The Clear Space Theatre Company summer season in Rehoboth Beach kicks off in a few short weeks. This year’s mainstage musicals include “Hairspray,” “Beautiful: the Carole King Musical,” and “Rent.” 

“Hairspray” will run from June 24-Aug. 30, with “Beautiful” from June 27-Aug. 28 and “Rent” from July 2-Aug. 26. Clear Space is a repertory theater, meaning that a cast of rotating artists will appear in all of these musicals. Tickets can be purchased at clearspacetheatre.org.

Clear Space was founded in 2004 and is considered Delaware’s second-largest professional non-profit theater and the state’s most prolific producer of professional theater. The “clear space” name refers to a “focus on the process, knowledge, and humanity of arts performance: the idea that we find ourselves in what appears on the stage,” according to its website.

Joe Gfaller, managing director of Clear Space, said the theater has a responsibility to produce work for everyone in the region, which gives them the creative space to do more than just one thing. 

“That’s what makes everything at Clear Space so joyful and inventive,” Gfaller told the Washington Blade. “We know that this community that we’re a part of includes all kinds of people, all backgrounds, all experiences, and it’s critical for us to present a variety of work that’s going to move each of those people.”

In addition to the three main stage musicals, Clear Space offers Saturday morning children’s theater productions and Sunday cabarets, which will feature Tony and Emmy nominated artists, a “RuPaul’s Drag Race” star, and other popular entertainers this year. 

“What we’re always looking to do as we create our full season, including the summer, is to produce work that’s going to delight and excite and engage the audiences that are here in Rehoboth Beach and coastal Delaware,” Gfaller said. “There’s always a mix of old and new, of plays and of musicals. There’s really something for everyone across our season for each year.”

Summer flex passes are available for purchase as well, which allows patrons to see three or more productions in the summer repertory season and save 15% off the price of single tickets. Passes can be used for the three main stage musicals and for cabaret shows. 

Gfaller said the musical “Rent” “speaks to what musical theater is capable of doing” and is a piece that is “deeply grounded” in the experiences of the LGBTQ community. 

“There’s always going to be a piece of that in the work that we do because we know that the community that we serve here in Rehoboth Beach and beyond has a lot of folks who are connected meaningfully to the queer community,” he said. 

Another facet of the company, the Clear Space Arts Institute offers voice, dancing, and acting classes during the summer. This year, many are at capacity and a waitlist is being offered. 

The Rebecca Luker Theatrical Partnership was developed within the last few years to honor the life and career of Luker, a Broadway star, after she passed away in 2020. The partnership aims to create professional leadership opportunities in the theater for individuals from underserved communities.

“Through the Rebecca Luker Theatrical Partnership, CSTC is paving a path forward to create a more inclusive space for future arts leaders of color while honoring the company’s mission and Ms. Luker’s commitment to racial justice,” a press release from Clear Space said. 

Clear Space has been growing, according to Gfaller. Over the last 21 productions, 17 have sold out all performances. Though the theater seats just 170, it saw more than 24,000 attendees over the course of one year. Gfaller is excited that there’s been so much growing enthusiasm and wants patrons to feel joyful and connected to each other after watching the shows. 

“We want people to fall in love with seeing great live theater … in an intimate space. You can see amazing things on Broadway, and you might need to bring your opera glasses to see what’s going on,” Gfaller said. “What’s wonderful at Clear Space is you are no more than three to six rows from the stage anywhere you sit in the theater, and there is something so much more magnetic and dynamic and inspirational about seeing theater in that context, because you feel that you’re there in the room with the artists, while the artists are making it happen. And there’s really nothing that compares to that.”