Connect with us

India

Bollywood films increasingly explore LGBTQ, intersex issues

Actress Celina Jaitly has appeared in U.N. ‘Free and Equal’ campaign

Published

on

Celina Jaitly (Photo courtesy of Celina Jaitly)

Music, dance, color, compelling stories and drama: Welcome to the world of the Indian film industry. 

With the production of more than 1,500 films every year, the industry is the largest in the world. Movies like “Dangal,” a 2016 film about wresting, impacted Indian society’s views towards girls. In a country with limited awareness of Tourette’s syndrome, the 2018 film “Hichki,” which means “hiccup” in Hindi, successfully sensitized audiences.

But the Indian film industry before 2015 failed to highlight an integral part of Indian culture: The LGBTQ and intersex community.

The 1971 movie “Badnam Basti,” which means “Infamous Neighborhood” in Hindi was dubbed as India’s first gay film. The movie disappeared into oblivion soon after its release, and the 35 mm film print was only recently discovered in a Berlin archive. The Central Board of Film Certification, a film certification body under the Indian government’s control, in 1971 certified the film as A-rated, meaning for adults only. According to Hari Om Kapoor, the son of “Badnam Basti” director Prem Kapoor, the film never explicitly showed homosexuality but implied it through scenes.

When India was going through a tumultuous time in 2004, and the political landscape was changing, “Girl Friend” appeared on large screens. 

Although it was not the first lesbian feature film, it portrayed a lesbian character as evil and stereotypical. The film explored a love triangle between two girls’ best friends and a man. One girl — Tanya, who played by one Bollywood’s biggest stars, Isha Koppikhar, soon realizes she is in love with her best friend, Sapna, who Amrita Arora plays. But Sapna is in love with a man, Rahul, played by Ashish Chaudhary. When Rahul realizes that Tanya is too close to Sapna, making him uncomfortable, he vindicates Tanya for the troubled relationship. The film then ends with the gruesome murder of Tanya by Rahul and Sapna, portraying Tanya and Rahul as heroes, and a lesbian character, Tanya, ends up becoming evil. This film received poor reviews from film critics.

“Indian cinema has played an important role in conditioning the mindsets of Indians of all backgrounds, and while the recent it has made great leaps in the types of cinema being attempted, most Hindi films still thrive on the offensive and stereotypical portrayal of the non-binary gender characters,” said Celina Jaitly, a former Miss India and one of the most popular Indian actresses. 

Jaitly, through her performance in various big films, won millions of hearts in India and globally. Her activism in India for LGBTQ and intersex equal rights attracted the endorsement of the U.N. High Commissioner for Human Rights, which in 2013 made her an Equality Champion. Jaitly has supported the U.N. Free and Equal campaign to counter homophobia and transphobia. 

“I have always wondered as an actor, why a gay or a trans person is constantly seen as outside the bounds of ‘normal.’ Ironically, despite the rampant transphobia, one particular trope is extremely popular in Bollywood, even after so many years, and that is cross-dressing men,” she told the Washington Blade. “Trans people are abnormal but cis men in drag are applauded. Every time a ‘hero’ dresses in drag it is considered to be iconic piece of performance, it’s always been difficult to wrap my head around that one. Casting trans and gay people in trans roles is still a challenge as cisgender actors consider it as a loss of opportunity to win awards, and producers/directors would rather cast cis actors who pull in an audience rather than a trans or a gay actor who pulls in the character.”

Jaitly, who have worked in the Indian film industry for more than a decade, appeared in “Seasons Greeting” last year in which a trans person is the lead actress. 

Jaitly said she has fought for LGBTQ and intersex rights in India for years, and the reason for which she agreed to work in “Seasons Greeting” is that the director Ramkamal Mukherjee cast a trans woman for the first time in a trans lead film. Jaitly told the Blade that she believes in the importance of trans/gay cast in a trans/gay role, and only they can and should portray and become the beacons of reflections of the agonies and ecstasies of their journeys no matter what the script.

“Filmmakers hold supreme responsibility in being sensitive, empathetic, and rational while attempting to make films on the said theme,” said Jaitly. “And as complex, as it may seem, the underlying principles of treating people respectfully and equally is a no-brainer and requires no special education. Cinema like literature is the reflection of society and not only does it influence the society but has great impact on successive generations.”

In 2008, the star-studded romantic comedy film “Dostana,” which means “friendship” in Hindi, also attracted criticism and praise for depicting a gay couple. 

Hollywood sensation Priyanka Chopra played a central role, with megastars like John Abraham and Abhishek Bachchan. The film explores the world of two men living in Miami who pretend to be a gay couple so they can live with a charming girl (Chopra), and they both eventually fall in love with her. Many critics argued that the film mocked LGBTQ and intersex people and making fun of the serious subject. But some critics also said that the presence of megastars like Chopra helps make audiences feel comfortable about the issue.

The Blade reached out to Chopra for a comment, but the actress did not respond.

With the advent of cheaper mobile data in India after 2015, more people are aware of LGBTQ and intersex people, and the Indian film industry is making LGBTQ and intersex-based films more than ever. 

Maanvi Gagroo, a prominent Indian actress, in an email to the Blade said that there was hardly if any, LGBTQ and intersex representation in Bollywood for the longest time. And whatever little there was, was almost always comedic. Gagroo believes comedy can be a great tool for social change.

“it was always the manner or the nature of the humor that was problematic for me. Often the jokes were at the cost of the gay/queer characters, and audiences were meant to laugh AT them rather than WITH them. These characters never had any sort of redemption, no arc and often created and/or perpetuated outlandish, garish stereotypes!” said Gagroo. “There is hope though. I see makers becoming much more sensitive towards the community. And this change is parallel in society as well. I mean we only decriminalized homosexuality a few years ago. Now whether Bollywood is mirroring society or vice versa, I can’t comment but the change is positive for sure.”

Gagroo’s first LGBTQ and intersex film was “377 AbNormal,” is based on the Indian Supreme Court ruling in 2018 that decriminalized homosexuality. The film explored the five people who challenged Section 377, a colonial-era law that criminalized consensual same-sex sexual relations.

“‘377 AbNormal’ was actually very educational for me. While I pride myself as an ally, I was completely ignorant about the journey of the movement and what led to the monumental verdict of 2018. I knew I had to be a part of the film from the time I first heard the concept,” said Gagroo. “Again, that was another film where the director, Faruk Kabir, was extremely cautious of not only getting the film factually right but also portraying the entire process sensitively. We would often choke up and would have to stop shooting because all of us would get so emotional.”

“In terms of preparation, I didn’t need to work on sensitizing myself on the topic,” added Gagroo “I was there. I was ready to tell that story and I felt I had to do it well without minimizing anyone or anything related to the film.”

Although “377 AbNormal” was the first LGBTQ and intersex film for Gagroo, it was not the last. 

Gagroo in 2020 appeared in “Subh Mangal Zyada Saavdhan,” a film that Hitesh Kewalya directed.

The film explores the story of a gay couple who have trouble convincing their parents to accept their relationship. The film generated a buzz at the box office. While talking about the film, Gagroo, who also starred in it alongside megastars like Ayushmann Khurrana, Jitendra Kumar, veteran actress Nina Gupta, and Gajraj Rao, said that the film came with empathy and a respect and that the intent of the film is clear.

“Our director, Hitesh Kewalya, was very clear right from the start, that he didn’t wish to delve into the gruesome hardships that the gay community is subjected to, but aim to normalize a lot of the conversation around it,” said Gagroo. “It dealt with so many different social issues even beyond LGBTQ. Even while shooting you could see the cast and crew evolving and their growing comfort with the topic was palpable.”

While talking with Blade, Kewalya said that things changed, and people became more aware of the issue, which led to the making of “Subh Mangal Zyada Saavdhan.” He argued the Section 377’s abolition made it possible to make such films. Kewalya also noted that Indian society was already talking about the issue, so making such a film became easy.

“It was challenging because there was no precedent to it. In a commercial film like this, where a top star is headlining the film, and a top production house is backing it, and all the great actors backing it,” said Kewalya. “It was also challenging because it is a sensitive topic in our society. Even the LGBTQ community was never happy with the kind of representation that was happening in the cinema.”

According to Variety, India produces films in staggering 41 languages, mostly regional. In 2017, Lokesh Kumar released “My Son is Gay,” a Tamil language film. The story revolves around a school principal and her only son. The mother-son duo shares a strong bond, and the mother soon finds out the hard truth that her only son is gay, which leads to a drastic change in her life.

“I am glad many people supported and showered a lotta love for our little indie feature film ‘My Son is Gay.’ I have attended an LGBTQ film festival once, where I have seen many queer films across the world and also got to meet many community members. That’s when I realized there are only very few Tamil films which showcased queer characters and there are no full-length gay-themed films as such,” said Kumar. “I really felt the need to tell the stories like ‘My Son is Gay.’ So, I have decided to meet LGBTQ members and their parents and did my research, wrote the story which is based on many real incidents. It wasn’t an easy journey at all, as there were very less support from people around me considering the theme of the film. Many actors and technicians were hesitant to involve. There weren’t many producers who wanted to back this project. However, producer Anil Saxena, an Indian citizen who lives abroad, Cyril D’souza and actor Anupama Kumar understood the importance of this story and they backed me. Finding the right cast and making the cast, crew understands the importance of such stories and making them confident and comfortable to play the characters was really a challenge. Am glad I didn’t give up.”

While LGBTQ and intersex films are doing well in India and globally, in 2022, another film, Junglee Pictures’ “Badhaai Do,” generated a buzz among the masses. Star-studded films with casts like Rajkummar Rao, actress Bhumi Pednekar, Sheeba Chaddha and Chuma Darang helped the film highlight the LGBTQ and intersex issues in India. The film tells the story of a gay cop who enters into a sham marriage with a lesbian teacher to convince their family that they are living a normal life.

“The films that came before us had already placed the LGBTQIA+ issues and concerns in the mainstream space. Not having the burden of explaining an ‘issue’ was liberating for us as we could focus on aspects of representation while negotiating with our own heteronormative conditioning without worrying about having articulate and politically correct sounding characters,” said “Badhaai Do” director Harshavardhan Kulkarni. “It helped us locate the film in familiar realities of caste, class, and patriarchal family units. I feel that too often, we tend to gloss over the fact that sexuality is only one aspect of our being, and it exists within the many other aspects which govern daily life in large parts of our country. I feel that we need to do more to understand and educate ourselves about this. Until we do that, our understanding of the real-world problems faced by the LGBTQIA+ community will remain limited.”

In recent years, the Indian film industry has released some critical films that show real-world issues of the Indian LGBTQ and intersex community. Films like “Badhaai Do,” “Subh Mangal Zyada Saavdhan” and many more have not only created an impact on Indian society but also started the discussion. 

Samantha Ruth Prabhu, an Indian film star who won millions of hearts across India and numerous awards for her contribution to Indian cinema, told the Blade that Indian movies and the film industry are constantly evolving.

“I do believe we have a long way to go before mainstream films refrain from crudity, insensitive humor and homophobia completely,” said Prabhu. “I am extremely proud of having been a part of a path breaking and ambitious film like ‘Super Deluxe.’ The film tied many intricate stories to an overarching philosophy, so I wouldn’t say it was only about a transgender person. The characters portrayed by me and Mr. Vijay Sethupathy (an actor who appeared in ‘Super Deluxe’ with Prabhu) were similar in that they both exhibited their own brand of bravery.”

Prabhu has joined the cast for her next LGBTQ and intersex film, Arrangements of Love. Wales-based BAFTA-winning director Philip John is also joining the team as director. The film will revolve around an Indian man in Wales who visits his homeland to find his estranged father. Prabhu will be playing a bisexual detective who becomes part of the search.

“The industry is evolving-slowly but surely. There was a time when people were forced to tuck away a very real part of themselves in the way they told their stories, in a bid to conform. That thankfully has changed,” said Prabhu. “Directors and scriptwriters are being more real, and the audience is here and ready for it!”

Ankush Kumar (Mohit) is a freelance reporter who has covered many stories for Washington and Los Angeles Blades from Iran, India and Singapore. He recently reported for the Daily Beast. He can be reached at [email protected]. He is on Twitter at @mohitkopinion

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

India

LGBTQ Kashmiri students targeted after terrorist attack

26 people killed in Baisaran Valley on April 22

Published

on

Baisaran Valley in Kashmir (Photo by SB Stock/Bigstock)

Baisaran Valley, a Kashmiri meadow surrounded by pine trees, was bustling with Hindu tourists on April 22.  

Families were wearing phirans (traditional Kashmiri clothing) for photos, while ponies trotted along the Lidder River. Gunfire shattered this peace when five terrorists opened fire. They targeted Hindu men, checking their religion before shooting them. The terrorists killed 26 people — 25 tourists, including a Navy officer who was on his honeymoon — and Syed Adil Hussain Shah, a pony guide who died protecting others. More than 20 others were wounded.

The Resistance Front, a Pakistan-based group tied to Lashkar-e-Taiba, a terrorist organization, initially claimed responsibility for the attack, but retracted the claim three days later, fearing India’s diplomatic and military response that eventually included the tightening of borders and the suspension of the Indus Waters Treaty.

The attack sparked outrage across India.

Misdirected anger targeted Kashmiri students in Dehradun, Jalandhar, and other cities in which LGBTQ people face heightened vulnerability. They endured harassment, evictions, and threats of violence. The J&K Students Association reported more than 1,000 distress calls, and Kashmir Chief Minister Omar Abdullah urged states to protect them.

Activists across India have rallied to help LGBTQ Kashmiri students in their cities.

Harish Iyer, a prominent activist, offered shelter and legal assistance to them in Mumbai, the country’s financial hub.

“Religion is a tool used by terrorists worldwide to ensure that their victims divert their energy towards fighting each other while  they continue to focus on our destruction,” said Iyer. “It is a tried and tested formula designed to divide us while we should all be united against them.”

Iyer told the Washington Blade he saw videos of Kashmiri students being targeted.

“Hate gets compounded when you look at it from several intersectional points,” he said. “To belong to identities like queer, Muslim, and Kashmiri makes one vulnerable. In a moment where hate reveals its fang, it is important that love opens its home too.”

Iyer said he received a couple of phone calls from queer people in northern India who had been attacked. He offered to pay for their travel to Mumbai or any other city, but they eventually told him they found a place where they would be safe.

“It just reinstates our collective faith in humanity and asserts that there are kind people everywhere,” said Iyer. “The community stands united with each other against terror.”

He stressed “intersectional realities make us most vulnerable” and “that’s why we need to rise up and be the best of who we are as queer humans.” Iyer told the Blade that other queer activists in India are trying to do just that, albeit silently, by opening their homes to people who have been targeted. 

“Anish Gawande, the queer spokesperson of the Nationalist Congress Party, has been working hard to restore peace in the valley,” he noted. “He has been doing good work in the Kashmir Valley for several years now. I truly admire his courage and candor. But truly, it’s the everyday queer Indian who advocates for kindness who matter.” 

“They would not be known to all and sundry, may not have a fan following or several followers on social media, but they have it in them to open their homes and their world to those affected,” added Iyer. “Sometimes, love doesn’t cause outpouring visibility, sometimes it silently protects and creates homes with a beating heart.”

Gawande has worked in Kashmir since 2012, running a program for Kashmiri journalism students and an art residency. 

He acknowledged to the Blade the increase in violence against Kashmiri students. Gawande also said LGBTQ Kashmiri students face unique challenges because they are a “minority within a minority.”

“In these difficult times, several activists like Harish Iyer have come forward to offer their support to young Kashmiri LGBTQ students who are afraid for their own safety,” he said. “The intent of the terrorists was to divide us — we cannot let their strategy succeed. I am incredibly grateful to so many members of the queer community and allies who have stepped forward to help all Kashmiris in this difficult time.”

Gawande said he has been supporting the efforts of student leaders, including Nasir Khuehami of the J&K Students Association, who has been leading efforts to ensure Kashmiris across India remain safe and secure. Gawande also said government officials, politicians, and law enforcement are working to protect the students.

“I am grateful to both the central government and state governments across the country for their prompt assistance in this matter,” said Gawande. “In these difficult times, when emotions run high, we remain united against hate.” 

“Today, attempts are being made to create divides between Indians and Kashmiris, between Hindus and muslims,” he added. “We must stand up against such attempts in one voice.” 

Gawande last weekend traveled to Srinagar, the Kashmiri capital, and led multi-faith prayer services in temples, churches, gurdwaras (Sikh places of worship), and dargahs (shrines) “to mourn those who lost their lives in Pahalgam and to send out a message of communal harmony.”

“When attempts are being made to divide us on religious grounds, we must unite through religion,” he said.

Gawande also spoke directly to Kashmiri LGBTQ students, urging them to reach out to the J&K Students Association. He said his New Delhi home and his party’s offices across the country are “also available to those who need a safe space or a place to grieve.”

“In this time of grief, where we are all mourning the dastardly loss of life, it is important to stand up for what is right,” said Gawande. “Queerness has taught me that we have two kinds of families — those of birth and of choice.”

“Kashmir holds a special place in my heart, and when the well being of those who I consider family is under threat, there is no question of even thinking about any potential jeopardizing of my own safety,” he added.

Continue Reading

India

Opposition from religious groups prompts Indian Pride group to cancel annual parade

Event was to have taken place in Amritsar on April 27

Published

on

(Washington Blade photo by Ernesto Valle)

Pride Amritsar, a student-led organization in the Indian state of Punjab, earlier this month announced the cancellation of its Pride parade that was scheduled to take place on April 27, citing opposition from certain religious groups.

The event, planned for the Rose Garden in Amritsar, a city revered as a spiritual center of Sikhism, had faced mounting resistance from Sikh religious organizations, including the Nihang Singh faction and the Akal Takht, the faith’s highest temporal authority. These groups labeled the parade as “unnatural” and urged local authorities to deny permission, citing its potential to disrupt the city’s religious sanctity.

In an Instagram post on April 6, Pride Amritsar organizers Ridham Chadha and Ramit Seth elaborated on its mission and the reasons for the cancellation. 

“Since 2019, we have organized peaceful parades and celebrations in Amritsar to connect and uplift the LGBTQIA+ community, with a particular focus on transgender individuals and their rights,” their statement read.

Chadha and Seth highlighted Pride Amritsar efforts in providing guidance, counseling, and job opportunities, which have been met with positive responses. However, due to opposition this year, Pride Amritsar announced the cancellation of the 2025 parade. 

“We have no intention of harming the sentiments of any religious or political groups,” the statement read. “The safety of our members is our top priority, and we will take all necessary measures to ensure their protection.”

Chadha and Seth spoke with the Washington Blade about their decision to cancel the parade.

They explained that resistance came from both religious and political groups who labeled the parade and its values as anti-Sikh and contrary to Punjabi and Indian cultural norms. Critics specifically objected to the event’s location in Amritsar, a city regarded as a sacred center of Sikhism, arguing that the parade would disrupt its spiritual purity.

Chadha and Seth stressed Pride Amritsar lacks political, financial, or legal support. Composed of students and young professionals, the group organizes the parade biennially, dedicating personal time to advocate for the LGBTQ community.

“We do it independently, crowdfund the parade and cover the rest with our pockets,” said Seth and Chadha. 

When asked by the Blade why Pride Amritsar did not approach the High Court or local authorities to protect the parade, despite the Supreme Court’s 2018 ruling that decriminalized consensual same-sex sexual relations, Chadha and Seth cited significant barriers.

“Pursuing legal action in India requires substantial resources, both financial and temporal,” they explained. 

Chadha and Seth also noted that such action could lead to public shaming and unwanted publicity for participants, potentially harming their careers in Amritsar. They therefore chose not to pursue legal recourse.

Chadha and Seth said Pride Amritsar does not have any plans to hold alternative events.

“We are still exploring options, but we are likely not holding any events this year,” they said, citing significant harassment that organizers faced and the need for time to plan how to best serve the local LGBTQ community moving forward.

“Our evaluation of what the biggest challenge is has changed after this year,” said Chadha and Seth to the Washington Blade. “The biggest challenge, by far, seems to be education. We need to educate the community about what the community is, does, and why it exists. Why we do parades. Why we dance. Why calling someone ‘chakka’ is harmful. How we actually fit into religion and fall within the guidelines.”

Chadha and Seth said organizing the parade in Amritsar since 2019 has been an uplifting experience, despite continued opposition.

“The moment you join the parade, chant a slogan, or sing a song, it’s transformative,” they said. “Fear vanishes, and a sense of freedom takes over.” 

The cancellation of the 2025 Amritsar Pride Parade has sparked concerns among activists in Punjab, as the Indian Express reported. 

The Punjab LGBT Alliance and other groups expressed concern that the decision to cancel the parade may strengthen opposition to future LGBTQ-specific events. 

Continue Reading

India

LGBTQ poets included in India’s premier literary festival

Sahitya Akademi seen as mirror of government’s cultural agenda

Published

on

LGBTQ poets participated in India's Sahitya Akademi for the first time this month. (Photo courtesy of Kalki Subramaniam)

India’s premier literary institution on March 7 announced it would allow LGBTQ poets to participate in its marquee Festival of Letters in New Delhi.

The Sahitya Akademi, often seen as a mirror of the government’s cultural agenda, for the first time allowed these poets into a high-profile poetry reading at the Rabindra Bhavan. They shared the stage with more than 700 writers across 50 languages.

Culture and Tourism Minister Gajendra Singh Shekhawat kicked off the Festival of Letters with Mahesh Dattani, the acclaimed English-language playwright famed for his provocative works, as the main guest. Dubbed Asia’s grandest literary gathering, the Sahitya Akademi took place over six days under the “Indian Literary Traditions” theme.

The 2025 Festival of Letters showcased a sweeping range of voices — young writers, women writers, Dalit authors from marginalized castes, Northeast Indian scribes, tribal poets, and LGBTQ poets — cementing its reputation as a literary kaleidoscope. 

Kalki Subramaniam, a leading transgender rights activist and author, on March 9 chaired a literary session titled “Discussion on Literary Works of LGBTQ Writers in the 21st Century,” which spotlighted contemporary queer voices.

“It was enriching to listen to the profound thoughts of LGBT writers from various parts of the country in their speeches,” said Subramaniam. “The session was particularly memorable with the participation of A. Revathi Amma from Tamil Nadu, Reshma Prasad from Bihar, Sanjana Simon from New Delhi, and Devika Devendra Manglamukhi and Shivin from Uttar Pradesh and Aksaya K Rath from Orissa.”

Subramaniam discussed how global politics shape gender rights and the persistent erasure of trans identity, urging a unified push for solidarity within the LGBTQ community. She stressed the vital need to elevate queer works and writers, casting their voices as essential to the literary vanguard.

“It was a pleasure to meet great writers from around the country in the festival as well as meet my writer activist friends Sajana Simon and Revathi Amma after a long time,” said Subramaniam. 

Kalki Subramaniam participates in the Sahitya Akademi (Photo courtesy of Kalki Subramaniam)

The government on March 12, 1954, formally established the Sahitya Akademi. A government resolution outlined its mission as a national entity tasked with advancing Indian literature and upholding rigorous literary standards; a mandate it has pursued for seven decades.

The Sahitya Akademi in 2018 broke ground in Kolkata, hosting the country’s first exclusive gathering of trans writers, a landmark nod to queer voices in Indian literature. 

Hoshang Dinshaw Merchant, India’s pioneering openly gay poet and a leading voice in the nation’s gay liberation movement, on March 9 recited a poem at the Festival of Letters, his verses carrying the weight of his decades-long quest for queer recognition. He later thanked the session’s chair for welcoming the community, a gesture that underscored the event’s third day embrace of diverse voices.

The Sahitya Akademi in 2024 honored K. Vaishali with the Yuva Puraskar for her memoir “Homeless: Growing Up Lesbian and Dyslexic in India,” a raw account of navigating queerness and neurodivergence. Vaishali in a post-win interview reflected on India’s deep-seated conservatism around sexuality, noting she wrote from a place of relative safety — an upper-caste privilege that shielded her as she bared her truth. The award, she said, was the Akademi’s indelible seal on her lived experience, a validation no one could challenge.

The Sahitya Akademi’s inclusion of LGBTQ writers in its main program this year jars with the Bharatiya Janata Party-led government’s conservative stance, which, in 2023, opposed same-sex marriage in the Supreme Court, arguing it erodes Indian family values. Yet, under Shekhawat, the Sahitya Akademi’s spotlight on queer voices at the Rabindra Bhavan suggests it could be a tentative crack in a regime typically rooted in tradition.

The Festival of Letters hosted a translators’ meeting on March 10, spotlighting P. Vimala’s 2024 award-winning Tamil translation of Nalini Jameela’s “Autobiography of a Sex Worker,” a work steeped in marginalized voices that include queer perspectives.

This platform gained significant support from the BJP-led government, with Shekhawat securing a 15 percent budget increase to ₹47 crore ($5.63 million) in 2024. In Tamil Nadu state, however, Dravida Munnetra Kazhagam’s Chief Minister Muthuvel Karunanidhi Stalin, has long opposed such cross-linguistic efforts, fearing dilution of Tamil identity amid decades of anti-Hindi sentiment — a tension the Sahitya Akademi’s inclusive showcase sought to bypass.

‘The Akademi is very inclusive and has a friendly festival ambience,” Subramaniam told the Washington Blade.

Continue Reading
Advertisement World Pride Guide
Advertisement
Advertisement

Sign Up for Weekly E-Blast

Follow Us @washblade

Advertisement

Popular