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Lesbian Bar Project to the rescue

Founders complete second year fundraising campaign to save businesses

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Directors Erica Rose and Elina Street created a documentary about the history and significance of lesbian bars. (Photos courtesy Lesbian Bar Project)

The Lesbian Bar Project, a New York-based group founded by lesbian filmmakers Erica Rose and Elina Street, raised $117,000 last year to help the nation’s lesbian bars stay in business during the height of the COVID pandemic.

Among the bars receiving financial assistance from the project was D.C.’s A League of Her Own, the Adams Morgan lesbian bar. Owner Dave Perruzza said he and his staff were grateful to receive a $7,000 check from the Lesbian Bar Project early this year when the bar was closed under the city’s COVID shutdown order.

The two women say their 2021 fundraising campaign for the project will raise well over $100,000 as part of their continuing effort to support the nation’s remaining 21 lesbian bars, including A League of Her Own.

“Like a lot of things during COVID, we took a lot for granted,” Street told the Blade in describing how she and Rose reacted when their city’s three remaining lesbian bars – two in Manhattan and one in Brooklyn – shut down like most other bars and restaurants during the peak of the COVID public health restrictions in 2020.

“Erica and I felt very connected to the bars there,” Street said. “And we started these discussions of, we miss our cherished spaces. And now they’re closed. Where do we go?”

With their filmmaking skills as a backdrop, and with the knowledge that the already diminishing number of lesbian bars across the country were struggling to survive under COVID, the two started a fundraising campaign for those bars called the Lesbian Bar Project. Among other things, they produced a video Public Service Announcement with archival scenes of lesbian bars and the women who patronized them.

With financial support from the Jagermeister liquor company’s Save the Night campaign, which was launched to provide financial support for nightlife businesses such as bars and restaurants, Rose and Street arranged for the production of a separate 20-minute documentary film about the role lesbian bars play in the lives of those who patronize them. Rose and Street are listed as the film’s directors.

Among those serving as executive producer and appearing in the documentary is Lea DeLaria, the lesbian comedian, actress and internationally acclaimed star of the Netflix series “Orange is the New Black.”

Also appearing in the documentary is Jo McDaniel, longtime D.C. lesbian activist and bartender and manager at several D.C. gay bars who helped Perruzza open A League of Her Own as the city’s first full-time lesbian bar since the closing of the famed D.C. lesbian bar Phase One nearly a decade ago.

McDaniel says she left her job as A League of Her Own’s manager last year to undertake, along with her life partner Rachel Pike, the start of a new D.C. LGBTQ welcoming bar called As You Are, which began operating online. McDaniel says she and Pike are actively looking for a storefront building in which to open As You Are as an in-person café and bar with a dance floor that will be welcoming to lesbians and the LGBTQ community in general.

The documentary, which helped generate support for the project’s fundraising efforts, can be viewed on the group’s website free of charge at lesbianbarproject.com.

Earlier this month, the national dating app called Hinge announced it was entering into a partnership with the Lesbian Bar Project and would make an initial donation in August of $50,000 to help the project support lesbian bars in need of financial aid.

The announcement said Hinge would educate all its U.S. users about the “importance of LGBTQIA+ establishments” and encourage its LGBTQ members to visit one of the bars for a date.

“The bars that comprise the Lesbian Bar Project are not only a safe space but an essential part of LGBTQIA+ culture,” said Justin McLeod, founder and CEO of Hinge. “Our hope is that this support will help these sacred spaces to stay open through this summer and beyond,” he said in the company’s statement.

The Lesbian Bar Project website provides a list of the 21 lesbian bars that the project has supported. In a notice on the website, Rose and Street note that their initial fundraising campaign for 2021 has been completed, and a financial statement with information on how much has been raised will be released around the time of Labor Day weekend.

Rose told the Blade that until she and Street decide the project’s next plan of action, they are calling on people to donate directly to one or more of the 21 lesbian bars listed on the website.

However, a notice on the website says three of the bars – Cubbyhole of New York City; Sue Ellen’s of Dallas; and Wildside West of San Francisco, “have graciously decided to opt out” of the 2021 pool of funds raised to allow for more contributions to the other bars in greater need.

“In the late 1980s, there were an estimated 200 Lesbian Bars across the country,” a statement posted on the Lesbian Bar Project website says. “These bars are disappearing at a staggering rate, and we cannot afford to lose more of these vital establishments to the fallout of COVID-19,” the statement says.

Rose and Street said the decline in the number of lesbian bars, which began long before the onset of the COVID pandemic, is due to a number of factors, including the overall success of the LGBTQ rights movement. The two said nondiscrimination protections in state and local laws and the landmark 2015 U.S. Supreme Court decision legalizing same-sex marriage nationwide, opened the way for lesbians and LGBTQ people in general to feel comfortable patronizing bars that were not specifically catering to lesbians.

They said that like its impact on gay bars in general, the rise of the Internet and online meet-up sites has also had the effect of enabling lesbians to meet each other outside of bars and other “brick and mortar” establishments. 

“So, it’s like all of these factors combined with the pandemic are why many of these places are disappearing,” Rose said. “And that’s why Elina and I jumped into action. Our goal is always to raise awareness. The money raised is definitely a bonus,” she said. “We wanted to raise awareness and tell the stories of these bars. That’s going to make sure we remain indelible in our culture and ensuring our survival.”

Rose was referring to one of the themes of her and Street’s 20-minute documentary – that the in-person interaction offered by lesbian bars and LGBTQ bars in general provides, among other things, an important part of LGBTQ culture and the diversity of LGBTQ people that online and virtual venues cannot provide.

“We believe what makes a bar uniquely Lesbian is its prioritization of creating space for people of marginalized genders; including women, non-binary folks, and trans men,” according to the statement posted on the Lesbian Bar Project website. “As these spaces aim to be inclusive of all individuals across the diverse LGBTQIA+ community, the label Lesbian belongs to all people who feel that it empowers them,” the statement says.

“Without space, we lose power, validity, communal safety and access to intergenerational dialogue,” the statement adds. “With the support of our community, we can make sure these bars receive not only the financial assistance they need but the reference they deserve. When our history isn’t protected, we must protect it ourselves.”

Following is a list of the 21 remaining lesbian bars in the United States released by the Lesbian Bar Project: 

A League of Her Own — Washington, D.C.

Alibi’s — Oklahoma City, Okla.

Babes of Carytown — Richmond, Va.

Blush & Blu — Denver

Boycott Bar — Phoenix

Cubbyhole — New York City 

Frankie’s — Oklahoma City, Okla.

Ginger’s — Brooklyn, N.Y.

Gossip Grill — San Diego, Calif.

Henrietta Hudson — New York City

Herz — Mobile, Ala.

My Sister’s Room MSR — Atlanta

Pearl Bar — Houston

Slammers — Columbus, Ohio

Sue Ellen’s — Dallas

The Backdoor — Bloomington, Ind.

The Lipstick Lounge — Nashville, Tenn.

Walker’s Pint — Milwaukee, Wisc.

Wildrose — Seattle

Wildside West — San Francisco

Yellow Brick Road Pub — Tulsa, Okla.

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D.C. LGBTQ sports bar Pitchers listed for sale

Move follows months of challenges for local businesses in wake of Trump actions

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Pitchers is for sale at an undisclosed price. (Washington Blade file photo by Michael Key)

A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.

 The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.

He said the sale price will be disclosed to “those who are interested.” 

“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.

 “Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”

It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”

“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says. 

Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price. 

News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets   

In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.

The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.

The sales brochure can be accessed here.

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Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather

Highly anticipated film a refreshingly loving look at Dom-sub life

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Harry Melling and Alexander Skarsgård star in ‘Pillion,’ which premieres in the U.S. on Feb. 6. (Photo courtesy of A24)

Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in. 

Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on. 

That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones. 

“This was a small film by a first time filmmaker and it wasn’t financed when I read it,”  Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”

Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”

For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film. 

“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.” 

Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”

He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”

One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.

“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”

For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present. 

“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”

Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”

This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series,  Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”

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MISTR’s Tristan Schukraft on evolution of HIV prevention

From ACT UP to apps, embracing stigma-free care

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Tristan Schukraft (Photo courtesy of Schukraft)

It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say,  celebratory.

Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond,  prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.

In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.

BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you? 

SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for. 

BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach? 

SCHUKRAFT: This year, we held the first-ever National PrEP Day.  Dua Lipa performed, and Cardi B was there.  After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.  

When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.  

BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years? 

SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.  

For many sexually active gay men, taking PrEP is simply part of the gay experience.  For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door. 

BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level? 

SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance. 

BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic? 

SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States.  We have everything we need today.  All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years. 

HIV transmissions don’t pause because budgets change. 

BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health? 

SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding,  we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results. 

Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.  

Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs. 

Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business. 

When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening. 

BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding? 

SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care. 

BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs? 

SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together. 

BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level? 

SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP. 

BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026? 

SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal. 

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