National
OnlyFans reverses decision to ban sexually explicit content
LGBTQ performers part of backlash against restricting porn
The London-based website known as OnlyFans, which has at least 130 million users and more than 2 million people who create and sell content on the site, including sexually explicit performances, announced on Wednesday that it has reversed a decision made less than two weeks earlier to ban sexually explicit content on its site beginning in October.
The reversal came after a groundswell of opposition to the proposed ban surfaced from its performers and customers, many of whom are members of the LGBTQ community who, like their straight counterparts, used the site to generate income over the past year and a half during the COVID pandemic.
OnlyFans stated at the time it announced on Aug. 19 its earlier plan to ban sexually explicit content that it did so in response to concerns raised by banks and credit card companies that in recent years have threatened to stop processing payments to adult websites.
“Thank you to everyone for making your voices heard,” OnlyFans said in a statement released on Wednesday, Aug. 25.
“We have secured assurances necessary to support our diverse creator community and have suspended the planned October 1 policy change,” the statement says. “OnlyFans stands for inclusion, and we will continue to provide a home for all creators.”
When asked by CNN whether OnlyFans’ use of the word “suspension” to halt its planned ban on sexually explicit content means that it could reinstate the ban at a later date if credit card companies continue to raise objections, OnlyFans replied by stating, “The proposed October 1, 2021, changes are no longer required due to banking partners’ assurance that OnlyFans can support all genres of creators.”
An official with the Free Speech Coalition, which serves as an adult industry trade association, told the Washington Blade a policy by OnlyFans to ban sexually explicit content from its site would have an especially harsh impact on the most vulnerable groups, including LGBTQ people, that rely on the site and other similar sites to earn a living through sex work.
Mike Stabile, the Los Angeles-based Free Speech Coalition’s director of public affairs, said sites like OnlyFans have enabled sex workers to generate a substantial income by performing from their homes rather than working on the streets, in providing content to “fans” or customers who pay them directly to view their performances.
“These platforms have enabled them not just to survive but build equity and thrive,” Stabile said.
In an Aug. 19 statement, Free Speech Coalition said OnlyFans and other sites providing adult content have been targeted over the past two years by conservative religious groups and churches that the coalition says have falsely attempted to link adult websites to sex trafficking of children.
Stabile told the Blade that adult sites have longstanding safeguards in place that prevent sex traffickers from placing content on their sites. He said during the past two years in which the controversial federal law passed by Congress to hold adult sites liable for sex trafficking, known as SESTA-FOSTA, has been in effect, the law has rarely been used to prosecute sex traffickers and has yet to be used to shut down any of the sites used by consenting adults.
He noted that prior to the time SESTA-FOSTA took effect, prosecutors used existing statutes to shut down Backpage, an adult site widely used by sex workers to interact with customers on grounds that the site allegedly allowed sex traffickers to use the site.
Around that same time, Craigslist on its own removed all “personal” classified ads from its site, saying it could not risk being held liable for allegations of sex traffickers using its personal ads under the SESTA-FOSTA law, even though Craigslist prohibited its site from being used for sex trafficking or any nonconsensual practices.
While no credible evidence has emerged that adult sites are in any way allowing sex traffickers to use those sites, Free Speech Coalition has said conservative religious groups that oppose all sex work and want to ban all pornography on the Internet have begun to put pressure on banks and credit card companies to stop servicing the adult sites.
Stabile points out that studies have shown that far more sex traffickers have succeeded in slipping through safeguards to prevent them from posting on sites with Facebook and Twitter than with the adult sites. No online platforms can be 100 percent effective in preventing a few traffickers from getting on their sites, Stabile said, but the anti-trafficking groups hold the adult sites to a greater degree of blame than mainline sites like Facebook.
The adult sites have stated repeatedly they will cooperate with law enforcement officials to identity and help prosecute sex traffickers who target underage people.
“Banks and credit card companies are risk-averse institutions, easily scared by potential bad publicity,” Free Speech Coalition says in its Aug. 19 statement. “Religious groups know this and have made no secret of targeting them in their quest to eliminate sex workers altogether,” the statement says.
“In doing so, companies like Mastercard have become enablers of these anti-porn, anti-LGBTQ, misogynist groups,” the statement continues. “Companies like Mastercard are now accomplices in the disenfranchisement of millions of sex workers, complicit in pushing workers away from independence into potentially more dangerous and exploitative conditions.”
A Mastercard spokesperson told CNN earlier this week that it was not involved in OnlyFans’ initial decision to ban or restrict sexually explicit content from its site.
“It’s a decision they came to themselves,” spokesperson Seth Eisen told CNN.
But Free Speech Coalition and other adult industry advocates point to a Mastercard policy announced in April that requires adult sites to put in place strict safeguards to prevent “illegal content” from being uploaded on their sites. Stabile noted that the new policy comes shortly after Mastercard and other credit card companies stopped servicing Pornhub, the largest of the adult sites after allegations surfaced that sex traffickers were using that site.
These developments have had a chilling effect on the adult sites and sex workers who rely on them to support themselves financially, adult industry advocates have said.
Cyndee Clay, executive director of the D.C. sex worker advocacy group HIPS, which provides support for local gay and trans sex workers, said the OnlyFans decision to ban sexually explicit content from its site, if left in place, would have an especially harmful impact on D.C. sex workers.
“The OnlyFans announcement comes as yet another devastating blow to sex workers’ ability to work and care for themselves and their families in an industry already full of stress and hardship during the pandemic,” Clay told the Blade before OnlyFans reversed its decision.
“Under the threat of SESTA/FOSTA and when platforms like Backpage went down, HIPS saw a 100 percent increase in street-based sex work, because folks turned back to the streets to survive when safer, more autonomous online options were taken away,” Clay said. “We haven’t outlawed all house cleaning services because of a few documented instances of forced domestic trafficking,” she said.
Clay, like officials with the Free Speech Coalition, pointed out that OnlyFans, which launched its site in 2016, became a multimillion-dollar operation through the income it generated by sex workers and their online customers who used the site far more than any other “fans” or content creators.
When it announced its decision to ban or restrict sexually explicit content from its site, OnlyFans said the decision was based in part on concerns raised by banks and credit card companies as well as on its efforts to secure funding from investors who are reluctant to be associated with companies that provide sexually explicit material.
“In order to ensure long-term sustainability of the platform, we must evolve our content guidelines,” OnlyFans said in a statement last week.
“Sites like OnlyFans provided a safer online option for many sex workers during the pandemic,” said HIPS director Clay before OnlyFans reversed its earlier decision. “OnlyFans was a harm reduction alternative for sex workers who were trying to be safe by avoiding personal contact, working in clubs, or working the streets,” she said. “It’s immoral that we are now punishing sex workers for these efforts by taking away this platform.”
Matt Lownik, an OnlyFans performer who lives in London, contacted the Blade to express his concern about the OnlyFans initial decision to ban sexually explicit content before the company reversed the policy change.
Lownik said he currently has 144,000 followers on OnlyFans, one of its rival sites called JustForFans, and on a Twitter account.
“There are performers all across the world who use OnlyFans, and a huge number across the U.S.,” he said. “I’ve met several performers who live in or near D.C., but I would say the majority that I’ve met are from New York or Los Angeles,” he told the Blade.
He said the fees that performers charge for their subscribers vary widely, but most charge approximately $10 to $15 per month, with many performers having dozens or hundreds of subscribers. He said OnlyFans takes a cut of 20 percent of its performers’ earnings.
Vice President JD Vance and his wife, second lady Usha Vance, will visit Hungary next week.
An announcement the White House released on Thursday said the Vances will be in Budapest, the Hungarian capital, from April 7-8.
JD Vance “will hold bilateral meetings with” Hungarian Prime Minister Viktor Orbán. The announcement further indicates the vice president “will also deliver remarks on the rich partnership between the United States and Hungary.”
The Vances will travel to Hungary less than a week before the country’s parliamentary elections take place on April 12.
Orbán, who has been in office since 2010, and his Fidesz-KDNP coalition government have faced widespread criticism over its anti-LGBTQ crackdown.
The Associated Press notes polls indicate Orbán is trailing Péter Magyar and his center-right Tisza party.
President Donald Trump removed Attorney General Pam Bondi from her post Thursday, following growing criticism over how she and the Department of Justice handled a range of issues, including matters related to sex offender and Trump ally Jeffrey Epstein.
Trump announced Bondi’s removal on Truth Social, where he also said Todd Blanche will serve as acting head of the Justice Department.
“Pam Bondi is a great American patriot and a loyal friend, who faithfully served as my attorney general over the past year,” Trump wrote on the platform. “Pam did a tremendous job overseeing a massive crackdown on crime across our country, with murders plummeting to their lowest level since 1900.”
Trump was seen as recently as Wednesday with the now-former attorney general at a Supreme Court hearing on citizenship.
The decision contrasts with Trump’s previous public praise of Bondi, the 87th U.S. attorney general and former 37th attorney general of Florida, who served in that role from 2011-2019 before joining the Trump-Vance administration. He has frequently lauded her loyalty and said he speaks with her often. Bondi was also one of president’s defense lawyers during his first impeachment trial.
Privately, however, Trump had grown frustrated that Bondi was not “moving quickly enough” to prosecute critics and political adversaries he wanted to face criminal charges, according to multiple sources. The New York Times reported that her inability to charge former FBI Director James B. Comey and New York Attorney General Letitia James with any crimes is a large factor in the president’s choice to fire her from the government’s primary law enforcement agency.
The move comes as Trump has sought to minimize public turmoil within his administration, avoiding the perception of a revolving-door Cabinet that defined his first term.
Lee Zeldin, a former Republican congressman from New York who unsuccessfully ran for governor, has emerged as a leading contender to lead the Justice Department. He has been one of Trump’s most reliable allies.
“He’s our secret weapon,” Trump said of Zeldin in February during a White House event promoting the coal industry, adding, “He’s getting those approvals done in record-setting time.”
Bondi has also growing faced scrutiny from Congress.
The House Oversight Committee recently subpoenaed her to testify about the department’s handling of certain files, where she declined to answer key questions during a contentious House Judiciary Committee hearing in February.
The Tampa native has a long history of opposing LGBTQ rights through her roles in government. As Florida attorney general, she fought against the legalization of same-sex marriage, arguing it would cause “serious public harm,” pushing forward a legal battle that cost taxpayers nearly half a million dollars. She also asked the Florida Supreme Court to overturn a lower court ruling that found the state’s same-sex marriage ban unconstitutional.
More recently, Bondi established a “Title IX Special Investigations Team” within the Justice Department focused on restricting transgender women and girls from participating in women’s and girls’ sports teams and accessing facilities aligned with their gender identity. She also told Children’s Hospital of Philadelphia to turn over the medical records of anyone under 19 who received gender-affirming care.
Her removal follows Trump’s decision last month to oust another controversial female Cabinet figure, Kristi Noem.
The White House
VIDEO: Gay journalist detained for booing Trumps at ‘Chicago’ opening night
Eugene Ramirez booed first family at Kennedy Center
President Donald Trump and first lady Melania Trump attended the opening night of “Chicago” at the John F. Kennedy Center for the Performing Arts on Tuesday. They were greeted by a mix of cheers, applause, and some audible boos.
Among them was Eugene Ramirez, a gay Washington resident, who later shared his account of the night after being briefly detained by security for booing the president and giving a thumbs-down gesture — an expression of what many would call a textbook definition of constitutionally protected speech to criticize the government.
Ramirez attended the opening night performance with a group of friends, hoping to catch a final show before the center undergoes two years of major changes under Trump oversight. The musical, based on a 1926 play of the same name, has become synonymous with Broadway success.
With music by John Kander, lyrics by Fred Ebb, and a book by Ebb and Bob Fosse, “Chicago” has cemented itself as a cultural staple — known for its signature Fosse choreography, stripped-down staging, and sleek, campy aesthetic. The story follows Roxie Hart and Velma Kelly, women who murder their husbands but — with the help of the manipulative, charismatic, and narcissistic attorney Billy Flynn — walk away scot-free.
It remains the longest-running American musical in Broadway history, and its 2002 film adaptation famously won the Academy Award for Best Picture. On this night, however, the production also became the backdrop for a very modern moment of political protest.
“I accompanied five friends to opening night of ‘Chicago’, as a way to enjoy a final performance in the Kennedy Center as we know it,” Ramirez began to recount to the Washington Blade, describing the moment his group settled into their seats inside the ornate Opera House theater.
Just before the performance began, the twice impeached president and first lady appeared in the balcony box, drawing immediate attention from the audience below. Theatergoers stood, cheered, clapped, and waved, while Ramirez made a different choice.
While accounts of the crowd’s reaction have varied, Ramirez said his response was intentional, immediate, and within his rights. Moments after booing and giving a thumbs-down while recording on his iPhone, security intervened.
The video of Ramirez booing the Trump’s is here:
“Within moments, the director [of security] and another guard approached and escorted me to a side area where several other security guards were waiting,” he said. “I was detained until everyone was seated and the lights dimmed.”
As he was escorted away, Ramirez said his instincts as a journalist kicked in. A former lead anchor for Sinclair’s national evening news broadcast, he said the situation immediately felt off — or more aptly put — as if he could see the strings being pulled from someone attempting to control the narrative.
“Journalism is a vocation, not just a job. I immediately knew there wasn’t just an uncomfortable interaction with security,” he said. “The Kennedy Center is a federally funded cultural institution, and being questioned about speech related to the president in that setting felt like something the public should know about.”
Ramirez explained the difference between a standard visit by a public official and this performance: the president’s appearance wasn’t just ceremonial; it was very clearly a media moment.
“The White House press pool was there, and it was clear this was an effort to manage the president’s image in the media,” Ramirez continued. “The irony was not lost on me that this was happening on opening night of ‘Chicago’, a musical about manipulating the press to shape public perception.”
According to Ramirez, the explanation he received from Kennedy Center Director of Safety and Security Karles C. Jackson Sr., was brief, but illuminating.
“He said, ‘they don’t want booing,’ and even called out my thumbs-down gesture. He never clarified who ‘they’ were, but whether it was the administration or the Kennedy Center, the distinction felt meaningless,” he explained. “Mr. Jackson ultimately told me he was just trying to do his job, shook my hand, and allowed me to return to my seat once the lights dimmed and the overture started playing.”
Ramirez said he didn’t blame the guard individually, noting the broader context of the Kennedy Center’s uncertain future and the pressures staff were under.
“With the center closing in the coming months, some of these security guards being pressured to restrict our freedom of speech may only have a few weeks of work left.”
He believes the decision to remove him was driven less by disruption than optics, particularly given the presence of the press.
“It was very clearly about protection — whether protecting the president from visible dissent, or his image before the media present. There was no disruption as almost everyone was standing and reacting loudly to the arrival of the president and first lady, with cheers, applause, and hand gestures. The difference was that my reaction, unlike most, was negative.”
Drawing on his experience covering public officials, Ramirez said the incident felt more about controlling perception than security.
“Usually, law enforcement may monitor or intervene if there’s a disruption, but here there was no disruption at all. Simply expressing dissent in a public, cultural space drew the attention of security. It made it feel less like a matter of decorum and more like an effort to control the narrative around the president,” he said. “It’s about what happens when dissent is treated as disruption rather than a right.”
“The show hadn’t started. I threatened no one. Billy Flynn would have approved of the optics. The rest of us should be paying attention.”
Ramirez framed the incident as part of a broader constitutional concern, one that is plaguing the Trump-Vance administration as they continue to reject rules and normalcy set forth by other reserved presidents.
“Being singled out by security at a federally funded institution for expressing dissent shouldn’t be brushed off; it undermines the First Amendment,” he said, looking at it slightly distanced from it now. “Being of Cuban heritage, and a journalist, it’s a right I’m not willing to give up readily.”
“Publicly funded cultural institutions should allow visible dissent, even in politically charged moments,” he added. “Of course, I understand the need to manage disruptions during a performance, but that was not the case here.”
The themes of “Chicago”, a long-running satire about media manipulation and public perception, added another layer of irony to the experience, Ramirez explained.
“The satire truly leapt off the stage! A show about controlling the narrative, manipulating the press, and covering up truths by leaning on showmanship and distractions. The show is decades old, but could’ve been written today. We’re being razzle-dazzled daily and it’s getting harder to tell fact from fiction, no matter where you get your news.”
He, being gay, also acknowledged how hard it must have been for the performers on stage, assuming that at least some in the cast were also members of the LGBTQ community — and artists — two things Trump doesn’t always get along with.
“It was not lost on me that many of the actors on that stage, that the president and first lady presumably applauded, are members of the LGBTQ community which this administration has rolled back protections for under the guise of religious liberty and free speech, resulting in blatant discrimination.”
He pointed to a particular number that felt surreal given the circumstances.
“Its ‘Razzle Dazzle’ number celebrates keeping audiences off balance; at its climax, a massive American flag descends as the song celebrates blinding audiences to what is real. Watching that scene after being detained for a thumbs-down was surreal.”
Ramirez said the show’s closing lines were especially sharp given the presidential audience and what he just experienced.
“At the end of the show,
Velma says: ‘You know, a lot of people have lost faith in America.’
Roxie replies: ‘And for what America stands for.’
Velma: ‘But we are the living examples of what a wonderful country this is.’
Roxie: ‘So we’d just like to say thank you and God bless you.’
They had both just gotten away with murder!”
His closing lines, however, were a bit more pointed than “scintillating sinners” Roxie Hart and Velma Kelly’s were in the show.
“Democracy only works when citizens are allowed to boo,” he said. “Tuesday night at the Kennedy Center, ‘Chicago’ made that point better than I ever could.”
The Blade reached out to the Kennedy Center but did not receive a comment back.
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