Arts & Entertainment
Oscar noms: Who’s in and out for the 84th Academy Awards
Plummer nominated for portrayal of older gay man
The 84th Oscars will be held at the Kodak Theatre in Hollywood. (via Wikimedia Commons)
Nominees for the 84th annual Academy Awards were announced this morning in Los Angeles.
Jennifer Lawrence, nominated last year for the film “Winter’s Bone” and who appears this year in “The Hunger Games,” and Tom Sherak, president of the Academy of Motion Picture Arts and Sciences announced the nominations in 10 of the 24 categories for the Feb. 26th presentation.
Christopher Plummer was nominated in the Best Supporting Actor category for his turn as a man who comes out as gay to his adult son late in his 70s in ‘Beginners.’ Plummer is familiar to the Oscars stage — in 1965 he joined Julie Andrews and the cast and crew of ‘The Sound of Music,’ when the film won best picture. He was also nominated in this same category two years ago for playing Leo Tolstoy in “The Last Station.”
Plummer is coming off a Golden Globes win for his character Hal Fields, a late-blooming widower who must learn to navigate the rather tricky waters of being single and gay in your 70s, while dealing with a son coming to grips with the news (played by gay favorite Ewan McGregor).
Gay New York blogger, Scott Wooledge was disappointed that one gay-themed movie missed the list, however.
“On the topic of movies, I’m sorry to see Pariah didn’t get any nods, it deserves a handful,” the Daily Kos regular told the Blade. “I suspect that may be because it was released so very late and Focus Features may not have campaigned on its behalf.”
Wooledge says he was “just blown away” by the Spike Lee produced film about a 17 year-old Brooklyn African-American lesbian and the effect that coming out had on her family. The film also features Adeprero Oduye and Kim Wayans.
“If anyone has ever complained there are not middle class, queer people of color in pop culture,” Wooledge says, “I implore you to run don’t walk, open your wallet and reward the director, Dee Rees and the studio for serving up a beautiful and heartfelt film that features exactly that.”
Glenn Close is a contender for Best Actress for her role as a woman passing as a man in order to work and survive in 19th century Ireland in ‘Albert Nobbs.’ ‘Nobbs’ also garnered a nod in the supporting actress category for Janet McTeer, as well as in the makeup category.
Up for Best Original Screenplay is ‘Margin Call,’ a film about the financial meltdown of the last decade, produced by recently out ‘Heroes’ and ‘Star Trek’ actor Zachary Quinto, who also starred in the film. Quinto recently starred as a gay ghost on gay creator Ryan Murphy’s ‘American Horror Story.’
Among the films nominated, ‘The Help’ received three nominations (Octavia Spencer & Jessica Chastain for Best Supporting Actress and Viola Davis for Best Actress); ‘The Descendants’ received five (Alexander Payne for Best Director, George Clooney for Best Actor, film editing, Best Adapted Screenplay, and Best Picture); and ‘Moneyball’ garnered noms for Best Supporting Actor for Jonah Hill, Best Actor for Brad Pitt, Best Adapted Screenplay, film editing and Best Picture.
The big winner, however, is most likely ‘The Artist’ which received 10 nods including Berenice Bejo for Best Supporting Actress, Michel Hazanavicius for Best Director, Jean Dujardin for Best Actor, Best Original Screenplay, music, art direction, film editing, costume design, cinematography and Best Picture. Set in 1930s Hollywood, the modern silent film has been described as “a love letter to the silver screen,” by NPR’s Pop Culture Happy Hour podcast.
Also receiving several nods was the Michelle Williams-helmed ‘My Week with Marilyn’ for which she is nominated in the Best Actress category. Kenneth Branagh is also nominated for Best Supporting Actor. Williams shed her teen drama ‘Dawson’s Creek’ role forever when she appeared in the critically acclaimed 2005 film ‘Brokeback Mountain,’ playing wife to closeted gay cowboy Heath Ledger, in a role that earned her a Best Supporting Actress nomination in 2006. Another fan favorite ‘Extremely Loud and Incredibly Close’ has offered up Max von Sydow for Best Supporting Actor, and is up for Best Picture.
Predictably, Meryl Streep snagged a Best Actress nomination for ‘The Iron Lady,’ as did Gary Oldman a Best Actor nod for ‘Tinker, Tailor, Soldier, Spy.’ ‘Iron Lady’ is also up in the makeup category, and ‘Tinker’ is up for music and writing awards.
One LGBT favorite for Best Supporting Actress is standout Melissa McCarthy in ‘Bridesmaids,’ as the loveable friend who gets Kristen Wiig out of her funk in time to save the wedding (and steals a van full of adorable puppies on her way). The movie is also up for Best Original Screenplay.
The other Best Picture nominees were ‘Hugo,’ which also grabbed a Best Director nod for Martin Scorsese as well as art direction, writing, film editing, music, and costume design nominations; ‘Midnight in Paris,’ for which Woody Allen will also be up in the Best Director category as well as Best Original Screenplay and Art Direction; ‘War Horse,’ which will also be up in art direction, music, and cinematography, and ‘The Tree of Life,’ which also scored a nomination for Best Director (Terrence Malick) and cinematography.
Late last year, the Oscars parted ways with producer Brett Ratner after a homophobic rant in which he said “rehearsing is for fags.” The incident prompted the scheduled host, Eddie Murphy, to also resign in protest. The Academy turned to veteran host and fan favorite Billy Crystal, who has hosted the Oscars eight times to much success. Ratner and Murphy’s film ‘Tower Heist’ did not receive any Oscar nominations and did not do well at the box office.
Other nominees of note are Best Actress Rooney Mara in ‘The Girl With the Dragon Tattoo’ — a movie also up in the cinematography and film editing categories — Best Supporting Actor Nick Nolte in ‘Warriors,’ and Demián Bichir for Best Actor in ‘A Better Life.’
Animated feature film nods go to ‘A Cat in Paris,’ ‘Chico & Rita,’ ‘Kung Fu Panda 2,’ ‘Puss in Boots,’ and ‘Rango.’
Best feature length documentary nominations go to ‘Hell and Back Again,’ ‘If a Tree Falls: A Story of the Earth Liberation Front,’ ‘Paradise Lost 3: Purgatory,’ ‘Pina,’ and ‘Undefeated.’
Best foreign language film noms went to Belgium’s ‘Bullhead,’ Israel’s ‘Footnote,’ Poland’s ‘In Darkness,’ Canada’s ‘Monsieur Lazhar,’ and Iran’s ‘A Separation.’
Another critically acclaimed gay film that didn’t make the cut in this year of heavy hitters was ‘Weekend’ which won the Gay and Lesbian Entertainment Critics Association’s ‘Dorian Award’ for best picture.
Celebrity News
Fashion icon Bob Mackie dead at 87
Designing legend to all the divas, gone but not forgotten
To those still reeling from the loss of Dolly Parton and Tim Curry, we have another queer icon to add to the In Memoriam of 2026: Bob Mackie. A designer known for being extra, before that was even a thing, has left us with a legacy of looks and an indelible mark on fashion.
The news broke on his Instagram account Monday, Sept. 14, with the message:
“It is with a heavy heart that we share the news that Mr. Bob Mackie passed away today. He lived his 87 years to the fullest, fulfilling his dream of being a fashion and costume designer, which is all he ever wanted to do. His genius and extraordinary designs will live on forever, continuing to bring beauty into this world.” According to People magazine, he passed away in Palm Springs, Calif., due to pneumonia.
At 87, Mackie is the definitive designer for divas. Mackie has literally dressed them all, including Diana Ross, Whitney Houston, Barbara Streisand, Dolly Parton, Tina Turner, Bette Midler, Bernadette Peters, and even RuPaul. He’s dressed film and television icons like Raquel Welch, Lynda Carter, Goldie Hawn, and Jennifer Lopez. It’s not just female divas; he’s also done many of Elton John’s famous costumes as well as David Bowie’s.
His first major mark was drawing the first design of Marilyn Monroe’s famous “Happy Birthday, Mr. President” dress. Next, he was an assistant to costume designer Ray Aghayan on “The Judy Garland Show.” The two would carry on a professional and romantic partnership for 50 years until Aghayan’s passing in 2011.
Mackie then went on to do all of the costumes for “The Carol Burnett Show,” creating an estimated 17,000 costumes for her show’s 11-year run. This gave him much critical acclaim and notoriety, making him a permanent fixture in the variety show market.
He became a frequent collaborator of Cher, having made her famous midriff-revealing Oscar gown, her “If I Could Turn Back Time” costume, and being her designer for her various television shows, including “The Sonny and Cher Show.” He even designed costumes for her Farewell Tour. The two are synonymous with him having lent his artistic sensibilities to give her a distinct look. Cher even said in 2024, “He helped me create a different me.”
Mackie has left his mark on fashion with a distinct style of glamorous, over-the-top looks. He received the monikers the “Sultan of Sequins,” the “Rajah of Rhinestones,” and the “Guru of Glitter” for challenging the line between costume and fashion with lots of fringe, flash, and over-the-top eye-catching elements. He’s managed to retain a presence not just in entertainment but in the fashion industry for decades. Most recently, one of his outfits was a major plot point for the final season of “Hacks.”
Mackie has received his share of awards and acknowledgments. In addition to dressing many people for the Oscars, he received three nominations, including dressing Diana Ross for “Lady Sings the Blues.” He won a Tony Award for “The Cher Show.” He won nine Emmy Awards and received 30 nominations for his prolific television work.
Luckily, Mackie’s life was celebrated before his passing, receiving various Lifetime achievement awards including the Geoffrey Beene CFDA Lifetime Achievement Award, being honored by the Television Hall of Fame, and receiving “RuPaul’s Drag Race”‘s Giving Us Life-time Achievement Award. He was the first guest judge on the popular series.
It’s clear that not only was Mackie talented, he was magical. He gave a bit of stardust to countless celebrities, luminaries, and public figures with looks that not only defied expectations but managed to be truly spectacular. He’s part of the glitz we think of when we think of Hollywood, and while often elaborate costumes, the shrewd fashion sense and elegance cannot be denied. Mackie will be missed, but his work lives on in the countless pieces still in circulation and forever captured on film and in media.
The 29th annual SMYAL Fall Brunch was held at the Marriott Marquis on Sunday, Sept. 13.
(Washington Blade photos by Michael Key)
Books
Dolly Parton biography puts her hardships into context
‘Ain’t Nobody’s Fool’ a highly researched tome not to be missed
‘Ain’t Nobody’s Fool: The Life and Times of Dolly Parton’
By Martha Ackmann
c.2026, St. Martin’s Press
$30/304 pages
Not too bright.
That’s what people once thought about you. Your language didn’t conform, you had your own sense of style, and you were ignorant about modern things and places and foods. But you were no dummy. You were different, and you had a secret: as in the new biography, “Ain’t Nobody’s Fool: The Life and Times of Dolly Parton” by Martha Ackmann, you knew exactly where you were going.
When Avie Lee Owens and Lee Parton first married, they had the very basics: “two knives, two forks, two spoons, a skillet, a butcher knife, and an old iron kettle.” He was 17; she was 15. Babies came quick. The fourth one was named Dolly, after two great-aunts.
Almost from the time she could walk, Dolly sang. Before she was old enough to attend school, she wrote poetry, and she’d begun to notice rhythms and beats she could make with her fingers. As a schoolchild, she created her own musical instruments out of scraps, and she was eager to perform whenever anyone asked her – and they asked often, because Dolly Parton was a nice girl, and her sense of humor conveyed a warmth that drew people in.
Growing up in the Tennessee mountains, Parton was independent, shunning marriage and child-raising, instead focusing on a dream of being a star. By the time she was in high school, she’d had a regular gig on local television but she recognized that there were few opportunities for fame in the mountains, so she left for Nashville the day after high school graduation, with the snickers of naysayers ringing in her ears.
She stayed with an aunt and uncle there, and she beat the streets, dined on grocery store samples to get by, and missed her family and friends. And they worried about her, but they knew nothing would derail her plans. They knew Dolly would be fine.
As a friend said, “’She had her head on pretty good.’”
Chances are that if you’ve listened to music any time in the last 60 years, you’ve heard Dolly Parton through her words or her music or both. Now you need to learn more about her, and “Ain’t Nobody’s Fool” is where to do it.
Here’s a biography that grabs you on the first page with the tiniest bit of family tree, but not so much that you get bored with it. Author Martha Ackmann writes about Dolly Parton’s early life, putting hardships and experiences in context, both personally and historically. There are name-drops, but not overly so, as Ackmann takes you through Parton’s career, her heartbreaks, her marriage, and her years with Porter Wagoner, in detail but not dramatically embellished or outrageously told. It’s a biography that’s just right, sourced well and written with a fresh take that, like its subject, tells a good story.
Fans, of course, will want this highly researched book but music lovers of any age or type will eat it up. That means you, so use up that Christmas gift certificate. “Ain’t Nobody’s Fool” just shines.
The Blade may receive commissions from qualifying purchases made via this post.
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Historiography with heart
