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Q&A with ‘Drag Race’ champ Jaida Essence Hall

Season 12 winner makes her first major post-victory performance with this weekend’s Pride Castle

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Jaida Essence Hall, gay news, Washington Blade
Jaida Essence Hall says winning season 12 of ‘RuPaul’s Drag Race’ was a shock. (photo courtesy Project Publicity)

Werq the World’s Pride Castle

Starring Jaida Essence Hall and Yvie Oddly

Hosted by Candis Cayne

Wth Heidi N Closet, Raja, Naomi Smalls, Kim Chi and Plastique

Net proceeds and tips to benefit National Black Justice Coalition

Live Stream

Saturday, June 27

8 p.m. EST

(available for replay for 48 hours)

$9.99

vossevents.com/werq-the-world-live-stream

“RuPaul’s Drag Race” season 12 and the currently airing “All Stars” season five are mostly feeling pretty normal — they were taped pre-coronavirus. But when it came time for the season 12 reunion “Alone Together,” which aired May 22, and the “Grand Finale,” which aired May 29, it was unchartered terrain for the drag franchise juggernaut. 

Season 12 winner Jaida Essence Hall will join season 11 winner Yvie Oddly in a Werq the World Pride Castle event this weekend. She spoke with the Blade by phone June 19 from her Milwaukee home about life since winning, winning during a pandemic and how she plans to advance her career even amidst these crazy times. Her comments have been edited slightly for clarity.

WASHINGTON BLADE: How are you?

JAIDA ESSENCE HALL: Pretty good, pretty good. I’m just excited for a lovely, sunny day.

BLADE: Congrats on your win! I was happy for you. 

HALL: Thank you, I was too. I was really surprised.

BLADE: Tell us about Pride Castle.

HALL: Pride Castle is a really unique, really cute live stream show that will be taking place next week and the show is just some amazing queens from “Drag Race” and also the amazingly talented Candis Cayne. We’ll all just be secluded in a castle giving some amazing performances, some entertainment for some people who need it right now. We will also be benefitting the National Black Justice Coalition.

BLADE: Is this your first time doing it?

HALL: This is my first time and also my first major event since winning. I’m really excited for it.

BLADE: What do you have planned?

HALL: I just really wanna take the people who watch it on a journey. It’s crazy — when you can have an opportunity to have like a really cute production and like a really beautiful space and let your mind wander off and come up with a really creative idea and so I just wanna take the viewers on a journey and like a little piece of my mind.

BLADE: But it’s a real place, not just some virtual thing edited together?

HALL: It’ll actually be all of us in the castle so we have this really beautiful backdrop. 

BLADE: So you’ll just be giving each other space as you perform?

HALL: Oh of course, we’ll make sure we’re socially distanced. Right now there’s still a lot going on in the world so we’re taking all the major health precautions to make sure everybody is safe and we can still give them a great show. 

BLADE: Where is it?

HALL: In California, a little bit outside of Los Angeles.

BLADE: Will you be doing more of these?

HALL: I’m really hoping so. I’ve always dreamed of doing Werq the World and performing the shows. If you know anything about “Drag Race” and you know a lot about drag, you know a lot about Werq the World and it’s just like a major opportunity to be able to be a part of it so I’m hoping I can do a lot more of these.

BLADE: What was it like taping the reunion and finale from home?

HALL: It was kind of crazy because a lot of technology, I’m not the most tech-savvy person out there, but we received a lot of equipment and we had to set it all up so I was a little bit nervous like, “Am I gonna get this stuff right, will I be able to produce what the audience will expect of me,” so I was a little bit of nerves but at the same time I was also really excited because I knew this would be something that the world has never seen before and it would be a very unique experience and if it was done all the way right, the world would have something that they would really enjoy. 

BLADE: How long had it been since you wrapped? It must have been months.

HALL: Oh yeah, it was at least a good maybe six months or so, it’s been awhile since we filmed everything. It was actually quite awhile, so waiting for the finale was like the most nerve wracking thing so you leave and you know who’s in the top but then also at the same time, we have no idea who wins so you have to like just anticipate that for so long. It’s always in the back of your mind — finale finale finale.

BLADE: How long does it take to tape a full “Drag Race” season? How long were you in L.A.?

HALL: Unfortunately, we’re not allowed to discuss that.

BLADE: What was your favorite challenge?

HALL: Oh my god, it was between two. I really loved the political challenge, because I got to showcase another side of myself but also I really loved the makeover challenge because it was super fans. I would never have the career I have in drag right now if it wasn’t for the people who came out and supported me and so to see them be able to be have a moment of time to fulfill their dream and their fantasy to come true too, it made me feel really, really good.

BLADE: I can’t recall her name, but have you kept in touch with your partner from that challenge?

HALL: Oh my god, yes. Bethany, we called her Jazz, Bethany and I keep in touch. We talk all the time. We even did a zoom call with me, Heidi, Jackie, Crystal and all of the fans we all got on a zoom together and just chatted. We got to meet their partners and see some of their kids, it was so cute. 

BLADE: Who was your favorite celebrity guest judge?

HALL: It had to be Whoopi, oh my God, I could not believe that Whoopi was there. That’s one of the things that completely shocked me. I could not believe she was there but I love her so much so I was just floored. She could have been there and literally not said a single word and I still would have been over the moon.

BLADE: What did it mean to you when she hugged you?

HALL: Like I said, growing up where I’m from and my background, seeing like really talented, strong black figures was just so incredible and to see one of the most amazing black entertainers whose work transcends race and everything like that, it was so moving to me. Just like, “I’m in the presence of somebody who worked so hard and never gave up, had so many successes.” It just made me feel so good.

BLADE: Did she smell like cigarettes or perfume or anything?

HALL: No. All I can remember is the fact when she said, “Come down here and give me a hug,” I was like, “Do you really want me to come down here and give her a hug?” And then when she started to walk over, I almost had like a blackout moment. It was good to see it back on TV.

BLADE: Did (season 12 finalists) Crystal (Methyd) and Gigi (Goode) reach out and congratulate you?

HALL: Oh yes, we always talk all the time. All of the girls from the season, we all communicate wth each other so much. And I actually got to have a full phone conversation wth both of them and they both explained how we feel about everything and they were really actually genuinely very happy for me too.

BLADE: What struck you most watching the show back? Were there any shady edits or mischaracterizations?

HALL: No. I think sometimes when we watch the show it’s always the show is almost you pull out the moments that happened the most and for me I’m always remembering like in the moment trying to remember everything that happened. So to see everything back it was just like a refresher. I’m so thankful it was recorded so we can always look back and be like, “Oh, I remember when this happened.” 

BLADE: Whom are you rooting for for “All Stars”?

HALL: Oh my God, I love so many of the girls but Shea Coulee is like one of the first girls I ever met. She’s from Chicago which is like an hour and a half way from me and I’ve always been a Shea fan so of course I’m rooting for her. But all the other girls are really fantastic too so whoever wins I would not be surprised.

BLADE: Did any of the past season winners reach out and congratulate you?

HALL: Yeah, so many of them. I already speak a lot with Aquaria, who I’m a little bit obsessed with. It’s like, is there anything she can’t do? Yvie has been reaching out to me, Bianca is always sharing stuff, it’s like so many of the girls. BeBe (Zahara Benet), Raja, they’ve all reached out and been like, “We’re so proud of you for the work you’ve done.” Not just the winners but so many of the other contestants.

BLADE: Had you met many of them before?

HALL: Some of them I have, some I have not. Like season 11, there were quite a few of the girls I knew prior to the show. Some I’ve met just through meet and greets.

BLADE: Does the work room have four walls or is it more like a giant set?

HALL: No, it’s an actual room. I always wondered that too. 

BLADE: Do you feel your victory has been diluted by the pandemic?

HALL: I think we all could have been working a lot more had this not happened but I also think everybody in the world could have been working a lot more had this not happened, so it’s one of those things in life where you have to like learn to roll with the punches and that’s something I’ve been doing quite often in my life. So yeah, I was like “Oh my god, I wish I could be traveling and meeting all the people that I normally would have met had I had the opportunity to travel but at the same time, I’ve met a lot of people through social media. That’s honestly been the best thing for me. That always makes me feel so much better even with everything going on in the world. 

BLADE: How’s the rest of your summer shaping up?

HALL: I’m enjoying life as much as I can but also trying to stay as safe as possible. It seems like every single day details are changing of what we can do.

BLADE: Have you been going out much?

HALL: In Wisconsin everything is pretty much opened back up but it’s limited. They’re kind of saying you can, but if it’s something you really don’t have to do, it’s probably best to stay in.

Jaida Essence Hall says winning ‘Drag Race’ gave her a chance to connect with fans and former contestants the world over. (photo courtesy Project Publicity)
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D.C. LGBTQ sports bar Pitchers listed for sale

Move follows months of challenges for local businesses in wake of Trump actions

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Pitchers is for sale at an undisclosed price. (Washington Blade file photo by Michael Key)

A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.

 The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.

He said the sale price will be disclosed to “those who are interested.” 

“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.

 “Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”

It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”

“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says. 

Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price. 

News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets   

In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.

The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.

The sales brochure can be accessed here.

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Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather

Highly anticipated film a refreshingly loving look at Dom-sub life

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Harry Melling and Alexander Skarsgård star in ‘Pillion,’ which premieres in the U.S. on Feb. 6. (Photo courtesy of A24)

Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in. 

Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on. 

That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones. 

“This was a small film by a first time filmmaker and it wasn’t financed when I read it,”  Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”

Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”

For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film. 

“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.” 

Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”

He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”

One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.

“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”

For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present. 

“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”

Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”

This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series,  Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”

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MISTR’s Tristan Schukraft on evolution of HIV prevention

From ACT UP to apps, embracing stigma-free care

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Tristan Schukraft (Photo courtesy of Schukraft)

It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say,  celebratory.

Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond,  prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.

In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.

BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you? 

SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for. 

BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach? 

SCHUKRAFT: This year, we held the first-ever National PrEP Day.  Dua Lipa performed, and Cardi B was there.  After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.  

When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.  

BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years? 

SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.  

For many sexually active gay men, taking PrEP is simply part of the gay experience.  For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door. 

BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level? 

SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance. 

BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic? 

SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States.  We have everything we need today.  All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years. 

HIV transmissions don’t pause because budgets change. 

BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health? 

SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding,  we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results. 

Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.  

Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs. 

Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business. 

When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening. 

BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding? 

SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care. 

BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs? 

SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together. 

BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level? 

SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP. 

BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026? 

SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal. 

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