Celebrity News
Peppermint made her mark on ‘Drag Race.’ Now, her advocacy is front and center
LGBTQ activist is this year’s NYC Pride grand marshal
Uncloseted Media originally published this article on May 26.
By SPENCER MACNAUGHTON, BELLA SAYEGH, and LAURY PEYSSONNERIE | You may know Peppermint as a runner-up on season 9 of “RuPaul’s Drag Race.” Or for her stint as the first trans competitor on the runaway hit “The Traitors.” Or for her relentless activism at a time when the Trump administration is waging an unprecedented attack on the LGBTQ community.
Now, Peppermint is getting set to be one of New York City Pride’s official grand marshals. And she’s doing that while upholding the legacy of the trans women of color who were at the Stonewall Uprising in 1969.
In this episode of “UNCLOSETED, with Spencer Macnaughton,” Spencer sits down with Peppermint to hear about what it means to be a Black trans woman at the forefront of the LGBTQ movement during the second Trump administration.
(Uncloseted Media video)
SPENCER MACNAUGHTON: Hi everyone, welcome back to UNCLOSETED with me, Spencer Macnaughton. Today, I have the great pleasure of speaking with Miss Peppermint. She was a runner-up on “RuPaul’s Drag Race,” she was the first trans contestant on the runaway hit, “The Traitors,” and now she is the grand marshal for this year’s New York City Pride. Peppermint, thanks so much for speaking with me and Uncloseted Media today.
PEPPERMINT: Hello, I’m so happy to finally be with you. This is great! Hello, Uncloseted!
SM: Yes, we’ve done many collabs and you’ve definitely amplified our work, and you’re just such a huge advocate in the community so we’re thrilled to connect with you formally in this way. So, you were recently named the grand marshal for New York City Pride. How did that come about and what does that exactly mean? What is your duty if you’re grand marshal?
P: You know, I’m still trying to figure it out, but don’t tell them. Obviously, most parades and marches, and probably all of them traditionally, have a grand marshal who’s somebody that they honor who’s like one of the people at the very front of the parade as it goes through. And so I’ll be joined by some other fabulous grand marshals as well. I’m sharing the spotlight with Dominique Jackson, with Bernie Wagenblast, who New Yorkers will know as one of the voices of the subway system, and also Bowen Yang. And Gays Against Guns was just announced, and I’m so excited to share the spotlight with them.
SM: Yes, and you wrote, or you mentioned in a recent interview that you said, “Being named a grand marshal for New York City Pride is deeply meaningful, not just as an artist, but as a Black trans woman standing in the legacy of those who fought for us to be here.” That’s Marsha P. Johnson, that’s Sylvia Rivera. And through history, those voices, the voices of trans women of color have, for many parts since 1969, been erased from that conversation, right? So how meaningful is that to you as a Black trans woman to be in this space now in 2026, especially given the political climate we’re experiencing?
P: I am continuously dedicated to using whatever platform I have, whether it’s before I was on TV, since I’ve been on TV, still using my platform to advocate for the LGBT community, including, obviously, trans folks. As someone who is trans, it does feel good to know that they are, “they” meaning the New York City Pride, they hold some reverence for the legacy of trans women of color, of trans people in general and their contribution and to the legacy of Pride. The march is a sort of recreation of the very first time that the community marched to commemorate what happened in 1969 at the Stonewall Uprising, where, you know, the police came to raid the bar, Stonewall, the legendary gay bar Stonewall in the Village, and the community fighting back.
But, I think what a lot of people didn’t realize is that, yes, trans people, trans women were there on the forefront, but it wasn’t just an attack on the bar. This was an attack on sex workers, people who were homeless and on the street, many of which were femme presenting people, drag queens, trans women. These were the street kids who were working, who were sometimes cast out of their apartment, or kicked out of their homes from their families, and the only places that they could gather were, besides the bar, were also down at the pier and on the street, wherever, and they were, some of them were engaging in survival sex work. And the police, the NYPD, were attacking, constantly harassing, and throwing in jail, and just like targeting trans sex workers, essentially. These were the people who were, and are often, the most vulnerable when it comes to interactions with the police, and those were the people who said, “We are done, we are tired of it.” That story has been whitewashed over time in many ways. One of the very first movies, one of the mainstream movies about Stonewall that we’ve seen, is a bunch of blonde kids from Iowa as the ones fighting back when we know that it wasn’t. Again, it was the street kids, it was the people who were vulnerable. And so their legacy had been erased. And so while we’re hearing voices like Marsha P. Johnson and Sylvia Rivera being mentioned so much, especially in recent years, is because it hadn’t been included so much in the past. And it had been essentially erased. And It’s been restored, and then since then, this administration has tried to erase trans folks from that legacy, taking down the mention of trans from the official website for the Stonewall National Monument, removing trans women, you know, biology, gender, whatever, all these words from all federal government documents and websites. So, I know that was a long answer, but I think it was important for people to know that that’s why it’s important for me and that’s so important to be included in Pride, because it feels like this year in 2026, the same year that the flag came down and went back up, thank goodness, it feels it’s a good time to remind people that trans folks are a very important part of the community.
SM: A hundred percent. And when I hear you speak all that, you are at the end of the day a very brave person, a very courageous person. You have Trump erasing all references to gender identity from all government documents, taking down the pride flag for what reason? And then his administration unveiled a new counterterrorism strategy that maybe you’ve seen that talks about the biggest concern, which is not at all reflected in the evidence, is left-wing extremists and pro-radical transgender people, whatever that means. I just interviewed two extremism experts for a different episode, who talked about there’s not even one mention of white supremacy, even though all of the evidence points to that being the biggest threat. So I wanna know, you’re an advocate, but you’re also a Black trans woman, triple, quadruple jeopardy as it relates to who this administration’s attacking. How does that make you feel going into this Pride month as grand marshal?
P: It really just kind of solidified what I already knew, the absence of white supremacist groups and organizations, and white supremacy as a notion in terms of being a threat, domestic terrorism threat. It’s like the weakest part of that evidence because the biggest part of it was when they removed the proof that the federal government stated in multiple reports that white supremacy was the largest domestic terrorism threat in the United States since the ‘80s.
SM: And just so the listeners know, the Department of Homeland Security quietly removed that threat from documents so the public would not be privy to it.
P: So the absence is just an echo of that, right? Their action of removing that is what really was like, what? I clutched my pearls. So, this latest sort of act is just sort of confirmation of that, and it is terrifying. I want to leave the country.
SM: You want to leave the country? You do?
P: Yeah, part of me wants — of course. I want to continue to use my platform to advocate for what I feel is right. And part me wants to leave, part of me wants to stay and fight. You know, and I, I think like, what am I, what is this country that I want to fight for? I envision like, am I going to stay and fight and want to risk my life for like a bunch of other people that are just like, “Oh well, that’s what happened to the trans people.” Or are we all going to fight? Like, I can’t just fight by myself. We have to fight for each other. Sometimes when we see not only the government putting out documents, official documents on government letterhead that say, “We’re going to name trans people as terrorists.” But then at the end it’s saying, “We will find you and we will kill you.” That’s the part that’s like, well, do I need to wait for them to kill me?
SM: And just to be clear to the people who haven’t read this document, that is a verbatim quote. They essentially list the terror threats, which include, quote, “pro-transgender radicals,” and then they say, make no mistake, quote, “We will find you and we will kill you.” I mean, that’s insane.
P: That’s in the document.
SM: That’s in the document. You mentioned you can’t do this alone. If people are listening to this and they aren’t trans but are concerned and are seeing the stats, what can they do? What can we do to really be there for our trans siblings?
P: When I say, “I don’t want to do it alone,” it’s not so much, I need you to defend me, which would be nice; it’s more that I need you to defend yourself by defending me, is what I want people to know. Like the cis community, people who are cisgender, people who’re not trans, and also people who are outside of the queer community, need to know that if rights are what we have, if equal rights are what a democracy gives you and what you have, an attack on those and removal of those rights for who someone is, who they love or their political beliefs, then it is an attack on that very democracy and an attack on the people of that democracy and the people who value those rights. And so, going after people for who they are and removing their passports, naming them as terrorists, threatening to kill them, banning them from all types of government buildings and bathrooms and holding a job and da-da-da, and healthcare, all these things. The only way they can do that to me is if they change the rules to make it possible to do. Now we have a government that can remove people from all these things. So now that means all they have to do is include, you know, let’s include Mormons as terrorists. You know what? I mean, it took them how long to put out this document. Vegans, whatever, I don’t know. Like they can target anyone. It sounds absurd and preposterous because it is, but it won’t take long for them to widen that group to who they want to focus on next.
SM: And I know you’ve been outspoken in all different places, including mainstream media. You’ve gone on CNN a few times. I’ve seen you on there. And I worked in mainstream media, “60 Minutes,” the Wall Street Journal. And a big reason I left was because I didn’t feel like the coverage was rigorous enough, was fair enough, was frequent enough. How do you think the mainstream media is doing characterizing the issues plaguing the trans and LGBTQ community right now?
P: What is this question? They get an F, for fuck off. They get a terrible F because —
SM: Tell me why.
P: It’s so wild. Yeah, hello. We know that they’re interested because they talk about it on the daily. Every other day, there is mentions of trans people in some way, shape or form, and queer people in general. And so they’re constantly evoking us, talking about us, blaming us, bringing us up, attaching us, associating us, constantly. It is wild that they have so much to say about us and they don’t want to talk to us in general, the mainstream media. They don’t wanna include us. They don’t wanna hear. And I wonder why that is because with many other situations, they would want to go to, sort of like, the subject and speak with them about what it is, or the people who are involved in the story. You want to get their side of the story, except when it’s a situation like this, when it’s the political scapegoat. When it’s the political scapegoat, it actually is imperative that you don’t hear from them, that you just hear about them, because then you can create who they are for other people to sign off on.
SM: I have a friend, Alaina Kupec, and she’s a trans military veteran and she went on Abby Phillip’s CNN “NewsNight,” the 10 p.m. slot, after Trump passed the trans military ban. She was the only trans person on the panel. Other panelists include Scott Jennings, who is a Trump loyalist who has zero expertise in trans issues, but it created this false equivalency debate between Alaina, who was a military person and is trans, and Scott Jennings, as though both of those opinions should be considered equal from a journalistic perspective. How damaging are those kinds of conversations that are airing on shows like Abby Phillip’s that are, you know, sure we say “Americans don’t talk but they talk here,” but the majority of Americans perceive that as news still.
P: Yeah, it’s not news. It’s obviously just entertainment. And, you know, I really was upset with, I mean, I was really grateful to be on the show and have appeared there with another trans person, particularly, I got a chance to go on there.
SM: On Abby’s show?
P: On Abby’s show, pardon me, yes. But I do think that CNN has always served to launder the reputation, to launder the impact, and soften the perception of the very, very, real impact that sort of centrist politics that CNN holds. It really just exists to protect, sort of like capital and protect big business and sort of corporate, the corporate flow of politics that controls policy. And so I’m not surprised, but I think you’re 100 percent right. There is an epidemic, a habit, a vibe that this country has to just, like, take somebody off the street who has no knowledge about anything at all, other than their own opinion when they hear something, and that opinion when they hear, like, “What do you think of this concept that you’ve never heard of but we’re going to give it you and tell us what you think. And then here’s an expert in that, go!” And suddenly, you know, Scott Jennings gets to have an opinion on what I’m doing with my body or what rights I have and you know that thinks it’s harmful, it’s damaging and harmful.
SM: And I don’t want to single out, you know, Abby’s show too much because this happens on many different shows across network news, but to hosts like Abby or to producers on these shows — and I’ve worked in these newsrooms — who really care and really want to do it right, but might hit blocks. What’s your advice as a trans woman who’s experiencing this? What’s your advice to them? The people who are actually shaping the news packages we’re watching and actually do have some agency in deciding what gets to air.
P: My ask is, bring trans people on, at least to talk about the trans issues that you mentioned every day. But besides that, bring trans people on to talk about what’s going on with Medicare. Bring trans people on to talk about what’s going on with the war. Whatever. Bring trans people on to talk about more because those things impact us as well. The simplest thing is gender-affirming care. Gender-affirming care and issues of gender-affirming care, the government telling people what decisions they can make medically with their own body, ties directly with reproductive justice and access to abortion, and making your own medical decisions for your own body. That’s something that we can all talk about. That is an intersection that you could bring a trans person on to talk about.
So I would ask of those other creators, bring trans people on to talk about everything that you wanna talk about, Honey. We got lots to say, and we can add something to the conversation because we have a very unique perspective.
And then beyond that, my advice to CNN is you would want to follow what the other podcasters will be doing and having them on because you will be sealing your own demise and become a lot less relevant than you already are if you don’t.
SM: The least surprising thing from this interview is that you’re very interesting. I want to stick on media though for a second because right now you must know that the Ellisons, billionaires, own Paramount, right? And they, who are MAGA loyalists and they have really reshaped the narrative at CBS News, bringing in Bari Weiss, who is an opinion columnist, but Paramount also owns MTV, which airs “RuPaul’s Drag Race,” which you were a finalist on. Ru and the show have been a groundbreaking TV series as the most successful Emmy award-winning reality TV series of all time. They have been progressive trailblazers for many different reasons for LGBTQ rights. There’s been no messaging on the fact that Paramount’s owned by the Ellisons. Should there be? Should they stay with Paramount? What are your thoughts on that?
P: It would be wonderful to see anyone on that show speak out against sort of what is happening in our country with regards to the control over politics and policy and the intersection again of money with politics, especially as related to the Ellisons and the purchase of Paramount. We’ll know when the takeover is complete, when RuPaul is like, “I love Larry Ellison,” cause that’s probably happening. They’re gonna get a script. So let’s just wait for them to get a script and start talking about how great President Trump is, whatever, I don’t know. That’s what I envision happening is they will try to either cut “Drag Race” or use it as a tool to parrot what they want to say. I hope that doesn’t happen, but it’s either one or the other. They’re either gonna get rid of the show, but it’s such a ratings juggernaut that I imagine they’ll probably try to reshape “Drag Race” and take out any political messaging.
SM: That’s what I think about though. Ru has so much money, she doesn’t need any more money, right? And the show is such a ratings juggernaut [that] they could go somewhere else. They have enough power from a ratings perspective that they don’t have to be with Paramount. They’re enough of a product there that they could dip out. Do you think they should dip out given the political climate?
P: I don’t know, I guess I have mixed feelings on it. I certainly see a world where Paramount, CNN, anything under this new umbrella is going to have to follow what their owner and boss wants. Every show, every network that’s been sort of sucked into the umbrella is gonna have to fall in line. That’s what fascism is about. You follow directions. And so I think that’s in the future for the show if they don’t leave. If they don’t leave, then it’s probably going to, just they’ll either be disbanded or we’ll wake up one day and there’s gonna be this weird messaging coming out of drag or something like, where’s the lip sync? Suddenly they’re like forcing us to say the Pledge of Allegiance, but with Donald Trump’s name in it. Like that’s what’s gonna happen. That’s what happens in fascism. Do I think they should? I don’t wanna see a “RuPaul’s Drag Race” that’s teaching us how to march in a certain way. So I don’t know, because by that point, it won’t even matter. But I think if they could just go online and start doing it on YouTube or whatever, I think they could do that. But I think ultimately no linear, traditional television is safe. They own most of it.
SM: It’s so interesting. You know this from being on camera. I know this from being behind the scenes that there are always little things that the viewer might not realize happen. And I wonder over at Paramount, while they’re putting together “All Stars” or the next season, whatever it is, the little decisions that could be being made in the final script. And I think that there might be a lot of silent things to the next season that we don’t realize have been edited out to appease the big bosses who are MAGA loyalists. And those are just the things we’ll never know.
P: We’ll never know. And I would be so surprised if they, it would be smart of them to just leave Drag Race alone. Drag Race is a wonderful thing because it’s, because it features wonderful drag entertainers. That’s what’s so great about “Drag Race,” in my opinion. But I don’t rely on Drag Race to get my political anything.
SM: I hear you. Fascinating conversation about media, I could talk about it forever, but we’re going into Pride 2026, right? And we are now six years after the explosion of the Black Lives Matter movement after George Floyd’s murder that spawned into a submovement, the Black Trans Lives Matter Movement. And I’m curious, a lot of that has faded, at least from national international conversations, right? Where do you think we are now in 2026?
P: I think we are in a state of emergency, for sure. I think this administration has been successful. That’s where I think we are. It’s like a wild sort of, a wild, wild west. Do I think we need another moment? I mean, hopefully not, considering that what galvanized people was the death of an unarmed Black man. No, I don’t want that to happen, but it continues to happen on the daily and that we’re not marching in the street about it means that the sort of news cycle focus isn’t on it. And I’m grateful to see that people were able to become temporarily activated. And so I think we benefited from that, but I do think that it allowed people to sort of revert or to sort of jump to this automatic sort of social media style performative advocacy or reaction, which I think is a natural human response maybe in this situation. So by that matter, people posting a black square and thinking that they’ve done their part, fine, obviously it wasn’t enough. What I would like to see is instead of another sort of mainstream BLM moment is an awareness that yes, racism exists. Yes, transphobia exists. Yes, we have to fight those things, but also organizing and at the community level, connecting in sort of a mutual aid way so that we can’t say, “Oh my god girl, I can’t go out and protest because I’ll lose my job and I won’t be able to pay my rent.” Well, if we can make a way for your rent to be paid, you can go out in protest whether you lose your job or not, and then you don’t care and you’re more likely to challenge the system. And so that is where I want people’s minds to go because it’s gonna be necessary to withstand whatever’s coming.
SM: I want to be respectful of your time. That was great, that was an important answer so thank you.
I think out of all the people we collaborate with, there’s a lot of people who want to amplify our work, but you really are at the top of the list for people who are like I don’t care if this post hasn’t popped or isn’t going to get me more followers or I just want to do this and I can tell your advocacy is absolutely authentic and selfless. How did you get here?
P: That’s a good question. I wonder, I sit around asking myself, why am I doing this, like what in the world, but I’m just like driven to it, you know? And it’s something that I would be doing whether I’m alone, whether I am with people, whether there’s a benefit of it or not, it’s not something that I’ve seen that people can do to make money or things like that, most of what I do now is advocacy and all of it is unpaid. And I do it because I care about it and I will continue to do it. But it also means that I’m extremely vulnerable to not being able to survive because I’m not spending my time doing the things that it’s necessary to do to survive. I just want to make sure that we’re able to live and have basic rights, which means, you know, advocacy. And I think it started along, I mean, it definitely started a long time ago and it evolves over time. You know, I think I got it from my grandmother. She was heavily involved in civil rights and so that’s probably where it came from. I don’t know if it’s genetic or if it was just instilled as I was watching, but it’s here now.
SM: And when you got celebrity from “RuPaul’s Drag Race” and other things like that, how did that affect it? Because the celebrity status would have made you in a whole different ballgame with it, I would imagine.
P: Yeah, I remember thinking when I got on “RuPaul’s Drag Race,” I was basically, yes, my platform sort of multiplied and sort of exploded tenfold, which I’m grateful for. And I remember thinking, well, I’m basically doing exactly what I’ve always been doing the entire time, just on a larger scale. I believe I’m quite the family-friendly entertainer and personality. But I’m sure that there’s people that have been like, “Let’s not hire her because she might say the wrong thing.” I’m sure that I’ve suffered that, but it doesn’t change that if I lose every follower I have, I’m still gonna be doing the same thing. I’ll just be back to where I was before I started this stuff. And so, you know, that’s kind of my thought on it.
SM: I love it, and I feel like that is a beautiful place to stop. I could talk to you for a long time, but Peppermint, so grateful that you’ve given us your time. Thank you so much for speaking with me and Uncloseted Media today. This has been a really rich conversation.
P: Absolutely. I do want to remind people to tune in to the last job I held, which was “Survival of the Thickest” on July 2, right after New York City Pride.
SM: Absolutely, we can plug that also in the show notes. So yes, thank you again, Peppermint. This was fantastic.
P: Awesome, thank you.
Season 3 of “Survival of the Thickest” featuring Peppermint launches July 2 on Netflix.
Celebrity News
Perez Hilton’s live breakdown reveals social media mental health crisis
Blogger hospitalized after harming himself online
Fans were shocked to witness former celebrity blogger Mario Lavandeira, aka Perez Hilton’s, epic crashout on social media. While on TikTok Live, he was harming himself with what appears to be a metal chef-grade spreader. There was blood, gore, and a cry for help that broke the internet.
Police from Miami-Dade County were called to the scene; he has been hospitalized. The fact that this traumatic incident was broadcast on TikTok brought up the topic of moderation. Hilton’s account has since been banned from TikTok, but by now the cat is out of the bag, and the clip is circulating online.
It’s hard not to reflect on how Hilton both represents a major turning point in Internet culture, and this incident may be a warning of its potential end. A statement on his blog from his representatives confirms that his family was on the scene minutes before the incident but quickly fled to protect his children and niece from any future trauma.
Hilton’s agent, Dante Rusciolelli, told Us Weekly in a statement. “Our focus remains on Perez’s health, recovery, and the privacy of both him and his family during this incredibly difficult time … We respectfully ask that everyone continue to honor his privacy while he receives the care he needs.”
A recurring theme on social media is that Hilton, at the height of his fame and media reach, would not respect the privacy of any celebrity. After all, he was one of the regular outlets covering Britney Spears’s famous shaved-head meltdown and part of the “Leave Britney Alone” mythos.
A bit of background
Before Hilton, there were celebrities famous for being famous like Angelyne and Paris Hilton. However, some may say he was the first to monetize it. From his laptop at a coffee shop, he galvanized the Internet by skewering celebrities.
Nothing was off limits. He outed celebrities like Neil Patrick Harris, Clay Aiken, and Lance Bass. He spoiled the finale of season 3 of “RuPaul’s Drag Race,” and he posted celebrity nudes, including up-skirt photos of teen starlets like Paris Hilton, Britney Spears, and Lindsay Lohan, the same young women he also cyber-bullied.
Times have changed, and despite his many attempts to rehab his image, including having children, publicly apologizing, and even finding God, nothing brought him back to the public eye. He was recently hospitalized for sepsis and claims to have reflected on his behavior in the past.
This incident really shines a light on the intersection of mental health and fame in this country. In a post-Kardashian world, being a celebrity is not about talent or professional accolades. It has become about how you can increase your follower count. Whether it is stretching out Marilyn Monroe’s dress, becoming a Black Nazi like Kanye West, or even becoming President, it’s about how you can shock, awe, and find your base.
Los Angeles is a city that lives and dies by television and movies, but social media has shifted how this business works. People are cast from large social media followings. People who do manage to build a following face some of the darker aspects of fame. Whether it’s Chappell Roan’s beef with paparazzi and fans, or Hudson Williams and Connor Storrie having to ask for privacy and respect for their humanity, even if you reach the level of fame, it’s not all roses.
Add to this the fact that this is all tied to social media. Your fame is quantified by the number of followers, likes, and page views, while people are found in a negative feedback loop of dopamine addiction, clout chasing, and pushing themselves further to find more followers.
On Aug. 1, Floridian influencer Whitney Lynn was thrown off a flight claiming spiritual warfare when she was disrupting the flight by proselytizing. Was she doing this for social media follows? The Internet is now rampant with people causing scenes in planes, staging pranks and scenarios, and violating people’s privacy all in the pursuit of attention.
Hopefully Hilton finds the help he needs. This entire incident has called into question the entirety of internet culture. Who is responsible for the trauma that people inflict on other people? At what point do we intercede in Internet use before people have no other recourse but to harm themselves on live? And at what point does the toxic energy we put onto the net bounce back to us?
Similar to Hilton, Wendy Williams faced her own crisis, and maybe she put it best: “I would ask you to respect our privacy, but please, I don’t respect people’s privacy; that’s why I do the Hot Topics. So turnabout is fair game.”
If you know anyone struggling with self-harm, text CONNECT to 741741 for free confidential support or dial 988 for the suicide and crisis helpline.
Celebrity News
My evening with Madonna
Gay icon headlined the World Pride Music Festival in Amsterdam
Editor’s note: International News Editor Michael K. Lavers and Photo Editor Michael Key will be on assignment in the Netherlands through Aug. 10. They will be covering World Pride in Amsterdam.
AMSTERDAM — Madonna and 6,000 of her closest friends celebrated World Pride at Amsterdam’s AFAS Live concert hall early Sunday morning. I was fortunate enough to be one of them.
Madonna last Wednesday nearly broke the internet when she said on social media in Dutch that “I got somethin’ I wanna talk about,” referring to an opening line in “Danceteria,” one of the tracks on her “Confessions II” album that has received rave reviews since its July 2 release. The track has been on near constant replay on my playlist since I first heard it.
— Madonna (@Madonna) July 28, 2026
MISTR — a telehealth platform that offers free access to PrEP, Doxy PEP, STI testing, and long-term care that has organized Madonna’s Club Confessions shows in the U.S. and the U.K. — later confirmed the rampant speculation. I woke up on July 30 to an email in my inbox from MISTR and the World Pride Music Festival PR team that said I was on the press list.
Madonna was indeed going to headline the World Pride Music Festival that Jake Resnicow and Insomniac produced, and I was going to be there. OMFG!!!!
The gay icon had one more surprise in store.
The Dutch internet on Saturday once again broke over speculation that Kylie Minogue was going to appear alongside Madonna. I was getting ready to leave our hotel in Amsterdam on Saturday night when I saw a video of the two of them together.
“Madonna is now teasing Kylie Minogue on her social media … she may be one of her ‘special guests’ tonight,” I wrote in a text to Washington Blade Editor Kevin Naff at 8:46 p.m.
“Have fun! This is turning into the gayest concert ever,” he responded.
I arrived at AFAS Live shortly before 11 p.m. My press contact walked me and two other Dutch journalists into the venue’s cavernous main room known as the Black Box. We made small talk for a few minutes before I started to walk around and listen to Josh Harrison who was on the decks.
Madonna was scheduled to take the stage at 1:30 a.m., but she is known for being late — she is Madonna and she does what she wants. Hayla, a British singer, and Bebe Rexha are among those who performed ahead of Madonna. Thousands of sweaty men — including a group of Australians next to me who were eagerly awaiting Kylie’s anticipated appearance — packed the Black Box and were dancing, anticipating what was to come.

MISTR CEO Tristan Schukraft at one point came on stage and declared Madonna was indeed in the building. The moment for which we were all eagerly waiting finally came shortly before 2:30 a.m.
“Mother is here and this is gay heaven,” said Madonna when she took the stage.
Stuart Price, who produced her “Confessions on a Dance Floor” album in 2005, manned the decks during Madonna’s set.
She opened it with “I Feel So Free” from “Confessions II.” Madonna then sang “Bring Your Love” and “Danceteria” to which this reporter — and everyone else — sang along.
Madonna then teased a surprise before she began to perform “Love Sensation.” Kylie soon appeared on stage. It was nearly too much for my fellow partygoers from Australia. It was indeed the gayest concert ever!
Madonna and Kylie performed “Love Sensation” together. They then sang “Hung Up” and “Sorry” from “Confessions on a Dance Floor” to round out the set that ended shortly after 3 a.m.
Madonna and I share the same birthday — Aug. 16 — and I would like to think she and Kylie gave me an early birthday present. In all seriousness though, it was an amazing night for me and for everyone else who was fortunate enough to be there.
“On the dance floor I feel so free,” says Madonna in the opening of “I Feel So Free.”
For those few precious hours at AFAS Live I did not think about the Trump-Vance administration and the myriad ways it is destroying the U.S. I did not think about the National Guard troops deployed to D.C. I did not think about the pointless wars that continue to ravage Ukraine and other countries around the world. I simply lost myself on the dance floor and celebrated an icon who has always stood with my community.
Thank you, Madonna.
Celebrity News
Madonna headlines World Pride Music Festival in Amsterdam
Kylie Minogue made surprise appearance alongside gay icon
AMSTERDAM — Madonna on Sunday headlined the final night of the World Pride Music Festival in Amsterdam.
The gay icon took the stage shortly before 2:30 a.m. local time (8:30 p.m. ET on Saturday) during Club Confessions, a set that MISTR, a telehealth platform that offers free access to PrEP, Doxy PEP, STI testing, and long-term HIV care, organized.
“Mother is here and this is gay heaven,” said Madonna when she took the stage inside Amsterdam’s AFAS Live concert hall that can hold up to 6,000 people.
Stuart Price, who produced Madonna’s 2005 “Confessions on a Dance Floor” album and “Confessions II,” which debuted on July 2, DJed the set.
Kylie Minogue made a surprise appearance. She and Madonna performed a new remix of “Love Sensation” from “Confessions II.”
(Washington Blade video by Michael K. Lavers)
“Throughout my career, I’ve always supported efforts to fight HIV and AIDS, and that fight begins with education and access,” said Madonna in a MISTR press release. “With MISTR, (CEO) Tristan (Schukraft) is expanding access to HIV prevention and sexual healthcare for everyone. Through this work, he’s helping preserve and strengthen LGBTQ+ spaces while investing in the communities and culture that have long sustained us.”
Minogue in an Instagram post thanked Madonna, Price, Schukraft, and MISTR.
Madonna appeared at The Abbey in West Hollywood, Calif., in April. Madonna in June celebrated Pride month with a pop-up performance in New York’s Times Square.
Jake Resnicow and Insomniac produced the World Pride Music Festival that also featured Bebe Rexha and Paris Hilton, among others.
“Pride has always been about bringing our community together,” said Resnicow. “At a moment when too many people are being told to hide or make themselves smaller, gathering openly, joyfully, and without apology matters more than ever. I couldn’t be prouder of what this festival brought to life in Amsterdam — one dance floor, completely free.”
