Connect with us

Arts & Entertainment

‘This is a very big deal’

Obama, NAACP announcements infuse Black Pride festivities with celebratory flair

Published

on

Black Pride, Retro Dance Party, Gay News, Washington Blade

Revelers at last year's Black Pride. (Blade file photo by Pete Exis)

Change is in the air and prominent local black LGBT activists say its effects will be palpable at this weekend’s Black Pride festivities.

It’s debatable what led to the timing of President Obama’s announced change of heart on same-sex marriage — he told ABC’s Robin Roberts in a May 9 interview that he “think(s) same-sex couples should be able to get married,” an unprecedented statement for a sitting U.S. president — but whether it was the timing of the North Carolina amendment to ban same-sex marriage, Vice President Joe Biden’s shockingly unbridled comments the weekend before on “Meet the Press” or just the final stop on his self-proclaimed “evolution” on the issue, the announcement came as a shock to many, especially since it’s an election year. But the comments and the subsequent announcement by the NAACP of its endorsement of same-sex marriage make for a radically altered climate for D.C. Black Pride and several other piggy-backing black LGBT events happening this weekend.

Local black activists and promoters say almost universally it’s an exciting turn of events.

“It made me very happy,” says Kenya Hutton, a Black Pride board member. “Being the first American president to do so is very important.”

“I was absolutely elated,” says Linda McAllister, owner of D.C. lesbian bar Lace. “It’s a very historic moment … It’s unbelievable. I could not have been more pleased.”

“My first reaction was, ‘Yes, thank God he did it,’” says lesbian event promoter Ebone Bell. “It was like, ‘Thank you,’ for the first time in history we have a president who stood up for the right thing.”

Others say the announcement itself was not such a shock, so much as the timing of it.

“My initial thoughts were ones of astonishment that a sitting president up for reelection would come out so strongly in support, that’s the first thing,” says lesbian Khadijah Tribble. “Then I thought, yes, this is the man we all got behind as a staunch supporter of LGBT rights, so I was not surprised on one level but I just didn’t expect this timing at all.”

Sharon Lettman-Hicks, who prefers the term “sister of the movement” to straight ally (she’s married to a man but is also executive director of the LGBT rights group National Black Justice Coalition), agrees.

“I was extremely proud,” she says. “I was in shock and awe, but also just extremely proud that he would do this in such a polarizing political climate, but he was willing to step outside of the world of politics and really put human dignity first.”

And although the announcement has no legislative impact — marriage in the U.S. continues to be largely a state issue — many locals the Blade spoke to for this piece say it’s still a watershed moment because it’s giving straight black Americans a forum in which to discuss the LGBT people in the community.

The announcement has many angles — the fact that Obama, as the first U.S. president of color, is the first sitting president to make such an unequivocal statement is one thing. But it’s perhaps doubly significant that Obama is black since many African-American Baptist ministers preach anti-gay theology. White U.S. clergy do as well, of course. Just this week, the YouTube-posted video of North Carolina minister Charles Worley advocating putting gays and lesbians in an electrified pen like cattle until they starve to death went viral. But there’s perhaps a vociferousness to the rhetoric in black America that is often a bit different.

“It’s going to take a while to digest the issue but the big thing is that people are talking about it now,” says Earl Fowlkes, president of the Federation of Black Prides and also a long-time board member for D.C. Black Pride. “To have a black president talking about gay issues and same-sex marriage, these things are largely unspoken of in the black community, which is pretty much where the straight white community was 10 years ago. But when the president speaks and you have an organization as well respected as the NAACP, where half the chapter presidents are church people and they’re saying, ‘What’s the big deal?,’ it allows activists like myself to step forward and gives us ammunition.”

Several interesting points come up in these conversations — Tribble says that growing up in the South, black LGBT people were largely accepted as long as they abided by an unwritten “Don’t Ask, Don’t Tell”-type social policy.

“There were a lot of LGBT people growing up that although technically they were closeted, we all knew it,” she says. “They were still accepted within the church, they were still at the family cookouts, this is Aunt so-and-so and the aunt’s best friend who’s always with her. They came to everything and really weren’t treated any differently, but we just didn’t name it or talk about it even though they still had a place in the African-American community.”

Sheila Alexander-Reid says Obama’s announcement gives straight black Americans a catalyst to finally talk about LGBT issues.

“This way they can say, ‘What do you think about what Obama said,’ not, ‘What do you think about Johnny or Suzie?,” she says. “These are conversations that are long overdue. A lot of these people are very entrenched in their homophobia.”

Lettman-Hicks says black straight Americans aren’t so much squeamish about LGBT issues as they are uncomfortable with any talk of sexuality.

“It’s not an LGBT issue, it’s a sexuality issue in which LGBT issues fall under that,” she says. “If you want to have an intelligent debate about black people, you have to understand black people and black sexuality … so many discount the challenges that our community has faced. We were beaten, raped, brought here and sold as slaves, there’s a level of indignity that we faced as an oppressed people so in many ways we’re having the wrong conversation. Black America needs to have a robust conversation about human sexuality in general.”

She says, though, that Obama and the NAACP’s positions are excellent jumping-off points for those discussions.

But what about Obama’s reelection odds — will the LGBT support he picks up offset straight black Americans who may jump ship?

“I think it will help him overall,” says SaVanna Wanzer, a transgender activist and Whitman-Walker Health board member. “Number one, because it was the right thing to do. I think he will lose some support, yes, but the people who want human interests and civil rights first will still be on his side.”

“There will be some who back off, but no one in my family in Alabama is not going to vote for him because of this issue, I’m sure,” Tribble says. “Even the ones who tell me I’m going to hell, they still think I’m going to hell, but they won’t back away from Obama just because of this.”

Others say that while Obama’s statements are to be celebrated, the black LGBT community in D.C. spends too much time worrying about marriage rights when it has more pressing issues — transgender health, homelessness, HIV/AIDS, drug abuse and more — that should be on the front burner.

“I usually refrain from commenting,” says Earline Budd, a long-time advocate for disadvantaged transgender D.C. residents. “Day in and day out, like right here just now in my office, I have a 21-year-old HIV-positive person with a major infection. I just don’t have time to think about marriage. I do believe those who are out there on the front lines in the marriage battles, that we need that, but it’s just not on my agenda at this time … This whole thing with HIV, which is affecting more and more young people all the time, is much more pressing.”

Wanzer agrees.

“I’m thankful for his support, but there are much more pressing needs, especially with the transgender community,” she says.

Even so, many expect the Black Pride festivities to have an increased excitement and energy this year because of recent events.

“I know Eleanor [Holmes Norton] will be commenting on it, the mayor will be commenting on it, there’s definitely going to be a huge acknowledgement about this at Black Pride,” Fowlkes says. “Every time I’m at the mic, I’ll say something about it. What you’re really doing is giving people permission to celebrate it … we’re going to be making that acknowledgement at all our events so people can clap and feel happy because this is a very big deal.”

Black Pride, related events abound this weekend

Today (Friday)

An opening reception is held for Leandrea Gilliam this evening at 6:30 at the Hyatt Regency (400 New Jersey Ave., N.W.).  Gilliam is the care advocacy program manager of the Sexual Minority Youth Assistance League and a Wellmore Cook Community Service Awardee.  Admission to this event is free. For details, go to dcblackpride.org.

Author of “King Peggy,” Peggielene Bartels, signs copies of her book tonight at 7:30 at the Hyatt Regency (400 New Jersey Ave., N.W.).  The book is about Bartels’ journey to becoming king of the African village Otuam in Ghana. The book costs $25.  Proceeds will go to the nonprofit organization, Otuam Community Development Corp.  Find more information at dcblackpride.org.

RainbowConnects is hosting speed dating in the Yellowstone/Everglades Room at the Hyatt Regency (400 New Jersey Ave., N.W.) tonight at 7. Admission is free. For details, visit dcblackpride.org.

“She’Baltimore,” a play written and directed by Ira Kip, opens at Warehouse Theater (1071 7th St., N.W.) tonight at 8. Admission is $25. For more information, email [email protected] or go to dcblackpride.org.

The 5000 Men Pride Mega Party featuring Ashanti is tonight at FUR Night Club (33 Patterson St., N.E.). Doors open at 10. Cover charge ranges $20-$50. For more information, visit omegapartydc.net.

Saturday, May 26

Representatives from Capital One Bank will be on-site at the Capital One Job Fair held from 11 a.m.-3 p.m. in the Olympic Room at the Hyatt Regency (400 New Jersey Ave., N.W.). The event is free. For details, visit dcblackpride.org.

Angela Harvey presents “The Key to the Perfect Orgasm” today at 12:30 at the Hyatt Regency (400 New Jersey Ave., N.W.) in Congressional Room A. Admission is free. For more information, visit dcblackpride.org.

New York Life Job Fair is held in the Sequoia Room at the Hyatt Regency (400 New Jersey Ave., N.W.) today from 12:30-3 p.m. The event is free. For details, visit dcblackpride.org.

A film festival is being held at the Hyatt Regency (400 New Jersey Ave., N.W.) from 2-5 p.m. The films that are playing include “Change,” “Finding Me: Truth” and “Taboo Yardies.” Admission is $15. For details, visit dcblackpride.org.

Terry W. Sidney is reading “The Four of Us” at the Mead Lab Theater (916 G St., N.W.) today at 2 p.m. Admission is $20. For more information visit beyonddarkcorners.com or dcblackpride.org.

Chocolate City Pride hosts the Tropical Heat Rooftop Party today from 3-8 p.m. on top of the Ibiza Roof (1222 1st St., N.E.). The event will include free food. Admission is $10. For more information, visit omegapartydc.net.

Buttafly Soul is hosting a Poetry Slam today from 5-8 p.m. at the Hyatt Regency (400 New Jersey Ave., N.W.). Admission is $15. For details, visit dcblackpride.org.

Black Men’s Xchange D.C. presents Revelation tonight at 7 at the Hyatt Regency (400 New Jersey Ave., N.W.). The panel discussion will be moderated by the reality T.V. star Karamo Brown. For details, visit dcblackpride.org.

Layla Lounge (501 Morse St., N.E.) hosts the annual Manhunt Party tonight from 9 p.m.-3 a.m. Passes are on sale at omegapartydc.net.

A soul train dance party is being held at the Hyatt Regency (400 New Jersey Ave., N.W.) tonight from 10 p.m.-1 a.m. The event features DJ Mandrill. Admission is $15. For details visit dcblackpride.org.

Lace Nightclub (2214 Rhode Island Ave., N.E.) hosts Insomniac, the after-party tonight from 3:30-8 a.m. Complimentary breakfast will be provided. For details, visit omegapartydc.net.

Sunday, May 27

A faith service is today from 9-11 a.m. at the Hyatt Regency (400 New Jersey Ave., N.W.). The event is free. For more information, visit dcblackpride.org.

“It’s a Family Affair” is held at Francis-Stevens Educational Campus (23 & O St., N.W.) today from noon-6. Admission is free. For details, visit dcblackpride.org.

Island Inferno annual pool party takes place at Great Waves Water Park (4001 Eisenhower Ave., Alexandria, Va.) today at 3. There will be free food, cash bar and a body contest. For more information visit omegapartydc.net.

Klimex Mega Party is tonight at the Love Nightclub (1350 Okie St., N.E.) from 9 p.m.-4 a.m. Table reservations begin at $500. For details, visit omegapartydc.net.

Monday, May 28

Chocolate City Pride hosts a cookout at Fort Dupont Park (3600 F St., S.E.) today from noon to 5 p.m. For more information, visit omegapartydc.net.

Layla Lounge (501 Morse St., N.E.) hosts the Apocalypse party tonight from 9 p.m.- 2 a.m.  Admission is $10.  For details, visit omegapartydc.net.

— ERIN DURKIN

 

 

 

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Photos

PHOTOS: ‘ICE Out For Good’

Demonstrators protest ICE across country following shooting

Published

on

D.C. shadow representative Oye Owolewa speaks at a rally outside of the White House on Saturday, Jan. 10. (Washington Blade photo by Michael Key)

A protest was held outside of the White House on Saturday following the killing of Renee Nicole Good by a U.S. Immigration and Customs Enforcement agent in Minneapolis. Across the Potomac, picketers held signs calling for “Justice for Renee” in Tysons, Va.

“ICE Out For Good” demonstrations were held in cities and towns across the country, according to multiple reports. A march was held yesterday in Washington, D.C., as the Blade reported. Further demonstrations are planned for tomorrow.

(Washington Blade photos by Michael Key)

Continue Reading

Books

Feminist fiction fans will love ‘Bog Queen’

A wonderful tale of druids, warriors, scheming kings, and a scientist

Published

on

(Book cover image courtesy of Bloomsbury)

‘Bog Queen’
By Anna North
c.2025, Bloomsbury
$28.99/288 pages

Consider: lost and found.

The first one is miserable – whatever you need or want is gone, maybe for good. The second one can be joyful, a celebration of great relief and a reminder to look in the same spot next time you need that which you first lost. Loss hurts. But as in the new novel, “Bog Queen” by Anna North, discovery isn’t always without pain.

He’d always stuck to the story.

In 1961, or so he claimed, Isabel Navarro argued with her husband, as they had many times. At one point, she stalked out. Done. Gone, but there was always doubt – and now it seemed he’d been lying for decades: when peat cutters discovered the body of a young woman near his home in northwest England, Navarro finally admitted that he’d killed Isabel and dumped her corpse into a bog.

Officials prepared to charge him.

But again, that doubt. The body, as forensic anthropologist Agnes Lundstrom discovered rather quickly, was not that of Isabel. This bog woman had nearly healed wounds and her head showed old skull fractures. Her skin glowed yellow from decaying moss that her body had steeped in. No, the corpse in the bog was not from a half-century ago.

She was roughly 2,000 years old.

But who was the woman from the bog? Knowing more about her would’ve been a nice distraction for Agnes; she’d left America to move to England, left her father and a man she might have loved once, with the hope that her life could be different. She disliked solitude but she felt awkward around people, including the environmental activists, politicians, and others surrounding the discovery of the Iron Age corpse.

Was the woman beloved? Agnes could tell that she’d obviously been well cared-for, and relatively healthy despite the injuries she’d sustained. If there were any artifacts left in the bog, Agnes would have the answers she wanted. If only Isabel’s family, the activists, and authorities could come together and grant her more time.

Fortunately, that’s what you get inside “Bog Queen”: time, spanning from the Iron Age and the story of a young, inexperienced druid who’s hoping to forge ties with a southern kingdom; to 2018, the year in which the modern portion of this book is set.

Yes, you get both.

Yes, you’ll devour them.

Taking parts of a true story, author Anna North spins a wonderful tale of druids, vengeful warriors, scheming kings, and a scientist who’s as much of a genius as she is a nerd. The tale of the two women swings back and forth between chapters and eras, mixed with female strength and twenty-first century concerns. Even better, these perfectly mixed parts are occasionally joined by a third entity that adds a delicious note of darkness, as if whatever happens can be erased in a moment.

Nah, don’t even think about resisting.

If you’re a fan of feminist fiction, science, or novels featuring kings, druids, and Celtic history, don’t wait. “Bog Queen” is your book. Look. You’ll be glad you found it.

Continue Reading

Movies

A Shakespearean tragedy comes to life in exquisite ‘Hamnet’

Chloe Zhao’s devastating movie a touchstone for the ages

Published

on

Jessie Buckley and Paul Mescal in ‘Hamnet.’ (Image courtesy of Focus Features)

For every person who adores Shakespeare, there are probably a dozen more who wonder why.

We get it; his plays and poems, composed in a past when the predominant worldview was built around beliefs and ideologies that now feel as antiquated as the blend of poetry and prose in which he wrote them, can easily feel tied to social mores that are in direct opposition to our own, often reflecting the classist, sexist, and racist patriarchal dogma that continues to plague our world today. Why, then, should we still be so enthralled with him?

The answer to that question might be more eloquently expressed by Chloe Zhao’s “Hamnet” – now in wide release and already a winner in this year’s barely begun awards season – than through any explanation we could offer.

Adapted from the novel by Maggie O’Farrell (who co-wrote the screenplay with Zhao), it focuses its narrative on the relationship between Will Shakespeare (Paul Mescal) and his wife Agnes Hathaway (Jessie Buckley), who meet when the future playwright – working to pay off a debt for his abusive father – is still just a tutor helping the children of well-to-do families learn Latin. Enamored from afar at first sight, he woos his way into her life, and, convincing both of their families to approve the match (after she becomes pregnant with their first child), becomes her husband. More children follow – including Hamnet (Jacobi Jupe), a “surprise” twin boy to their second daughter – but, recognizing Will’s passion for writing and his frustration at being unable to follow it, Agnes encourages him to travel to London in order to immerse himself in his ambitions.

As the years go by, Agnes – aided by her mother-in-law (Emily Watson) and guided by the nature-centric pagan wisdom of her own deceased mother – raises the children while her husband, miles away, builds a successful career as the city’s most popular playwright. But when an outbreak of bubonic plague results in the death of 11-year-old Hamnet in Will’s absence, an emotional wedge is driven between them – especially when Agnes receives word that her husband’s latest play, titled “Hamlet,” an interchangeable equivalent to the name of their dead son, is about to debut on the London stage.

There is nothing, save the bare details of circumstance around the Shakespeare family, that can be called factual about the narrative told in “Hamnet.” Records of Shakespeare’s private life are sparse and short on context, largely limited to civic notations of fact – birth, marriage, and death announcements, legal documents, and other general records – that leave plenty of space in which to speculate about the personal nuance such mundane details might imply. What is known is that the Shakespeares lost their son, probably to plague, and that “Hamlet” – a play dominated by expressions of grief and existential musings about life and death – was written over the course of the next five years. Shakespearean scholars have filled in the blanks, and it’s hard to argue with their assumptions about the influence young Hamnet’s tragic death likely had over the creation of his father’s masterwork. What human being would not be haunted by such an event, and how could any artist could avoid channeling its impact into their work, not just for a time but for forever after?

In their screenplay, O’Farrell and Zhao imagine an Agnes Shakespeare (most records refer to her as “Anne” but her father’s will uses the name “Agnes”) who stands apart from the conventions of her town, born of a “wild woman” in the woods and raised in ancient traditions of mysticism and nature magic before being adopted into her well-off family, who presents a worthy match and an intellectual equal for the brilliantly passionate creator responsible for some of Western Civilization’s most enduring tales. They imagine a courtship that would have defied the customs of the time and a relationship that feels almost modern, grounded in a love and mutual respect that’s a far cry from most popular notions of what a 16th-century marriage might look like. More than that, they imagine that the devastating loss of a child – even in a time when the mortality rate for children was high – might create a rift between two parents who can only process their grief alone. And despite the fact that almost none of what O’Farrell and Zhao present to us can be seen, at best, as anything other than informed speculation, it all feels devastatingly true.

That’s the quality that “Hamnet” shares with the ever-popular Will Shakespeare; though it takes us into a past that feels as alien to us as if it took place upon a different planet, it evokes a connection to the simple experience of being human, which cuts through the differences in context. Just as the kings, heroes, and fools of Shakespeare’s plays express and embody the same emotional experiences that shape our own mundane modern lives, the film’s portrayal of these two real-life people torn apart by personal tragedy speaks directly to our own shared sense of loss – and it does so with an eloquence that, like Shakespeare’s, emerges from the story to make it feel as palpable as if their grief was our own.

Yes, the writing and direction – each bringing a powerfully feminine “voice” to the story – are key to the emotional impact of “Hamnet,” but it’s the performances of its stars that carry it to us. Mescal, once more proving himself a master at embodying the kind of vulnerable masculine tenderness that’s capable of melting our hearts, gives us an accessible Shakespeare, driven perhaps by a spark of genius yet deeply grounded in the tangible humanity that underscores the “everyman” sensibility that informs the man’s plays. But it’s Buckley’s movie, by a wide margin, and her bold, fierce, and deeply affecting performance gives voice to a powerful grief, a cry against the injustice and cruelty of what we fumblingly call “fate” that resonates deep within us and carries our own grief, over losses we’ve had and losses we know are yet to come, along with her on the journey to catharsis.

That’s the word – “catharsis” – that defines why Shakespeare (and by extension, “Hamnet”) still holds such power over the imagination of our human race all these centuries later. The circumstantial details of his stories, wrapped up in ancient ideologies that still haunt our cultural imagination, fall away in the face of the raw expression of humanity to which his characters give voice. When Hamlet asks “to be or not to be?,” he is not an old-world Danish Prince contemplating revenge against a traitor who murdered his father; he is Shakespeare himself, pondering the essential mystery of life and death, and he is us, too.

Likewise, the Agnes Shakespeare of “Hamnet” (masterfully enacted by Buckley) embodies all our own sorrows – past and future, real and imagined – and connects them to the well of human emotion from which we all must drink; it’s more powerful than we expect, and more cleansing than we imagine, and it makes Zhao’s exquisitely devastating movie into a touchstone for the ages.

We can’t presume to speak for Shakespeare, but we are pretty sure he would be pleased.

Continue Reading

Popular