Arts & Entertainment
Gay themes at Fringe
Edgy D.C. festival features several LGBT stories, players
Laura Zam in ‘An Hour with Ken Johnson.’ (Photo courtesy of Fringe)
For this year’s Capital Fringe Festival, Laura Zam is stuffing a sock in her underpants.
Recently she explained: Along with a short wig and the suit and tie that she’ll wear to play the title motivational speaker in her one-woman show “An Hour with Ken Johnson” (at the Goethe Institut), she’s decided to complete the costume by adding a bulge down below.
“It’s fantastic to dress as a man,” says the seasoned performer. “I’ve played men in the past, but Ken is my most sustained male role. As a writer and an actor it’s allowed me to enter an entirely new world. The sock should only make it better.”
“What I’m doing combines comedy, theater and motivational talk,” continues Zam, a Brooklyn transplant who lives with her husband in D.C. “And Ken is part evangelical preacher and a little bit Anthony Robbins. He’s also a recovering Internet porn addict, and though he’s kind of weird and a bit of clown, he delivers a message of optimism and comments on human resilience. Hopefully audiences will have a laugh but also get something out of what he has to say.”
An annual performing arts event, the Capital Fringe Festival features more than 140 performances including theater, dance and music in various venues around town. It draws both accomplished and less experienced artists performing both well known and original, untested works. The results are uneven but rarely dull. Tickets are affordable.
Local African-American historian Anthony Cohen has twice retraced arduous Underground Railroad routes. After completing his second trek, walking from Alabama to Canada, Cohen uncovered an account describing how his runaway slave African-Jewish-Irish-Cherokee ancestor Patrick Sneed had traveled the identical path to freedom in 1849.
Blown away by his discovery, Cohen who is gay, began speaking about his connection to Sneed’s experience. For this year’s Fringe he’s adapted his lecture expressly for theater with a one-man show titled “Patrick & Me” (at Goethe Institut), supplementing the material with visuals and musical montages. “I went searching for the Underground Railroad,” says Cohen, “but the Underground Railroad was searching for me.”
At the Apothecary, Mixrun Productions presents Shakespeare’s “King Lear.” Only this time the tragic tale of betrayal and insanity is played out by present day bikers locked in a violent turf war. And while the company’s take on the classic is heavily abridged, says cast member Katie Wanschura who is gay, the text is otherwise mostly faithful. Because almost one third of the parts have been re-imagined as gay or bisexual, some pronouns have been changed.
A web designer by day, Wanschura is thrilled to be cast wily and wicked Edmund restyled as a flirtatious lesbian bartender at the aptly named Gloucester. “From behind the bar, I get to watch the story unfold,” she says. “Also I hit on the female patrons and interact with the audience. It’s great.”
For several years, Patrick Doneghy has toyed with the idea of doing a revue featuring men singing Broadway songs typically performed by women. With Dominion Stage’s “That’s What She Sang” at Studio’s Mead Theatre, he’s realized and expanded on the idea by writing, staging and acting in a juke box musical with a connected story.
Comprised of a seven man, mostly gay cast (Doneghy is gay), the show focuses on a queer men’s support group and the problems its members encounter. Songs include women’s tunes like “Gimme Gimme” from “Thoroughly Modern Millie,” and “Maybe This Time” from “Cabaret.”
“We’re exploring romantic mishaps here, not big social issues,” says Doneghy. “It’s a chance to hear music we all know in a new way and to hear some LGBT stories that don’t always get told.”
In “Cecily and Gwendolyn’s Capital Balloon Ride,” Philadelphia improv partners Kelly Jennings and Karen Gertz play a pair of time-traveling Victorian cultural anthropologists. Wherever they land — in this case Mountain at Mount Vernon Church– these curious, slightly loopy ladies take stock of their surroundings and set to work getting to know the locals.
“It’s unlike anything you’ve ever seen,” says Jennings, who is gay. “While our characters kick off the conversation, the audience actually guides the show exploring subjects that are important to them. Participation isn’t mandatory, but once warmed up, almost everyone is willing talk; and people leave feeling they’ve connected with their community in a way that doesn’t happen in any other theater experience.”
For performance schedules and venue locations, go to capfringe.org.
a&e features
Memorial for groundbreaking bisexual activist set for May 2
Loraine Hutchins remembered as a ‘force of nature’
The Montgomery County Pride Center will host a celebration honoring the life and legacy of Loraine Hutchins, Ph.D., on May 2. People are invited to attend the onsite memorial or a livestream event. The on-site event will begin at 10 a.m. with a meet-and-greet mixer before moving into a memorial service around the theme “Loraine a Force of Nature!” at 11 a.m., a panel talk at 12 p.m., break out sessions for artists, academics, and activists to build on her legacy at 1 p.m. and a closing reception at 2 p.m.
Attendees are encouraged to register for the on-site memorial gathering or the livestreamed memorial. The goal of this event is also to collect stories and memories of Loraine. Attendees and others can share their stories at padlet.com.
An obituary for Hutchins was published in the Bladelast Nov. 24, where people can learn more about her activism in the bisexual community. A private service for friends and family was held in December but this memorial service is open to all.
Alongside her groundbreaking work organizing for U.S. bisexual rights and liberation including co-editing “Bi Any Other Name: BIsexual People Speak Out” (1991), she also integrated faith into her sexual education and advocacy work. Her 2001 doctoral dissertation, “Erotic Rites: A Cultural Analysis of Contemporary U.S. Sacred Sexuality Traditions and Trends,” offered a pointed queer and feminist analysis to sex-neutral and sex-positive spiritual traditions in the United States. Her thesis was also groundbreaking in exploring the intersections between sex workers and those in caregiving professionals, including spiritual ones.
In an oral history interview conducted by Michelle Mueller back in August 2023, Hutchins described herself as a “priestess without a congregation.” While she has occasionally had a sense of community and feels part of a group of loving people, she admitted that “I don’t feel like we have the shape or the purpose that we need.”
“I’ve often experienced being the Cassandra in the room, the Cassandra in the community. Somebody who’s kind of way out there ahead, thinking through the strategic action points that my community hasn’t gotten to yet, and getting a lot of resistance and hostile responses from people who are frightened by dissent and conflict and not ready for the changes we have to make to survive,” she said.
“For somebody who’s bisexual in an out political way and who’s been a spokesperson for the polyamory movement in an out political way, it’s very exposing. And it’s very important to me to be able to try to explain and help other people understand the connection between spirituality and sexuality,” she explained citing how even as a graduate student she was “exploring how to feel erotic and spiritual, and not feel them in conflict with each other in my own spiritual contemplative life and my own sensual body awareness of being alive in the world.”
“Every religion has a sense of sacred sexuality. It’s just they put a lot of boundaries and regulations on it, and if we have a spiritual practice that is totally affirming of women’s priesthood and of gay people, queer people’s ability to minister to everyone and to be ministered to be everyone, what does that do to the gender of God, or our understanding of how we practice our spirituality and our sexuality in community and privately?”
“There’s no easy answer,” she concludes, and she continued to grapple with these questions throughout her life, co-editing another seminal text, “Sexuality, Religion and the Sacred: Bisexual, Pansexual, and Polysexual Perspectives,” published in 2012. Her work blending spiritual and queer liberation remains groundbreaking to this day.
Rev. Eric Eldritch, a local community organizer and ordained Pagan minister with Circle Sanctuary who has worked for decades with the DC Center’s Center Faith to organize the Pride Interfaith Service, is eager to highlight this element of her legacy at the memorial service next month.
History
Julius’ Bar ‘sip-in’ laid groundwork for Stonewall
Tuesday marked 60 years since four gay activists held protest
While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.
Tuesday marked 60 years since the Julius’ Bar “sip in.”
On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.
Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.
At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.
Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.
Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.
The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.
Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.
Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.
“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”
For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.
“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”
The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.
“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.
The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.
Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:
Alice Austen House at Steiny’s Pub, Staten Island, N.Y.
Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.
Brick Road Coffee, Mesa, Ariz.
Brick Road Coffee, Tempe, Ariz.
Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.
The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans
Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York
JOYR!DE KiKi at Loafers Cocktail Bar, New York
Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.
Mazer Lesbian Archives at Alana’s Coffee, Los Angeles
New Hope Celebrates at The Club Room, New Hope, Pa.
Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.
Sandy Jack’s Bar, Brooklyn, N.Y.
St. Louis LGBT History Project at Just John Club, St. Louis
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)
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