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Family drama

Tender Roundhouse show well paced, acted

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How to Write a New Book for the Bible, theater, MaryBeth Wise, gay news, Washington Blade
How to Write a New Book for the Bible, theater, MaryBeth Wise, gay news, Washington Blade

MaryBeth Wise as Mary and Ray Ficca as Bill in Roundhouse Theatre’s production of ‘How to Write a New Book for the Bible.’ (Photo by Danisha Crosby)

‘How to Write a New Book for the Bible’
Through May 5
Roundhouse Theatre
4545 East-West Highway, Bethesda
$10-$61
240-644-1100
roundhousetheatre.org

When his elderly mother Mary learns she has just six months to live, middle-aged Bill is forced to make a big decision: Go back to his life as a writer and Jesuit priest in the city or do what he thinks is the right thing — move in with mom and see her through to the end. Being the consummate dutiful son, Bill opts for the latter and during this cathartic time filled with scary pain, stretches of welcomed mundaneness and glimmers of joy, he grows even more appreciative of the stalwart mother he already loves.

In his latest work, the intensely autobiographical “How to Write a New Book for the Bible” (now at Roundhouse Theatre), playwright Bill Cain recounts the wide-ranging details of his 82-year-old mother’s death from liver cancer while also celebrating his life spent as the younger son in a mostly functional family.

The story takes place in Mary’s upstate New York apartment with frequent flashbacks 40 years prior to the Cain’s apartment in Queens. Speaking to the audience, Ray Ficca as Bill, warmly draws us into the world of his family, assuring everyone that the unfolding tale — at turns sentimental, funny, touching and occasionally starkly real (bring a hanky) — is true.

During development, the playwright dubbed this work “The Mom and Dad Play.” Yes, the lifelong love affair between sensible Mary (MaryBeth Wise) and her easier going spouse Pete (Mitchell Hébert) who could cut a rug and enjoyed a three scotch night out, is important to “Bible,” but a more apt working title might have been “The Cain Family Play.” In addition to the parents, both Bill (the play’s protagonist) and his older, athletic brother Paul (Danny Gavigan) are integral to the story. While Paul is deemed more physically capable by the parents, his clumsy but bright little brother Bill is still perceived as the favorite, setting the boys up for a mild, long ongoing rivalry. Nonetheless, the playwright’s respect and affection for his barely flawed characters is clear. Cain loves his family dearly.

Mary’s mantra is simple: life is tough, but if you work very hard it gets better. When Paul was a little boy he saved his pennies to buy a model from the hobby shop. At the register, he came up a nickel short. Mary refused to front him the five cents. She wanted to teach her son a lesson. She did — as soon as he comes of age, he’s off to Vietnam (a transformational military experience, compellingly played by Gavigan) and later raises a family faraway in Texas. But like all Cain family fights, Mary and Paul’s is eventually sorted out and put to rest.

Out actor MaryBeth Wise is extraordinary as Mary, fast forwarding 40 years, shifting from middle to late years, uncannily acquiring the rheumy eyes and slow gait that come with old age and sickness. As Bill, Ficca effectively portrays the frustrations and satisfactions concomitant with end-of-life caregiving. The remainder of the cast is equally good. Besides playing father and son, Hébert and Gavigan also effectively fill in as various annoying health professionals. Hébert additionally takes on a pair of smaller female roles, playing a recently bereaved hairstylist and Mary’s thoughtful, best friend Paulette.

With “Bible,” producing artistic director Ryan Rilette makes his Roundhouse directing debut. His smooth staging along with Daniel Conway’s deceptively simple, moving set; Colin K. Bills’ smart lighting design; and superb sound by Eric Shimelonis come together beautifully to support Cain’s time-travelling, quick scene-changing script.

Though Cain’s play is amusing and endearing, its center is about loss and pain. Ever the good son, Cain the playwright instructs that a bad situation can be made better- definitely a lesson worth sharing. His mother would be proud.

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Arts & Entertainment

Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week

Pride on the Pier officially launches Pride Week in D.C.

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The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.

Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.

“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”

Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip

Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.

Event Details:

📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026 

⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

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Theater

National tour of ‘Gatsby’ comes to National Theatre

Out actor Edward Staudenmayer talks playing the show’s gangster

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Edward Staudenmayer plays Meyer Wolfsheim in ‘The Great Gatsby.’ (Photo courtesy National Theatre)

‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com

Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read. 

Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan. 

It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”  

Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24). 

While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater. 

WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?

EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”]. 

There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball. 

BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life. 

STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].

BLADE: When did the 1925 novel first surface on your radar? 

STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel. 

Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students. 

BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?

STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.  

Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel. 

BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?

STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer. 

BLADE: Have you had to do that in your career?

STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy. 

It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.

BLADE: What was your coming of age like?

STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating. 

BLADE: Did he live to see your success in theater?

STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close. 

BLADE: Looking ahead, is there a part you’d especially like to play?

STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time. 

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Music & Concerts

DJ Chanel Santini is bringing the heat and some gender-fluid diversity to XBIZ Miami

Pool party celebrates most charismatic personalities, creative artists in adult entertainment

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DJ Chanel Santini (Photo courtesy of Miss Lainie PR)

Chanel Santini has crossed over to being a DJ, performing at clubs all over the country. Now known as Santini, they will be making music and hyping the pool party, DJ-ing at XBIZ, the conference for adult creators and digital players, in Miami.

Taking place on Monday to Wednesday, the event honors the most charismatic personalities and creative artists in entertainment.

“I am honestly so excited — getting to DJ in Miami Beach is literally a DJ’s dream!” Santini told the Los Angeles Blade. 

“I thought it would be a good opportunity because I haven’t been around my industry peers in a long time. It’s a great event to network and show off the new me!” said Santini.

While Santini is unsure what music they will be playing, they want everyone to have a good time. “My goal is to ignite the dance floor and play great music that everyone will vibe to. My sound includes house music, bass house, tech house, and I always like to throw a little bit of hip-hop in my sets.” 

Santini loves how DJ-ing brings people together. 

“Music really ignites us all! It is so universal, no matter what language you speak. I think it’s the best high in the world when you play a banger track, and everybody on the dance floor screams loudly. You can’t describe that feeling until you’re up there on that stage.”

 Santini describes DJs as the “modern rock stars” in today’s world. 

“I always feel like such a superstar when I’m up on that stage. The best feeling is after my set when I have people come up to me and say, ‘Thank you for sharing that amazing music.’ That’s how you know that you’re a good DJ — I love when I get those types of compliments!”

DJ Chanel Santini / Photo courtesy of Miss Lainie PR

While sometimes it’s hard to please everyone’s musical tastes, Santini endeavors to try! “You just have to go out there and give it your all and be the best DJ that you can be,” he noted.

Santini, who had previously identified as transgender, recently decided to transition back to being gender fluid.

“It’s definitely been a journey, but I’m definitely happier in my own skin now than I was. I don’t go by he/him pronouns. I don’t go by they/them either. I guess I just really don’t have a preference. Whatever you see me as is your opinion. I’ve learned over the years that I’m not trying to be one specific thing. I’m just Santini. I’m just me.” 

Santini acknowledged they felt respected more when dressed as a woman.

“I think it’s just because femininity runs the world. When I started to de-transition, I felt like I had to just be a boy all the time. But I’ve realized over the years that I don’t need to stick to one specific thing. I am always gonna be feminine, and that’s OK.”

Recently, Santini has been embracing their feminine side more.

“I definitely feel more comfortable in female presentation, and more powerful when I’m on stage dressed as Chanel. I love DJ-ing in drag because there are so many straight male DJs in the world. It’s almost like a superhero when he puts on his cape! I think it makes me confident and stand out more as an artist.” 

And because Santini loves makeup and fashion, they can incorporate that into their sets. “I’m not just bringing you good vibes and good music. I’m bringing you a show/ production!”

DJ Chanel Santini / Photo courtesy of Miss Lainie PR

Santini is already working on big plans for the future.

“I’m opening up for a huge Pride block party in my hometown, Albuquerque, N.M., on June 12 and 13. It’s a two day festival and I’m super excited for this opportunity. I’m even hiring backup dancers and a choreographer.”

Santini plans to go “all out” for this show. 

“It’s gonna be the biggest crowd that I’ve ever played for,” Santini enthused. “I’m putting my heart and soul into this performance, especially because it’s Pride in my hometown, and that means so much to me. I know the younger me would be so proud.”

Santini remembers going to Pride when they were younger and telling themself they couldn’t wait to be up on that stage.

“I’m truly living my dream right now, and I’m so excited for the future. The last 10 years of being in the adult entertainment business have been great and have given me major success. But I always knew that I didn’t want to be in this industry for long.”

Santini acknowledged that, in the recent past, it was a struggle.

“I’ve been trying to find myself and figure out what I wanna do next with my life. Now that I’ve found this passion for DJ-ing, it makes me want to go far in this business.”

In addition to being a DJ/artist, Santini is starting college next semester. 

“I’m gonna get my degree in audio engineering,” Santini enthused. “I can’t wait to start producing my own tracks. I especially can’t wait till the day I’m headlining a major festival! I know with a little bit of patience and hard work that I can get there! I just have to continue believing in myself.”

Santini wanted to thank all of their fans for their support. “Truly, if it wasn’t for them, I wouldn’t be able to fund my art in the way that I have. I’m truly grateful. And I’m excited for the future!”

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