Arts & Entertainment
D.C.’s sandwich battles
Taylor Gourmet vs. SUNdeVICH in taste test showdown

Taylor Gourmet features Philly-inspired sandwiches in a stylish setting. (Blade photo by Michael Key)
There is something about a perfect sandwich that makes me smile.
The crispy crust of the bread with a nice moist center, the freshness of quality meats, the smooth cheese that complements it, and the snap of the veggies that top off the sandwich perfection. Sandwiches seem simple but there are so many elements that can lead to their downfall. Two sandwich shops in D.C. promise to deliver high-quality sandwiches, so I set out to discover which would put a bigger smile on my face: Taylor Gourmet or SUNdeVICH.
I ventured into ultra-modern, industrial-styled Taylor Gourmet on 14th Street (1908 14th St., N.W.) a handful of times and the similarly stylish City Vista location (485 K St., N.W.) once. Longtime friends and owners Casey Patten and David Mazza brought the flavors of their native Philadelphia to D.C. by opening Taylor Gourmet when they could not find the hoagies they had grown to love anywhere in the city. Their first location opened in 2007 in the Atlas District (116 H St., N.E.).
The basis of a Taylor sandwich (unless you choose to have it on wheat) is the toasted sesame hoagie bread inspired by Sarcone’s Bakery in Philadelphia. I found the bread a good start for the sandwich, although on a couple occasions it was stale. My favorite sandwich was the Philadelphia Landfill, which has roasted turkey, roasted ham, Genoa salami, roasted red peppers and sharp provolone. Of course, this, and most sandwiches are topped with lettuce, tomato and onion. I opted for no lettuce since I despise crunchy water. You can taste the freshness of this meaty sandwich, and the toppings add a burst of texture and flavor. My husband enjoyed his 9th Avenue Italian sub, but I found the Girard Avenue pork sandwich bland and the Penn Quarter breaded chicken cutlet sandwich dry. The Callowhill spicy meatball sub was surprisingly flavorful and is an excellent option if you are craving a hot sub. I also recommend the fried risotto balls because their deep fried cheesy goodness is amazing, but be warned they do not fit into your weight loss plan.
SUNdeVICH (1314 9th St., N.W.) is a gem in the Naylor Court alley on Ninth Street between N and O streets, N.W. SUNdeVICH wants to deliver patrons non-traditional sandwiches with worldly flavors and local ingredients. The chalkboard menu is filled with sandwich names like the Capri, the Havana, the Isfahan, the Kingston and the Madrid, all of which I have now tried, and thoroughly enjoyed.
The Madrid has chorizo and chimichurri on SUNdeVICH’s crispy-crusted sub bread. The sandwich is complex with sweet, rich, and spicy flavors all dancing on your tongue in perfect harmony. I eventually stopped devouring it long enough to try the Isfahan, which is a soufflé of spinach, mushroom, walnuts and barberry with tzatziki (strained yogurt, garlic, cucumber, mint and dill). The soufflé is served sliced into thin strips and the subtle and exquisitely fresh house made tzatziki adds the perfect degree of tanginess. This option changes your expectations of a sandwich. Another favorite was the impeccable balance of spicy and sweet with the jerk chicken and pineapple salsa on the Kingston. Each sandwich at SUNdeVICH is crafted to give customers a unique flavor experience and each sandwich I tried delivered.
It is hard to compare these two sandwich shops; each one fills its own sandwich niche. In my opinion, SUNdeVICH won the head-to-head taste test with its unique and worldly offerings. Taylor Gourmet, however, delivers the best cold-cut sandwiches I have had so far in this city. Taylor Gourmet had me smiling, but SUNdeVICH altered my sandwich reality and had me grinning from ear to ear (even as I was finishing my leftovers two days later).
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
(Washington Blade photos by Michael Key)

























