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Black Deafhood: A journey at the intersection of sexuality, disability, race
Gallaudet’s Bobbi-Angelica Morris on their activism and art
Editor’s note: One in four people in America has a disability, according to the CDC. Queer and Deaf/disabled people have long been a vibrant part of the LGBTQ community. Take two of the many queer history icons who were disabled: Michelangelo is believed to have been autistic. Marsha P. Johnson, a hero of the Stonewall Uprising, had physical and psychiatric disabilities. Today, Deaf-Blind fantasy writer Elsa Sjunneson, actor and bilateral amputee Eric Graise and Obama administration Assistant Secretary of Labor for Disability Employment Policy Kathy Martinez are just a few of the people who identify as queer/Deaf/disabled. The stories of this vital segment of this queer community have rarely been told. In its series “Queer, Crip and Here,” the Blade is telling some of these long unheard stories.
“My ‘coming out’ story looks more like me telling someone my favorite cookie flavor is chocolate chip,” Bobbi-Angelica Morris, a Gallaudet University graduate student, activist, poet, photographer, videographer and visual artist, told the Blade, “than an emotional roller coaster.”
“I’ve always embodied this carefree energy pertaining to who I am, what my purpose is, and how I show up for others,” added Morris, who is Deaf/Hard of Hearing and identifies as a Black, nonbinary, queer and abolitionist artist.
Earlier this year, Morris, 23, received the Mary Bowman Arts in Activism Award from the National AIDS Memorial, the San Francisco organization that displays the internationally acclaimed AIDS Memorial Quilt.
Over the phone and in email, Morris spoke with the Blade about a range of topics – from her “Deafhood” to how she felt safe at a queer Halloween party.
Morris, who uses she/they pronouns, grew up in different parts of the East Coast. They spent most of that time in Richmond, Va.
“Growing up, most of the people around me would ask if I was gay,” Morris said, “because I fit into the stereotypical realms of present day msc [masculine] presenting dykes.”
“No one questioned me when I actually came to terms with my queer identity,” they added.
Before enrolling in Gallaudet, Morris spent most of their time as a student with hearing people in schools, where most teachers and students didn’t communicate in American Sign Language (ASL). Morris was the only Deaf student in their classes until they graduated from the University of Virginia in 2022 in Charlottesville. There, they majored in global development studies and minored in ASL with a concentration in disability studies and community development.
Growing up, Morris didn’t know about ASL or the creativity and history of Deaf culture.
“It wasn’t until I was in elementary school,” Morris said, “that an audiologist said I qualified for hearing aids.”
In their poetry, Morris, who speaks and signs their work, reflects on their family and their experience of being Deaf.
“I reflect on my own Deafhood:/ my playground fights/ with uneducated parents,” Morris writes in a poem, “When little Black Deaf girl doesn’t hear someone speak to her,/that someone thinks little Black Deaf girl is disrespectful.”
Like many Deaf/Hard of Hearing people, who go to school when they don’t know American Sign Language, and there are no ASL interpreters, Morris felt isolated.
“I had no knowledge of the Deaf community or of Black Deaf history,” they said.
Some in Morris’s family and community couldn’t accept that Morris is Deaf. “Some, not out of maliciousness, prayed for my healing,” they said.
What Morris calls her “Black Deafhood,” has been a long journey at the intersection of sexuality, Deafness, disability, Blackness, gender, activism, and art.
Deafhood is a “journey that a Deaf person undertakes to discover his, her or their identity and purpose in life,” according to a Deafhood Foundation statement on deafhood.org.
Hearing people often perceive of Deafness as a disease that should be cured, and of Deaf people as incompetent, second-class, less-valued, citizens.
Just as coming out helps queer people to affirm their sexuality and connect with the LGBTQ community and history, Deafhood empowers Deaf people to have pride in themselves – to connect with the Deaf community, history and culture.
As it often goes with finding and loving your queer self, Deafhood is a process.
In middle school, Morris watched “Switched at Birth,” the popular TV series. The teen and family drama features Deaf and hearing actors and scenes in ASL.
The show jump-started Morris’s interest in Deafness and the Deaf community. “But, I still didn’t understand my connection [with the Deaf community],” Morris said.
Curious to discover something about Deaf culture, Morris started an informal class – a club. There, they and their friends learned signs from YouTube videos.
At the University of Virginia, Morris took a sign language class. They studies abroad for a time in India.
At Gallaudet, Morris began to feel connected to the Deaf community. They are a student in the Master of Social Work program at Gallaudet’s School of Civic Leadership, Business, and Social Change. Morris will graduate with an M.S.W. degree in 2024.
They are equally committed to making art and activism – to working for social justice for Black, Deaf/disabled, queer, and other marginalized groups. A love of art and social change is etched in their bones.
“I am an abolitionist and an artist,” Morris said, “I cannot be one without the other.”
Their abolitionist identity is connected to how they experience intersectionality. Morris sees their life as connected “to the movement for total liberation of all our people, beings, and non-beings in this present day and beyond,” they said.
Because they are an artist, they have a responsibility to use their skills to educate, inspire and protect “everyone and everything that abolitionists fight for daily,” Morris said.
From early on, Morris loved being creative. During an unstable childhood, art helped Morris to express their feelings.
Fortunately, art ran in Morris’s family. “My bio-mom is an amazing artist,” Morris said, “so we would draw things together.”
Later, Morris’s god-mom gave Morris materials that sparked their interest in painting and photography.
In middle school, Morris got into spoken word poetry when one of their Boys and Girls Club mentors showed them a spoken word video. At the University of Virginia, Morris participated in poetry slams. In their Gallaudet social work program, they impressively deploy their artistic and activism chops.
Their advocacy projects are numerous. Morris is developing ASL G, a non-profit organization. The group’s mission “is to develop community garden coalitions and programming for art and health wellness through disability justice,” Morris said.
Morris was the former creative outreach coordinator of VOCA, a non-profit that supports BIPOC, Deaf artists.
“I have family members that have been incarcerated,” Morris said. “Because of that, I want to fight the injustice of the prison industry and mass incarceration.”
Morris is the president of Students Against Mass Incarceration (SAMI), a student club at Gallaudet.
Ableism, audism (discrimination against Deaf people), homophobia and racism are issues for Morris. “The white presence is prominent in many institutions,” they said, “often they’re predominantly white.”
Morris likes being a Gallaudet student. But, “there’s a lack of racial competency at Gallaudet as there is in the whole of America,” they said.
The queer community has provided safe spaces for Morris.
Once, Morris and their partner attended a queer Halloween party in Charlottesville. “Half the people in attendance knew or were learning sign language,” Morris said. “I think it was then that I realized how connected the queer community was in ensuring no one was left out.”
Morris went to the party as Beast Boy, and their partner went as Raven from Teen Titans.
Follow Morris on Instagram @Blckrainbow5
a&e features
Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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Tickets on sale for chef Patrick O’Connell’s book launch event
Sept. 18 kickoff to feature José Andrés, Tom Sietsema
Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.
Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.
O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.
“I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”
O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.
“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”
The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination.
The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.
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The queer Asian comics building collective joy in D.C.
Spotlighting chaotic ways family, romance, identity take shape in their lives
Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward.
“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.
Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives.
From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together.
“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”
Each performance evoked queer Asian joy through a medium that could use more of its presence.
According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said.
When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”
“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”
But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center.
Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.
“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said.
Family is a major throughline of their comedic repertoires.
Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down.
“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”
Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form.
“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’”
Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church.
“I’ve been finding it hard to escape her,” Kim said.
Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.
Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet.
“As a person of color, I just don’t think I should be with a Swiftie,” they said.
Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training.
“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked.
Laughter is not the only reward for the comics.
To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said.
Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition.
“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”
Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.
Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.
“As long as I can keep doing this, I’m super happy,” he said.
This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).
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