a&e features
Couple’s love of soccer leads to Washington Spirit investment
Scurry, Zizos on their unique personal and business partnership

Chryssa Zizos and Briana Scurry are new investors in the Washington Spirit. (Photo courtesy the couple)
Briana Scurry’s goalkeeper abilities are legendary in women’s professional soccer. She is a two-time Olympic Gold Medalist, FIFA Women’s World Cup Champion and was a member of the United States Women’s National Soccer Team for 15 years. She was the only core team member who was African American and the only African-American player who was out.
Scurry suffered a career-ending concussion in an April 2010 hit playing for the Washington Freedom. The next three years of her life would be spent trying to receive recovery care through a worker’s compensation case. During those years, Scurry experienced depression, physical pain, and struggles maintaining steady employment. She finally received surgery at the end of 2013 to remove pea-size balls of damaged tissue from the back of her head.
Enter Chryssa Zizos, the founder of Live Wire Strategic Communications. An award-winning local PR firm that specializes in media relations, training programs, video production, and social media.
Together, they began the rebranding journey of Bri Scurry. What started as a business partnership would evolve into a life partnership. Scurry returned to her pro team, now the Washington Spirit, as an assistant coach and technical adviser for the Spirit Academy youth programs. Zizos would lead the Live Wire relationship with the Washington Spirit. The pair married in 2018.
Last month, D.C.’s National Women’s Soccer League team, the Washington Spirit, announced a new group of investors that includes Scurry, Zizos, Chelsea Clinton, Jenna Bush Hager and Dominique Dawes along with a diverse group of other individuals.
The Washington Blade sat down with Scurry and Zizos to catch up on the new venture.

Chryssa Zizos and Briana Scurry with their children. (Photo courtesy the couple)
Washington Blade: I would like to start by hearing what is occupying Bri’s time these days.
Briana Scurry: I am in the process of writing a book right now, but my main job from day to day is keynote speaking. I am speaking on concussion awareness and diversity leadership, essentially keynotes for corporations, organizations, universities, and other groups. I was in a movie last fall in Atlanta called “High Expectations,” which will be coming out either at the end of this year or early next year. There is also a documentary coming up and now we are investors for the Washington Spirit. There is a lot going on and it is not all soccer.
Blade: And how did the two of you meet?
Chryssa Zizos: A mutual friend of ours introduced us. Naomi and her wife Fran own TomboyX, which is an intimate apparel company for the LGBTQ community. I was the first investor in TomboyX outside of friends and family. One night at dinner they were telling me about Bri’s career and concussion and said, “is there any way that you could help her raise her profile in regards to the concussion?” Bri and I connected, and Live Wire took Bri on as a client. We worked together for many months and then over time, we became a little bit interested in each other. We were percolating (laughter).
Blade: All right, Bri, did you know that you were percolating?
Scurry: I did. I mean, I was in a really bad place though. My concussion saga is well-documented and at the time I was really struggling, psychologically and emotionally. The insurance company was blocking me at every turn to try to get the care I needed, and we figured that it would be a good idea to try to put some heat on them. That is when Naomi and Fran talked to Chryssa. I was very vulnerable, and I was very open about how bad things were. And I’ve been open ever since, I talk about it quite a bit. Chryssa was just such an amazing listener and she just was really making things happen for me and then things started to grow from there. I was in therapy for my concussion for over a year and was just in a state of trying to get healthy.
Zizos: We went to the FIFA Women’s World Cup in Vancouver in 2015 and Bri did the Today show and we met Joe Biden when he was vice president. We just had the best time together and after we came home is when I introduced Bri to the kids. We have been together ever since.
Blade: Making your own magic at the World Cup. Very nice.
Scurry: Exactly.
Zizos: It was really important for me to take things slow and steady because I have two kids. I wanted to make sure that before I even mentioned Bri’s name, that it was something I felt really strongly about.
Blade: The actual courtship was three years before you were married?
Scurry: Yes, June 2018.
Blade: And Bri, you were working with the Spirit during those years?
Scurry: Yes. I was reintroduced to the Spirit when I moved back to the area. I was starting my journey, getting back from my concussion. We talked to Bill Lynch who was the owner of the Spirit at the time. And I clearly wasn’t quite ready to do all of that yet, but I was on my way and so we just wanted to touch base with him and then in 2018 is when I became the assistant coach.
Blade: Did you leave the D.C. area after the concussion and then come back?
Scurry: That’s a great question. So the concussion occurred in the WPS league and that’s when the Washington Freedom was the team. When they moved to Florida I went down to become the general manager of the MagicJack team, which was the new ownership. Then I lived in New Jersey for several years until I moved back here to be closer to my medical care.
Blade: There is a lot of crossover between the two of you, even beyond the initial connection. After you became a couple, how did that evolve?
Zizos: It’s been very interesting. I manage Bri’s career, Live Wire does all of her PR and we’re married. I am obviously very emotionally involved in it, so she has her own publicist at Live Wire, Patrick Renegar. As we go out and seek opportunities for her, Patrick is always involved in it and then I do all of the negotiating. It’s been really nice.
Scurry: Live Wire and Chryssa have done amazing things for me. I am so far along with my relevance in the space, my concussion rollout and becoming an advocate, along with my work in the LGBTQ community, in leadership and with the Women’s National Soccer Team. I was featured in the Hall of Fame in the African American museum.
Blade: Yes! The Game Changers exhibit at the Smithsonian’s National Museum of African American History and Culture. I watched the video rollout of you walking past Muhammad Ali, Arthur Ashe, Venus and Serena Williams. That must have been overwhelming.
Scurry: It’s very humbling. If you’ve been to the Smithsonian, it is so intense there, and to be seen as someone who helped my community, my people, my race, to elevate through my work. Chryssa handled all of that negotiation. She has been so instrumental. I’m so much further along in a place in my life now that I never thought I’d be, even better than before when I played, to be honest with you. I am so much happier. I have such greater depth and I have purpose deeper than I had before. And a lot of it is because of what she’s been able to do. It’s really helpful that we are able to separate our relationship as each other’s wives with the business side, because it is difficult a lot of times for people to do both. She mapped out how we would do it methodically, going through all the evolutions and recreation of me. Now I’m doing movies. All this stuff I never thought I would do.
Zizos: And it’s helped Live Wire too. I mean, having Bri as a client, all of our clients love that we’re married. I started Live Wire 23 years ago and I was afraid to tell anybody I was even gay when I first started the company. And now when I’m introducing myself, I always say, “And I’m married to…” It’s an ice breaker and it’s fun. Now that we’re investors in the Washington Spirit we’ll be bringing clients to all the games. It’s really helped both of our careers in a very positive way. I also feel like from our perspective, we spend a lot of time talking about our work together and I love it. Bri was on MSNBC this morning doing an interview and then we played it back and I was media training her afterwards.
Blade: Does that mean you’re the task master?
Zizos: Yeah.
Scurry: It’s interesting I don’t know if this is because I would be able to just mentally compartmentalize things in my whole life, but I don’t take what she says in the defensive posture. It’s not my wife telling me at that moment. It’s my manager telling me, and that’s her specialty. It’s media and messaging. And she’s like, “Bri you did a great job, but what if you had done this?” And I’m like, “Oh, well, that’s brilliant.” Of course, the next time I’ll incorporate it, which is part of my ability to be coachable, and also for her that I’m coachable, that I’m willing to receive her input. She is the expert.
Blade: Let’s hear something outside of work and media and rebranding. What else have you connected on as people, as wives?
Zizos: Well, we love to travel. We got married in Saint Lucia and Jade mountain is one of our favorite places to visit. We own a beautiful home in Alexandria and we just built a pool. Almost every night when I get home from work, Bri is here and she has a bottle of wine open, and she has Pandora playing. Bri’s the sous, she does the craft for all the food. Then I get home and we start cooking. I try to get home by six every night and then by eight o’clock we’re having a gourmet meal together. We love to have friends over. Many of our friends are in the business, so either clients or former clients or associates.
Scurry: Or former players or teammates.
Blade: Let’s talk about your new roles as Washington Spirit investors. You both already had a relationship with the team, and here we are again with something that weaves the two of you together. It’s been great to watch celebrities and different types of people get involved in sports franchises, but it always feels like they’re just there in name. This feels different for some reason.
Zizos: It is.
Blade: What do you expect your role to be beyond the fact that people now know you are investors?
Zizos: Bri has individual roles that she can tell you about. I have individual roles and then we have roles together.
Scurry: For me, this is an amazing opportunity because it helps me come full circle. I went from someone who played in a league to someone who coached in the league and now I’m in an investor group for the same team. The fact that I’m able to do it with my wife makes it that much more amazing for me. And it’s something that I’m really looking forward to. My experience as being a pro and somebody who could maybe mentor, which I’m doing with Spirit player Trinity Rodman. When they get back from Florida, working with her and the players and helping them become better pros, but also with the community. I want the DMV community to get to know the team and become part of the fabric of what the Washington Spirit is and to help us connect the two. I think that’s my two main roles. I think with the investor group, all of us have expertise in a certain area. And the cool thing, like you said, is that it’s not just about the money, it’s about the contribution of the skill set to the team as well.
Zizos: And then from my perspective, Live Wire is working with the Spirit. We did the investor group roll out with their internal team. It was a very coordinated, strategic effort. We’re working on a couple of different projects and we just produced a video. We might be producing, hopefully a second one. And then together, Bri and I are the hostesses of the investor suite on game day. On game day, Bri and I will be welcoming all the investors and sponsors in the suite at Audi Field.
Blade: On every game day?
Zizos: Every game day. We’ll be welcoming the other investors, playing matchmaker and introducing them to each other as well as the sponsors. And then Bri will have MC responsibilities on game day.
Blade: What is the MC role?
Scurry: When a game ends, the MC talks to the fans and says, thank you for coming and please come next time. That kind of thing, just chatting with the fans that way.
Blade: You mentioned hosting other investors. Do they have an obligation to attend games?
Zizos: No. But I’ve had many conversations with the investors, and I know a lot of them are planning on being there. In fact, Assia Grazioli Venier, who we just had breakfast with on Thursday morning, she’s flying here from LA for every home game. One of the beautiful things that Steve Baldwin did with this was, he picked people that didn’t want to just invest money but wanted to play a role. Every investor is bringing opportunity to the table for the club, which I think is really special. So it’s not just a PR play here. I mean, everyone who’s an investor is really, truly not only financially, but emotionally and physically invested in the team.
Blade: Do you feel like there are still things to be healed from the bad press related to Bill Lynch?
Zizos: I think it’s time to move on and time to move forward. And there’s so many good things that the team is doing. And Bill is a really good guy. We’ve known Bill for years. I adore him. I trust him. I like him. Did I say I respect him? Because I really respect him. And I consider him a personal friend of ours.
Scurry: Yeah, I like Bill too, and I really love what Steve Baldwin has done. He came on in 2019 and revolutionized the team and brought it up a level of professionalism that it needed. And now this investor group was just born out of COVID essentially. He’s really done some great things to elevate the team to new levels.
Blade: The Washington Spirit is leaving the Maryland SoccerPlex in Boyds for Audi Field and Segra Field. Thoughts?
Scurry: I think it’s time to bring the team home to all the DMV. Audi Field is going to be way more central for everyone and it makes it a lot fairer. I think that the soccer community out in Boyds, all the teams that play there are more than welcome to continue to support the team in any way they can. And I think it’s important.
Zizos: Washington, D.C. is a power city. We have some serious power players on our team and now we have power investors on the team. It’s a very powerful movement. Washington, D.C. is welcoming the team and Audi Field is going to be a fantastic place. I think that it demonstrates the excitement that this city has for this team.
Scurry: Also, the thing I loved about Boyds was the intimacy, but we couldn’t hold over 5,000 fans. It wasn’t possible. And if you’re going to really elevate the team to a new level and have it not only be a big sports team in D.C., but also, internationally potentially, you really need a bigger stadium.
Blade: Did the investor group happen fast, or have you been sitting on this information for a while?
Scurry: So we started talking to Bill and Steve before 2019. We were already connected with the team at that point, but then the investor group idea, I think really started to come into fruition during the pandemic. I think the seeds of it were starting before, because Steve had built that momentum from 2019 and he was going to try to broaden the diversity and also the interest in involvement in the team with more people. And then the pandemic just kind of slammed it. But then that allowed him to be able to really transform the idea and move it forward. I feel like it accelerated it.
Zizos: I mean, they came to our house, both Bill and Steve together and individually many times to speak. Three times?
Scurry: Yeah.
Zizos: Three times to speak with us and we were the first to commit and write the check. I think that created some positive momentum and excitement and I think they were really excited to have Bri.
Blade: Where do you see yourselves in five years with this project?
Scurry: Oh, wow. That’s a great question. I really feel like the team can become an internationally known property at a level that’s been not seen before.
Zizos: I think five years is probably aggressive, but 10 years I think is on the horizon. It’s going to be phenomenal. And I think we’re going to make a lot of money on this investment.
Blade: Good, that’s the best answer yet.
Zizos: I just love what we’re doing together. We’re doing some really cool things professionally together, and we have an amazing family too. My kids, her step-kids, call Bri their bonus mom. One is 18 and she’s going to Duke next year. The other is 14 and he’ll be a freshman in high school next year.
Scurry: They are awesome.
Blade: This has been a great conversation. You are both amazing role models for so many different communities.
Scurry: Thank you.
Zizos: Thanks.
a&e features
What ‘Queer Eye for the Straight Guy’ can still teach us
Producer David Collins on lasting impact of hit series
It’s hard to imagine where LGBTQ+ television would be without “Queer Eye for the Straight Guy,” the trailblazing reality series that premiered in 2003.
Each episode of this Emmy-winning show saw a group of gays converge on a struggling man — the titular straight guy — and offer nonstop wit while organizing his endlessly messy life. This program about a group of homosexual helpers took the world by storm, furthering the love of gay television begun by shows like “Will and Grace” but bringing it into the growing medium of reality TV. Of course, it wasn’t perfect; “Queer Eye for the Straight Guy” often cast its experts less as multi-faceted queer folks and more as sources of early 2000s gay jokes. But despite these pitfalls, it’s undeniable that the original program explored the realities of being gay in a way audiences had never seen before. It was a monumental piece of LGBTQ+ representation, and its success is largely owed to the man who fought to get this show made: producer David Collins.
Collins spoke with the Blade from his Los Angeles home, where he’s spent the past few years living with his husband and his two daughters. David spoke fondly of his many years in the industry, detailing how it feels to be such a huge part of LGBTQ+ history. He explained, however, that he didn’t initially set out to alter how queer people were seen on television. “I never went out to make gay television,” said the producer. “I went out to tell great stories.”
“I’m a hillbilly from Ohio, and I thought I was going to be an editor,” David laughed, looking back on his career. “I interned at the Cincinnati Film Office, and I showed up to work my very first day, and the film commissioner was like, ‘Get to the airport right now and pick [someone] up. Don’t talk to them.’ Well, I ended up picking up Jodie Foster.” Collins raved about this car ride that changed his life, with the pair becoming friends and Foster pushing him to become a producer who puts their own media out into the world. Eventually, he did just that, and after learning about the wild new genre that was reality TV, he pitched a series to Bravo: “Queer Eye for the Straight Guy.”
“I was obsessed with Esquire magazine, and they had five categories: fashion, grooming, interior design, culture, food, and wine. So I gave them each a gay, and the Fab Five were born!” Collins said, describing how viewers quickly fell in love with the concept and earned the program four seasons and an Emmy for Outstanding Reality Program. He spoke about how proud he felt creating a show that centered real gay people, not characters in a story, remembering, “To stand in the middle of Times Square and look up and see this massive billboard with the original Queer Eye guys…it wasn’t even a dream come true, because it wasn’t a dream I had even fathomed.”
With his series, people were watching actual gay men and learning the realities of a queer culture that had always been portrayed as a danger to society. Collins tearfully recounted hearing about queer people using the show as a way to connect with their family, saying, “What I’m most proud of that’s come out of Queer Eye [are] the conversations that that series has allowed to have people around their kitchen tables with little boys in Ohio like me who were scared to death that they were going to burn in hell because their pastor was telling them that they were a sinner.”
Now, for all of its trailblazing, the program wasn’t wholly positive; the show’s focus on the central ‘straight guy’ meant it rarely delved into the lives of its Fab Five. Collins regretted that lack of depth but understood that earlier audiences weren’t accustomed to such a nuanced look into queerness — that would have to wait for the reboot.
When “Queer Eye” came out in 2018, audiences were introduced to not only a new Fab Five, but a whole new format (that didn’t rely on a straight person). Now, the series would assist queer folks and allies alike, spotlighting these individuals as well as the queer experts helping them improve their lives. The show has been applauded for its amazing makeovers, but where it truly stands out is its representation, offering a look into individuals across the country and the struggles — along with the immense joys — of being queer in America today.
Fans were disappointed to hear that “Queer Eye” would be ending after its 10th season, but David stressed that they wouldn’t have to be sad for long. “What I will say to you is this: hang tight,” he teased. “There’s yet another version of ‘Queer Eye’ to come, and we’re working on that now.” In the meantime, Collins is continuing his work with new shows like the “House of Stassi,” a series centered on “Vanderpump Rules’”prolific waitress. He’s excited about these new projects, but emphasized that his heart will always belong to “Queer Eye for the Straight Guy” and all that it continues to do for viewers 19 years after its finale.
“It’s not about your new outfit or your new couch or your new whatever. It’s about your humanity,” said Collins, speaking about the core lesson he hopes people take away from the Queer Eye franchise. “It’s about seeing yourself. It’s about dignity. It’s about how confidence breeds success.”
A valuable message that queer folks can benefit from even more now than they did in 2003. And, while it’s unclear just what lies ahead for this franchise, one thing is for sure: “Queer Eye for the Straight Guy” helped people everywhere understand the power that exists within our queerness. It’s a truth that has impacted countless pieces of LGBTQ+ television today, and it’s one that Collins promises to keep alive through whatever hit show he creates next.
a&e features
Jason DePuy on coping with homophobia in ‘Big Brother’ house
First drag queen contestant on CBS show fought to stay positive
One week after Jason DePuy (known as Salina EsTitties on “RuPaul’s Drag Race”) was bullied and eventually evicted from CBS’s “Big Brother” house, the queer drag performer is still emotionally processing his feelings.
During his 24 days in the reality TV competition, DePuy often had a rough time, with fellow cast member Kamuela “Kamu” Kirk making homophobic comments and feeling isolated.
In a conversation with Head of Household Rick Devens, Kirk left viewers upset when he said, “Bro, miss me with the drag stuff. Miss me. I’m still an MMA guy, and I have an image to uphold.”
Former “Big Brother” contestant Frankie Grande called his words ‘homophobic’ and ‘gross.’ Another comment, where Kirk said he wanted to end DePuy’s career, also received strong backlash online.
Now that he is out of the house, DePuy has been shocked and deeply touched by the love from “Big Brother” fans and former contestants. We chatted with DePuy for this Blade exclusive.
“To know that my community was rallying for me outside the house was the most wonderful thing. Seeing how much people were just wanting to shower me with love was incredible. Even my friends, I went to say hi and give them a hug, and they’re like, ‘Uh, uh, come here.’ They had to hold me and let me know America was feeling for me in a way that I had no idea.”
He added: “To see that reality was just overwhelming, and I couldn’t ask for more.”
Known as a messy player in the house, DePuy often had to fight to stay positive and stand up for himself.
“No one was coming to my rescue. In real life, it’s easy to block people, but in the house, I didn’t have that luxury, so I had to find it within myself to learn how to speak up for myself in a way that wasn’t nasty or biting. I didn’t attack anyone personally, which is what I was the most proud of.”
DePuy acknowledged he has had a history of putting his foot in his mouth when it came to certain “Drag Race”moments, being in the public eye, and making a fool of himself. “I’ve learned my lessons; to see how I handled myself in the ‘Big Brother’ house was amazing.”
While DePuy has been sober for 14 and a half years and has a strong spiritual foundation, in the Big Brother house, he often felt like he couldn’t communicate what he was feeling.
“As a queer person, a person of color, a drag queen, I have to be very careful about how I move. I don’t have the luxury or privilege to just act a certain way or say a certain thing. I have to be very careful; I’m representing me. But who I am is a Latino, a person of recovery, a drag queen, a queer person in the community. I know that there’s a lot of pressure that comes with that. I felt it was safer for me to sit there and just breathe than try to do anything crazy.”
He continued: “I couldn’t speak to the personal attack that was happening in the house, because in my mind I was like, ‘no, this is a game, and I have to play it, put that aside.’”
Not only can viewers watch the episodes, but they can also watch the live feeds of what’s happening. Seeing the fans’ social media posts from people who had watched the episodes and the live feeds also contributed to DePuy realizing that his feelings of discomfort were valid.
“To know that I wasn’t delusional in those moments, that others could see what was happening, has been a lot to take in. Fans and friends let me know the comments made went beyond the game…I’m like, ‘Oh, so my instincts were correct.”
One of the most poignant moments on the live feeds occurred when DePuy was crying, alone in his room, and said how he missed his gay community.
“I really missed my friends. I missed my queer community. We’re so colorful. We’re so loud. We’re so vibrant. We speak off the cuff, and we’re very truthful and honest with how we speak, and it’s fun. We have fun lingo.”
DePuy had to censor his expressions in the house. “Because I can say one thing, but it can mean something different to straight people than it does with my queer brothers and sisters. So, there was a sense of code-switching that I had to do. I had to even put aside some of my queerness in a way sometimes to fit in.”
DePuy was thrilled to be the very first drag queen to ever be cast on the show.
“I’m honored to have been chosen. There’s a million drag queens out there, and to know that I was a contender to come in the house and not even be in drag was like a wow for me. I’m over here in Hollywood, running around these streets with a wig and heels just to make a dollar to survive, and I have to rely on drag to do that. And then to be offered this opportunity and be given the privilege to say, ‘hey, you don’t have to put on the wig for you to be valuable here,’ is just insane to me.”
Prior to his shows, DePuy has been hustling for 15 years, flipping burgers and doing drag at night.
“That has been my life these past since I was 17. So it’s been a long journey; the opportunity to do this out of drag is a very big blessing. I’m honored and grateful to be the representation of my community.”
If you missed Jason on “Big Brother: Unlocked,” the episode can be seen on CBS.com. He will be back on the show for the finale.
a&e features
Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard
Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard
Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!
The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?
There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?
Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.
The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.
Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.
Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.
In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.
I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.
Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.
Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.
A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.”
Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”
The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.
Rainbows in Revolt is just getting started bridging gaps and building community.
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