Arts & Entertainment
Black and gay in D.C.
Theater festival features two playwrights tackling sexuality, AIDS on stage
DC Black Theatre Festival
June 23-July 1
‘Moments of Truth,’ June 30
9 p.m., Navy Memorial Theater
701 Pennsylvania Ave., N.W.‘11 x 8 ½ inches,’ June 29
9 p.m., Howard University Blackburn Center
2400 Sixth St., N.W.Ticket prices vary.
dcblacktheatrefestival.com
A scene from ‘Moments of Truth’ (Photo courtesy D.C. Black Theatre Festival)
In the upcoming DC Black Theatre Festival, a commemoration of African-American culture and works, two playwrights seek to shine a spotlight on the black LGBT community.
Monte Wolfe and Alan Sharpe, both black D.C. playwrights, have focused their pieces on sexuality, love and dealing with the complications of HIV/AIDS. Their plays are being featured in the festival, which starts June 23 and runs through July 1 at various locations in the D.C. area.
“A problem is a lack in visibility,” says Sharpe. “Representations of black gays have been very limited, and in the past those characters were used as something to ridicule.”
Sharpe’s piece, “11 x 8 ½ inches,” is a series of short scenes that explores the lives of black gay men living in D.C. Each scene explores ideas of sex and sexuality, sometimes entering into the erotic, raunchy and romantic. The piece is being featured in the New Works Reading Series, a part of the festival that showcases new works by upcoming and established playwrights in the area.
Reginald Richards, a gay actor in Sharpe’s play, says the piece works to break stereotypes of the “typical gay man.”
“People expect us to be very flamboyant and really sexual,” he says. “It is important for people to see we come with all different personalities and different ethnic backgrounds.”
Wolfe’s play, “Moments of Truth,” is also a series of short scenes that show a variety of people dealing with the complications of HIV/AIDS and how it affects love and relationships. With a less than $1,000 budget, the minimalist style keeps the focus on the short but charged interactions between the characters.
“There is something for everybody in the show, whether you are black, white, gay or straight,” he says. “It is about connecting AIDS to sexuality and working through those problems.”
Wolfe was diagnosed with AIDS in late 2004. This helped trigger his interest in HIV/AIDS outreach, in which he created the Brave Soul Collective, a theater company, in 2006. The company focuses on plays with LGBT themes.
Sharpe has been writing plays with LGBT themes since 1992. Coincidentally, he was also diagnosed with AIDS the same year. He and Wolfe have collaborated on several works, and Wolfe is an actor in one of the scenes of Sharpe’s piece.
“Alan has always been a mentor to me,” says Wolfe. “He makes it clear to me the character I want to perform and what I want to write about in my plays.”
Sharpe says that the festival is a good opportunity to shed light on talent that might otherwise be overlooked.
“It is amazing to see artists travel from all over the country to join together for a few days,” he says. “It allows artists to reach a broader range of audience.”
Barbara Asare-Bediako, an actor in Wolfe’s piece, identifies as, “a woman who just loves a woman.”
“My ultimate goal is to make black theater and gay theater a normal thing,” she says. “I want it so we can turn on the TV and it would just be part of society.”
However she says it is still important to focus on talent coming from the African-American community, and doing HIV/AIDS outreach. Asare-Bediako has been involved with several outreach programs, including HIPS, to help prevent the spread of HIV/AIDS.
“I had a cousin who passed,” she says. “I found out months after it happened. My uncle, his father, acts like he never had a son.”
Asare-Bediako also cites the high HIV/AIDS rate in the District as an important factor to consider when selecting themes for the festival. The newly infected HIV/AIDS rate among African-American women has nearly doubled in D.C.’s poorest neighborhoods in the past two years, according to a recent Washington Post report.
Despite their focus on LGBT themes, Sharpe and Wolfe work to keep all kinds of audience members involved.
“We focus on the universal elements and not on division,” says Wolfe. “We cry, we laugh, we dream just like everybody else.”
Jared Shamberger, an actor in Wolfe’s piece who also wrote some of the scenes, says the piece includes a little bit of everything and expresses that everyone experiences powerful moments of truth.
“Even though we do primarily focus on LGBT themes, LGBT people have heterosexual friends and vice versa,” he says. “I don’t think you could present the LGBT story without including the heterosexual experience as well.”
One of his scenes is about a heterosexual couple that just had unprotected sex for the first time before they even went on a first date. They talk about where they are as a couple and about getting tested.
Shamberger agrees that including themes that deal with the HIV/AIDS rate is important.
“The HIV infection is not making headlines anymore,” he says. “People are getting infected everyday still, and I think it is something that people should be made aware of.”
Both pieces develop their themes through short scenes rather than a longer narrative arc. Wolfe says this makes the piece more powerful.
“I think it keeps people on their toes,” he says. “I don’t think I want the audience to get married to one particular character. I want them to see some bits of themselves in all the characters.”
Sharpe and Wolfe say that including LGBT themes in the theater is a great way to make people aware of the LGBT community by drawing them into characters’ lives.
“Gay people go through the same thing, they fall in love and they get heartbroken,” says Bediako. “People need to see these stories, see that gay people live normal lives, whatever normal is.”
Shamberger says it is impossible to write a play about the African-American community without including the LGBT community.
“I think if we are trying to present the landscape of black experience we have to include LGBT people as well,” he says.
Celebrity News
My evening with Madonna
Gay icon headlined the World Pride Music Festival in Amsterdam
Editor’s note: International News Editor Michael K. Lavers and Photo Editor Michael Key will be on assignment in the Netherlands through Aug. 10. They will be covering World Pride in Amsterdam.
AMSTERDAM — Madonna and 6,000 of her closest friends celebrated World Pride at Amsterdam’s AFAS Live concert hall early Sunday morning. I was fortunate enough to be one of them.
Madonna last Wednesday nearly broke the internet when she said on social media in Dutch that “I got somethin’ I wanna talk about,” referring to an opening line in “Danceteria,” one of the tracks on her “Confessions II” album that has received rave reviews since its July 2 release. The track has been on near constant replay on my playlist since I first heard it.
— Madonna (@Madonna) July 28, 2026
MISTR — a telehealth platform that offers free access to PrEP, Doxy PEP, STI testing, and long-term care that has organized Madonna’s Club Confessions shows in the U.S. and the U.K. — later confirmed the rampant speculation. I woke up on July 30 to an email in my inbox from MISTR and the World Pride Music Festival PR team that said I was on the press list.
Madonna was indeed going to headline the World Pride Music Festival that Jake Resnicow and Insomniac produced, and I was going to be there. OMFG!!!!
The gay icon had one more surprise in store.
The Dutch internet on Saturday once again broke over speculation that Kylie Minogue was going to appear alongside Madonna. I was getting ready to leave our hotel in Amsterdam on Saturday night when I saw a video of the two of them together.
“Madonna is now teasing Kylie Minogue on her social media … she may be one of her ‘special guests’ tonight,” I wrote in a text to Washington Blade Editor Kevin Naff at 8:46 p.m.
“Have fun! This is turning into the gayest concert ever,” he responded.
I arrived at AFAS Live shortly before 11 p.m. My press contact walked me and two other Dutch journalists into the venue’s cavernous main room known as the Black Box. We made small talk for a few minutes before I started to walk around and listen to Josh Harrison who was on the decks.
Madonna was scheduled to take the stage at 1:30 a.m., but she is known for being late — she is Madonna and she does what she wants. Hayla, a British singer, and Bebe Rexha are among those who performed ahead of Madonna. Thousands of sweaty men — including a group of Australians next to me who were eagerly awaiting Kylie’s anticipated appearance — packed the Black Box and were dancing, anticipating what was to come.
MISTR CEO Tristan Schukraft at one point came on stage and declared Madonna was indeed in the building. The moment for which we were all eagerly waiting finally came shortly before 2:30 a.m.
“Mother is here and this is gay heaven,” said Madonna when she took the stage.
Stuart Price, who produced her “Confessions on a Dance Floor” album in 2005, manned the decks during Madonna’s set.
She opened it with “I Feel So Free” from “Confessions II.” Madonna then sang “Bring Your Love” and “Danceteria” to which this reporter — and everyone else — sang along.
Madonna then teased a surprise before she began to perform “Love Sensation.” Kylie soon appeared on stage. It was nearly too much for my fellow partygoers from Australia. It was indeed the gayest concert ever!
Madonna and Kylie performed “Love Sensation” together. They then sang “Hung Up” and “Sorry” from “Confessions on a Dance Floor” to round out the set that ended shortly after 3 a.m.
Madonna and I share the same birthday — Aug. 16 — and I would like to think she and Kylie gave me an early birthday present. In all seriousness though, it was an amazing night for me and for everyone else who was fortunate enough to be there.
“On the dance floor I feel so free,” says Madonna in the opening of “I Feel So Free.”
For those few precious hours at AFAS Live I did not think about the Trump-Vance administration and the myriad ways it is destroying the U.S. I did not think about the National Guard troops deployed to D.C. I did not think about the pointless wars that continue to ravage Ukraine and other countries around the world. I simply lost myself on the dance floor and celebrated an icon who has always stood with my community.
Thank you, Madonna.
The Petal Release Party and Drag Show was held at Spark Social on Friday, July 31. Performers included Tiara-Missou, Labianna and Darcy de la Cuadra.
(Washington Blade photos by Landon Shackelford)
Celebrity News
Madonna headlines World Pride Music Festival in Amsterdam
Kylie Minogue made surprise appearance alongside gay icon
AMSTERDAM — Madonna on Sunday headlined the final night of the World Pride Music Festival in Amsterdam.
The gay icon took the stage shortly before 2:30 a.m. local time (8:30 p.m. ET on Saturday) during Club Confessions, a set that MISTR, a telehealth platform that offers free access to PrEP, Doxy PEP, STI testing, and long-term HIV care, organized.
“Mother is here and this is gay heaven,” said Madonna when she took the stage inside Amsterdam’s AFAS Live concert hall that can hold up to 6,000 people.
Stuart Price, who produced Madonna’s 2005 “Confessions on a Dance Floor” album and “Confessions II,” which debuted on July 2, DJed the set.
Kylie Minogue made a surprise appearance. She and Madonna performed a new remix of “Love Sensation” from “Confessions II.”
(Washington Blade video by Michael K. Lavers)
“Throughout my career, I’ve always supported efforts to fight HIV and AIDS, and that fight begins with education and access,” said Madonna in a MISTR press release. “With MISTR, (CEO) Tristan (Schukraft) is expanding access to HIV prevention and sexual healthcare for everyone. Through this work, he’s helping preserve and strengthen LGBTQ+ spaces while investing in the communities and culture that have long sustained us.”
Minogue in an Instagram post thanked Madonna, Price, Schukraft, and MISTR.
Madonna appeared at The Abbey in West Hollywood, Calif., in April. Madonna in June celebrated Pride month with a pop-up performance in New York’s Times Square.
Jake Resnicow and Insomniac produced the World Pride Music Festival that also featured Bebe Rexha and Paris Hilton, among others.
“Pride has always been about bringing our community together,” said Resnicow. “At a moment when too many people are being told to hide or make themselves smaller, gathering openly, joyfully, and without apology matters more than ever. I couldn’t be prouder of what this festival brought to life in Amsterdam — one dance floor, completely free.”
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