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Gays out in force for Cher

Diva’s ‘farewell farewell’ show jells after opening night kinks worked out

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(Washington Blade photo by Brian Walmer)

(Washington Blade photo by Brian Walmer)

By BRIAN WALMER
Special to the Blade

Friday night gay and pop culture icon Cher brought her current “Dressed to Kill Tour” to the Verizon Center for an evening filled with hits, new songs and lots of glam.

The tour was announced shortly after the release of her first album in 10 years, “Closer to the Truth,” and fans were beyond thrilled.  In 2005, Cher ended her nearly three-year “Farewell Tour” at the Hollywood Bowl and said that was it as far as touring was concerned.

In 2008, the diva did an elaborate three-year run at the Coliseum in Vegas and while she loved the show, she had said in a few interviews she wasn’t crazy over the crowds and missed going out playing for her fans.

Nearly three years later here we are and Cher is out on the road again gaining rave reviews since the start of the tour in Phoenix two weeks ago. After some opening night mishaps (ill-fitting costumes, flubbed lyrics and missed cues) it seems the tour is now off and running like a well-oiled machine.

“I’m on my way out there. You better be good too or as my mother would say, ‘Cher don’t make me get off this couch,’ ” came Cher’s voice unexpectedly before the start of the show turning the packed arena into a frenzy. Young, old, gay, straight, black, white, everyone turned out for Cher’s (this time she supposedly means it) final tour. Fans dressed in tour shirts sporting the legend’s face, others opted for home-made shirts that showcased song titles and the tour logo. Surprisingly, I didn’t see one Cher look a-like roaming the arena.

Starting the show with a montage of clips, the white curtain dropped and there she stood  atop a giant pedestal dressed in a massive feather headpiece and looking every bit like an Egyptian goddess belting out “Woman’s World.” Disappearing briefly, she remerged (sans headpiece) performing “Strong Enough” from 1998’s “Believe” before chatting with the crowd.

“My life’s goal is to make you happy,” she said. “Who cares if I stand on top of a 20-foot high pillar, standing on a space the size of a desert spoon singing out my lungs before plunging into the ground; these are my thoughts,” she told the audience before sipping Dr. Pepper and going on a rant about her love of Dr. Pepper and how the only thing they’ve given her is a cooler and a six-pack.

During her opening monologue which she said wasn’t as scripted as her previous tours, she went off on a variety of topics. “Gaga doesn’t do that,” she said. “I’d rather stand and talk than have some chick vomit on me. Call me old fashioned. I’m just that funny kind of gal.”

Story topics ranged from her aunt who was the first woman in Little Rock to have shock treatment, her near arrest in Nashville and when she got toilet paper stuck to her fingernail on the opening night of the tour. Despite all the talking and fun you could tell she was having with the audience, she closed her monologue with the news that this is her “Farewell Farewell Tour” — but not without giving a few winks.

After a brief video interlude that turned the Verizon Center into a stormy red inferno Cher emerged from the floor of the stage riding a chandelier belting out “Dressed To Kill” in a sheer body suit with a flowing black train.

(Blade photo by Brian Walmer)

(Blade photo by Brian Walmer)

Next up was Cher from the Sonny & Cher days. After a video montage played clips of the famous couple to the tunes of “Little Man” and “All I Ever Need Is You,” the set turned to black and white and dancers emerged to the opening of the “The Beat Goes On” before being joined onstage by Cher dressed in a sparkly red mini skirt and black-and-white feather boa. After finishing the tune, the icon that’s been a staple of pop culture since the ’60s told the crowd since this is her last time out, she was going to do something she never thought she’d be able to do.

“It took me forever to be able do this and frankly I didn’t think I would be able to do this” she told the crowd before doing a video duet of “I Got You Babe” with her late partner and husband. Despite lots of ups and downs in their relationship, they were arguably America’s favorite entertaining duo and seeing her perform again with him was touching.

(Blade photo by Brian Walmer)

(Blade photo by Brian Walmer)

Next up was a group of circus-attired dancers and a gypsy garbed-Cher to sing a medley of ’70s hits like “Gypsies, Tramps and Thieves,” “Dark Lady” and “Half-Breed,” which she sang while wearing an elaborate feathered headdress.

After a montage of acting clips, she came back out to sing “Welcome to Burlesque” as Tess, her character from “Burlesque,” the 2010 bomb she made with Christina Aguilera. She said “You Haven’t Seen the Last of Me,” which she sang next, was one of the hardest she ever tackled.

“We call this song ‘the beast’ because sometimes I made it through and sometimes I don’t … and I’m very brave. The few times I made it through, it was quite wonderful” It was probably just suspense-building banter as she sang it powerfully and near flawlessly.

Two male dancers performed acrobatic stunts before Cher entered the stage in a giant Trojan horse dressed in gold armor belting out fan favorite “Take It Like a Man” from her new album.

Steering the show in a stripped-down direction, Cher entered the stage in simple black slacks and an off-the-shoulder black top performing “Walking In Memphis” after a video played showing her love of Elvis and seeing him with her mom as a kid. In between sips of Dr. Pepper she told the crowd she had foot surgery and called herself a “crazy bitch” at the thought of launching a tour.

Since this is the “Farewell Farewell Tour,” she did “Just Like Jesse James,” a song she has admitted she doesn’t like and reiterated that sentiment again before performing it for the D.C. crowd. Moving onto a song she does like, she performed her favorite, “Heart of Stone.”

Long time background vocalist for Cher, Stacy Campbell, performed “Bang Bang” with new Cher recruit, Nikki Tillman against a video backdrop of past performances of the song.

To the opening of the ’80s hit “I Found Someone,” Cher entered center stage looking just as she did then — big hair, leather jacket, knee high boots and sheer peek-a-boo body suit. Removing the jacket, Cher belted out one of her signature hits, “If I Could Turn Back Time” prancing across the stage bringing the crowd to its feet.

“Believe” was presented as a crowd singalong. She sang the monster hit while wearing a revealing glittery outfit with a red heart on the chest.

(Blade photo by Brian Walmer)

(Blade photo by Brian Walmer)

“I Hope You Find It” was the encore, sung with Cher standing on a small platform that flew above the crowd letting fans everywhere get an up close view of the icon before she landed back onstage and called it a night nearly two hours after the show started.

Throughout the show, Cher’s voice was top notch and you could tell 99.9 percent of it was live. It seemed she enjoyed shaking up her set list a bit and added some songs that were a bit more challenging than before.  Though its early in the tour, not once did she seem like she was going through the motions. Instead of just talking during the opening monologue and the sit down portion of her show like previous tours, she chatted and joked with the crowd between numbers and made the arena tour feel a bit more intimate and less staged.

The interludes between numbers worked well to blend the songs and visuals so you felt like you weren’t waiting long between costume changes. Speaking of costume changes, while Bob Mackie opted out of doing the new tour, some of his outfits were there, rehashed from previous tours along with new outfits from Hugh Durant. You really couldn’t tell whose outfits were whose and Cher did a great job blending all the elements together so everything ran like a big Broadway show.

If this is truly Cher’s last tour, it’s one hell of a last hurrah. It’s obvious this was a labor of love and I don’t think I ever saw Cher have this much fun on stage. A lot of time was spent making this production one that would be entertaining and also one that pushed Cher to the limits.

Pat Benatar opened with her husband, Neil Giraldo (the Blade interviewed him here). They’re celebrating their 35th anniversary together.

Cher apparently is a fan of Benatar’s and performed the rocker’s “Love Is a Battlefield” during her 1992 “Love Hurts Tour” and the first leg of her 2008 Vegas show.  For Benatar/Giraldo’s hour-long set, they focused solely on hits and turned the Verizon Center into one big karaoke parlor. Pat’s voice is still as strong today as it was then and that sexy, husky growl is still there as she belted out hits such as “Love is a Battlefield,” “Hit Me With Your Best Shot” and “Heartbreaker.”  I’ve seen Pat three times before this show and while I loved each time, I really enjoyed the extra production that went into opening for Cher. The band sounded fuller, backing vocals were added and Pat’s voice was front and center instead of blending into the mix. If you’re reading this Pat, a new album would be fantastic!  The musical duo performs with Cher until April 14. Cyndi Lauper takes over thereafter.

SET LIST:

Pat Benatar:
Shadows of the Night
All Fired Up
Invincible
We Live For Love
Promises In The Dark
We Belong
Hit Me With Your Best Shot
Love Is a Battlefield
ENCORE:
Let’s Stay Together
Heartbreaker/Ring of Fire

Cher:
Woman’s World
Strong Enough
Dressed to Kill
The Beat Goes On
I Got You Babe
Gypsys, Tramps & Thieves
Dark Lady
Half-Breed
Welcome to Burlesque
You Haven’t Seen the Last of Me
Take It Like a Man
Walking in Memphis
Just Like Jesse James
Heart of Stone
Bang Bang (My Baby Shot Me Down) (performed by background vocalists)
I Found Someone
If I Could Turn Back Time
Believe
I Hope You Find It

 

 

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Boomer Banks brings beats to MAL Weekend

From porn to the DJ booth, ’I’m the happiest I’ve ever been’

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Boomer Banks (Photo by Greg Endries)

If you enjoy gay adult films, there is a high likelihood you have seen or at least heard of Boomer Banks. His tattoos, muscles, masculine presence, and thick mustache have made him one of the most recognizable — and awarded — Latinx gay adult performers in the industry. This weekend, Banks heads to the nation’s capital to partake in Mid-Atlantic Leather weekend.

 As D.C. polishes its leather gay apparel for the annual MAL weekend, Banks, alongside a slew of other gay adult performers and leather lovers, is getting ready to make adult content, meet fans, buy some new leather goods, and perform in the name of sexual expression.

This year will be different for Banks compared to his past MAL weekends, though. He will still be go-go dancing as he has in years past, but this year he has a new hat on — headlining DJ. The Blade sat down with the 44-year-old performer to discuss his sex work career, the changing industry, and his passion for DJing.

On Friday night, Banks is one of three headlining DJs for the main dance event of the night, UNCUT XL. He explained that his love for music has always been there, but since the death of his best friend, with whom he connected on a shared love of music, his sets mean more than ever to him now. 

“I loved music for my whole life,” Banks told the Blade when asked about how he got started in music. “My proximity to legendary New York DJs has always been there. I lost my best friend and brother over two years ago, and it just caused a lot of changes [for me]. We both loved music so much … I was talking to one of my DJ friends [about this connection to music], and they were talking to me, and all of a sudden I’m at their studio, playing around with the controller and all that, and it just happened. Here we are, two years later, and now I’m headlining at MAL with some legendary DJs that I have been a fan of since I was young.”

Banks went on to explain that this connection and newfound passion for DJing is what has made his career shift from studio porn to a solo career easier. He also said the continued support from his house music fans has made him want to work even harder on creating memorable sets.

And create memorable sets he has. Banks has headlined events all across the country over the past two years — from Provincetown to Rehoboth Beach and even headlining Folsom, which is the biggest leather event of the year. He explained that he has one overwhelming emotion —gratitude.

“I’m really grateful that Zach [Renovatés] and everybody at Kinetic and Bunker have really taken a liking to my storytelling through music, because that’s what it is for me,” Banks said. “I like taking people on a journey. It’s usually my journey. But I read the crowd, I read energy, and I’m always smiling, and that’s the only place that I do smile. I feel like people often categorize me as intimidating, and a lot of times that’s what I got in the porn industry. But with DJing, the people are always like, ‘You’re so happy up there. You’re smiling all the time.’ And, yeah, I’m the happiest I’ve ever been, and it’s exciting. I love doing it, and I’m grateful and very humbled that people are seeing that this isn’t just a gimmick.”

He went on to explain that this happiness wasn’t always at the base of his work —especially when he was involved with the studio porn system with CockyBoys and Raging Stallion. Various factors, including race, he shared with the Blade, were why it was less than enjoyable at times. But it provided a platform in which he was able to grow and gave him an opportunity to help newcomers in the industry.

“When I got into porn, other brown men were not nice to me; other people of color [were not nice to me]. I thought that it would have been different. So when I was established, I made sure not to do that. I have a few little Banks boys that I nurtured into the industry, and, not to claim them, but it’s just so that they had someone to talk to because I didn’t have that.”

Despite some structural problems within the industry, Banks felt he was able to get what he needed from the career, including a paycheck and a platform.

“Porn did work out for me,” he said. “I was very fucking successful, and I was not white. I did the work, but I just couldn’t keep doing it any more. It wasn’t good for my mental health, and so I knew how to bow out. Who knows? It [studio porn days] might happen again. I don’t know, but I know for today, I love music. It’s my heart. I’m grateful for the platform that sex work gave me because it’s given me a heads up with the music.”

That music has kept him going. More specifically, New York house-style music has kept him going. Banks’s ability to take in the music he loves has made him a stronger DJ, he said. 

“’I’m a New York house DJ,” he said. “That’s the style that I bring. The craziest it gets is like tech house and maybe some early 2000s mid-2000s circuit music. It’s what I grew up with and what I love and what I like to put out there. I’m really grateful that I was not only showing up to these gigs, but I was absorbing the art that is music in a way that it seeped into my pores and my soul, that now I can share how I feel about music, and that’s exciting.”

 He touched on how although many people can be fans of DJ music, it takes more to become a successful DJ.

“The thing about music is you can’t fake music tastes. You can learn all the knobs and the technical parts of DJing, but if you’re not playing good music, and if the room isn’t vibing, it doesn’t matter.”

When asked about the current political climate—seeing as the host hotel for MAL weekend is a mere half mile from the Capitol building—Banks reflected on the importance of weekends like this for the LGBTQ community, which is increasingly facing the backlash of conservative politicians.

 “We are in uncertain times,” he said. “These are the weekends where we’re able to be who we are. And it’s unfortunate that we have to still have these events to express ourselves. Because a lot of these guys, they wait their whole year for this weekend to be able to express themselves. With what’s going on with the world, they’re basically being told that these are the only places they can. I know that in New York we live in a bubble. I know in D.C., we live in a bubble. But I want to show people that are coming from the middle of nowhere that they can have a good time, and even if it is for this weekend, they can rely on us. I want our community to know that I am here for them.”

You can find Boomer Banks headlining Friday’s main dance event UNCUT XL from 10 p.m. to 4 a.m. at REPUBLIQ Hall (2122 24th Pl NE) and go-go dancing during Saturday’s PERVERT XXL party at A.I. Warehouse (530 Penn St., N.E.) from 10 p.m. to 4 a.m. as well as on X @Boomer_Banks and on Instagram @baconlvr.

For more information about MAL events visit leatherweekend.com or kineticpresents.com.

Boomer Banks (Photo by Greg Endries)
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D.C. gets leathered up

Your guide to Mid-Atlantic Leather Weekend

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The annual MAL Weekend kicks off this week with dance parties, an exhibit hall, and much more. (Washington Blade photo by Michael Key)

Half a mile from the Capitol building on New Jersey Avenue, the Hyatt Regency Washington is getting ready for one of the city’s biggest, gayest, and kinkiest weekends of the year — the annual Mid-Atlantic Leather (MAL) Weekend.

The weekend, which has a long and fabled history that spans two different hosting Motorcycle Clubs (MC), multiple host cities, thousands of LGBTQ people dressed head to toe in leather, and as the Centaur MC website explains, all began with an hour of cocktails and a cock ring. 

In 1976, members of the Links MC gathered in a room at New York City’s Waldorf-Astoria hotel to mingle and discuss shared interests (including leather and various sexual proclivities), when one of the party’s guests accidentally dropped his cock ring on the bathroom floor. The loud clang of a cock ring against the tile floor made everyone in attendance laugh. At the next party the Links MC hosted, another member intentionally dropped his cock ring on the floor too, calling back to the prior party’s fun and a tradition was established.

The event grew in popularity among LGBTQ leather lovers, moving to various East Coast cities before finding a permanent home with the Centaur MC in Washington in 1984. Since then, the city has hosted the Leather Cocktail party each year and has expanded to include an exhibitor hall, where leather makers and other kink product creators showcase their wares, the prestigious Mr. MAL Contest, and multiple high energy (and clothing optional) dance parties.

Leather Cocktails in 2013. (Washington Blade archive photo by Tyler Grigsby)

MCs comprised exclusively of queer members have been documented since at least the mid-1950s, with the Satyrs Motorcycle Club of Los Angeles being one of the earliest known examples. During the McCarthy era, when LGBTQ individuals were subjected to brutal discrimination due to unfounded fears that being queer was synonymous with being un-American or even suggested Communist leanings, the groups provided an essential refuge. While such fears were baseless, the formation of these clubs offered a vital safe space for queer people to express themselves in an environment where their identities were not just stigmatized but often criminalized. These MCs became much more than places for sexual expression — they were havens of protection and solidarity, offering a sense of community that would have been nearly impossible to find in the hostile, post-WWII social climate.

This year’s MAL is set to be the biggest year yet with four days of kinky queer fun. It all begins on Thursday at the Hyatt Regency Washington (400 New Jersey Ave., N.W.) with the Full Package/Three Day Pass Pick-Up from 5:30-8:30 p.m. Here guests who have purchased a Full Weekend Package can collect their wristbands.

On Thursday from 9 p.m.-3 a.m., the MAL kick-off Kinetic BOOTCAMP dance party will whip you into shape as international DJs Alex Lo and Dan Slater start off the weekend right. The venue has not been named yet, but Kinetic Events, which oversees this year’s official MAL dance parties have said the space will soon be announced and will “be complete with play zone designed for maximum seduction.”

(Washington Blade photo by Michael Key)

After beginning MAL weekend on the dance floor, Friday is full of events to keep the kinky vibes going. From 3-10 p.m., guests who have not picked up their Full Package Pass on Thursday can continue to collect them in Capital Room A on the lobby level (located behind the north tower elevators) of the Hyatt Regency Washington. If you haven’t purchased a pass, no worries, both day and weekend passes for MAL hotel events are available for purchase online or at the hotel’s entrance from 3-10 p.m. 

The passes vary in price depending on what day(s) you attend. The 3-day pass is $45 plus processing fees and provides access to the Hotel and Exhibitor Hall for the entire weekend, as well as the Mr. MAL Contest on Sunday. The Single Day Pass is $20 plus processing fees and allows access to the Hotel and Exhibitor Hall on either Friday or Saturday. The Sunday Day Pass is $30 plus processing fees and includes access to the Hotel and Exhibitor Hall on Sunday, along with entry to the Mr. MAL Contest. To purchase your pass online visit at sickening.events/e/mal-weekend-2025/tickets or at the hotel’s entrance. 

To get in an elevator up to a hotel room a staff member will check for a hotel room wristband. Non-registered guests can only access host hotel rooms if they are escorted by a registered guest with a valid wristband. Registered guests are permitted to escort only one non-registered guest at a time. Non-registered guests with a wristband who are already in the hotel before 10 p.m. may remain until midnight. However, non-registered guests without a wristband will not be admitted after registration closes.

A scene from the 2024 Mr. Mid-Atlantic Leather competition. (Washington Blade photo by Michael Key)

The Exhibit Hall is located on the ballroom level below the lobby. This year is slated to have 29 exhibitors selling leather and kink goods that range from harnesses to jockstraps and everything in between. The Exhibit Hall will be open on Friday from 4-10 p.m., on Saturday from 11 a.m.-6 p.m., and Sunday from 11 a.m.-5 p.m.

Back by popular demand, DC Health is partnering with Nasty Pig to provide preventative health services including MPox vaccines, Doxy PEP, HIV Testing, Narcan kits, and Fentanyl test strips. Their booth with these services will be available on Friday from 3-10 p.m. and on Saturday from 11 a.m.-6 p.m. at Capital Room B (located behind the north tower elevators next to Room A). 

Also on Friday, the Centaur MC is holding its Welcome Reception from 6-8 p.m. on the ballroom floor. After the Centaur’s Welcome Reception, there will be an International Mister Rubber (IMR) Social from 8-11 p.m. in Congressional Room A. 

Friday night’s dance party KINETIC UNCUT XL will be at REPUBLIQ Hall (2122 24th Place, N.E.) and has been billed as “largest and most debaucherous MAL event yet” with a “labyrinth of play zones” and two dance floors. DJ and adult film creator James Anthony kicks off the night and then allows for you to choose where to dance — either in room 1 with DJ Alex Ramos playing tribal beats or room 2 with DJ and adult creator Boomer Banks playing a tech house set. The dance party goes from 10-4 a.m. so make sure those boots are shined and ready to move. 

On Saturday MAL will host its annual Puppy Mosh in Regency Ballroom C from 11 a.m.-1:30 p.m. During the Mosh, pups and their handlers can enjoy a playful puppy playdate while immersing themselves in pup culture. There are strict rules surrounding the Puppy Mosh. The Mosh Monitor has final say and has the right to eject anyone from the Puppy Park for violating the rules. For the full set of Puppy Mosh rules visit leatherweekend.com/puppy-park-rules/

Immediately following the Puppy Mosh the Super Hero Meet-Up will be held in Capital Room A from 1:30- 3 p.m., where cosplayers and comic book enthusiasts can gather for an erotic meetup celebrating a rendezvous of capes, curves, and vibrant spandex.

From 2-6 p.m. on Saturday, the Onyx Fashion Show will take place in Congressional Rooms A & B for people of color to highlight Black brilliance in leather. 

The Leather Cocktail Party that started it all will be held 7-10 p.m. in the Regency Ballroom. Only those with the Full Package Pass can attend and are encouraged to show off their leather and kink fantasy. 

The Leather Cocktail Party isn’t the only cocktail party happening on Saturday; from 9-11 p.m., the MAL Cocktail Party will be in Congressional Room B for other MAL attendees to mingle and get a drink. 

The last event of Saturday is the KINETIC and Matinée Group’s PERVERT XXL dance party. Beginning at 10 p.m., this will mark the first time that a dance party on MAL Weekend’s Saturday night is an official MAL event. The dance is at A.I. Warehouse in Northeast (address TBA) and has a slew of talent for the celebration. Gigi Goode from “RuPaul’s Drag Race” will “whip the crowd into submission” as DJs from around the world, including Erik Vilar (Brazil), Eliad Cohen (Israel), and Paulo (Los Angeles) play non-stop beats all night long (or at least until 4 a.m. when the party ends). In addition to drag royalty and internationally acclaimed DJs, the dance is held in a multi-level warehouse in Northeast D.C. complete with immersive lights, lasers, and play zones. 

On Sunday at 1 p.m., the Mr. MAL Contest will be held in the Regency Ballroom. This highly sought after title gives one man the power to become the Mid-Atlantic Leather man of the year. The sash and title come with some requirements though: 1. You must be male, 2. You must be a resident of North America, 3. Must be at least 21 years of age, and 4. You must self-identify as gay. Additionally, if you enter, you must be prepared to represent the title as a contestant in the International Mr. Leather (IML) Contest in Chicago on Memorial Day Weekend 2025. Currently the list of applicants has hit its limit but if you are interested and can meet the criteria you can email [email protected] to be put on a standby list.

From 6 p.m. to 12 a.m. on Sunday, MAL will hold its Game Night in Capital Rooms A & B.

Last, but certainly not least, the final event and dance party of the weekend is the KINETIC LUST party, the perfectly sensual and sexy way to end MAL 2025. The party goes from 10 p.m.-3 a.m. as Grammy-nominated Abel and DJ Sam Blacky will end your weekend right with “dark, sexy beats and pulse-pounding rhythms” as erotic porn star performances and exclusive play zones are explored. 

Each day of MAL a Recovery Meeting will be held in the Yosemite Room (located on the conference level/ second floor) from 10-11 p.m. with an additional session on Saturday from 11 a.m.-12 p.m. to provide a safe space for anyone who is struggling with addiction or for anyone who needs to take a sober step away from the weekend’s events. 

All weekend there will also be a Bootblack station where MAL attendees can get any leather goods cleaned and polished. The money donated to the Bootblacks for their work helps raise money for a local charity (that changes each year) and to cover the Mr. MAL travel fund. Don’t forget to tip.

A scene from Mid-Atlantic Leather Weekend 2024. (Washington Blade file Key)

Even though the weekend is called the Mid-Atlantic Leather Weekend, leather is not required. There are some rules regarding outfits though. All expressions of kink are encouraged. Attendees in years past have worn everything from leather to rubber, to furries and even regular street clothes. Just make sure that they abide by the hotel’s dress code rules — in publicly accessible spaces (lobby, hallways, ballrooms, exhibit halls), nudity is not allowed. Men may walk around the hotel shirtless, in a jock, or in chaps with a jock. Women are not permitted to be shirtless or have their nipples exposed. If you are dining, your buttocks must be covered, and at least a vest must be worn.

Please note that all events are 21+ and require an ID check, including every day of events at the Hyatt Regency host hotel. Please make sure you bring your photo ID. Also note that all MAL “Full Weekend Package” pass holders have access to the LUST Sunday Closing Party.

For any additional information on official MAL weekend events and policies, please visit leatherweekend.com or kineticpresents.com

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Looking back at the 10 biggest A&E stories of 2024

Menendez brothers, Chappell Roan, ‘Wicked,’ and more

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(Photo of Cooper Koch in 'Monsters' courtesy of Netflix; screen capture of Imane Khelif via YouTube. Washington Blade photo of Oprah Winfrey by Michael Key)

Reflecting on a year in queer entertainment is never one dimensional. You get stories of joy, hate, and everything in between.

And 2024 was no different. For every Chappell Roan, you get a J.K. Rowling. But looking back on this year is vital in recognizing what progress was made in LGBTQ spaces, and which areas need more attention to make a better 2025.

Though there are no 10 stories that are truly “the most important,” here are some events that represented the good, the bad, and the gloriously gay this year.

#10: Joaquin Phoenix abruptly exits gay film: “Joker” star Joaquin Phoenix reportedly exited a gay romance film days before production was set to begin, stirring up a controversial storm in Hollywood.

Sets were built and distribution deals were already made, which left many owed compensation. 

Described as a detective love story featuring two men in the 1930s, the film was allegedly made to receive an NC-17 rating and to feature authentic and graphic sex scenes.

#9: Adele snaps back at homophobic fan:What better way to kick off Pride month this year than Adele publicly humiliating a fan who shouted a homophobic comment?

The singer was performing her Las Vegas residency show when an audience member shouted, “Pride sucks.” Her response was appropriately filled with profanities. 

“Did you come to my fucking show to say Pride sucks? Are you fucking stupid?” Adele said. “Don’t be so fucking ridiculous. If you have nothing nice to say, shut up, alright?”

A video of the interaction went viral online, and fans rallied on social media to show their support of the singer.

#8: Oprah receives GLAAD recognition: Oprah Winfrey received the GLAAD Lifetime Achievement Award in March. It was a culmination of her strong history of support for the LGBTQ community.

Winfrey used her platform on her self-titled show to raise awareness of HIV/AIDS and LGBTQ bias and hold open discussions to challenge stereotypes and promote acceptance.

“Winfrey’s unique blend of empathy, wisdom, and storytelling resonated with audiences, making her one of the most beloved and influential figures in media history,” Los Angeles Blade publisher Troy Masters wrote.

Oprah Winfrey speaks at the Democratic National Convention in August. (Blade file photo by Michael Key)

winner after 25 seasons.

Asher HaVon, who performed on team Reba McEntire, became a staple on the show for his hypnotic and rich tone. From Selma, Ala., HaVon also represents the fight for equality. 

When former President Barack Obama visited Selma in 2015, HaVon sang for him and 200,000 other people at the historic Selma Bridge crossing.

“For the rest of us, in the LGBTQ community, in the dance clubs, and in the hearts of ones needing a new diva to love, Asher has arrived,” Los Angeles Blade reporter Rob Watson wrote in May.

#6: Out and proud: Many notable celebrities came out this year, including country singer Maren Morris, track star Trey Cunningham, actor Julia Fox and former “Saturday Night Live” star Sasheer Zamata. From sports stars to country idols, these icons are paving the way for LGBTQ visibility in underrepresented entertainment spaces.

#5: Defying box office charts: Jon M. Chu’s “Wicked” is ‘Popular’ with audiences, to say the least.

Roughly one week into its box office run, it became the biggest-grossing movie based on a Broadway musical in North America. It beat previous smashes like “Grease” and “Mamma Mia!” Beyond providing audiences with a faithful yet unique adaptation of the popular book and play, it also gave us numerous viral interviews between its two leading ladies, Ariana Grande and Cynthia Erivo, as well as a plethora of fan cams gushing over out actor Jonathan Bailey.

Your move, “Wicked: Part Two.”

#4: Emmys and Grammys and Tonys, oh my!: It was a historic year for queer representation at the biggest nights in entertainment. Jodie Foster collected her first Emmy for her role in “True Detective: Night Country,” while Jonathan Groff accepted his first Tony for his role in “Merrily We Roll Along.”

The Grammys were huge for women and queer artists, recognizing performers like Billie Eilish, SZA, Miley Cyrus, and Victoria Monet. It was a much different story than in 2018, when Grammy organizers responded to a lack of female recognition by telling women to “step up.” 

#3: Misinformation fuels hate at Olympics: Olympic boxer Imane Khelif was the center of right-wing rage during this summer’s Paris games after many prominent celebrities and personalities said she is transgender. Khelif has differences of sex development (DSD), which is a group of rare conditions that causes one’s sex development to differ from most others. Women with DSD can have both an X and Y chromosome, which is typically only found in men, but it doesn’t make one transgender or intersex.

The facts didn’t matter to public figures like J.K. Rowling and Elon Musk, who were mentioned in a cyber harassment lawsuit after spreading misinformation online about Khelif’s identity. Rowling labeled Khelif a “male” on X, while others called for Khelif to be banned from competing. This outcry over false claims about her identity overshadowed her gold medal win.

Imane Khelif, left, and Angela Carini, right. Khelif has filed a lawsuit that accuses JK Rowling and Elon Musk of cyberbullying. (Screenshot via YouTube)

#2: The rise, not fall, of a Midwest princess: It was a stellar year for women and queer performers, headlined by Chappell Roan’s rapid ascension to fame. The singer drew global recognition with notable hits like “HOT TO GO!” and “Good Luck, Babe!”. 

More importantly, as a member of the community herself, fame never got in the way of her pro-LGBTQ messaging. She dedicated her Best New Artist VMA win to the “queer youth in the Midwest.” Roan, who’s from Missouri, also used her platform to support the art of drag. She enlisted local drag queens to open her shows this year, and gained instant approval when paraphrasing Sasha Colby’s famous saying: “I’m your favorite drag queen’s favorite drag queen.”

#1 Ryan Murphy strikes controversial gold again: The ethical implications of “Monsters: The Lyle and Erik Menendez Story” were hotly debated when it debuted on Netflix in September.

Some loved the show’s aesthetic and its gripping portrayal of the two brothers who killed their parents in 1989. Others criticized it for its flimsy factual representation and glorification of murder through its two overly attractive leads. Whatever your opinion, there’s no denying the show’s impact, which sparked a national debate over releasing the brothers from prison early. With LA electing a new district attorney in November, the push for an early release remains in the headlines and a strong possibility.

Regardless of your opinion of the show, there’s no denying the cultural impact it sparked. Out creator Ryan Murphy isn’t new to producing shows that divide people while generating ratings. The first installment of the “Monster” anthology, centered on Jeffrey Dahmer, was a huge hit despite facing intense scrutiny for similar creative decisions.

Cooper Koch and Nicholas Alexander Chavez star in ‘Monsters.’ (Photo courtesy of Netflix)
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