Arts & Entertainment
Queery: Henry Maticorena
The Andromeda Transcultural Health communications director answers 20 gay questions
Henry Maticorena’s mother always told him, “When you are a minority, you never turn your back on other minorities.” As a result, he is fluent in four languages, which he uses on the job as a communications/external affairs director at Andromeda Transcultural Health.
Maticorena spearheads HIV/AIDS outreach for the clinic. His arsenal of tools includes bumper stickers, lanyards and squishy balls that have sayings in Spanish, French, Portuguese and English.
“I want to be able to include groups that may not always have access to these services on a regular basis,” he says. “We want to give our clients a holistic treatment, for both their physical health and their mental health.”
Maticorena began his outreach while an undergraduate student at George Washington University, where he traveled to Brazil for a year. He joined the LGBT movement where the advocacy focused mostly on reducing hate crimes. Despite traveling to several other countries, Maticorena regularly returned to D.C. to work.
“I can really connect with policy makers here and watch changes being made here,” he says. “D.C. provides many platforms in which I can make an impact.”
Maticorena is single and lives in D.C. and enjoys attending events at the Phillips Collection and other galleries in his free time. He is also a runner and enjoys watching movies and listening to Bossa Nova with a glass of wine.
How long have you been out and who was the hardest person to tell?
I’ve been out since I was 20 years old. I’ve been fortunate to have always encountered people in my life thus far who never found my sexual orientation to be an issue.
Who’s your LGBT hero?
I’d say it is anyone that goes out of his/her way to help a stranger in need. In my personal life, I’d have to say a great man who was there for me when I experienced emotional struggles in college. His name is Marc.
What’s Washington’s best nightspot, past or present?
Can I answer both? I just have to say Velvet Nation was the place to be when I moved to D.C. to attend GW. I always had a BLAST there. Today, it depends on the mood: Bossa Lounge in Adams Morgan or Cobalt on 17th Street.
Describe your dream wedding.
I‘ve always loved the summer chateaux on Bellevue Avenue in Newport, Rhode Island. My favorite one being The Marble House; I would have the ceremony held there in its ballroom and the reception in the Chinese Tea House in the backyard with all my friends and family.
What non-LGBT issue are you most passionate about?
I’m very passionate about getting every resident the opportunity to have access to services in their native language if they need it.
What historical outcome would you change?
Sept. 11, 2001. It was a few days after I had moved to D.C. from Miami and I witnessed the divisiveness that it instilled in our diverse community in the District and in America at large.
What’s been the most memorable pop culture moment of your lifetime?
I’d have to say when Princess Diana died in 1997 as a result of the car crash in Paris. She had a great impact on my life. All her charitable work inspired me to become very active working for the rights of disadvantaged people as well as becoming involved in the fight against HIV/AIDS and ending the stigma associated with it through my volunteering and work today at Andromeda Transcultural Health (check us out on Facebook: facebook.com/ATHDC).
On what do you insist?
I insist on fomenting cohesiveness within our community to overcome the issues that affect us from HIV to immigration to our youth experiencing homelessness.
What was your last Facebook post or Tweet?
My last post on Facebook was the photo of a business card that reads: ‘Hey, I just met you, and this is crazy, but here’s my number’ hahaha.
If your life were a book, what would the title be?
“My Life as a Socialite: Henry, my Private Story”
If science discovered a way to change sexual orientation, what would you do?
Nothing. I was born this way.
What do you believe in beyond the physical world?
I like to believe that once one dies hopefully one’s spirit will have fulfilled its raison d’etre in this lifetime to continue on its path for continuous growth.
What’s your advice for LGBT movement leaders?
Continue the legacy of prior leaders of the movement to encourage members of our community to be the voices and advocates of individuals whose plea would otherwise be unheard — doing so, creating change and building the path so we can ALL move forward as ONE.
What would you walk across hot coals for?
I would walk across hot coals to get all my friends in London and South America to make it to an overdue reunion here in D.C. My friends are family to me.
What LGBT stereotype annoys you most?
That every gay man wants to pursue every straight man they come in contact with.
What’s your favorite LGBT movie?
“A Home at the End of the World.”
What’s the most overrated social custom?
Shaking hands (which I find so limiting) when introducing oneself for the first time. Kissing on one or both cheeks should not be frowned upon.
What trophy or prize do you most covet?
I don’t want to sound cheesy; I recently attended a funeral and in the reception all individuals I came across shared something in common, how this man had enriched and touched their lives in meaningful ways. I can’t take a trophy or prize with me to the grave. I aspire to have touched and enriched as many individuals’ lives in this lifetime that is the prize I most wish for.
What do you wish you’d known at 18?
My American idioms so as not to mess up “tough love” with “rough love.”
Why Washington?
D.C. has this je ne sais quoi about it and the people I have met here have always embraced me and provided me a platform for growth that I’m always immensely grateful for.
Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.
(Washington Blade photos by Michael Key)

















Arts & Entertainment
Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week
Pride on the Pier officially launches Pride Week in D.C.
The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.
Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.
“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”
Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.
Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.
Event Details:
📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026
⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

Theater
National tour of ‘Gatsby’ comes to National Theatre
Out actor Edward Staudenmayer talks playing the show’s gangster
‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com
Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.
Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.
It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”
Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).
While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.
WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?
EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].
There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.
BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.
STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].
BLADE: When did the 1925 novel first surface on your radar?
STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.
Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.
BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?
STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.
Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.
BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?
STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.
BLADE: Have you had to do that in your career?
STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.
It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.
BLADE: What was your coming of age like?
STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.
BLADE: Did he live to see your success in theater?
STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.
BLADE: Looking ahead, is there a part you’d especially like to play?
STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.
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