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Stonewall Inn’s owners look back while moving forward

LGBTQ landmark continues to evolve 50 years later

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Stonewall Inn, gay news, Washington Blade
The modern Stonewall Inn is about half the size of the original bar and was last sold in 2006. (Photo by Travis Wise via Flickr)

Open the front door to the Stonewall Inn today and you’ll find LGBTQ people from every walk of life. Locals and tourists alike gather for reasons as diverse as they are. Some patrons want to see the world-famous Stonewall Inn; others pop in for a cocktail and the rest simply want to hang out in a gay bar. 

Among the crowd, you may even spot a famous face. Taylor Swift recently performed at Stonewall Inn; Joe Biden and his wife Jill Biden came by to celebrate the 50th anniversary of the Stonewall riots; and Madonna surprised fans with a New Year’s Eve performance at the historic bar in 2019.

Co-owners Kurt Kelly and Stacy Lentz gave birth to this modern-day Stonewall Inn when they purchased it in 2006. 

Kelly, who is gay, felt that the Stonewall Inn had lost its connection with the LGBTQ community. He and a group of investors decided to purchase the property and brought investor Lentz, a lesbian community activist, on board as co-owner. 

It was the first bar Kelly and Lentz had ever owned but they were ready to return the Stonewall Inn to its LGBTQ roots. 

The original Stonewall Inn was a Mafia-owned bar located on 51–53 Christopher Street in the Greenwich Village neighborhood of New York City. 

“The Mafia bought up a lot of the gay bars because they saw money involved in there. They saw money in those spaces because gay people would go there and spend a lot of money,” Kelly says. 

Police raids were common for gay bars during that time and one such routine raid would make history on June 28, 1969 when bar patrons resisted arrest. The Stonewall Riots sparked a movement one year later when the first-ever Pride march was organized to commemorate the event. The march route stretched from the Stonewall Inn to Central Park.

Shortly after the riots, the Stonewall Inn shut down. Over the years, it was converted into a bagel shop, a deli and a shoe store before reopening as a bar at 51 Christopher Street from 1987 before shuttering in 1989. The 53 Christopher Street location reopened as a bar in 1990 as New Jimmy’s but the name was changed to Stonewall a year later. 

Kelly, Lentz and their group of investors purchased the space at 53 Christopher Street making the new Stonewall Inn half the size of the original bar. 

Today, the Stonewall Inn is recognized as the catalyst for the modern LGBTQ rights movement. In 2016, President Barack Obama designated the Stonewall National Monument, which includes Stonewall Inn and Christopher Street Park, located across the street from the bar. The Stonewall National Monument became the first national monument marking an LGBTQ designated site. 

“I think it was incredible for the entire community, not just the owners of the bar, to have that recognized as telling us the fabric of American LGBTQ history is really important. The Parks Department and the national monument really can do that. We were super, super excited and it was an incredible moment for our entire community,” Lentz says. “It’s just extremely important for the LGBTQ community to have Stonewall, the birthplace, recognized as a national monument. Now it’s as famous as the Statue of Liberty or the Grand Canyon.”

The Stonewall Inn has also become known for its LGBTQ advocacy in recent years.

In 2013, Lentz helped organize 80 non-profits for a rally outside of the Stonewall Inn in support of marriage rights. 

After the 2016 Pulse nightclub massacre, the outside of the Stonewall Inn became a memorial for the victims. The outside of the bar has also been the site of protests against the Trump administration. 

Lentz decided to make Stonewall’s advocacy work more official in 2017.

She spearheaded the Stonewall Inn Gives Back Initiative, a non-profit organization working toward LGBTQ equality in the United States.

“We wanted to focus on places all over the country where equality has been slow to arrive. So a lot of that emphasis is on the 28 states where you can still be fired for being LGBTQ. They like to say you can get married on Friday and fired on a Monday. Legally, they don’t have the same options that we have and those places also have that daily stigma because of the prejudice of the communities around them,” Lentz says. 

As World Pride draws near, Kelly and Lentz say they’re prepping for the momentous occasion. 

“We’re planning to keep the doors open. We’re the epicenter. We’re at ground zero. We just have to make sure all the beer is there and the liquor is there for everyone to enjoy,” Kelly says. 

Stonewall Inn interior (Washington Blade file photo by Michael Key)

The 50th anniversary of the Stonewall Riots has drawn more attention to the iconic bar and Kelly and Lentz hope that people will remember just how instrumental the Stonewall Inn was to the LGBTQ rights movement. 

“That’s where Pride began and that’s where Pride lives,” Kelly says. 

For Lentz, it’s also a conversation that needs to keep going. 

“What happened there in 1969, the brave men and women that started that fight, is not over. We have to honor that and all continue to vow to work and keep going until we have full equality and that’s what we all have to do together,” Lentz says. 

For more information on the Stonewall Inn Gives Back Initiative, visit  stonewallinitiative.org.

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Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

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Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

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Theater

‘Amm(i)gone’ explores family, queerness, and faith

A ‘fully autobiographical’ work from out artist Adil Mansoor

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Adil Mansoor in ‘Amm(i)gone’ at Woolly Mammoth Theatre. (Photo by Kitoko Chargois)

‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W. 
$60-$70
Woollymammoth.net

“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre. 

Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother. 

Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.

WASHINGTON BLADE: What spurred you to create “Amm(i)gone”? 

ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?

I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs. 

BLADE: Are you more director than actor?

MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning. 

I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention. 

BLADE: Describe your mom. 

MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me. 

She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.

BLADE: So, you weren’t exactly hiding your sexuality? 

MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full. 

So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.

BLADE: Have you encountered much Islamophobia? 

MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways. 

BLADE: What prompted you to lead your creative life in Pittsburgh? 

MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity. 

Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career. 

BLADE: What are you trying to achieve with “Amm(i)gone”? 

MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this. 

 I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.

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