a&e features
Red, White & Royal Blue’ director on new film, royal weddings, and more
Matthew López moves from theater to movies with gay rom com

These days, it seems that gay rom coms are as prevalent as right-wing religious fanatics protesting said movies. There is even a preponderance of gay Christmas movies. On the Hallmark channel, no less. So, does “Red, White & Royal Blue” have what it takes to stand apart from the pack? Based on the popular novel by queer writer Casey McQuiston, “Red, White & Royal Blue” isn’t just notable for its storyline involving the budding romance between Alex, the bisexual First Son of the first female POTUS, and gay British Prince Henry. “Red, White & Royal Blue” marks the directorial debut by Tony and GLAAD Media Award-winning gay playwright Matthew López (“The Inheritance” and “Some Like It Hot”). Matthew generously made time in his busy schedule for an interview in advance of the movie’s release, which premiered last week on Prime Video.
BLADE: Matthew, considering your long and lauded history in the theater, was the prospect of directing your first feature film daunting, thrilling, or both?
MATTHEW LOPEZ: Generally thrilling, occasionally daunting. But it was only daunting in that there was just a steep learning curve. I was acutely aware of the things I didn’t know, and on occasion, there were things I didn’t know I didn’t know until I had to know it [laughs], at the risk of sounding like Donald Rumsfeld. But it was mostly thrilling, and it was great fun, really. I’d do it again if they let me.
BLADE: With actors such as Taylor Zakhar Perez and Nicholas Galitzine in the lead roles of First Son Alex and Prince Henry, “Red, White & Royal Blue” will have no trouble drawing gay men. Do you think the actors could have the same draw on straight audiences?
LOPEZ: I hope so. I’ve spent a lifetime as an avid consumer of straight love stories, and not just because I had no other options, but because I genuinely wanted to see any of those particular films. I don’t see any reason why the stream doesn’t flow in both directions. This is as unapologetically a queer rom com as “Moonstruck” was as unapologetically an Italian rom com. It is part of what makes this movie unique. It is inescapable, but it also is, we hope, if we’re successful and if we’re lucky, it becomes part of the larger canon of rom coms, rather than simply kept in a corner. We want as many people to see this movie as possible, but we also knew that we wanted to make a movie that was as specific as possible. We never tried to hide who we were in order to find an audience. I think that kind of specificity is what people are really desiring these days.
BLADE: There are some powerful and emotional scenes in “Red, White & Royal Blue,” but the one that hit me the hardest is when Alex, son of the first female POTUS, came out to his mother Ellen, played by Uma Thurman. What was it like to work with Uma?
LOPEZ: I adore her. She was so very happy to be in this movie, which was so wonderful. She really understood Ellen. She and I had so many wonderful conversations about her before production. I involved her in a lot of costume design decisions. She was really wanting to understand this woman holistically. That scene was just so beautiful. By the time we shot it, she and Taylor had really bonded, and they had shot a lot of scenes together at that point. It was the loveliest, warmest environment on set. I mean, it was a very lovely, warm environment on set every day, but that day you can just see in that scene the genuine affection that these two actors have for one another. It was real.
BLADE: Ellen is a staunch Democrat. As a Florida native, and considering what has occurred here during the reign of the current governor, was that in any way what appealed to you about directing and co-adapting the screenplay for “Red, White & Royal Blue”?
LOPEZ: No, I loved the story, and I didn’t give a shit what the governor of Florida thinks about it. I couldn’t care less what that man thinks, only as it relates to the health of the union. I didn’t have this story growing up. I didn’t have access to characters such as these when I was younger. It took until I was in my 40s to read it, to get a novel that had a character like Alex. That I knew implicitly was really special. To me, it was really powerful to read a novel that had a queer, Latino, young man at the center who was a very positive characterization of a queer Latino man. Someone who was filled with hope and possibility. I wanted to bring that into the world. The politics in the novel and in the movie are a hopeful one. It’s not something that is, I hope, too much of a fairy tale.
BLADE: I loved seeing out actor and writer Stephen Fry’s name in the credits at the beginning, and without giving anything away, was surprised to see him, very close to the end, in the role he plays. What did it mean to you to work with Stephen?
LOPEZ: I’ve always been such a fan of his and really admired him greatly. We had had some sort of communication through other people over the years because he had seen “The Inheritance” in London. He got word to me, through our producers, how much he loved it. I had been working at one point on another film that I thought I was going to make, and when he found out that I was working on it, he was like. “I’d really love to be a small part in it if you have anything.” But I never talked to him and never met him. When this role came around [laughs], we thought, “Let’s see if he really means what he says!” He jumped at it! It didn’t take long at all for him to say, “Yes.” That was fun. Just to watch him and work with him is just a great thrill and a pleasure. It was for everybody. Everybody was really excited the day that he came on set.
BLADE: “Red, White & Royal Blue” is being released at a time when, following the passing of Queen Elizabeth and the situation surrounding Harry and Meghan, questions about the necessity of a monarchy have gotten more attention. Do you think “Red, White & Royal Blue” is a help or a hindrance in that regard?
LOPEZ: I don’t really have an opinion one way or the other about that because I think that the movie isn’t actually about the royal family. It uses the royal family as a vehicle to tell the story of a person trapped in a circumstance. I think the thing that is so amazing about Casey McQuiston’s novel is that Casey actually gives us a character that, historically, we haven’t had too much sympathy for. And yet, because Casey draws this character in a way that a lot of us can relate to, which is a person trapped against their own will and circumstances that they are powerless over, you really care for Henry and you really feel deeply for Henry. I also knew that, as we were making this film, I didn’t want the audience to think about the actual royal family when they were watching the film. Because I think if they did, they would be taken out of the story. I think we use the trappings of royalty as a way to tell our story, but it doesn’t take an opinion one way or another, because that’s not what the movie is about.
BLADE: The movie begins with a storybook royal wedding, but the real love story is the one between Alex and Henry. In recent years, the UK has begun taking actions such as the posthumous pardoning of thousands of gay men for gross indecency, and such, as well as Prime Minister Sunak’s recent apology to LGBT members of the military. With that in mind, do you think that the characters of Alex and Henry could also have a storybook wedding?
LOPEZ: Absolutely! I think the British people would support it. The British people are no different than the American people in many ways. There are, of course, great pockets of resistance to change. There is an adherence to traditionalism. I live in London, I’m a resident of the UK. The people that I know there are good and accepting people by and large. I think that Alex and Henry absolutely could have the wedding that they wanted if they wanted it.
BLADE: Have you started thinking about your next film, theater, or writing project?
LOPEZ: I’ll honestly tell you that the thing I’ve been thinking about lately is getting a fair deal from the studios for writers and for actors. As a striking writer who also happens to be a non-striking director, beyond releasing this film, my primary concern is making sure that we can go back to work with a fair contract.
a&e features
Visit Cambridge, a ‘beautiful secret’ on Maryland’s Eastern Shore
New organization promotes town’s welcoming vibe, LGBTQ inclusion

CAMBRIDGE, Md. — Driving through this scenic, historic town on Maryland’s Eastern Shore, you’ll be charmed by streets lined with unique shops, restaurants, and beautifully restored Victorian homes. You’ll also be struck by the number of LGBTQ Pride flags flying throughout the town.
The flags are a reassuring signal that everyone is welcome here, despite the town’s location in ruby red Dorchester County, which voted for Donald Trump over Kamala Harris by a lopsided margin. But don’t let that deter you from visiting. A new organization, Proudly Cambridge, is holding its debut Pride event this weekend, touting the town’s welcoming, inclusive culture.
“We stumbled on a beautiful secret and we wanted to help get the word out,” said James Lumalcuri of the effort to create Proudly Cambridge.
The organization celebrates diversity, enhances public spaces, and seeks to uplift all that Cambridge has to share, according to its mission statement, under the tagline “You Belong Here.”
The group has so far held informal movie nights and a picnic and garden party; the launch party is June 28 at the Cambridge Yacht Club, which will feature a Pride celebration and tea dance. The event’s 75 tickets sold out quickly and proceeds benefit DoCo Pride.
“Tickets went faster than we imagined and we’re bummed we can’t welcome everyone who wanted to come,” Lumalcuri said, adding that organizers plan to make “Cheers on the Choptank” an annual event with added capacity next year.
One of the group’s first projects was to distribute free Pride flags to anyone who requested one and the result is a visually striking display of a large number of flags flying all over town. Up next: Proudly Cambridge plans to roll out a program offering affirming businesses rainbow crab stickers to show their inclusiveness and LGBTQ support. The group also wants to engage with potential visitors and homebuyers.
“We want to spread the word outside of Cambridge — in D.C. and Baltimore — who don’t know about Cambridge,” Lumalcuri said. “We want them to come and know we are a safe haven. You can exist here and feel comfortable and supported by neighbors in a way that we didn’t anticipate when we moved here.”

Lumalcuri, 53, a federal government employee, and his husband, Lou Cardenas, 62, a Realtor, purchased a Victorian house in Cambridge in 2021 and embarked on an extensive renovation. The couple also owns a home in Adams Morgan in D.C.
“We saw the opportunity here and wanted to share it with others,” Cardenas said. “There’s lots of housing inventory in the $300-400,000 range … we’re not here to gentrify people out of town because a lot of these homes are just empty and need to be fixed up and we’re happy to be a part of that.”
Lumalcuri was talking with friends one Sunday last year at the gazebo (affectionately known as the “gayzebo” by locals) at the Yacht Club and the idea for Proudly Cambridge was born. The founding board members are Lumalcuri, Corey van Vlymen, Brian Orjuela, Lauren Mross, and Caleb Holland. The group is currently working toward forming a 501(c)3.
“We need visibility and support for those who need it,” Mross said. “We started making lists of what we wanted to do and the five of us ran with it. We started meeting weekly and solidified what we wanted to do.”
Mross, 50, a brand strategist and web designer, moved to Cambridge from Atlanta with her wife three years ago. They knew they wanted to be near the water and farther north and began researching their options when they discovered Cambridge.
“I had not heard of Cambridge but the location seemed perfect,” she said. “I pointed on a map and said this is where we’re going to move.”
The couple packed up, bought a camper trailer and parked it in different campsites but kept coming back to Cambridge.
“I didn’t know how right it was until we moved here,” she said. “It’s the most welcoming place … there’s an energy vortex here – how did so many cool, progressive people end up in one place?”
Corey van Vlymen and his husband live in D.C. and were looking for a second home. They considered Lost River, W.Va., but decided they preferred to be on the water.
“We looked at a map on both sides of the bay and came to Cambridge on a Saturday and bought a house that day,” said van Vlymen, 39, a senior scientist at Booz Allen Hamilton. They’ve owned in Cambridge for two years.
They were drawn to Cambridge due to its location on the water, the affordable housing inventory, and its proximity to D.C.; it’s about an hour and 20 minutes away.
Now, through the work of Proudly Cambridge, they hope to highlight the town’s many attributes to residents and visitors alike.
“Something we all agree on is there’s a perception problem for Cambridge and a lack of awareness,” van Vlymen said. “If you tell someone you’re going to Cambridge, chances are they think, ‘England or Massachusetts?’”
He cited the affordability and the opportunity to save older, historic homes as a big draw for buyers.
“It’s all about celebrating all the things that make Cambridge great,” Mross added. “Our monthly social events are joyful and celebratory.” A recent game night drew about 70 people.
She noted that the goal is not to gentrify the town and push longtime residents out, but to uplift all the people who are already there while welcoming new visitors and future residents.
They also noted that Proudly Cambridge does not seek to supplant existing Pride-focused organizations. Dorchester County Pride organizes countywide Pride events and Delmarva Pride was held in nearby Easton two weeks ago.
“We celebrate all diversity but are gay powered and gay led,” Mross noted.
To learn more about Proudly Cambridge, visit the group on Facebook and Instagram.
What to see and do
Cambridge, located 13 miles up the Choptank River from the Chesapeake Bay, has a population of roughly 15,000. It was settled in 1684 and named for the English university town in 1686. It is home to the Harriet Tubman Museum, mural, and monument. Its proximity to the Blackwater National Wildlife Refuge makes it a popular stop for birders, drawn to more than 27,000 acres of marshland dubbed “the Everglades of the north.”
The refuge is walkable, bikeable, and driveable, making it an accessible attraction for all. There are kayaking and biking tours through Blackwater Adventures (blackwateradventuresmd.com).
Back in town, take a stroll along the water and through historic downtown and admire the architecture. Take in the striking Harriet Tubman mural (424 Race St.). Shop in the many local boutiques, and don’t miss the gay-owned Shorelife Home and Gifts (421 Race St.), filled with stylish coastal décor items.
Stop for breakfast or lunch at Black Water Bakery (429 Race St.), which offers a full compliment of coffee drinks along with a build-your-own mimosa bar and a full menu of creative cocktails.
The Cambridge Yacht Club (1 Mill St.) is always bustling but you need to be a member to get in. Snapper’s on the water is temporarily closed for renovations. RaR Brewing (rarbrewing.com) is popular for craft beers served in an 80-year-old former pool hall and bowling alley. The menu offers burgers, wings, and other bar fare.
For dinner or wine, don’t miss the fantastic Vintage 414 (414 Race St.), which offers lunch, dinner, wine tasting events, specialty foods, and a large selection of wines. The homemade cheddar crackers, inventive flatbreads, and creative desserts (citrus olive oil cake, carrot cake trifle) were a hit on a recent visit.
Also nearby is Ava’s (305 High St.), a regional chain offering outstanding Italian dishes, pizzas, and more.
For something off the beaten path, visit Emily’s Produce (22143 Church Creek Rd.) for its nursery, produce, and prepared meals.
“Ten minutes into the sticks there’s a place called Emily’s Produce, where you can pay $5 and walk through a field and pick sunflowers, blueberries, you can feed the goats … and they have great food,” van Vlymen said.
As for accommodations, there’s the Hyatt Regency Chesapeake Bay (100 Heron Blvd. at Route 50), a resort complex with golf course, spa, and marina. Otherwise, check out Airbnb and VRBO for short-term rentals closer to downtown.
Its proximity to D.C. and Baltimore makes Cambridge an ideal weekend getaway. The large LGBTQ population is welcoming and they are happy to talk up their town and show you around.
“There’s a closeness among the neighbors that I wasn’t feeling in D.C.,” Lumalcuri said. “We look after each other.”
a&e features
James Baldwin bio shows how much of his life is revealed in his work
‘A Love Story’ is first major book on acclaimed author’s life in 30 years

‘Baldwin: A Love Story’
By Nicholas Boggs
c.2025, FSG
$35/704 pages
“Baldwin: A Love Story” is a sympathetic biography, the first major one in 30 years, of acclaimed Black gay writer James Baldwin. Drawing on Baldwin’s fiction, essays, and letters, Nicolas Boggs, a white writer who rediscovered and co-edited a new edition of a long-lost Baldwin book, explores Baldwin’s life and work through focusing on his lovers, mentors, and inspirations.
The book begins with a quick look at Baldwin’s childhood in Harlem, and his difficult relationship with his religious, angry stepfather. Baldwin’s experience with Orilla Miller, a white teacher who encouraged the boy’s writing and took him to plays and movies, even against his father’s wishes, helped shape his life and tempered his feelings toward white people. When Baldwin later joined a church and became a child preacher, though, he felt conflicted between academic success and religious demands, even denouncing Miller at one point. In a fascinating late essay, Baldwin also described his teenage sexual relationship with a mobster, who showed him off in public.
Baldwin’s romantic life was complicated, as he preferred men who were not outwardly gay. Indeed, many would marry women and have children while also involved with Baldwin. Still, they would often remain friends and enabled Baldwin’s work. Lucien Happersberger, who met Baldwin while both were living in Paris, sent him to a Swiss village, where he wrote his first novel, “Go Tell It on the Mountain,” as well as an essay, “Stranger in the Village,” about the oddness of being the first Black person many villagers had ever seen. Baldwin met Turkish actor Engin Cezzar in New York at the Actors’ Studio; Baldwin later spent time in Istanbul with Cezzar and his wife, finishing “Another Country” and directing a controversial play about Turkish prisoners that depicted sexuality and gender.
Baldwin collaborated with French artist Yoran Cazac on a children’s book, which later vanished. Boggs writes of his excitement about coming across this book while a student at Yale and how he later interviewed Cazac and his wife while also republishing the book. Baldwin also had many tumultuous sexual relationships with young men whom he tried to mentor and shape, most of which led to drama and despair.
The book carefully examines Baldwin’s development as a writer. “Go Tell It on the Mountain” draws heavily on his early life, giving subtle signs of the main character John’s sexuality, while “Giovanni’s Room” bravely and openly shows a homosexual relationship, highly controversial at the time. “If Beale Street Could Talk” features a woman as its main character and narrator, the first time Baldwin wrote fully through a woman’s perspective. His essays feel deeply personal, even if they do not reveal everything; Lucian is the unnamed visiting friend in one who the police briefly detained along with Baldwin. He found New York too distracting to write, spending his time there with friends and family or on business. He was close friends with modernist painter Beauford Delaney, also gay, who helped Baldwin see that a Black man could thrive as an artist. Delaney would later move to France, staying near Baldwin’s home.
An epilogue has Boggs writing about encountering Baldwin’s work as one of the few white students in a majority-Black school. It helpfully reminds us that Baldwin connects to all who feel different, no matter their race, sexuality, gender, or class. A well-written, easy-flowing biography, with many excerpts from Baldwin’s writing, it shows how much of his life is revealed in his work. Let’s hope it encourages reading the work, either again or for the first time.
a&e features
Looking back at 50 years of Pride in D.C
Washington Blade’s unique archives chronicle highs, lows of our movement

To celebrate the 50th anniversary of LGBTQ Pride in Washington, D.C., the Washington Blade team combed our archives and put together a glossy magazine showcasing five decades of celebrations in the city. Below is a sampling of images from the magazine but be sure to find a print copy starting this week.

The magazine is being distributed now and is complimentary. You can find copies at LGBTQ bars and restaurants across the city. Or visit the Blade booth at the Pride festival on June 7 and 8 where we will distribute copies.
Thank you to our advertisers and sponsors, whose support has enabled us to distribute the magazine free of charge. And thanks to our dedicated team at the Blade, especially Photo Editor Michael Key, who spent many hours searching the archives for the best images, many of which are unique to the Blade and cannot be found elsewhere. And thanks to our dynamic production team of Meaghan Juba, who designed the magazine, and Phil Rockstroh who managed the process. Stephen Rutgers and Brian Pitts handled sales and marketing and staff writers Lou Chibbaro Jr., Christopher Kane, Michael K. Lavers, Joe Reberkenny along with freelancer and former Blade staffer Joey DiGuglielmo wrote the essays.

The magazine represents more than 50 years of hard work by countless reporters, editors, advertising sales reps, photographers, and other media professionals who have brought you the Washington Blade since 1969.
We hope you enjoy the magazine and keep it as a reminder of all the many ups and downs our local LGBTQ community has experienced over the past 50 years.
I hope you will consider supporting our vital mission by becoming a Blade member today. At a time when reliable, accurate LGBTQ news is more essential than ever, your contribution helps make it possible. With a monthly gift starting at just $7, you’ll ensure that the Blade remains a trusted, free resource for the community — now and for years to come. Click here to help fund LGBTQ journalism.





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