knew I had to live here.
PAMALA STANLEY: I first came to Rehoboth in the ’90s and played at The Renegade. Then I was booked in Puerta Vallarta and Tim and Randy, owners of the Blue Moon, saw me perform and asked if I could come to Rehoboth. That was 14 years ago. I fell in love with this sweet town and although I still perform around the country, I call this my musical home.
BLADE: When you’re not working, what’s your favorite Rehoboth Beach activity?
APPLEBOTTOM: I always enjoy walking Rehoboth Avenue and the boardwalk. It’s exciting to see what new shops and restaurants open every year. And having cocktails is fun too!
STANLEY: Walking on the boardwalk or having a lovely drink looking at the water.
BLADE: What’s a hidden gem?
APPLEBOTTOM: That’s easy! Games with Magnolia at the Blue Moon. It’s a one-of-a-kind game show live on stage every Wednesday at 9:30 starting July 3rd! There is nothing else like it in town.
STANLEY: The North Beach and our beautiful park on the ocean.
BLADE: What’s the best meal you ever had in Rehoboth?
APPLEBOTTOM: The filet mignon at the Blue Moon is the best steak I’ve every had. Chef Lion always provides the best dining experience in town.
STANLEY: The lamb at The Blue Moon. I think they are amazing.
BLADE: What performer inspires you?
APPLEBOTTOM: I’ve always been a fan comedy. I have a long list of idols such as Lucille Ball, Carol Burnett and Joan Rivers. These comedy queens have inspired my character in every way.
STANLEY: Bette Midler
BLADE: What’s your most memorable moment on the Blue Moon stage?
APPLEBOTTOM: Every moment on stage is memorable however it’s the moments when I leave the stage and mingle with the crowd and I get the chance to talk to everyone. Hearing how I made someone’s night just a little bit better or knowing I put a smile on someone’s face makes getting ready for two hours totally worth it. And also any moment I share the stage with Pamala Stanley. You never know what she is going to say so you have to be on it at all times. I adore that woman.
STANLEY: Singing this New Years Eve with my two sister Sandra and Robin. It was magical and the crowd was so happy.
BLADE: What’s something you see other performers do that you find off-putting or bothersome?
APPLEBOTTOM: When a drag queen takes their wig off while performing is my biggest pet peeve. It totally ruins the illusion and is just plain messy.
STANLEY: Not having eye contact with the audience or singing flat. That kills my ears
BLADE: What’s your current favorite song to cover or lip sync to?
APPLEBOTTOM: I am in love with “Juice” by Lizzo. It’s so much fun to sing and the lyrics are perfect for Magnolia!
STANLEY: “The Middle”
BLADE: How would you describe Rehoboth LGBT audiences?
APPLEBOTTOM: So loyal. The support the community shows local entertainment is very gratifying. I can’t wait to see and perform for our fans every week.
STANLEY: The best ever — they are fun and engaged and just looking for a good time.
BLADE: What are you most excited about for summer ’19?
APPLEBOTTOM: Meeting new people and debuting my new Sunday night show “CLIMAX” for the summer crowd.
STANLEY: The people returning from all over. I love seeing old friends and meeting new ones. I never know what an audience is going bring to the table. Each night is unique, like a first date.
BLADE: To what do you attribute your ongoing popularity?
APPLEBOTTOM: Being a hard-working queen. I’m the self-proclaimed hardest working drag queen in Delaware and it shows. I’m always working on new material and always striving to give the audience a fresh Magnolia Applebottom experience. It’s a lot of work but it has paid off greatly and I love every minute of it.
STANLEY: Loving the audience and just being yourself. Many people can sing. It is not all about your voice, you must connect with your crowd. Also I believe you should perform each night as if you are in concert whether there are 10 people or 2,000.
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)
Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages
They’re among the world’s greatest love stories.
You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.
When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.
Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.
That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”
She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.
Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.
She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.
And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.
And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”
“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.
If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.
These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.
The Blade may receive commissions from qualifying purchases made via this post.
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