Arts & Entertainment
Queery: Alex Mills
The Synetic ‘Jekyll & Hyde’ lead answers 20 gay questions
Alex Mills is in the midst of a heinously busy day. It’s after 11 p.m. and he’s been in heavy-duty tech rehearsals since 5:30. After we get off the phone, he’s going back for another 90 minutes or so. It’s all part of the grueling process of getting a show on its feet.
Mills plays the title role in “Jekyll & Hyde,” the latest movement-based extravaganza from Arlington’s Synetic Theater where Mills has been in several shows since 2008. It started when he took a year off from college overwhelmed by the daunting Boston University tuition price. A friend suggested he check out Synetic. He did, got a callback and is now one of the innovative theater’s senior company members.
If the roster there seems rather insular, he says it’s out of necessity. The grueling physical training regimen its visionaries — Paata and Irina Tsikurishvilli — put their players through means other actors in the region not steeped in the Synetic tradition could get up to speed fast enough for a single show. Synetic members commit to one show a year and staying up to date with their training sessions. Mills is just starting to branch out some — look for him at Studio and Signature in the coming year.
But is the all-consuming nature of the work at Synetic too overwhelming after a few years?
“Doing these shows is so fulfilling,” the 23-year-old Fredericksburg, Va., native says. “There’s such a sense of ownership in the worl, it’s sort of my spiritual outlet as well. It’s what fills me up. A lot of the actors say after they haven’t been doing a show for a month or so, that they feel so empty … we’re very close. We talk about everything and no each other so intimately. They’re the closest people in my life.”
“Jekyll & Hyde” is in previews now and opens officially Thursday and runs through Oct. 21. Visit synetictheater.org for details.
Mills, who’s single, says he has few interests outside theater. He was crashing with a friend recently but just moved to Bloomingdale.
How long have you been out and who was the hardest person to tell?
I came out when I was 21 so I guess that makes it about a year and a half for me. The hardest person to tell (and by hard I don’t mean in any way hard due to repercussions or any fear of not being accepted) was my mom. I think for most guys coming out the first significant person in your life you tell, whether it be friends or family, is always the hardest because its like “There’s no going back now!”
Who’s your LGBT hero?
Anderson Cooper. I admire him for his professionalism and the fact that him being gay is not something that he even feels he has to explain to people. He is what he is and lives his life.
What’s Washington’s best nightspot, past or present?
I’m probably the worst person to ask this to because I am so not in the scene. Being in theater, I would say wherever the cast of a large play or musical goes to is going to be the best nightspot you could find. It’s a free show.
Describe your dream wedding.
I actually don’t have a fully fleshed out idea of what I would want but it would be small, probably on the beach with close friends and family. Or on Mars; the landing of this rover has really got me thinking.
What non-LGBT issue are you most passionate about?
Women’s rights. Legitimate rape? Come on. It’s amazing how these people come into power.
What historical outcome would you change?
Luke Skywalker going to the Dark Side.
What’s been the most memorable pop culture moment of your lifetime?
The whole era of Britney Spears going crazy.
On what do you insist?
Be able to laugh at yourself.
What was your last Facebook post or Tweet?
Dear God, Ryan and I tackled him moving in like a couple of coke heads with a mission; shazamablama!
If your life were a book, what would the title be?
“Makin’ it Work; somehow”
If science discovered a way to change sexual orientation, what would you do?
That’s a thought I don’t even want to entertain. I’d be afraid it’d turn into an “X-Men 3”-type situation.
What do you believe in beyond the physical world?
I wouldn’t say I believe in something beyond the physical world, necessarily, but I do like to think and hope that there’s some energy out there that directs us or at least collects us at the end.
What’s your advice for LGBT movement leaders?
Be strong and patient.
What would you walk across hot coals for?
My friends and family.
What LGBT stereotype annoys you most?
That we are all super coiffed at all times.
What’s your favorite LGBT movie?
“Were the World Mine.” I saw it during the time when I was in rehearsals for a “Midsummer Night’s Dream.”
What’s the most overrated social custom?
Having to keep conversation with people when you don’t want to.
What trophy or prize do you most covet?
I want an Olympic medal so bad. Ideally, in gymnastics, but that ship has sailed.
What do you wish you’d known at 18?
That coming out doesn’t make the slightest difference in the world, at least in my life with the people I’m surrounded by.
Why Washington?
It was never a choice for me, I started working up here with Synetic Theater when I was 19 and I’ve been trucking along ever since. I love the community, and the fact that D.C. is totally manageable and not overwhelming. And it just fits, at least for right now in my life.
More than 40 openly LGBTQ athletes are expected to compete in the Milan Cortina Winter Olympics that open on Friday.
Outsports.com notes eight Americans — including speedskater Conor McDermott-Mostowy and figure skater Amber Glenn — are among the 44 openly LGBTQ athletes who will compete in the games. The LGBTQ sports website also reports Ellis Lundholm, a mogul skier from Sweden, is the first openly transgender athlete to compete in any Winter Olympics.
“I’ve always been physically capable. That was never a question,” Glenn told Outsports.com. “It was always a mental and competence problem. It was internal battles for so long: when to lean into my strengths and when to work on my weaknesses, when to finally let myself portray the way I am off the ice on the ice. That really started when I came out publicly.”
McDermott-Mostowy is among the six athletes who have benefitted from the Out Athlete Fund, a group that has paid for their Olympics-related training and travel. The other beneficiaries are freestyle skier Gus Kenworthy, speed skater Brittany Bowe, snowboarder Maddy Schaffrick, alpine skier Breezy Johnson, and Paralympic Nordic skier Jake Adicoff.
Out Athlete Fund and Pride House Los Angeles – West Hollywood on Friday will host a free watch party for the opening ceremony.
“When athletes feel seen and accepted, they’re free to focus on their performance, not on hiding who they are,” Haley Caruso, vice president of the Out Athlete Fund’s board of directors, told the Los Angeles Blade.
Four Italian LGBTQ advocacy groups — Arcigay, CIG Arcigay Milano, Milano Pride, and Pride Sport Milano — have organized the games’ Pride House that will be located at the MEET Digital Culture Center in Milan.
Pride House on its website notes it will “host a diverse calendar of events and activities curated by associations, activists, and cultural organizations that share the values of Pride” during the games. These include an opening ceremony party at which Checcoro, Milan’s first LGBTQ chorus, will perform.
ILGA World, which is partnering with Pride House, is the co-sponsor of a Feb. 21 event that will focus on LGBTQ-inclusion in sports. Valentina Petrillo, a trans Paralympian, is among those will participate in a discussion that Simone Alliva, a journalist who writes for the Italian newspaper Domani, will moderate.
“The event explores inclusivity in sport — including amateur levels — with a focus on transgender people, highlighting the role of civil society, lived experiences, and the voices of athletes,” says Milano Pride on its website.
The games will take place against the backdrop of the U.S. Olympic and Paralympic Committee’s decision to ban trans women from competing in women’s sporting events.
President Donald Trump last February issued an executive order that bans trans women and girls from female sports teams in the U.S. A group of Republican lawmakers in response to the directive demanded the International Olympics Committee ban trans athletes from women’s athletic competitions.
The IOC in 2021 adopted its “Framework on Fairness, Inclusion and Nondiscrimination on the Basis of Gender Identity and Sex Variations” that includes the following provisions:
• 3.1 Eligibility criteria should be established and implemented fairly and in a manner that does not systematically exclude athletes from competition based upon their gender identity, physical appearance and/or sex variations.
• 3.2 Provided they meet eligibility criteria that are consistent with principle 4 (“Fairness”, athletes should be allowed to compete in the category that best aligns with their self-determined gender identity.
• 3.3 Criteria to determine disproportionate competitive advantage may, at times, require testing of an athlete’s performance and physical capacity. However, no athlete should be subject to targeted testing because of, or aimed at determining, their sex, gender identity and/or sex variations.
The 2034 Winter Olympics are scheduled to take place in Salt Lake City. The 2028 Summer Olympics will occur in Los Angeles.
Theater
Out dancer on Alvin Ailey’s stint at Warner Theatre
10-day production marks kickoff of national tour
Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org
The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May.
“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.
Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour.
Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”
Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.
He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”
Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.
WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989.
RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.
BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.
MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body.
That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.
BLADE: Is “Revelation” a meaningful piece for you?
MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old.
BLADE: How can a dancer in a prestigious company also be a ballroom house father?
MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.
I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance.
BLADE: Any message for queer audiences?
MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do.
BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?
MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great.
Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.
Tickets are $17.85 and can be purchased on Eventbrite.

