a&e features

Mark S. King on new book and surviving HIV and meth

‘My Fabulous Disease’ writer chronicles experiences with humor, honesty

Published

3 years ago

August 24, 2023

HIV/AIDS writer Mark S. King, a GLAAD- and National Lesbian and Gay Journalists Association award-winning author of the popular blog My Fabulous Disease has published a new book out Sept. 1 that’s a compendium of the blog’s best pieces, as well as pieces he wrote well before the blog, back in the 1990s. Pre-order “My Fabulous Disease: Chronicles of a Gay Survivor” at marksking.com/marks-new-book. He’s appearing at the U.S. Conference on HIV/AIDS on Sept. 7 in D.C.

Diagnosed with HIV in 1985, Mark has taken a lifetime of ups and downs and turned them into a, well, fabulous collection of pithy, witty, often brutally honest and self-critical short essays on everything from how we gay men are so good at shaming and judging one another for all sorts of things to his gay brother’s tale of helping his lover, who was dying of AIDS, end his own life with a Seconal cocktail to what it was like starting his own gay erotic phone line in the 1980s to how he’s morphed into a total top who wants sex only a fraction as often as when he was young. The essays range from quite raw and painful to utterly hilarious. King has that perfect Oscar Wilde/Paul Lynde way with a quip: “I got The Clap so many times that I started calling it The Applause.” Or, marveling at how little sexual energy he has currently, at 62, compared to his youth, that these days, “10 minutes is a triumph of passion and stamina.”

I like Mark’s writing because he doesn’t shy away from examining aspects of himself that many of us gay men would rather look away from: His vanity, narcissism and need for attention. Things he’s done in the past that have hurt people, including family members and lovers. Even what he sees as his own manipulativeness in seducing a 30-year-old man when he was 15 — this in an age when we would almost unanimously agree that all the responsibility for a statutory-rape situation lies with the legal adult, not the child.

TIM MURPHY: Mark, thanks for talking to me. So, you and your husband Michael, a federal healthcare worker, live in Atlanta, yes?

MARK S. KING: As we speak, I’m surrounded by boxes because we’re moving in a few days from an apartment in Midtown to a home in North Decatur. Michael’s currently holed up in his home office and he doesn’t come out until after five.

MURPHY: What’s a typical day like for you?

KING: My cat Henry wakes me up around 6:30 a.m., but fortunately Michael feeds him breakfast and starts the coffee, so I can sleep longer. I stumble out around 7 a.m., have my coffee and look at my emails. Or sometimes, if I’m writing something, if the solution I’ve been looking for occurs to me around 6:30 a.m., I’m at the keyboard making it work even before I have coffee. If I’m in the zone like that, I can forget to have breakfast. But then I have my go-to daily conversations with usually two out of three people: my brother, Dick, who’s gay and lives in Shreveport, La., with [TheBody.com writer] Charles Sanchez, and with my friend Lynn.

Then I go to the gym to work on any part of my body that is visible in a tank top. As long as my chest is bigger than my stomach, I’m fine. I play racquetball, so that takes care of the legs. Things like calves, you either have them or you don’t. I know I should be doing yoga and stretching and working on what they call your core, whatever that is. At some point as I age it’s going to be more important to be able to bend over and pick things up, not lift a large weight above my head.

MURPHY: Do you do steroids?

KING: I have—I don’t any more. Testosterone is not steroids.

MURPHY: Oh, I know. Why no more steroids?

KING: Age, and the fact that they can damage your liver and kidneys. It’s also true that taking testosterone has made my prostate the size of a grapefruit, but I haven’t stopped that.

MURPHY: When you first went on testosterone, did you notice changes in your mood, libido and strength?

KING: Yes, all those things. I take it because it works. I’ve been on it for 20 years … when I’m not working out, I deflate like a balloon. I feel like the Grindr hookup that doesn’t look like his pictures.

MURPHY: What do you do the rest of the day and night?

KING: Play with my cats and write a little bit. I sound like a man of leisure, and I kind of am. After Michael finishes work, we cook dinner. I’m a much better cook than I was when I met him.

MURPHY: Mark, you grew up Louisiana?

KING: My dad was an Air Force officer so we lived all over the place, but when he retired when I was in fifth grade—I’m the youngest of six—we moved to Louisiana.

MURPHY: When did you start writing?

KING: I wrote silly little stories when I was a kid, and then when I went to work for an AIDS agency in 1986, [the now defunct] L.A. Shanti, it was growing so fast that I became the media guy, the one writing the newsletter and press releases. But it’s only been in the last 20 years that I’ve really been able to identify as a writer. The turning point was when I started writing My Fabulous Disease consistently. Prior to that, I’d write columns for Frontiers and then send them to different gay papers around the country who would print them.

Of all the editors I ever worked with, Bonnie Goldman, who founded [the HIV/AIDS site] TheBody, challenged me the most. “Why are you saying it this way?” she’d ask. She told me that the more warts, faults and doubts I revealed, the more I’d draw people in. She really worked for me and asked me to write a blog for TheBody.

It was after Bonnie left TheBody that I started My Fabulous Disease. I’d actually started it as a website to promote my first book, “A Place Like This,” and my web designer told me to blog on that page to keep it fresh and bring people to it. For a long time, I had to keep telling myself, “If you continue to build it, they will come.” Now, in a good month, I’ll get 100,000 hits. I’ll also share my content with HIV Plus, Poz—it doesn’t matter.

MURPHY: One thing I like about your writing is that you are ruthlessly honest. What’s been one good and one bad outcome of that?

KING: Certainly I felt good about writing about addiction. I wrote a piece about a relapse I had when I was still dealing with its fallout. That felt good because I suffer, as many of us do, with imposter syndrome. I’d think, “If they only saw behind the curtain, that I struggle with drug addiction and have ruined relationships and have all sorts of wreckage in my wake, then they wouldn’t like me anymore.” So to have been able to write that piece only days after coming to—some might say it’s dangerous to write about such a thing so soon, but my writing is my therapy, my way of sorting out my own feelings. So I wrote it and then pressed the button.

MURPHY: In your book, you have several pieces written about a decade ago or more about how we gay men tend to shame one another—how HIV-negative men shame positive men by using phrases like “drug- and disease-free” or “clean” and “you be, too,” or how older HIV survivors shame younger gay men for having tons of sex without condoms now that PrEP is available. Do you think in the years since you published those pieces, we’ve become a less shaming community overall?

KING: You’re right, I wrote a lot of that when social media and hook-up apps were inflaming various stigmas. Gay men are remarkably good at shaming our own—we’ve been shamed so much that we’ve developed claws of our own. I haven’t been on hook-up apps the last ten years, so I can only go by conversations I have, which make me think that stigma is alleviating a little bit. But these things are generational. We were raised for decades in mortal fear of sex, which is a really powerful emotion that doesn’t just go away with a scientific breakthrough like U=U [undetectable = untransmittable, the now-proven fact that people with HIV on meds with undetectable viral load cannot transmit HIV sexually] or PrEP.

(Continues at thecaftanchronicles.substack.com)

Related Topics:crystal meth HIV HIV/AIDS Mark S. King My Fabulous Disease My Fabulous Disease: Chronicles of a Gay Survivor

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a&e features

Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

Published

10 hours ago

July 29, 2026

Kyle Rood

Lily Erin, one of Rainbows in Revolt’s signature artists, performed at Capital Pride in June. (Photo courtesy of Rainbows in Revolt)

Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!

The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?

There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?

Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.

The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.

Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.

Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.

In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.

I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.

Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.

Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.

A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.”

Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”

The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.

Rainbows in Revolt is just getting started bridging gaps and building community.

a&e features

Summer in the City: Free exhibits, movies, more fill D.C.’s calendar

America 250 celebrations continue

Published

3 days ago

July 26, 2026

Emma LaPointe

Cynthia Erivo and Ariana Grande star in ‘Wicked,’ screening Sept. 12 at Union Market. (Photo courtesy of Universal Pictures)

From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.

Museum exhibitions

The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free.

The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.

The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.

The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.

Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.

The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.

At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.

The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.

The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3.

Live performances

On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game.

Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.

From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.

Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances.

DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace.

Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.

Other events

Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.

Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary.

The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.

For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.

Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.

a&e features

Summer in D.C. brings sports, Restaurant Week, festivals, and more

Published

6 days ago

July 23, 2026

Evan Caplan

Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.