Arts & Entertainment
A very queer night at the Emmys
Tillman makes history; Cumming wins for ‘Traitors’
When “Severance” star Tramell Tillman became the first gay Black man to win for Best Supporting Actor in a Drama at the 77th Primetime Emmy Awards, the first person he thanked was his mother.
“Mama, you were there for me when no one else was and no one else would show up,” the first-time winner said onstage, during his acceptance speech.
“Your loving kindness stays with me, and this is for you. Thank you to the Academy. I am full. I am humbled. I am honored. And as my mama would say, ‘Whew. Look at God.’ Thank you.”
Backstage in the pressroom, Tillman said he was “on cloud nine” and “still processing” the historic win.
“I am fortunate to be in the company of such great actors that have gone before me, like Andre Braugher, Ossie Davis, Michael K. Williams, that have done beautiful work, and those that are still with us today, like Giancarlo Esposito and Jeffrey Wright,” he said.
“These men, I’ve been taken by their work for years, and I borrow from them. So I’m just honored to be in the class.”
Tillman also mentioned the “importance of taking a chance on yourself,” adding he was “told that I would never make it as an actor, that it’s a career that leads to a dead end.”
But after seeing his classmates pursue their dreams, he realized it was time for him to take a chance, “I’ve learned there are no guarantees in life, but you continue to take a chance to see what happens.”
Another first-time LGBTQ winner who was thrilled with her win was “Adolescence’s” Erin Doherty, who won the Emmy for Outstanding Supporting Actress in a Limited or Anthology Series or Movie.
Doherty thanked her girlfriend Sinead Donnelly onstage. “Sinead, thank you for making me the happiest person in the world. I love you with everything I’ve got,” she said lovingly.
In addition, a visibly shocked Jeff Hiller won Outstanding Supporting Actor in a Comedy Series in “Somebody Somewhere.”
Thanking his “sweet husband,” Hiller said: “I feel like I’m going to cry because for the past 25 years, I’ve been, like ‘world, I want to be an actor!’ and the world’s, like, ‘maybe computers.’ I just want to say thank you to HBO for putting a show about sweaty middle-aged people on the same network as the sexy teens of ‘Euphoria!’ Thank you to the Duplass brothers, Carolyn Straus, and Hanna Boss and Paul Thureen who wrote a show about connecting and love, in this time when compassion is seen as a weakness.”
Alan Cumming picked up his second Emmy for hosting Peacock’s brilliant competition show “The Traitors.”
“Thanks to everyone who watches the show. Thanks to all of the people who have ‘Traitors’ parties and dress up as me. We see you. We love you!” he told the audience onstage.
Cumming is also an executive producer on the competition series. “Thank you to our crazy cast and our crew in Scotland who had to understand the concept of the Scottish summer is sometimes oxymoronic,” he quipped.
He also sent loving words to his hubby. Thanking his husband Grant, “who brings joy into my life every single day,” Cumming acknowledged that this was a difficult time we live in. But “it’s so great that our show brings a little bit of joy into this life.”
In the pressroom, Cumming was asked who he thinks should join the show, Cumming responded, “I’m sure our president would be very good on the show. Having a lot of chaos and sort of turmoil and treachery, so maybe he’d like to come on and be paid for that, probably better than he gets as president.”
At the awards show, Cumming supported trans rights, wearing a decorative pin to the lapel of his dapper tuxedo.
While this next season will be full of celebrities, the following season of “The Traitors” will feature regular people rather than Hollywood types.
Around town, there was a plethora of gifting suites activity, with numerous LGBTQ nominees and vendors.
“After 25 years of producing the official Grammy’s gift lounge, it feels like a full circle moment to be able to add something as prestigious as the Emmy Awards Giving Suite to our roster,” said organizer Lash Fary.
“To still be expanding our scope after all these years is a testament to how gifts make people feel … something that isn’t simply a trend. I’m incredibly proud of this new relationship and that sharing gifts I love with talented people I respect is something that allows me to live a beautiful life.”
The Miss Gay Western Maryland pageant was held at The Lodge in Boonsboro, Md. on Friday, May 1. Maria R. Posa was crowned the winner with Aura Fixation named first alternate. Both winners are qualified to compete in the 2026 Miss Gay Maryland America pageant.
(Washington Blade photos by Michael Key)
Arts & Entertainment
A reign defined by commitment and human impact
Nicole Murray Ramirez defined era in International Imperial Court System
Writing about the reign of Nicole Murray Ramirez and the close leadership of King Father Terry Sidie requires far more than listing achievements, because what has been built over these years cannot be reduced to titles, ceremonies, or public recognition. It must be understood as the result of a sustained vision rooted in service, memory, solidarity, and the real ability to build bridges within and beyond the LGBTQ community.
At this point, looking back and assessing this period means acknowledging that this was not just another chapter in the history of the International Imperial Court System. It was a time shaped by far-reaching initiatives, a clear commitment to concrete causes, and a style of leadership that moved confidently between symbolic representation and public action. In that context, Nicole Murray Ramirez’s announcement that her reign will conclude in February 2027, along with the coronation of the person who will assume the throne as the new Queen Mother of the Americas, should not be read simply as the end of an era, but as a moment to fully recognize what has been built while also understanding that a new chapter is about to begin.
One of the most defining aspects of this reign has been its understanding that visibility alone is not enough. Visibility matters, but it only becomes meaningful when it leads to action, support, and measurable change. That has been a consistent strength of the work led by Nicole Murray Ramirez alongside key figures such as Terry Sidie.
The Jose Nicole Terry Scholarship and Educational Fund reflects that commitment. Reaching $400,000 is significant, but what matters most is what that represents in terms of opportunity and access.
This leadership also prioritized historical memory through initiatives like the National LGBTQ Wall of Honor at the Stonewall Inn and the recognition of Jose Julio Sarria.
Efforts such as the Harvey Milk postage stamp, the USNS Harvey Milk, and multiple recognitions for Sarria reflect a sustained commitment to public recognition and justice.
International outreach, financial support to global causes, advocacy for transgender communities, and engagement with organizations beyond national borders further define this period.
The expansion into Canada and the opening of a new chapter that includes Puerto Rico highlight the evolving nature of this leadership. The upcoming June coronation marks an important step in that direction.
Acknowledging that the reign was not perfect does not weaken its legacy. It reinforces its authenticity.
This was not an individual effort. It was collective work supported by a broad network.
As the transition toward Feb. 5, 2027, continues, what remains is a legacy built on action, commitment, and responsibility.
Theater
Diverse cast tackles ‘Aguardiente’ at GALA Hispanic Theatre
Best friends rediscover their Caribbean heritage in new musical
‘Aguardiente: Where Magic Transcends Borders’
Through May 24
GALA Hispanic Theatre
3333 14th St., N.W.
$25–$65
Galatheatre.org
(surtitles in English and Spanish)
With its latest musical offering “Aguardiente: Where Magic Transcends Borders,” GALA Hispanic Theatre has cast its net wide in gathering a blend of talent including the production’s diverse 18-person cast.
Commissioned by GALA, the spanking new musical is about best friends Alberto and Alejandro (two New York writers from Puerto Rico and Colombia respectively). Together, within a short timeline under unrelenting pressure, they struggle to write the project musical of their dreams.
Along the way, the friends rediscover their Caribbean heritage through cumbia, bomba, currulao, and the magical realism of García Márquez.
Offstage, the work has been created by Luis Salgado (book), and Daniel Alejandro Gutiérrez (music), also respectively from Puerto Rico and Colombia. Multiple Helen Hayes Award-winning Salgado is directing and choreographing the GALA production.
In the role of Alejandro, out actor Sebastián Treviño is making his GALA debut opposite Samuel Garnica who plays librettist Alberto. Alejandro is the music composer who doesn’t come from a musical background. He’s simply a lover of Latin music.
Is Alejandro recognizably similar to Gutiérrez?
“Oh yeah,” says Treviño, 36. “Like Gutiérrez, Alejandro doesn’t necessarily follow musical theater rules and etiquette, and it’s his uniqueness that brings a spark to their partnership.
“I got to know him and Luis [Salgado] while touring with ‘On Your Feet!’ in 2022. You really get to know people by spending endless hours together on a bus.”
Language and voice are intertwined for Treviño, and fortunately for the amiable New York-based actor, he enjoys the challenge of a new way of speaking. To play Alejandro, it helps to sound Colombian.
As a native of Monterrey, Mexico, Spanish and Mexican dialects are Treviño’s first languages. He attended American school starting in kindergarten, consequently acquiring flawless English; and because his mother is Colombian, he is familiar with that accent too.
GALA Spanish speaking patrons can be a tough crowd. For instance, when a Mexican actor is playing a Cuban character, they know at once. And while they may embrace the performance and the production, there sometimes remains a niggling dislike for what feels a vocal inaccuracy.
“Since I’ve arrived in D.C., I’ve been practicing my Colombian accent at restaurants and other places. When a Spanish speaking server asks if I’m from Colombia, I know I’m doing something right.”
“Aguardiente” (translates as “Firewater”) is composed of several layers of reality. He explains: “First it’s us creating the show, the work, and all of those pressures and limitations that the industry places on Latino centered projects; and then there’s the fantasy layer.”
A talented tenor, his lengthy bio includes Mexico City (“Wicked,” “Rent”), Off Broadway (“Kowalski”) and North American national tours (“On Your Feet!”).
He says his “Aguardiente” solo specifically feels like ‘80s Latin rock. Also, he enjoys a fun medley number where they’re playing around with “Tropipop” (Colombian pop), classic Broadway sounds, and there’s even a Beatles moment.
In this show, we meet two determined friends, one is holding an American passport because he’s Puerto Rican, while the other, a Colombian, struggles to secure a visa.
“It’s not a stretch for me to relate to that. I’m here on a working visa, so I know all about the stress and costs that comes with that,” says Treviño.
“So much reflects their own story. That includes the setbacks and obstacles faced when trying to build something from very little, and writing about themes that aren’t considered mainstream to white American audiences.”
At just eight years old, Treviño saw “A Chorus Line” at Mont Tecnológico de Monterrey, the same college that he’d later attend. He remembers, “Seated in the second row, the young actors were rock stars to me. When I asked my father who loved the arts if one day I could perform onstage, he said yes, instantly his son’s new dream.”
Looking forward, is there a role he yearns to play? Treviño ponders the trite query with some seriousness before answering “I think it’s yet to be written.”
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