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Queers clean up at 76th annual Emmy Awards

Jodie Foster, Richard Gadd, and Greg Berlanti among LGBTQ honorees

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(Public domain photo)

It was a banner night for queer performers and television creators at the 76th annual Primetime Emmy Awards at the Peacock Theatre in Los Angeles on Sunday, with Jodie Foster, Richard Gadd, and Greg Berlanti among the night’s big winners.

Lesbian icon Jodie Foster took home her first Emmy in the category Outstanding Lead Actress in a Limited or Anthology Series or Movie for her role in “True Detective: Night Country.” Foster thanked her wife and kids in her acceptance speech, telling her kids to remember that “Love and work equals art.” Foster has previously been nominated for her work behind the camera, directing “Orange is the New Black,” and producing “The Baby Dance” and “AMC: Film Preservation Classics.” 

The Netflix drama “Baby Reindeer,” Richard Gadd’s autobiographical miniseries about his experiences with sexual assault and a stalker, was a big winner at this year’s ceremony. The show took home the award for Outstanding Limited or Anthology Series, while Gadd took home awards for writing and lead actor, and his co-star Jessica Gunning took home the award for supporting actress in the category. The show also took home honors for casting and picture editing at the Creative Arts Emmys earlier in the week.

Peacock’s “The Traitors” won in the Outstanding Reality Competition category, earning an Emmy for producer and host Alan Cumming. Cumming also won Outstanding Host for a Reality or Reality Competition Show at the Creative Arts Emmys, ending an 8-year streak of wins by “RuPaul’s Drag Race” host RuPaul. Cumming, who is openly bisexual, has been nominated four times before – three times for his role on “The Good Wife” and once as the host of the Tony Awards broadcast. He has also been nominated for a Daytime Emmy for his work on “Arthur: Show Off.”

Longtime writer and producer Greg Berlanti was honored with the Governor’s Award in recognition for his work depicting underrepresented communities on screen across his nearly 25-year-long career. Berlanti’s career has written, directed, and produced dozens of television shows, including such milestones as the first on-screen kiss between two gay characters on his first show, “Dawson’s Creek.” 

He later achieved acclaim creating and producing shows like “Everwood,”The Flight Attendant,” and the CW’s various “Arrowverse” shows, and set a record with producing 18 shows that were on air during the same television season in 2019-2020. His shows frequently broke ground in LGBTQ representation, including the first transgender recurring character on “Dirty Sexy Money” and shows that put gay characters in leading and title roles, like “Batwoman,” “Brilliant Minds,” and “Freedom Fighters: The Ray.”

In his acceptance speech, the 52-year-old Berlanti spoke of the impact of the lack of LGBTQ representation in television when he was a kid.

“There wasn’t a lot of gay characters on television back then, and I was a closeted gay kid, and it’s hard to describe how lonely that was at the time,” Berlanti continued. “There was no Internet to connect with other queer kids, no LGBTQ+ advocacy groups in schools. Back then, the only way to tell if another kid might be gay was if he also watched ’Dynasty,’Dallas’ and could name all four of the Golden Girls.”

He said it wasn’t until the AIDS crisis in the 1980s that he saw gay men on television “holding hands with other men, marching and fighting for their rights.”

“They gave me hope that I might one day have their courage to come out and share my truth with the world,” Berlanti said.

A queer creator also made history at the Creative Arts Emmys last weekend.

Benj Pasek, who is openly gay, together with his songwriting partner Justin Paul, who is straight, became the 20th and 21st people to achieve EGOT status – winning an Emmy, Grammy, Oscar, and Tony – with their win for Best Original Song for “Which of the Pickwick Triplets Did It” from the Hulu series “Only Murders in the Building.” The pair have previously won the Grammy and Tony Awards for their musical “Dear Evan Hansen,” and the Oscar for writing the song “City of Stars” from the movie “La La Land.” 

With only seven years between their first and most recent awards, the pair set a new record for shortest time span for competitive EGOT winners, beating previous record holder Robert Lopez’s 10-year span.

Several other queer-themed shows took home honors at this year’s Emmys. 

Max’s “Hacks” took home the award for Outstanding Comedy Series, Outstanding Writing for a Comedy Series, and Lead Actress in a Comedy Series for star Jean Smart. 

Netflix’s “Ripley” series took home the awards for directing, cinematography, and special visual effects in a single episode in the limited or anthology series category. 

“Feud: Capote vs. The Swans” took home the award for period costumes in a limited or anthology series.

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Television

‘The Pitt’ stars discuss what season two gets right about queer representation

Noah Wyle and Taylor Dearden spoke with Blade in LA

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From left: Executive Producer R. Scott Gimmell, Noah Wyle, and Katherine LaNasa at PaleyFest LA 2026 honoring "The Pitt," presented by the Paley Center for Media, at the DOLBY THEATRE on April 12, 2026, in Hollywood, Calif. (Photo by Brian To)

As season two of “The Pitt” comes to a close this Thursday, stars Noah Wyle and Taylor Dearden are looking back on what this season got right about queer representation.

“There is some intentionality behind it, but it’s not necessarily for the representation to be anything other than human or ubiquitous to anyone that would come into an emergency room,” Noah Wyle, who plays Dr. Robby, told the Los Angeles Blade at PaleyFest event in Los Angeles on April 12. “I know that we’ve done some storylines with some gay couples, and we did a storyline in season 1 where a woman comes in who’s cut her arm, who’s trans. But in both of those storylines, that wasn’t the point.”

Wyle continues, “In doing it that way, and not making a point of orientation being part of the problem that brings you to the emergency room, we have been told in feedback that that has been extremely revolutionary, almost, and extremely appreciated. But that’s true whether we do storylines with any kind of minority or a person with a disability. We try to have a cosmology of cast and representation on the show that’s indicative of what you find in Pittsburgh.”

Dearden, who plays Dr. Mel King, echoed Wyle’s sentiment: “I think constantly battling tropes is always important. It’s not a show about romance; it’s a show about real life and a shift in the ER. The more we represent everyday people going through everyday life, they just happen to be queer, they just happen to be trans, and making it not the plot, is putting everyone on equal playing [field]. You don’t have to have a big coming out scene.”

Queer representation on “The Pitt” is also notable through the actual actors themselves, including openly queer actor Supriya Ganesh, who plays Dr. Samira Mohan (who didn’t attend PaleyFest after the news that she is not returning for season three), and Amielynn Abellera, who plays Perlah Alawi.

“Doctors don’t put value judgments on who they treat,” Wyle concludes. “That’s not a luxury extended to them, and so that’s not part of our storytelling.”

The season two finale will air Thursday, April 16, on HBO Max, while season three has already been confirmed and is currently being written.

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Queery: Meet artist, performer John Levengood

Modern creative talks nightlife, coming out, and his personal queer heroes

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John Levengood (Blade photo by Michael Key)

John Levengood (he/him) describes himself as a modern creative with a wide‑ranging toolkit. He blends music, technology, civic duty, and a sharp sense of wit into a cohesive artistic identity. Known primarily as a recording artist and performer, he’s also a self‑taught music producer and software engineer who embodies a generation of creators who build their own lanes rather than wait for one to appear.

Levengood, 32, who is single and identifies as gay and queer, is best known as a recording artist who has performed at Pride festivals across the country, including the main stages of World Pride DC, Central Arkansas Pride, and Charlotte Pride.

“Locally in the DMV, I’m known for turning heads at nightlife venues with my eye-catching sense of style. When I go out, I don’t try to blend in. I hope I inspire people to be themselves and have the courage to stand out,” he says.

He’s also known for hosting karaoke at Freddie’s Beach Bar in Arlington, Va., on Thursday nights. “I like to create a space where people feel comfortable expressing themselves, building community, and showcasing their talents.”

He also creates social media content from my performances and do interviews at LGBTQ+ bars and theatres in the DMV. Follow the Arlington resident @johnlevengood.

How long have you been out and who was the hardest person to tell?

I have been fully out of the closet since 2019. My parents were the hardest people to tell because my family has always been my rock and at the time I couldn’t imagine a world without them. Their reactions were extremely positive and supportive so I had nothing to fear all along.
I remember sitting on the couch with my mom, dad, and sister in our hotel room in New Orleans during our winter vacation and being so nervous to tell them. After I finally mustered up the nerve and made the proclamation, I realized my dad had already fallen asleep on the couch. My mom promised to tell him when he woke up.

Whos your LGBTQ hero?

My LGBTQ heroes are Harvey Milk for paving the way for gays in politics and Elton John for being a pioneer for the fabulous and authentic. My local heroes in the DMV are Howard Hicks, manager of Green Lantern, and Tony Rivenbark, manager of Freddie’s Beach Bar. Both of them are essential to creating spaces where I’ve felt welcome and safe since moving to the DMV.

Whats Washingtons best nightspot, past or present?

Trade tops the list for me because of the dance floor and outdoor space. It’s so nice to get a break from the music every once and a while to be able to have a conversation.

We live in challenging times. How do you cope?

I’m still figuring this out. What is working right now is writing music and spending time with family and friends. I’ve also been spending less time on social media going to the gym at least three times a week.

What streaming show are you binging?

After “Traitors” Season 4 ended, I was in a bit of a show hole, but “Stumble” has me in a laughing loop right now. The writing is so witty.

What do you wish youd known at 18?

At 18, I wish I would have known how liberating it is to come out of the closet. It would have been nice to know some winning lottery numbers as well.

What are your friends messaging about in your most recent group chat?

We are planning our next trip to New York City. If you can believe it, I visited NYC for the first time in 2025 for Pride and I’ve been back every quarter since. Growing up in the country, I was subconsciously primed to be scared of the city. But my mind has been blown. I can’t wait to go back.

Why Washington?

It’s the closest metropolitan area to my family, but not too close. I love the museums, the diversity, the history, and the proximity to the beach and mountains. It’s also nice to live in a city with public transportation.

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Project GLOW celebrates LGBTQ acts

D.C.’s electronic music festival set for May 30-31

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A scene from last year’s Project GLOW. (Photo courtesy organizers)

Aging RFK Stadium has come down, but the RFK grounds are still getting lit up. Welcome back to the stage Project GLOW, D.C.’s homegrown electronic festival, on May 30-31. Back for its fifth year on these musically inclined acres, Project GLOW returns with an even more diverse lineup, and one that continues to celebrate LGBTQ antecedents, attendees, and acts.

Project GLOW 2026 headliners include house and techno star Mau P, progressive house legend Eric Prydz, hard-techno favorite Sara Landry, and bass acts Excision b2b Sullivan King, among the lineup of trance, bass, house, techno, dubstep, and others for the fifth anniversary year.

President & CEO Pete Kalamoutsos — born and raised in D.C. — founded Club GLOW in 1999. In 2020, GLOW entered into a partnership with global entertainment company Insomniac Events to produce live events like Project GLOW, which kicked off in 2022.

As in past years, Project GLOW not only makes space, but is intentionally inclusive of the LGBTQ community, one of its most dedicated fan bases. The festival’s LGBTQ-focused Secret Garden stage blooms again — a more intimate dance area that stands on the strength of DJs and musicians who draw from the LGBTQ community. D.C.’s LGBTQ nightlife mastermind Ed Bailey is the creative mind behind Secret Garden again. He joined Project GLOW in 2023.

“Kalamoustos says that “he’s proud of his partnership with Ed Bailey, along with Capital Pride and [nightlife producer] Jake Resnikow. It’s amazing to collaborate with Bailey at the Secret Garden stage, especially after the curated lineup we worked on at Pride last year.”

The Secret Garden will be a bit different from other stages: Eternal (“At the Eternal stage, time stands still. Lose yourself in the dance of past, present, and future, surrendering to the eternal rhythm of the universe”) and Pulse (“Feel the rhythm of the beat pulse through your veins as the heartbeat of the crowd synchronizes into one. Here, every moment vibrates with life as it guides you through a new dimension of euphoria”). The Secret Garden stage is in the round, surrounded by 16 shipping containers. The containers play canvas to muralists from around the world, who are coming in to paint them in a vibrant garden-style vibe. “We gave this stage some extra love with this layout,” K says, “ we finally cracked the code.”

K says that this will be the biggest lineup yet for the Secret Garden, featuring Nicole Moudaber b2b Chasewest, Riordan b2b Bullet Tooth, Ranger Trucco, Cassian, Eli & Fur, Cosmic Gate and Hayla. The stage is also the largest yet, featuring an expanded dance floor and 360-degree viewing.

Across all stages, K says that his goal for the fifth anniversary is “More art and fan interactive experience, more like a festival, strive to be like a Tomorrowland, as budget grows to add more experience.” Last year’s Project GLOW alone drew 40,000 attendees over two days.

K, however, was not satisfied with one festival this spring. GLOW recently announced a “pop-up” one-day event. Teaming up with Black Book Records, GLOW is set to throw a first-of-its-kind dance-music takeover of Pennsylvania Avenue, N.W., headlined by electronic music star Chris Lake. Set for April 18, this euphoric block party will feature bass and vibes blocks from the White House. Organizers expect as many as 10,000 fans to attend. Beyond music, there will be food, activations, and plenty of other activities taking place around 6th St and Pennsylvania Ave NW – a location familiar to many in the LGBTQ community, as this sits squarely inside the blocks of the Capital Pride party that takes place in DC every June.

Over the past two decades, Club GLOW has produced thousands of events, from club nights to large-scale festivals including Project GLOW, Moonrise Festival, and more. Club GLOW also operates Echostage.

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