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Queers clean up at 76th annual Emmy Awards

Jodie Foster, Richard Gadd, and Greg Berlanti among LGBTQ honorees

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(Public domain photo)

It was a banner night for queer performers and television creators at the 76th annual Primetime Emmy Awards at the Peacock Theatre in Los Angeles on Sunday, with Jodie Foster, Richard Gadd, and Greg Berlanti among the night’s big winners.

Lesbian icon Jodie Foster took home her first Emmy in the category Outstanding Lead Actress in a Limited or Anthology Series or Movie for her role in “True Detective: Night Country.” Foster thanked her wife and kids in her acceptance speech, telling her kids to remember that “Love and work equals art.” Foster has previously been nominated for her work behind the camera, directing “Orange is the New Black,” and producing “The Baby Dance” and “AMC: Film Preservation Classics.” 

The Netflix drama “Baby Reindeer,” Richard Gadd’s autobiographical miniseries about his experiences with sexual assault and a stalker, was a big winner at this year’s ceremony. The show took home the award for Outstanding Limited or Anthology Series, while Gadd took home awards for writing and lead actor, and his co-star Jessica Gunning took home the award for supporting actress in the category. The show also took home honors for casting and picture editing at the Creative Arts Emmys earlier in the week.

Peacock’s “The Traitors” won in the Outstanding Reality Competition category, earning an Emmy for producer and host Alan Cumming. Cumming also won Outstanding Host for a Reality or Reality Competition Show at the Creative Arts Emmys, ending an 8-year streak of wins by “RuPaul’s Drag Race” host RuPaul. Cumming, who is openly bisexual, has been nominated four times before – three times for his role on “The Good Wife” and once as the host of the Tony Awards broadcast. He has also been nominated for a Daytime Emmy for his work on “Arthur: Show Off.”

Longtime writer and producer Greg Berlanti was honored with the Governor’s Award in recognition for his work depicting underrepresented communities on screen across his nearly 25-year-long career. Berlanti’s career has written, directed, and produced dozens of television shows, including such milestones as the first on-screen kiss between two gay characters on his first show, “Dawson’s Creek.” 

He later achieved acclaim creating and producing shows like “Everwood,”The Flight Attendant,” and the CW’s various “Arrowverse” shows, and set a record with producing 18 shows that were on air during the same television season in 2019-2020. His shows frequently broke ground in LGBTQ representation, including the first transgender recurring character on “Dirty Sexy Money” and shows that put gay characters in leading and title roles, like “Batwoman,” “Brilliant Minds,” and “Freedom Fighters: The Ray.”

In his acceptance speech, the 52-year-old Berlanti spoke of the impact of the lack of LGBTQ representation in television when he was a kid.

“There wasn’t a lot of gay characters on television back then, and I was a closeted gay kid, and it’s hard to describe how lonely that was at the time,” Berlanti continued. “There was no Internet to connect with other queer kids, no LGBTQ+ advocacy groups in schools. Back then, the only way to tell if another kid might be gay was if he also watched ’Dynasty,’Dallas’ and could name all four of the Golden Girls.”

He said it wasn’t until the AIDS crisis in the 1980s that he saw gay men on television “holding hands with other men, marching and fighting for their rights.”

“They gave me hope that I might one day have their courage to come out and share my truth with the world,” Berlanti said.

A queer creator also made history at the Creative Arts Emmys last weekend.

Benj Pasek, who is openly gay, together with his songwriting partner Justin Paul, who is straight, became the 20th and 21st people to achieve EGOT status – winning an Emmy, Grammy, Oscar, and Tony – with their win for Best Original Song for “Which of the Pickwick Triplets Did It” from the Hulu series “Only Murders in the Building.” The pair have previously won the Grammy and Tony Awards for their musical “Dear Evan Hansen,” and the Oscar for writing the song “City of Stars” from the movie “La La Land.” 

With only seven years between their first and most recent awards, the pair set a new record for shortest time span for competitive EGOT winners, beating previous record holder Robert Lopez’s 10-year span.

Several other queer-themed shows took home honors at this year’s Emmys. 

Max’s “Hacks” took home the award for Outstanding Comedy Series, Outstanding Writing for a Comedy Series, and Lead Actress in a Comedy Series for star Jean Smart. 

Netflix’s “Ripley” series took home the awards for directing, cinematography, and special visual effects in a single episode in the limited or anthology series category. 

“Feud: Capote vs. The Swans” took home the award for period costumes in a limited or anthology series.

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Theater

‘Inherit the Wind’ isn’t about science vs. religion, but the right to think

Holly Twyford on new role and importance of listening to different opinions

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Holly Twyford

‘Inherit the Wind’
Through April 5
Arena Stage
1101 Sixth St., S.W.
Tickets start at $73
Arenastage.org

When “Inherit the Wind” premiered on Broadway in 1955 with a cast of 50, its fictional setting of Hillsboro, an obscure country town described as the buckle on the Bible Belt, was filled with townspeople. And now at Arena Stage, director Ryan Guzzo Purcell has somehow crowded Arena’s large Fichandler space with just 10 actors, five principals and a delightful ensemble of five playing multiple roles. 

Inspired by the real-life Scopes Monkey Trial of 1925, Jerome Lawrence and Robert E. Lee’s fictionalized work pits intellectual freedom against McCarthyism via the imagined trial of Bertram Cates (Noah Plomgren), a Tennessee educator charged with teaching evolution. Drawn into the fracas are big shot lawyers, defense attorney Henry Drummond (Billy Eugene Jones), and conservative prosecutor, Matthew Harrison Brady (Dakin Matthew). On hand to cover the closely watched story is wisecracking city slicker and Baltimore reporter E.K. Horneck (played by nonbinary actor Alyssa Keegan). 

Out actor Holly Twyford, a four-time Helen Hayes Award winner who has appeared in more than 80 Washington area plays, is part of the ensemble. In jeans and boots, she memorably plays Meeker, the bailiff at the Hillsboro courthouse and the jailer responsible for holding Cates in the days leading to his trial. 

Twyford also plays Sillers, a slack jawed earnest employee at the local feed store who’s called to serve on the jury. And more importantly she plays Brady’s quietly strong wife Sarah whom he affectionately calls “Mother.”

When Twyford makes her memorable first entrance as Meeker, she’s wiping shaving cream from her face with a hand towel. With shades of Mayberry R.F.D., the jail is run casually. Meeker says Cates isn’t the criminal type, and he’s not. 

“There’s a joke among actors,” says Twyford. “When an actor gets his shoes, they know who their character is. And it’s sort of true. When you put on boots, heels, or flip flops, there’s a different feeling, and you walk differently.”

Similarly, shares Twyford, it goes for clothes too: “When Mother slips a pink coat dress over her cowboy boots, dons a little hat and ties her scarf, or Meeker puts on his work shirt, I know where I am. And all of that is thanks to a remarkable wardrobe crew. 

“Additionally, some of the ensemble characters are played broadly which is helpful to the actors and super identifying for the audience too.”   

During intermission, an audience member loudly described the production as “a proper play” filled with beautifully written passages. And it’s true. Twyford agrees, adding “That’s all true, and it’s also been was fun for us to be a part of the Arena legacy as well. Arena took ‘Inherit the Wind’ to the Soviet Union in the early ‘70s when the respective governments did a cultural exchange. At the time, the iron curtain was very much in place, and they traveled with a play about a man with his own thoughts.”

When the ensemble was cast, actors didn’t know which tracts exactly they were going to play. “What came together was a cast, diverse in different ways. Some directors, including myself when I direct, are interested in assembling a cast that’s a good group. No time for egos. It’s more about who will make the best group to help me tell this story.” 

At one point during rehearsal, ensemble members began to help one another with minor onstage costume changes, like jackets and hats: “We just started doing it and Ryan [Guzzo Purcell] picked up on it, saying things really began to come alive when we helped each other, so we went with that.”

“For me, it was reminiscent of ‘The Laramie Project’ [Ford’s Theatre in 2013] when we played five different parts and we’d help each other with a vest or jacket in a similar way. It worked so well then too,” says Twyford.

“Inherit the Wind” isn’t about science versus religion. It’s about the right to think, playwright Jerome Lawrrence has been quoted as saying. And it’s a quote that makes the play that much more relevant today. 

Twford remembers a chat in a hair salon: “I was getting my hair cut and the woman next to me shared that she was tired of message plays. Understandably there are theater makers who believe that message plays are the point, while others think it’s all about entertainment. I feel like ‘Inherit the Wind’ sits in a nice place in the middle.” 

She adds “the work is a creative way of showing different opinions and that, I think, is what we should be paying attention to right now. Clearly, it’s not right or wrong to express what you think.”

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Out & About

‘How We Survived’ panel set for March 25

‘Living History’ discussion to be held at Spark Social

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Local activist Earline Budd will serve on a panel discussion titled, ‘Part One, Living History: How We Survived.’ (Washington Blade file photo by Michael Key)

Friends of Dorothy Cafe will host “Part One, Living History: How We Survived,” will take place on Wednesday, March 25 at 7:30 p.m. at Spark Social House.

This event will be moderated by Abby Stuckrath, host of the “Queering the District” podcast. Panelists include: Earline Budd, activist, trans rights advocate; TJ Flavell of Go Gay DC; DC LGBTQ+ Center Board Member David Bissette; and Alexa Rodriguez, founder and executive director, Trans-Latinx DMV.

This event is part of a four-part storytelling series called “Living History,” which centers LGBTQ elders, activists, artists, and icons sharing their lived experiences and reflections with younger generations. The conversations explore themes like resilience, community organizing, chosen family, and the lessons earlier generations hope today’s LGBTQ+ and ally communities will carry forward.

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Calendar

Calendar: March 21-26

LGBTQ events in the days to come

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Saturday, March 21

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website

Sunday, March 22

LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite

Monday, March 23

Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

Queer Book Club will be at 7 p.m. on Zoom. The Queer Book Club meets on the fourth Monday of the month to discuss queer books by queer authors. For more details, visit the DC Center’s website

Tuesday, March 24

Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a safe space to share experiences about coming out and discuss topics as it relates to doing so — by sharing struggles and victories the group allows those newly coming out and who have been out for a while to learn from others. For more details, visit the group’s Facebook

Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit www.genderqueerdc.org or Facebook

Wednesday, March 25

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.

Thursday, March 26

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.  

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