Arts & Entertainment
Portal to the past
Legendary photographer Leibovitz unveils new Smithsonian history-inspired show
‘Annie Leibovitz: Pilgrimage’
Smithsonian American Museum of Art
8th and F Street, NW

Annie Leibovitz in Washington Tuesday guiding a press tour of her new Smithsonian exhibit 'Pilgrimage.' (Blade photo by Michael Key)
Throughout her 40-year career, renowned American photographer Annie Leibovitz has remained a constant on the celebrity portraiture scene photographing everyone from Mick Jagger to her late lover author Susan Sontag to Miley Cyrus. In many instances her creative, nontraditional approach to making portraits has raised Leibovitz’s already celebrated subjects to cultural icon status (think a naked-and-very-pregnant Demi Moore on the cover of Vanity Fair).
But despite fabulous commercial and artistic success, Leibovitz, 62, went through a very public financial rough patch in recent years. It was during this time of duress that she opted to take a step back and pursue an unassigned, more personal project. In the tradition of great photographers like Walker Evans and Robert Frank, Leibovitz hit the road looking for inspiration and sources of renewal. In her travels, she was drawn to storied locales including Elvis’ Graceland and Georgia O’Keefe’s New Mexico studio, and people of historical significance like Annie Oakley and Martha Graham — stars from the past. And though she didn’t photograph any people for the project, she did shoot objects, landscapes and interiors connected to their lives and memories.
The result of her almost exclusively cross country odyssey (there was a brief trip to London) is “Pilgrimage” the book, as well as “Annie Leibovitz: Pilgrimage,” a photographic exhibition of 64 gorgeous and intriguing photos taken between April 2009 and May 2011 that currently fills three rooms on the second floor of the Smithsonian American Art Museum. It’s up through May 20.
At a Tuesday press event, an amiable and forthcoming Leibovitz (tall and trim in black turtleneck, black pants and hiking boots) leads a group of press types through the exhibition. Going into the project, Leibovitz didn’t quite know what was going to happen, but that’s when the magic happens, she says. An interest in the Lincoln Memorial became a broader investigation into Gettysburg, Lincoln’s boyhood homes and African-American contralto Miriam Anderson who famously sang on the steps of the Memorial in 1939 after being denied the right to perform at segregated Constitution Hall. The exhibition includes a haunting photo of one of Anderson’s gowns from the era.
Similarly, when the New York-based Leibovitz traveled to Concord, Mass., to check out Walden Pond and Henry David Thoreau, she discovered Ralph Waldo Emerson’s library and novelist Louisa May Alcott’s carefully preserved home. In Amherst, Leibovitz dove into the life of Emily Dickinson (a Sontag favorite). The exhibit includes a tight shot of one of Dickinson’s surviving dresses. Contrary to what’s been said, the poet did not spend her last years roaming the house-shrouded specter. In fact, her garment of choice was an ornately embroidered white nightgown with alabaster buttons.
The project took Leibovitz west to shoot Annie Oakley’s riding boots and a bullet pierced heart-shaped target from the cowgirl’s Wild West Show. In England, Leibovitz made beautiful photos of Freud’s couch and the surface of Virginia Woolf’s grubby, ink-stained writing desk. And closer to home, she shot a peek into Val-Kill, Eleanor Roosevelt’s modest girls-only retreat in the Hudson Valley.
“Pilgrimage” is Leibovitz’ first all-digital show, and though she professes a keen interest in new methods of photography (“You’ve got to keep up.”), she likes to keep things looking real. Her photos are stylized, abstract and literal. Some shots (including an overhead look at Thoreau’s bed), she describes as more documents than photographs.
While she’d hoped for the book, Leibovitz didn’t expect “Pilgrimage” to be shown at the Smithsonian.
“It’s wonderful. These rooms are brimming with history. They could actually be photographed as part of the exhibition,” she says. “When I first came here I noticed the number of school children touring the gallery so I intentionally hung the show especially low and crowded the rooms with lots of photos and information — something the exhibition’s curator [Andy Grundberg ] isn’t too happy about. I can’t wait to watch the first big group of kids come through.”
For history buff Leibovitz, visiting home museums, sifting through artifacts and being seduced by the past proved a real kick; but by no means has she abandoned the celebrity portrait work that made her a famous: “I love my portrait work and did this other work to protect and fuel her nurture work. I’m back in a big way.”
What she’d most like people to take from the exhibition, says Leibovitz, is for “everyone to realize that it’s a big country out there. Go ahead, hit the road and find places and things that inspire and mean something to you.”
The new LGBTQ venue Rush (2001 14th Street, N.W.) held a preview night on Friday, Nov. 28. Performers included Cake Pop!, Druex Sidora and Tiara Missou.
(Washington Blade photos by Michael Key)
















Movies
Holiday movie season off to a ‘Wicked’ good start
From Hallmark to horror, something for all tastes
With Christmas just around the corner, it’s time to look ahead to the movies headed our way for December – and just like last year, the perfect film to launch it all is already here.
We’re talking, of course, of “Wicked: For Good” (now in theaters), the follow-up to last year’s smash adaptation of the hit Broadway musical that turns the witchy mythos of “The Wizard of Oz” inside out. A continuation rather than a sequel, director John M. Chu’s sumptuously crafted epic adapts the show’s second act to conclude the saga of green-skinned Elpheba – branded as a “wicked” witch by the authoritarian Wizard (Jeff Goldblum) for her rebellion against his suppression of Oz’s animal population – and her complicated relationship with “frenemy” Glinda (Ariana Grande-Butera), who is now serving as a sort of “double agent” by working to change the regime from within. As with the movie’s source material, there’s a definite “second act slump,” which Chu and co-screenwriters Winnie Holzman and Dana Fox attempt to counter with some minor retooling of the plot, incorporating more material derived from the Gregory Maguire novel that inspired it all, and adding a couple of new, original songs; it works, to a large degree, but the second half still lacks the bubbling sense of joy and excitement that made the first such an infectious hit.
Still, that’s just a quibble – and while this one may not leave us as giddy, it’s a worthy completion of the project, arguably improving the show by granting it levels of emotional resonance, political subtext, and overall depth that always seemed to be the missing element to the material. As for the cast (which also includes first out gay “sexiest man alive” Jonathan Bailey, alongside Michelle Yeoh, Marissa Bode, Ethan Slater, and Bowen Yang), they all continue to deliver powerhouse performances, breathing the kind of fully developed life into their fantastical characters that makes them all stick with us after the final high note is sung. So never mind the inevitable letdown that comes with the splitting of the story into two parts – taken as a whole, Chu’s “Wicked” saga is still a cinematic triumph that, frankly, very few of us expected it to be, and that’s hardly a reason to be disappointed.
As for the rest of the holiday season, there’s not much in the way of directly LGBTQ content coming to our screens – but there are still plenty of promising titles for us to look forward to.
Cutting to the chase for fans of the “Queer Christmas Romance” genre, we’re happy to report that Hallmark – the reigning champion of such fare – has two queer holiday entries lined up for you this season. First up is “A Keller Christmas Vacation” (Hallmark+, now streaming), a quirky tale of three adult siblings on a holiday cruise with their parents in Europe, each dealing with their own personal issues as they find “unexpected joy, romance, and family bonds” along the way – and gay heartthrob Jonathan Bennett, who’s pretty much become the poster boy for this genre, stars as one of them, with former Superman Brandon Routh providing extra eye candy for good measure. The second is “The Christmas Baby” (Hallmark, 12/21), starring Ali Liebert and Katherine Barrell as a lesbian couple who get a holiday surprise when they find a baby on their doorstep; they decide to adopt – which, naturally, requires them to negotiate the process of balancing their relationship and careers with the challenge of being new moms.
There’s also “The Christmas Writer” (Tello, now streaming) in which a lesbian romance author (Shelby Allison Brown) returns to her hometown in search of some Christmas spirit after the death of her mother, an ugly breakup, and a bad case of writer’s block. What she finds is a single lesbian mom (Callie Bussell), and flying sparks ensue.
For heartwarming Christmas cheer without the romcom trappings, there’s “Oh. What. Fun.” (Prime Video 12/3), which serves up Michelle Pfeiffer as a mom and grandma whose knack for putting on the perfect holiday gathering is taken for granted by her self-absorbed family – until they leave her behind on a family outing, forcing them to pull it together themselves. Pfeiffer leads an ensemble cast that includes co-stars like Eva Longoria, Felicity Jones, Denis Leary, Danielle Brooks, Jason Schwartzman, Maude Apatow, Joan Chen, and Chloë Grace Moretz as the queer daughter whose vegan girlfriend throws a last-minute wrench into the dinner menu. Sounds relatable!
Not holiday-themed but still a gift, “Merrily We Roll Along” (limited theaters 12/5) is the multiple-Tony-winning 2023 Broadway revival of Stephen Sondheim’s musical that tells the story – in reverse – of three high school BFFs as their relationship (and their ideals) shift across three decades. Featuring some of Sondheim’s most personal compositions, director Maria Friedman’s production of the show (starring Jonathan Groff, Daniel Radcliffe, and Lindsey Mendez) was immersively captured on film before closing in 2024 – and now, it’s on its way to movie screens as a special holiday treat for musical theatre lovers.
Likewise unseasonable and just as intriguing is “100 Nights of Hero” (limited theaters 12/5), an adaptation of the graphic novel by Isabel Greenberg (itself based on the classic folk tale “1,001 Nights”) in which a woman (Maika Monroe) is left alone by her neglectful husband (Amir El-Masry) for 100 nights at the estate of his seductive friend (Nicholas Galitzine, “Red, White, and Royal Blue”) as a test of her fidelity, with only her loyal maid (Emma Corrin, “The Crown”) as an ally. A sexy and stylish period fantasy with a queer-inlusive cast, it comes with buzzy acclaim from its Venice Film Fest debut, so we’ve definitely got this one on our list.
Kristen Stewart fans will be excited to see the debut of “The Chronology of Water” (limited theaters 12/5), the queer screen queen’s first film as producer, director, and co-writer. Adapted from Lidia Yuknavitch’s memoir, it stars Imogen Poots as a woman who overcomes personal trauma through her writing, and earned a lengthy standing ovation at its Cannes premiere earlier this year. The release is limited, with a wider expansion in early 2026 – but we’re confident it will be worth waiting for, if you have to.
“Hamnet” (Theaters, 12/12), from Oscar-winning director Chloé Zhao, delivers a speculative slice of behind-the-scenes history with a period tearjerker about William Shakespeare (Paul Mescal) and his wife, Agnes (Jessie Buckley), as they struggle to cope with the death of their 11-year-old son – a real-life tragedy that inspired the playwright in his creation of “Hamlet.” Advance reviews have offered high praise for this one, especially regarding Buckley’s performance; but as his fans know, Mescal is no slouch either, and they’ll no doubt be standing in line for this one whether they’re interested in Shakespeare or not. Emily Watson and Joe Alwyn also star.

It’s been 15 years since iconic producer/director James L. Brooks has made a movie, but the “Terms of Endearment filmmaker is back this month with “Ella McCay” (theaters, 12/12), a political dramedy set in the Obama era, which follows a young Lieutenant Governor (Emma Mackey) as she prepares to take over after her boss and mentor (Albert Brooks) accepts a Cabinet position with the new administration. Also featuring popular and prolific queer ally Jamie Lee Curtis, alongside Jack Lowden, Kumail Nanjiani, Ayo Edebiri, and Woody Harrelson, it’s sure to be a highlight of the season – after all, besides all his movies, Brooks is the man responsible for “The Mary Tyler Moore Show” and “The Simpsons,” so the track record speaks for itself.
Daniel Craig returns for one more round as Master Detective Benoit Blanc in “Wake Up Dead Man: A Knives Out Mystery” (Netflix, 12/12), the third installment in filmmaker Rian Johnson’s series of all-star comedic “whodunnits” that both spoof and pay homage to the classic murder mystery genre defined by Agatha Christie and other authors of her era. This time, the eccentric gay detective investigates a murder within a devout church community centered around a charismatic priest (Josh Brolin), in what’s described as “his most dangerous case yet,” and the list of suspects includes Josh O’Connor, Glenn Close, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeny, Daryl McCormack, and Thomas Haden Church. If it’s even half as diabolically clever as the first two films, it’s bound to be a fun ride.
Screen icon Kate Winslet makes her directorial debut (from a screenplay by her son, Joe Anders) with “Goodbye June” (limited theaters 12/12, Netflix 12/24), a Christmas-set British drama about a family that gathers around its ailing mother (Helen Mirren) as she prepares to face the end of her life on her own terms. Inspired by the personal experiences surrounding the death of Winslet’s mother from ovarian cancer, some audiences might find the subject matter too much of a downer for the holiday season, but a light-hearted and positive tone – along with an ensemble cast that includes Toni Collette, Johnny Flynn, Andrea Riseborough, Timothy Spall, and Winslet herself – is likely to take the edge off for those willing to include a touch of bittersweet flavor in their holiday season.
For those who love the immersive, imaginative spectacle of James Cameron’s “Avatar” franchise, “Avatar: Fire and Ash” (theaters, 12/19) makes its eagerly awaited debut this month, with a third installment that sees the Na’vi people enmeshed in further struggle with exploitative humans from Earth – which gives the phrase “it’s going to be a Blue Christmas” a whole new meaning. The cast includes returning players Sam Worthington, Zoe Saldaña, Stephen Lang, Sigourney Weaver, CCH Pounder, Giovanni Ribisi, Kate Winslet, Cliff Curtis, Edie Falco, Jemaine Clement, and multiple other veterans of the series.
Because sometimes you need a creepy psychological thriller to offset all the seasonal sweetness, versatile director Paul Feig’s “The Housemaid” (Theaters, 12/19) gives us Sydney Sweeney as in the title role, who takes a job as live-in servant to a wealthy woman (Amanda Seyfried) and her family, and slowly begins to discover the dark secrets lurking behind her new employers’ seemingly perfect life. Brandon Sklenar, Michele Morrone, and Elizabeth Perkins also star.
With “Father Mother Sister Brother” (limited theaters 12/24), acclaimed cult filmmaker Jim Jarmusch re-emerges with an anthology movie that follows three estranged family relationships in three different countries around the world. Its ensemble cast features Tom Waits, Adam Driver, Mayim Bialik, Charlotte Rampling, Cate Blanchett, Vicky Krieps, Sarah Greene, Luka Sabbat, and transgender actress Indya Moore (“Pose”) – and oh, by the way, it won the Golden Lion at this year’s Cannes Film Festival, so cinema enthusiasts are especially advised to consider it a “must-see” for their holiday season.
Finally, if you’re a member of the “Cult of Chalamet,” you’re probably already looking forward to “Marty Supreme” (theaters 12/25), in which the gifted young “It Boy” actor plays an ambitious ping pong player who “goes to hell and back” on his path to becoming a champion in the sport. Loosely based on the story of real-life table tennis champion Marty Reisman, it’s helmed by acclaimed director Josh Safdie (“Uncut Gems”) and co-stars Gwyneth Paltrow, Odessa A’zion, Kevin O’Leary, Tyler Okonma, Abel Ferrara, Sandra Bernhard, and Fran Drescher – but let’s face it, it’s going to be all about Timothée, and we’re perfectly fine with that.
With all those titles to choose from, we’re pretty confident you’ll have enough to keep you entertained until next year, when we can look forward to thrilling new releases like the much-anticipated “Pillion,” with Alexander Skarsgård – but we’ll have more on that for our next preview. For now, enjoy the seasonal offerings already on your plate.
Happy holidays!
Bars & Parties
Impulse Group DC to host fundraiser
Giving Tuesday and Happy Hour held at Thurst Lounge
Impulse Group DC, a local advocacy organization, will host “Giving Tuesday and Happy Hour” on Tuesday, Dec. 2 at 6 p.m. at Thurst Lounge.
This event is a special happy hour fundraiser filled with good vibes, great food, and community connection. DJ Obie will be on deck keeping the energy high while you enjoy tacos, cocktails, and the kind of atmosphere only Thurst can deliver.
A portion of every signature cocktail sold goes directly toward supporting Impulse Group D.C.’s work in sexual health, mental health, harm reduction, and social justice for the D.C. community.
Admission is free and more details are available on Eventbrite.
