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Paradise lost: Remembering the popular Rehoboth men’s guest house

Beach town’s pioneering B&B welcomed gay clientele before arrival of AIDS

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The Paradise Guest House operated at 40 Maryland Ave. for eight seasons. Herbert and Mami are depicted in this painting. (Painting by Pamela Bounds)

What hath night to do with sleep?” John Milton, A Journey to Paradise

In February 1987, 30-something Bill Courville was at his Mt. Pleasant neighborhood home. He opened the new edition of the Washington Blade. As usual, he read it from beginning to end. With a Ph.D. in psychology, Bill enjoyed the classifieds. It lifted his spirits after reading obituaries of gay men and news of meager AIDS funding from the Reagan administration. Sandwiched between personals and escorts were real estate sales listings, including a one-inch ad about a B&B in downtown Rehoboth Beach, Del.

Bill thought about his youthful days living in New Orleans and working at the Maison De Ville, a small dusty red stucco painted guest house overlooking Toulouse Street. There Tennessee Williams had once lived while penning “A Street Car Named Desire”when not sipping Sazarac cocktails in the garden courtyard. 

He circled the ad and placed it on the kitchen counter for his lover, Bob, to read. The couple had met two years earlier crossing the P Street Bridge and had gradually merged their lives. After Bob looked at the ad, Bill suggested: “Let’s go look at this! We will have a business and an income — and a place to live!” Born in Minnesota, Bob Jerome, the more cautious of the pair, had grown up in California, attending college in Claremont and later working as a Senate staffer. Like Bill, he had a doctorate and traveled throughout the world before their P Street encounter. Unlike Bob, however, Bill never had been to Rehoboth. Nevertheless, Bill insisted this could be their next adventure or at least an excuse to visit the shore off-season.

“It’s a great seasonal resort,” Bob responded positively. “Everybody goes there. There’s gay life!” 

The next weekend, they crossed the Chesapeake Bay Bridge and drove to Paradise. Rehoboth was mostly shuttered. But the Renegade bar was open at the fringe of town as was the Blue Moon along the gaying Baltimore Avenue. Driving one street over, they arrived at 40 Maryland Ave.

John, the Realtor, whose lover “Dolly” performed at the Moon, met the couple at the 19th-century house. “It was pretty awful,” remembers Bill. The fatigued Paradise Guest House sign was washed-out and the wide front porch with its handcrafted trellis lusted for paint. The pipes were drained. There was no heat or electricity. There were slivers of mirrors glued on living room walls, a disco ball hanging from the ceiling, 1930s over-stuffed maroon chairs, and yard sale grade furniture facing an old TV. The scent of stale cigarette smoke lingered in the ceilings and walls.

As they wandered through the 28 rooms — most barely wide enough for a floor mattress with a thin plastic sheet and an occasional odd-fitting dresser — they eyed stacks of men’s magazines (Honcho, Mandate, Bound & Gagged), iconic videos like “Boys in the Sand,” “Stryker Force,” and “Pacific Coast Highway,” along with chests of dildos in every imaginable size. Off the living room, a narrow passageway at a left angle to the main corridor led to the first-floor bedrooms. At the end was a trap door. They didn’t venture down. “Seasonal resorts like the Paradise were kind of like bars,” Bill explains. “They look great at night but don’t look at them during the day.” 

On their drive back, the couple chatted about the venture. “I told Bill that if we were going to invest, he needed to run it so we could learn the business.” Bob knew his income would cover their personal expenses as long as Bill was willing to do the day-to-day management.  “We were youngish. I don’t think we thought about what a massive undertaking it was…. But it seemed right.”

After purchasing the property, they along with some friends had just a few months before the 10-week season began on Memorial Day weekend. “We’d drag them down there and make them work, saying, ‘Oh, you can go to the beach.’ But, of course they never did go as it was always cold and rainy.” Bill wondered, “Does the sun ever shine here?”

Those next weeks were frantic: discarding discolored mattresses and sex toys; tearing out faux bedroom walls to restore the original 14 rooms; buying new white wicker furniture; upgrading the bathrooms, deck, and kitchen. Everything was thoroughly cleaned. Fresh white paint glistened on the walls and gray-painted floors replaced piles of tattered, sandy rugs. A local lesbian contractor built sturdy outside showers replacing a rickety wooden stall connected by a water hose and lined with reflective aluminum foil — designed more for strutting than showering.

“It was a huge undertaking,” admits Bill. “Everything we had was sunk into it. It had to be open!” He remembers one man calling a few days before asking if he could change check-in to Wednesday. “No, you can’t,” Bill said flatly. “You can come Friday at 2 o’clock, but not one minute sooner!”

With little time to advertise in this pre-Internet era, they did their best to explain the changes to former guests, beginning with its new name: The Rehoboth Guest House. More importantly, it now was open to lesbians as well as straights and there was no smoking. “We had a mix of friends,” says Bill. “So it would be gay-owned and operated but pretty much open to whoever wanted to come…. We had been discriminated against for most of our lives. If you don’t want to come you don’t have to.”

The Rehoboth Guest House today.

Remembering Paradise

Reactions from Paradise veterans varied when Bill and Bob discarded the blue, white, and yellow “Paradise Guest House” sign and, more importantly, its ethos of male eros. One of the new owners’ early supporters was Charlie Allen, who worked in the Baltimore schools but summered in Rehoboth. “He was writing a book,” Bill reveals, “called ‘Summer Sisters’… they were sisters for the summer.” Bob interjects, “The other part of the title was ‘Some Are Not.’ So, it was ‘Summer Sisters [pronounced Some Are Sisters]: Some Are Not.’Charlie died before publishing his book—which has never been found.

Unlike Charlie, “some hardcore folks were upset,” Bob recalls. “This used to be a gay male oasis” where men could “be themselves: wearing dresses; walking around naked; having piercings everywhere. They could get out of their suits and live the lives they wanted with people like them.” In an understanding tone, Bob adds: “That’s hard to take away.” The Paradise was a safe spot not only for Philadelphia accountants, D.C. staffers, and Baltimore teachers, but college kids enjoying summer break, career embarking twinks, and closeted locals seeking safe harbor.

Charlie was best friends with the German-accented Paradise owner Herbert Koerber and his boyfriend, Alvarado Ortiz-Benavides, whom everyone called “Mami”— colloquial Spanish for sweetheart. A gregarious man with fading hair and a reddish beard, Charlie often helped Mami with housekeeping and other chores. Mostly, though, he just enjoyed the sexual freedom of Paradise and the camaraderie among male guests. Some returned each year for a week, others visited more frequently for long weekends, and a few stayed the entire summer. Most guests were younger than Charlie’s 40 odd years, but everyone seemed to get along.

Most of Koerber’s clientele came from word-of-mouth advertising, although there was a classified ad in summer issues of the Washington Blade: “friendly guesthouse, close to beaches and bars.” One of the very first media stories about gay Rehoboth appeared in the May 1980 issue of this iconic paper. It described Paradise as “utterly comfortable” and quoted 38-year-old Herbert: “Tell people I can put them up — maybe even give them a discount during the week — but on weekends, after the bars close, my lobby will be packed.”

Before Herbert opened Paradise, in 1979, there were no openly gay-owned or gay-friendly advertised guest houses in Rehoboth. The Sandcastle, a decrepit speakeasy-like rooming house owned briefly by several gay men, had burnt to the ground four years earlier. The grand Pleasant Inn Lodge, hosted by the reclusive, debonair bachelor Peck Pleasanton and his octogenarian mother, Bessie, welcomed an occasional well-behaved “single” gentleman.

During eight seasons, Paradise evolved as did Herbert and Mami. The two were an odd pair. Herbert, a “fussy queen” who swore like a sailor, was tall and thin with longish hair and a handlebar mustache. He was always tanned even though his forehead would get beet red given his German complexion. The much shorter Mami, whose family was from South America, was soft-spoken and very sweet. Compared to the larger-than-life Herbert, he was less memorable to guests. Bob describes Herbert as “the German businessman. Mami was the onetime boy-toy.” They wintered in Key West, operating a gift shop and hawking kitsch souvenirs like black velvet paintings and seashell coasters.

Herbert monetized every aspect of Paradise, creating a sexual Disneyland. With 28 “teensy rooms the size of bathhouse cubicles,” there could be upwards of 50 men checked-in along with their friends and friends of their friends, wandering in during the night. However, the number of bathrooms — two full baths and two halves — did not expand. “It was shabby and crowded, but we were young and didn’t care,” one Paradise regular muses. “It had a reputation. It was our party house.”

The second floor became clothing optional with men often walking around with towels during midnight hours. Plywood partitions were set between rooms with guests on one side having a window and the other windowless. Herbert’s “summer curtains” served instead of doors, which allowed air (and guests) to circulate. Those with bedroom windows overlooking the sundeck could easily extend an invitation to a coconut-lotioned twink or a weightlifting hunk. “Everything went on at the deck and in the windows and rooms behind it,” recalls a frequent guest. There were late Saturday afternoon happy hours and skit contests. Staging was festive, if not overly decorative, with a jerry-rigged backstage area for costume changing. A raucous backyard crowd cheered contestants.

Originally, there was a huge gabled attic bedroom that required ascending a steep stairway. Herbert slashed it into a tiny single air-conditioned room with the remaining space transformed into an after dark playground full of mattresses with an aroma of poppers and pot. “Herbert turned every square inch of that attic into a bed sleeping sex area. It was masterful,” Bob says in a praiseworthy tone. “Every inch was geared toward pleasure” And, as he and Bill later discovered, There was a leather sling in the “dungeon,” a 10 x 12 cinder block walled room accessed only from the first floor trap door.

Room rates were low and backyard camping was just $5 for those bringing tents. Campers, though, had to be late night partiers. Before dawn, visitors often entered from the alley along a little path leading to the unlocked side gate. Nocturnal grunts, gasps, and groans harmonized to sounds of crashing waves. Back then, as one Paradise regular stresses, “Sex wasn’t a taboo thing. It was like going to lunch! It was as common as going for a cocktail.”

During the day, Herbert was often found in his flip-flops, T-shirt, and khaki shorts, puttering in the garden or tending to his beloved lacecap hydrangeas gracing the front yard. Herbert was estranged from his German-speaking family so Paradise regulars became his family. Friendly, he knew everyone by their first name but don’t ask to reserve a specific room. One returning guest remembers phoning Herbert for a reservation and requesting a first-floor room with a door: “Oh, honey!” Herbert laughed. “It’s just first come, first served.”

Herbert did repairs only when absolutely necessary. But he’d always be painting, using just one color: white. The exception was the wrap-around front porch, lined with rocking chairs, which had a gray floor and ceiling along with knob and tube wiring. Throughout the house, guests used it to hang clothes since there were no closets. 

In the early to mid 1980s, Paradise thrived as a money making machine — a bathhouse on the beach. As the number of gay-owned restaurants and bars multiplied along with accompanying media attention, more gay men vacationed at Rehoboth and visited Paradise. “There was a routine,” one recounts. “You’d get up late. Get yourself down to the gay beach. Do a day at the ocean, getting too much sun. Then there was happy hour at the Moon. You had to be there and have a nice look. Then you’d go back, take a nap, and then go to dinner. Then, onto the Renegade!”

Herbert provided a weekend shuttle to the Renegade. About 10 o’clock, he’d drive up in his light colored blue and white ’60s VW van, hop out and, as a regular recollects, “Scream down the hallways: ’Get your asses down here!’” He shuttled guests back-and-forth, with the last pick-up at 1. ”I remember Herbert telling people in his heavy accent, ‘If you miss the last bus, you have to walk the fuck home!” But his gruffness masked protectiveness. ”He’d warn them he was going and he would even count!” Another frequent visitor remembers Herbert “as the kind of guy you’d call at 3 o’clock in the morning to say, ‘I’m in jail.’ And he’d be there.”

Paradise Lost

In 1980, reports surfaced about clusters of young gay men contacting Pneumocystis pneumonia. Granted the majority of infections and deaths from this “gay cancer” were in New York City and San Francisco, but the Washington Blade published a landmark front-page story, “Rare, Fatal Pneumonia Hits Gay Men,” inJuly 1981.

Herbert began to worry. One guest, living in New York City and volunteering as an AIDS buddy, remembers porch conversations with Herbert. ”He was talking about buying a second one. Then he said, ’I’m concerned since so many people are getting AIDS, I’m not sure whether or not I’ll have a clientele.’” 

For many gays, Paradise was a rare time to be themselves and to enjoy the camaraderie and support from other men at a beach resort. Sadly, for some, it was also a death sentence. Sexual desire and psychological denial coupled with governmental inaction and public apathy fueled the AIDS pandemic.

After the 1986 summer season, Herbert and Mami sojourned, as usual, to Key West; Herbert never returned. ”I can remember being surprised to hear that he was ill,” laments a longtime patron. ”He went quickly; we had no indications he was ill.” 

Herbert died a week before Bill and Bob opened on Memorial Day weekend. Mami was with him until the end. Like Paradise, he disappeared into history and, along with Herbert and many of his guests, would be remembered by few.

James Sears’ latest book, “Behind the Boardwalk: Queering the History of Rehoboth Beach” will be published next year. Tom Kelch, manger of the Rehoboth Beach Guest House, contributed research to this article.

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Memorial for groundbreaking bisexual activist set for May 2

Loraine Hutchins remembered as a ‘force of nature’

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Loraine Hutchins died last year. (File photo courtesy of Hutchins)

The Montgomery County Pride Center will host a celebration honoring the life and legacy of Loraine Hutchins, Ph.D., on May 2. People are invited to attend the onsite memorial or a livestream event. The on-site event will begin at 10 a.m. with a meet-and-greet mixer before moving into a memorial service around the theme “Loraine a Force of Nature!” at 11 a.m., a panel talk at 12 p.m., break out sessions for artists, academics, and activists to build on her legacy at 1 p.m. and a closing reception at 2 p.m. 

Attendees are encouraged to register for the on-site memorial gathering or the livestreamed memorial. The goal of this event is also to collect stories and memories of Loraine. Attendees and others can share their stories at padlet.com. 

An obituary for Hutchins was published in the Bladelast Nov. 24, where people can learn more about her activism in the bisexual community. A private service for friends and family was held in December but this memorial service is open to all. 

Alongside her groundbreaking work organizing for U.S. bisexual rights and liberation including co-editing “Bi Any Other Name: BIsexual People Speak Out” (1991), she also integrated faith into her sexual education and advocacy work. Her 2001 doctoral dissertation, “Erotic Rites: A Cultural Analysis of Contemporary U.S. Sacred Sexuality Traditions and Trends,” offered a pointed queer and feminist analysis to sex-neutral and sex-positive spiritual traditions in the United States. Her thesis was also groundbreaking in exploring the intersections between sex workers and those in caregiving professionals, including spiritual ones.

In an oral history interview conducted by Michelle Mueller back in August 2023, Hutchins described herself as a “priestess without a congregation.” While she has occasionally had a sense of community and feels part of a group of loving people, she admitted that “I don’t feel like we have the shape or the purpose that we need.”

“I’ve often experienced being the Cassandra in the room, the Cassandra in the community. Somebody who’s kind of way out there ahead, thinking through the strategic action points that my community hasn’t gotten to yet, and getting a lot of resistance and hostile responses from people who are frightened by dissent and conflict and not ready for the changes we have to make to survive,” she said.

“For somebody who’s bisexual in an out political way and who’s been a spokesperson for the polyamory movement in an out political way, it’s very exposing. And it’s very important to me to be able to try to explain and help other people understand the connection between spirituality and sexuality,” she explained citing how even as a graduate student she was “exploring how to feel erotic and spiritual, and not feel them in conflict with each other in my own spiritual contemplative life and my own sensual body awareness of being alive in the world.”

“Every religion has a sense of sacred sexuality. It’s just they put a lot of boundaries and regulations on it, and if we have a spiritual practice that is totally affirming of women’s priesthood and of gay people, queer people’s ability to minister to everyone and to be ministered to be everyone, what does that do to the gender of God, or our understanding of how we practice our spirituality and our sexuality in community and privately?”

“There’s no easy answer,” she concludes, and she continued to grapple with these questions throughout her life, co-editing another seminal text, “Sexuality, Religion and the Sacred: Bisexual, Pansexual, and Polysexual Perspectives,” published in 2012. Her work blending spiritual and queer liberation remains groundbreaking to this day. 

Rev. Eric Eldritch, a local community organizer and ordained Pagan minister with Circle Sanctuary who has worked for decades with the DC Center’s Center Faith to organize the Pride Interfaith Service, is eager to highlight this element of her legacy at the memorial service next month.  

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Queery: Meet artist, performer John Levengood

Modern creative talks nightlife, coming out, and his personal queer heroes

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John Levengood (Blade photo by Michael Key)

John Levengood (he/him) describes himself as a modern creative with a wide‑ranging toolkit. He blends music, technology, civic duty, and a sharp sense of wit into a cohesive artistic identity. Known primarily as a recording artist and performer, he’s also a self‑taught music producer and software engineer who embodies a generation of creators who build their own lanes rather than wait for one to appear.

Levengood, 32, who is single and identifies as gay and queer, is best known as a recording artist who has performed at Pride festivals across the country, including the main stages of World Pride DC, Central Arkansas Pride, and Charlotte Pride.

“Locally in the DMV, I’m known for turning heads at nightlife venues with my eye-catching sense of style. When I go out, I don’t try to blend in. I hope I inspire people to be themselves and have the courage to stand out,” he says.

He’s also known for hosting karaoke at Freddie’s Beach Bar in Arlington, Va., on Thursday nights. “I like to create a space where people feel comfortable expressing themselves, building community, and showcasing their talents.”

He also creates social media content from my performances and do interviews at LGBTQ+ bars and theatres in the DMV. Follow the Arlington resident @johnlevengood.

How long have you been out and who was the hardest person to tell?

I have been fully out of the closet since 2019. My parents were the hardest people to tell because my family has always been my rock and at the time I couldn’t imagine a world without them. Their reactions were extremely positive and supportive so I had nothing to fear all along.
I remember sitting on the couch with my mom, dad, and sister in our hotel room in New Orleans during our winter vacation and being so nervous to tell them. After I finally mustered up the nerve and made the proclamation, I realized my dad had already fallen asleep on the couch. My mom promised to tell him when he woke up.

Whos your LGBTQ hero?

My LGBTQ heroes are Harvey Milk for paving the way for gays in politics and Elton John for being a pioneer for the fabulous and authentic. My local heroes in the DMV are Howard Hicks, manager of Green Lantern, and Tony Rivenbark, manager of Freddie’s Beach Bar. Both of them are essential to creating spaces where I’ve felt welcome and safe since moving to the DMV.

Whats Washingtons best nightspot, past or present?

Trade tops the list for me because of the dance floor and outdoor space. It’s so nice to get a break from the music every once and a while to be able to have a conversation.

We live in challenging times. How do you cope?

I’m still figuring this out. What is working right now is writing music and spending time with family and friends. I’ve also been spending less time on social media going to the gym at least three times a week.

What streaming show are you binging?

After “Traitors” Season 4 ended, I was in a bit of a show hole, but “Stumble” has me in a laughing loop right now. The writing is so witty.

What do you wish youd known at 18?

At 18, I wish I would have known how liberating it is to come out of the closet. It would have been nice to know some winning lottery numbers as well.

What are your friends messaging about in your most recent group chat?

We are planning our next trip to New York City. If you can believe it, I visited NYC for the first time in 2025 for Pride and I’ve been back every quarter since. Growing up in the country, I was subconsciously primed to be scared of the city. But my mind has been blown. I can’t wait to go back.

Why Washington?

It’s the closest metropolitan area to my family, but not too close. I love the museums, the diversity, the history, and the proximity to the beach and mountains. It’s also nice to live in a city with public transportation.

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Project GLOW celebrates LGBTQ acts

D.C.’s electronic music festival set for May 30-31

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A scene from last year’s Project GLOW. (Photo courtesy organizers)

Aging RFK Stadium has come down, but the RFK grounds are still getting lit up. Welcome back to the stage Project GLOW, D.C.’s homegrown electronic festival, on May 30-31. Back for its fifth year on these musically inclined acres, Project GLOW returns with an even more diverse lineup, and one that continues to celebrate LGBTQ antecedents, attendees, and acts.

Project GLOW 2026 headliners include house and techno star Mau P, progressive house legend Eric Prydz, hard-techno favorite Sara Landry, and bass acts Excision b2b Sullivan King, among the lineup of trance, bass, house, techno, dubstep, and others for the fifth anniversary year.

President & CEO Pete Kalamoutsos — born and raised in D.C. — founded Club GLOW in 1999. In 2020, GLOW entered into a partnership with global entertainment company Insomniac Events to produce live events like Project GLOW, which kicked off in 2022.

As in past years, Project GLOW not only makes space, but is intentionally inclusive of the LGBTQ community, one of its most dedicated fan bases. The festival’s LGBTQ-focused Secret Garden stage blooms again — a more intimate dance area that stands on the strength of DJs and musicians who draw from the LGBTQ community. D.C.’s LGBTQ nightlife mastermind Ed Bailey is the creative mind behind Secret Garden again. He joined Project GLOW in 2023.

“Kalamoustos says that “he’s proud of his partnership with Ed Bailey, along with Capital Pride and [nightlife producer] Jake Resnikow. It’s amazing to collaborate with Bailey at the Secret Garden stage, especially after the curated lineup we worked on at Pride last year.”

The Secret Garden will be a bit different from other stages: Eternal (“At the Eternal stage, time stands still. Lose yourself in the dance of past, present, and future, surrendering to the eternal rhythm of the universe”) and Pulse (“Feel the rhythm of the beat pulse through your veins as the heartbeat of the crowd synchronizes into one. Here, every moment vibrates with life as it guides you through a new dimension of euphoria”). The Secret Garden stage is in the round, surrounded by 16 shipping containers. The containers play canvas to muralists from around the world, who are coming in to paint them in a vibrant garden-style vibe. “We gave this stage some extra love with this layout,” K says, “ we finally cracked the code.”

K says that this will be the biggest lineup yet for the Secret Garden, featuring Nicole Moudaber b2b Chasewest, Riordan b2b Bullet Tooth, Ranger Trucco, Cassian, Eli & Fur, Cosmic Gate and Hayla. The stage is also the largest yet, featuring an expanded dance floor and 360-degree viewing.

Across all stages, K says that his goal for the fifth anniversary is “More art and fan interactive experience, more like a festival, strive to be like a Tomorrowland, as budget grows to add more experience.” Last year’s Project GLOW alone drew 40,000 attendees over two days.

K, however, was not satisfied with one festival this spring. GLOW recently announced a “pop-up” one-day event. Teaming up with Black Book Records, GLOW is set to throw a first-of-its-kind dance-music takeover of Pennsylvania Avenue, N.W., headlined by electronic music star Chris Lake. Set for April 18, this euphoric block party will feature bass and vibes blocks from the White House. Organizers expect as many as 10,000 fans to attend. Beyond music, there will be food, activations, and plenty of other activities taking place around 6th St and Pennsylvania Ave NW – a location familiar to many in the LGBTQ community, as this sits squarely inside the blocks of the Capital Pride party that takes place in DC every June.

Over the past two decades, Club GLOW has produced thousands of events, from club nights to large-scale festivals including Project GLOW, Moonrise Festival, and more. Club GLOW also operates Echostage.

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