Arts & Entertainment
Queers clean up at 76th annual Emmy Awards
Jodie Foster, Richard Gadd, and Greg Berlanti among LGBTQ honorees
It was a banner night for queer performers and television creators at the 76th annual Primetime Emmy Awards at the Peacock Theatre in Los Angeles on Sunday, with Jodie Foster, Richard Gadd, and Greg Berlanti among the night’s big winners.
Lesbian icon Jodie Foster took home her first Emmy in the category Outstanding Lead Actress in a Limited or Anthology Series or Movie for her role in “True Detective: Night Country.” Foster thanked her wife and kids in her acceptance speech, telling her kids to remember that “Love and work equals art.” Foster has previously been nominated for her work behind the camera, directing “Orange is the New Black,” and producing “The Baby Dance” and “AMC: Film Preservation Classics.”
The Netflix drama “Baby Reindeer,” Richard Gadd’s autobiographical miniseries about his experiences with sexual assault and a stalker, was a big winner at this year’s ceremony. The show took home the award for Outstanding Limited or Anthology Series, while Gadd took home awards for writing and lead actor, and his co-star Jessica Gunning took home the award for supporting actress in the category. The show also took home honors for casting and picture editing at the Creative Arts Emmys earlier in the week.
Peacock’s “The Traitors” won in the Outstanding Reality Competition category, earning an Emmy for producer and host Alan Cumming. Cumming also won Outstanding Host for a Reality or Reality Competition Show at the Creative Arts Emmys, ending an 8-year streak of wins by “RuPaul’s Drag Race” host RuPaul. Cumming, who is openly bisexual, has been nominated four times before – three times for his role on “The Good Wife” and once as the host of the Tony Awards broadcast. He has also been nominated for a Daytime Emmy for his work on “Arthur: Show Off.”
Longtime writer and producer Greg Berlanti was honored with the Governor’s Award in recognition for his work depicting underrepresented communities on screen across his nearly 25-year-long career. Berlanti’s career has written, directed, and produced dozens of television shows, including such milestones as the first on-screen kiss between two gay characters on his first show, “Dawson’s Creek.”
He later achieved acclaim creating and producing shows like “Everwood,” “The Flight Attendant,” and the CW’s various “Arrowverse” shows, and set a record with producing 18 shows that were on air during the same television season in 2019-2020. His shows frequently broke ground in LGBTQ representation, including the first transgender recurring character on “Dirty Sexy Money” and shows that put gay characters in leading and title roles, like “Batwoman,” “Brilliant Minds,” and “Freedom Fighters: The Ray.”
In his acceptance speech, the 52-year-old Berlanti spoke of the impact of the lack of LGBTQ representation in television when he was a kid.
“There wasn’t a lot of gay characters on television back then, and I was a closeted gay kid, and it’s hard to describe how lonely that was at the time,” Berlanti continued. “There was no Internet to connect with other queer kids, no LGBTQ+ advocacy groups in schools. Back then, the only way to tell if another kid might be gay was if he also watched ’Dynasty,’ ‘Dallas’ and could name all four of the Golden Girls.”
He said it wasn’t until the AIDS crisis in the 1980s that he saw gay men on television “holding hands with other men, marching and fighting for their rights.”
“They gave me hope that I might one day have their courage to come out and share my truth with the world,” Berlanti said.
A queer creator also made history at the Creative Arts Emmys last weekend.
Benj Pasek, who is openly gay, together with his songwriting partner Justin Paul, who is straight, became the 20th and 21st people to achieve EGOT status – winning an Emmy, Grammy, Oscar, and Tony – with their win for Best Original Song for “Which of the Pickwick Triplets Did It” from the Hulu series “Only Murders in the Building.” The pair have previously won the Grammy and Tony Awards for their musical “Dear Evan Hansen,” and the Oscar for writing the song “City of Stars” from the movie “La La Land.”
With only seven years between their first and most recent awards, the pair set a new record for shortest time span for competitive EGOT winners, beating previous record holder Robert Lopez’s 10-year span.
Several other queer-themed shows took home honors at this year’s Emmys.
Max’s “Hacks” took home the award for Outstanding Comedy Series, Outstanding Writing for a Comedy Series, and Lead Actress in a Comedy Series for star Jean Smart.
Netflix’s “Ripley” series took home the awards for directing, cinematography, and special visual effects in a single episode in the limited or anthology series category.
“Feud: Capote vs. The Swans” took home the award for period costumes in a limited or anthology series.
The fourth annual Equality Prince William Pride was held at the Harris Pavilion in Manassas, Va. on Saturday, May 17.
(Washington Blade photos by Michael Key)
The Washington Blade held its 18th annual Summer Kickoff Party in Rehoboth Beach, Del., on Friday, May 16. Delaware Gov. Matt Meyer spoke along with State Sen. Russ Huxtable, CAMP Rehoboth Executive Director Kim Leisey, Blade Editor Kevin Naff, and Clear Space Theatre Managing Director Joe Gfaller. The event raises funds for the Steve Elkins Memorial Fellowship in Journalism, which was awarded to AU student Abigail Hatting.
(Washington Blade photos by Daniel Truitt)
In some fowl fiction foreshadowing, a gay-owned chicken joint has come home to roost on U Street, taking a page from the chicken window subplot on the HBO show “Looking.”
Last Friday, Lucky Pollo – much more than just a takeout window – stretched its wings atop the busy nightlife corner of 14th and U Streets NW.
Behind the poultry production place is Zach Renovátes, a D.C.-based nightlife operator and managing partner of LGBTQ venues Bunker and District Eagle, as well as the LGBTQ event production company KINETIC Presents.
Renovátes opened Bunker in February 2023 and District Eagle in January of this year. Lucky Pollo is the third in his growing gay empire, though this time there are noshes.
“Lucky Pollo was meant to be fun and a little provocative,” Renovátes said.
Based around its Peruvian-style rotisserie chicken, Lucky Pollo is a quick-service restaurant boasting a small menu of poultry and sides. Renovátes says that the dishes are deeply rooted in Peruvian culinary tradition, “a playful experience alongside seriously good food.”
Lucky Pollo’s signature chicken is steeped in a dozen-plus-spice marinade for 24 hours. The meat is then slow-roasted, rotisserie-style, over oak-wood charcoal. Chicken options include quarter, half, and whole.
Helming the kitchen at Lucky Pollo is Chef Luis Herrera, who brings Peruvian recipes passed down through three generations, including his grandmother Laura’s original creations.
Beyond the full bird, the menu features Peruvian-inspired sides like yuca fries (“I personally love these,” says Renovátes) and fried plantains, as well as comfort classics such as mac and cheese and mashed potatoes, and bowls, wraps, and salads. Herrera oversees development of the multiple sauces (including staff favorite, the “secret green sauce”), crafted in-house using traditional Peruvian ingredients.
Lucky Pollo, in its streetside perch, is an independent concept from District Eagle, open to the public and staying open late (3 a.m. on weekends) to serve both nightlife guests and the wider U Street crowd hungry for late-night bites. However, just beyond the kitchen, tucked in the back lies a vintage 1950s candy machine—labeled “Out of Order,” which serves as the door leading to subterranean District Eagle.
Renovátes notes that when District Eagle is open, security staff will maintain a strict two-line policy, ensuring that those seeking meat to eat will not get entwined with those looking to gain access to District Eagle.
Lucky Pollo unites the need for sustenance with the idea of a bit of fortune, given its motto, “Get Lucky” and the whimsical brand mascot: a leather-booted chicken perched on a horseshoe. Renovátes and his District Eagle business partner had always been interested in opening a restaurant, and the Lucky Pollo space was indeed lucky: It already came with a functional kitchen. Plus, he says, the nearby fast-casual places around 14th and U streets “don’t offer a lot of quality options,” so opening the chicken spot “was a no-brainer.”
The space, designed by NYC creative Jasin Cadic, blends theatrical street-art-style vibes with Keith Haring-inspired wall prints, neon signs, and ceiling-hung chicken figurines —”some edgy, some sweet,” says Renovátes —creating an immersive, playful atmosphere. Lucky Pollo and District Eagle maintain separate amenities for their respective customers.
Lucky Pollo opened last week with a competition to devour a whole rotisserie chicken in the fastest time, with the winner earning $1,000 and a framed spot on the restaurant’s “Wall of Fame.” The opening also featured other games and prizes, and a full crowd spilling out the door.
“We want it to be a great place to eat, but also serve as a playful front for something completely unexpected.” Renovátes says.
On weekends especially, he jokes, the motto will be, ‘Come for the chicken, stay for the cock.’”
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