Arts & Entertainment
Queer actors celebrate Golden Globe nominations
Koch, Gadd, Domingo among year’s standout performances
Awards season arrived earlier this week with the announcement of the 2025 Golden Globes, which takes place on Jan. 5, airing on CBS and streaming on Paramount +. Several LGBTQ actors are over the moon to be nominated.
Trans queer actress Karla Sofía Gascón was nominated for Best Female Actor in a Musical or Comedy, for the musical “Emilia Pérez,” making her the first out trans woman to be nominated for Lead Actress in a film category.
The riveting film, which tells the tale of a cartel leader who transitions to a trans woman, has received numerous Globes noms, for Best Motion Picture (musical or comedy), acting (for Selena Gomez and Zoe Saldaña), Jacques Audiard for Best Director (Motion Picture), Best Screenplay (Motion Picture), Best Original Score, and two nominations for Best Original Song.
“This has been an overwhelming morning,” acknowledged Gascón in a Netflix statement. “Tears filled my eyes when I heard the news. I want to thank all the members of the Golden Globes for this nomination. It’s incredible to be recognized alongside my costars. I’m so grateful to Jacques for the gift of Emilia. We couldn’t have created the world of ‘EMILIA PÉREZ’ without the amazing artistic technical team on the film. Thank you to Netflix and to all of you who support me and live with my successes as if they were yours. This nomination gives me hope for humanity.”
Bisexual actor Richard Gadd has been nominated for best television male actor in a limited series, anthology series or television motion picture for his hit Netflix series, “Baby Reindeer.”
In a prepared Netflix statement he said: “I am beyond thrilled that ‘Baby Reindeer’ has been nominated for 3 Golden Globes. Almost every year, I have watched the event, hoping that one day I might be there in the audience, sitting amongst the industry’s finest, getting roasted on an international scale. So it is a dream come true. Thanks to the Hollywood Foreign Press for all they have done in championing the show.”
Gadd offered his “sincere gratitude” to Netflix for “taking a chance” on greenlighting the series, as well as Clerkenwell Films for their “enormous efforts” in producing it.
“And all the amazing cast and crew who worked tirelessly to bring the best version of the series to screen, a special shout out to my incredible team who I have the joy and privilege of working with every single day too. Whatever happens on the 5th of January, I cannot think of a better way to start the year. Javier Bardem, I’m coming for a photograph!”
Gadd is up against gay stars Cooper Koch for “Monsters: The Lyle and Erik Menendez Story” and Andrew Scott for “Ripley.”
Noted Scott: “It was a true honor to bring Patricia Highsmith’s iconic literary character to life in this new way, to spar with the glorious Dakota Fanning and to work with a cast and crew of truly extraordinary talent. Thank you to the Golden Globes; I never dreamed murdering people on the Amalfi coast for a year would be recognized in this way. Grazie Mille.”
Also in the category are Colin Farrell (“The Penguin,”) Kevin Kline (“Disclaimer”), and Ewan McGregor (“A Gentleman in Moscow.”)
Gay castmate Jessica Gunning is also nominated for best supporting female actor-television.
“Wowza. Words can’t really do justice to how thrilled I am to be nominated for a Golden Globe for Best Supporting Actress alongside some of my idols as well no less! I think I might need someone to pinch me to check I’m not dreaming. Thank you so much to the Hollywood Foreign Press Association for this incredible honour, to the amazing cast and crew of Baby Reindeer, to Netflix and Clerkenwell Films, to my friends and family for all their support along the way. And a huge thanks of course to Richard, without whom none of this would even be possible. This genuinely is such an incredible honour and I can’t wait to be in LA in January… what a way to kick off 2025! Thank you.”
“Wicked’s” Cynthia Erivo was equally elated: “Now that my feet are hovering off the ground, I cannot even come close to properly expressing what this moment means to me. Not just because of this individual nomination but because I get to watch as this project and my ‘WICKED’ family is celebrated too. Being a part of this project has been a dream come true, and playing Elphaba, a woman who speaks to everyone who has ever felt like they don’t belong and lets them know they have the power to defy gravity, has been the honor of a lifetime.”
Erivo’s best performance by a female actor in a musical or comedy nomination is the fourth for her — she earned her first nominations for best drama actress and best original song for the 2020 film “Harriet.” The British actress and singer also received a nom in 2022, for best actress in a limited series nomination, portraying Aretha Franklin in Nat Geo’s “Genius.”
She also sent heartfelt wishes to director Jon Chu and producer Marc Platt. “Thank you for entrusting me with her. Donna Langley, Peter Cramer and the entire Universal team, thank you for all of your love, care, collaboration and hard work. Jon, you and your wonderful dedication to this work, your love of cinema and storytelling and care for each one of us on your set is why we’re all experiencing this now, thank you.”
“Wicked” has several nominations, including Best Motion Picture (Musical or Comedy), Cinematic and Box Office Achievement and Ariana Grande-Butera for Best Supporting Female Actor.
Addressing Grande-Butera, Erivo said: “My little sister, baby girl I love you. I’m so proud of you. You’re so deserving of this moment and I’m glad I get to share the seconds and the moments and the days and the years with you. This journey has been so unbelievably special, and I believe it is the company we have kept together that has made it as special as it has been and will continue to be. May there be many many more journeys to take both on and off screen, it is an honor to be able to hold your hand.”
Angelina Jolie is also nominated for best female actor-drama for “Maria,” the Maria Callas biopic.
“Thank you to the Golden Globes for this honor,” she said in a Netflix statement. “I am humbled to be nominated alongside so many artists I deeply admire. I share this with my director, Pablo Larrain and all who were a part of making MARIA such a rewarding experience. It’s a privilege to have played Maria Callas and to be able to share her legacy with the world.”
Nonbinary star Emma D’Arcy also received a Globe nomination for Best TV Drama Actress for her work in HBO’s “House of the Dragon.”
“I feel completely delighted. This season felt very personal to me, and at times it was hard to make, so I’m really moved by this recognition. Making a show like this is the most extraordinary team effort — I’ll be honoured to represent my colleagues at the Globes in January.”
D’Arcy’s co-nominees are Kathy Bates (“Matlock”), Maya Erskine (“Mr. and Mrs. Smith”), Keira Knightley (“Black Doves”), Keri Russell (“The Diplomat”), and Anna Sawai (“Shōgun”).
Hannah Einbinder has now been nominated at the Golden Globes for all three seasons of “Hacks.”
“Getting to make ‘Hacks’ with the hardest working, most talented and lovely crew, saying words written by Paul Downs, Jen Statsky, and Lucia Aniello, looking into the eyes of Jean Smart and every actor on this show is a once in a lifetime, lightning in a bottle experience. I cherish this show so deeply and to be recognized for my work on it is a sincere honor.”
Luca Guadagnino is nominated for Best Motion Picture Musical or Comedy for “Challengers” as well as for Best Song.
“I am so proud today to the Globes for the recognition and love for Daniel and Zendaya in both drama and comedy. I am in awe of their talent. To then share best picture and song nods with more people I love — Amy and Rachel, Trent and Atticus, it is a beautiful and wonderful thing and I am grateful.”
Other LGBTQ highlights:
“Nickel Boys” and “Moana 2” were nominated for Best Motion Picture and feature queer actors Aunjanue Ellis-Taylor and Auli’i Cravalho.
“The Wild Robot,” which features queer actor Stephanie Hsu, is nominated for Best Motion Picture (Animated), Cinematic and Box Office Achievement, Best Original Score and Best Original Song. Grammy-winning country-pop star Maren Morris, who identifies as bisexual, co-wrote and performed “Kiss the Sky.”
Singer Miley Cyrus is nominated for Best Original Song for “Beautiful That Way” from “The Last Showgirl.”
Both Jodie Foster and Kali Reis are nominated for “True Detective: Night Country.”
Colman Domingo is nominated for Best Performance by an Actor in a Motion Picture, Drama, for “Sing Sing.”
Theater
‘Hand to God’ showcases actors and their puppets
Luke Hartwood serves as designer, coach for Keegan production
‘Hand to God’
Feb. 1-March 2
Keegan Theatre
1742 Church St., N.W.
$49-$59
Keegantheatre.org
Luke Hartwood has loved puppets for as long as he can remember.
At 24, he’s indulging his passion as puppet designer/coach and properties designer for Keegan Theatre’s production of Robert Askins’ “Hand to God.” It’s the Tony-nominated comedy about meek Jason who after the death of his father finds an outlet for his anxiety at the Christian Puppet Ministry in small town Texas.
Puppets begin as a design team collaboration, Hartwood explains, and move on from there. With “Hand to God,” the playwright’s notes describe Jason’s badly behaved puppet Tyrone as looking “Elmo-y and shit,” but beyond that there’s room for some interpretation.
Hartwood, who is gay and Asian American, graduated from George Mason University in May 2023. He majored in theater with a double concentration in performance and design/technology, and minored in graphic design.
“With all my varied interests that’s what made sense to me,” he says. “It wasn’t easy but now I’m a flexible candidate when interviewing for work. I’m skilled in design and the physical fabrication of puppets. And I also act.”
Based in Northern Virginia, he’s been with his partner for six years. Recently, Hartwood shared his thoughts on puppetry and what he wants from the future.
WASHINGTON BLADE: What’s the attraction to puppets?
LUKE HARTWOOD: I’ve always loved puppets. It started as a kid watching cartoons, I’d pause the TV get out a sheet of paper and draw a character, usually Pokémon and Digimon. I learned to use shapes, rounded or sharp edges depending if I wanted to make it cute or scary. I moved from 2-D to 3-D using cereal boxes to give dimension to the drawings. Once I carved a character into the wood of my mom’s sideboard. She wasn’t happy.
BLADE: Were puppets your way into theater?
HARTWOOD: Not exactly. Despite some fear, I started acting when I was a sophomore in high school. I was a shy kid, but I wanted to be in theater. With me, I also brought my love of art and soon began working on props. It wasn’t unusual to see me in costume backstage between scenes building props.
BLADE: And you continued in college?
HARTWOOD: Mine was the dreaded COVID college experience and the creation of Zoom theater. When we finally came back to live theater, my stage fright returned too. But I got past that and acted in “You’re a Good Man, Charlie Brown” [Hartwood was cast as the titular blockhead]. It’s a low-tech show; I did cutouts in the style of Peanuts characters. That was fun.
BLADE: With “Hand to God” at Keegan you’re really multitasking. Tell me a little bit about working with actors.
HARTWOOD: During casting, the actors were asked to bring a sock to use as a puppet. Not to show expertise but to prove some potential.
Actor Drew Sharpe plays both Jason and his puppet Tyrone throughout the show; it’s like patting your head and rubbing your tummy at the same time.
We start with basics. But then we retrain the way an actor thinks about a puppet. Not only is he marking up his script with his own blocking and intentions, but he’s also doing the same thing for his puppet. It’s playing two roles simultaneously. I’m in awe of how quickly Drew has learned and improved over the last few weeks.
BLADE: Does being queer affect your project choices?
HARTWOOD: I try to incorporate my queerness into theater. For a while I didn’t know how to do that. I’m not writing plays or activist pieces, but I’m selective of what shows I do. I like to dedicate time to shows I care about, particularly those involving the queer and POC communities. Sometimes that means working with a smaller theater and not getting paid as much.
BLADE: Is money a concern?
HARTWOOD: I recently quit my full-time corporate job as a business analyst at a government contracting company to focus fully on theater. If I’m going to spend 40 hours of my week doing something I better love it.
I was picturing myself in 10, 20, or 30 years. If I push my artistry now, there’s more time for me to become successful or to get my big break.
Also, I just graduated from bartending school. That should help pay the bills.
BLADE: How does “Hand to God” jibe with your professional ethos?
HARTWOOD: Really well. Though not explicitly written for the queer community or POC, it explores grief, toxic masculinity and what it means to be “man enough.” And that resonates with a lot of queer folks.
And, I’m definitely here for the puppets
‘When the Band Played On’
By Michael G. Lee
c.2025, Chicago Review Press
$30/282 pages
You spent most of your early career playing second fiddle.
But now you’ve got the baton, and a story to tell that people aren’t going to want to hear, though it’s essential that they face the music. They must know what’s happening. As in the new book “When the Band Played On” by Michael G. Lee, this time, it’s personal.
Born in 1951 in small-town Iowa, Randy Shilts was his alcoholic, abusive mother’s third of six sons. Frustrated, drunk, she reportedly beat Shilts almost daily when he was young; she also called him a “sissy,” which “seemed to follow Randy everywhere.”
Perhaps because of the abuse, Shilts had to “teach himself social graces,” developing “adultlike impassiveness” and “biting sarcasm,” traits that featured strongly as he matured and became a writer. He was exploring his sexuality then, learning “the subtleties of sexual communication,” while sleeping with women before fully coming out as gay to friends.
Nearing his 21st birthday, Shilts moved to Oregon to attend college and to “allow myself love.” There, he became somewhat of an activist before leaving San Francisco to fully pursue journalism, focusing on stories of gay life that were “mostly unknown to anyone outside of gay culture.”
He would bounce between Oregon and California several times, though he never lost sight of his writing career and, through it, his activism. In both states, Shilts reported on gay life, until he was well known to national readers and gay influencers. After San Francisco supervisor Harvey Milk was assassinated, he was tapped to write Milk’s biography.
By 1982, Shilts was in love, had a book under his belt, a radio gig, and a regular byline in a national publication reporting “on the GRID beat,” an acronym later changed to AIDS. He was even under contract to write a second book.
But Shilts was careless. Just once, careless.
“In hindsight,” says Lee, “… it was likely the night when Randy crossed the line, becoming more a part of the pandemic than just another worried bystander.”
Perhaps not surprisingly, there are two distinct audiences for “When the Band Played On.” One type of reader will remember the AIDS crisis and the seminal book about it. The other is too young to remember it, but needs to know Randy Shilts’s place in its history.
The journey may be different, but the result is the same: author Michael G. Lee tells a complicated, still-controversial story of Shilts and the book that made America pay attention, and it’s edgy for modern eyes. Lee clearly shows why Shilts had fans and haters, why Shilts was who he was, and Lee keeps some mystery in the tale. Shilts had the knowledge to keep himself safe but he apparently didn’t, and readers are left to wonder why. There’s uncomfortable tension in that, and a lot of hypothetical thinking to be had.
For scholars of gay history, this is an essential book to read. Also, for anyone too young to remember AIDS as it was, “When the Band Played On” hits the right note.
The Blade may receive commissions from qualifying purchases made via this post.
Out & About
2025 is the year to prioritize LGBTQ wellness
Community center hosts workshop ‘prioritizing self-care & community care’
The DC LGBTQ+ Community Center will host “Prioritizing Self-Care & Community Care in 2025 Workshop” on Wednesday, Jan. 22 at 7 p.m.
This will be an engaging conversation about how to prioritize self-care and community care in the upcoming year. This one-hour workshop will be facilitated by Program Director & Psychotherapist Jocelyn Jacoby. This workshop is designed to be a place where LGBTQ people can be in community with each other as the community grapples with fear and hope and comes up with practical ways to promote resiliency.
Registration for this event is mandatory and can be accessed on the DC Center’s website.
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