Arts & Entertainment
COVID-19 can’t keep Jackie Cox down
Drag performers keeping busy in digital realm

We’re navigating the current COVID-19 crisis as best we can—but each day forces us to admit how little we’ve learned from what pandemic-themed science fiction, countries with universal health care, and people who cut their own hair have been trying to tell us for years.
Yeah, everybody’s pretty much making it up as they go along—and in the case of entertainers displaced from shuttered clubs, bars, and theaters that are sources of income as well as community, stay-at-home drag queens are keeping the cobwebs off their wigs by entertaining fans in the digital realm.
The Blade recently reached out and touched one such indefatigable gal (via email), to get her take on innovation in this time of isolation.
Thanks to her presence as a contestant on the currently airing season 12 of “RuPaul’s Drag Race,” the whole world has been discovering what New York City has known for years: There’s nobody out there quite like Jackie Cox.
Born in Canada, the Star Trek-loving “Persian princess of drag” wears her nerdy nature, Iranian heritage, obsession with Disney, and love of ’80s/’90s pop culture as badges of honor. Pin those badges on a dress as pick-and-choose accessories, and they work just as well on the “Drag Race” runway as they have on the cabaret stages of New York City, where writer/performer Cox fashioned and refined the sharp, sassy, clever, campy, and occasionally political persona that’s put more than one smile on the hard-to-please faces of Mama Ru and Michelle Visage.
That persona changes slightly according to the hat Cox wears. As writer/star, she put her own spin on Barbara Eden’s iconic bottle-dweller, in the three-part “I Dream of Jackie” series, which followed the adventures of a magical genie who emerged from underneath the stage of Manhattan’s Laurie Beechman Theatre to find a chaotic and cynical world that was no match for her sweet, optimistic nature. Also at the Beechman, Cox appeared in a series of shows with The Hell’s Kitchenettes, an Andrew Sisters-like trio of singing waitresses whose wacky schemes to save their diner always backfire, but never fail to bring it back from the brink of disaster. And last year, also at the Beechman, Cox and frequent collaborator Chelsea Piers put the Romy and Michelle/Laverne & Shirley friendship dynamic into a blender, added some iconic songs from the ’80s/’90s, and created the tasty comedic smoothie that was “Jackie & Chelsea’s High School Reunion.”
The Blade: On April 18, you presented “The Jackie Cox Variety Show” as part of StageIt.com’s Digital Drag Fest series. What songs and segments did you serve fans, and how was the experience? Can we expect to see more of you on the Digital Drag Fest platform?
Jackie Cox: I’ve now done two editions of the “The Jackie Cox Variety Show,” with a new, politically minded version performed on April 21, as part of the campaign to “Drag Out The Vote,” and get the LGBTQ+ community registered to vote! Both versions keep a similar structure, in that it’s a variety show with different comedy segments and songs. I do a cooking segment, a faux-news segment, and recurring gags that happen throughout. It very much harkens back to that 1960s and 1970s variety show feel. I hope to continue doing them, and it’s a great creative space for me to try new ideas in this format. Visit stageit.com/digitaldragfest for the latest information on all their upcoming events.
Blade: Has this forced time away from public performance impacted your creativity, creative output, and approach to using online/social media as an expression of your artistry?
Cox: I think this time away from performing on stage has definitely given us a new frontier of what drag can be in the future, and live performance in general. Having the ability to connect with fans through live streaming platforms presents a lot of fun ways to creatively think outside the box. I’ve been finding myself actually able to engage with fans online in meaningful ways that I probably wouldn’t have been able to if I had been traveling and performing all over the country, as was originally planned.
Blade: Spoilers and gag orders aside, tell us everything you can/want, about part of “RDPR” Season 12?
Cox: Participating in this season of “RuPaul’s Drag Race” has truly been a dream come true. I learned so much about myself and about my drag from participating in the competition. Spoilers aside—I think from what the audience has already seen, this season is filled with so much talent, personality, and heart.
Blade: Have you had any notable virtual interactions with fans during this period of social distancing?
Cox: Well, the fans have CERTAINLY been vocal and I must say, I feel a bit behind in how the kids talk these days, but I’m learning. (Cool Aunt here.) That said, I’ve been trying to engage with fans as much as I can. I have had so many fans reach out saying they feel represented by who I am and what I’m doing on the show. I’ve also had fans who are either too far away, or otherwise would be unable to come see a live show, and are just so thrilled they get to see live drag from the comfort of their own homes.
Blade: How did you come to be involved in the April 25 Community Strong Identity panel (via witch.tv/popculturehero)? What can we expect?
Cox: I have known Randy Frank, the founding member of the Lambda Quadrant non-profit, which is putting on the event, for a number of years, since we originally connected through our love of “Star Trek.” (It’s not just the glasses—I really am a nerd!)
The panel will be moderated by Chase Masterson (from “Star Trek: Deep Space Nine”) and Raymond Lister, in support of their “Pop Culture Her Coalition”—the first-ever organization to teach empathy, resilience, and real-life heroism over bullying, racism, misogyny, LGBTQ-bullying, cyberbullying, and other forms of hate, by using stories from TV, comics, and movies, which kids find relatable and accessible. In our panel (which includes “Drag Race” alums Silky Nutmeg Ganache and Pandora Boxx, among others), we will be discussing how we tackle these issues in our lives, and share our experiences.
Blade: Are there any other ways, now or upcoming, that fans can access you in the digital realm?
Cox: Yes! I’m @jackiecoxnyc across all social media platforms (Instagram, Twitter, Facebook… even TikTok!), where I will post the latest information on any and all upcoming shows and appearances.
Blade: The all-clear is called and we’re allowed to gather in public again. What are the first things you’re going to do?
Cox: Definitely go have a good laugh and a margarita (and HUGS!) with friends at any of my favorite bars in Hell’s Kitchen, NYC! I miss salty rims!
Friday, May 1
Go Gay DC will host “First Friday LGBTQ+ Community Social” at 7 p.m. at Silver Diner Ballston. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
“Illusions The Drag Queen Show Washington, D.C.” will be at 7 p.m. at 2323 18th St., N.W. Come see this amazing D.C. drag show and laugh all night long while being amazed by the stellar performances in tribute to some of your old-time favorite classics as well as the latest pop favorites. Come see the likes of Madonna, Cher, Tina Turner, Whitney Houston, Joan Rivers, Phyllis Diller, Beyoncé, Pink, and many more. Tickets are $12.97 and are available on Eventbrite.
Saturday, May 2
Go Gay DC will host “LGBTQ+ Community Brunch” at 11:00a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Drag Queen Sip and Paint Washington DC will be at 4 p.m. at Town Tavern DC. This event combines the joy of painting with the lively energy of a drag queen, offering an hour and a half of fun, creativity, and entertainment. Participants paint a canvas while enjoying cocktails, all under the guidance of a glamorous drag queen host. Tickets are $47.19 and are available on Eventbrite.
Monday, May 4
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Tuesday, May 5
Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. For more details, email [email protected].
Wednesday, May 6
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Center Aging Women’s Social and Discussion Group will be at 6 p.m. on Zoom. This group is a place where older LGBTQ+ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more information, email [email protected].
Thursday, May 7
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
The new monthly 90’s Flashback Drag Brunch premiered at Red Bear Brewing Co. on Sunday, April 26. Performers included Logan Stone, Tiffany D. Carter and Charlemagne Chateau.
(Washington Blade photos by Michael Key)










Celebrity News
Madonna makes rare club appearance in West Hollywood
Gay icon brought ‘Confessions II’ to The Abbey
A line of celebrities, “Drag Race” queens, influencers, media, and West Hollywood socialites lined the block around West Hollywood’s The Abbey, all clamoring to get into the invite-only celebration of owner Tristan Schukraft’s birthday. The rumor, which became verified gossip, was that Madonna, the Queen of Pop herself, would be taking the stage. Of course, the Blade had to be there.
With disco balls and Abbey statues covered in pink chiffon, it was clear. This party was a direct tie-in to Madonna’s much-anticipated “Confessions on A Dance Floor” album sequel, “Confessions II.” That night, the Abbey also unveiled its remodeled dance floor, a fitting collaboration.
The club was filled to capacity with a completely open bar, keeping the crowd liquored up. Go-go dancers in black leather collars and thongs lined the room, and celebrities that included Lilly Allen, Bebe Rexha, Tori Spelling, Julia Fox, Sam Asghari, Daniel Frenzese, Cynthia Bailey, Meredith Marks, Tom Daley, and more filled the VIP booths alongside World of Wonder personalities. It was a veritable who’s who of queer folk and allies.
The lights began to dim, the dance floor began to rumble, and Madonna graphics hit the screens. At around 1 am, it was time. Introduced by Addison Rae, Madonna grabbed the mic and started chanting, welcoming her “gays.” The venue resounded in thunderous chants of “freedom,” “mother,” and “bitch.”
Madonna was not there to perform. She was there to dance. She took the stage for about 15 minutes, keeping the crowd going with her naughty and fun commentary. There is no list that needs to be provided on how Madonna’s career has become part of queer culture. Going back to her dance music roots and going back to her gay fans is smart.
Released in 2005 (yes, it has been that long), “Confessions on a Dance Floor” was an instant hit, with four singles from the album being released. The album’s lead single, “Hung Up,” topped the charts in 41 countries with Billboard calling it the most successful dance song of the decade. The album had hints of 60s and 70s flair, mixed in with dance music prevalent at that time. The music still dominates at queer clubs across the globe.
Madonna knows we need a little queer joy; she also knows that fans miss the Madonna we all knew and loved. With the nation in such turbulence, we all need some comfort, and going back to a time when we felt safer and had more to celebrate just feels good. For the new album release, she has even partnered with Grindr for a limited edition vinyl release and exclusive behind-the-scenes content.
Her night at The Abbey presented snippets of her new music mixed in with some of her classics. The new material sounded good, sounded familiar in an exciting way, and shows that this diva has still got it.
“Confessions II” releases on July 3.
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