Arts & Entertainment
Queery: Alex Mills
The Synetic ‘Jekyll & Hyde’ lead answers 20 gay questions
Alex Mills is in the midst of a heinously busy day. It’s after 11 p.m. and he’s been in heavy-duty tech rehearsals since 5:30. After we get off the phone, he’s going back for another 90 minutes or so. It’s all part of the grueling process of getting a show on its feet.
Mills plays the title role in “Jekyll & Hyde,” the latest movement-based extravaganza from Arlington’s Synetic Theater where Mills has been in several shows since 2008. It started when he took a year off from college overwhelmed by the daunting Boston University tuition price. A friend suggested he check out Synetic. He did, got a callback and is now one of the innovative theater’s senior company members.
If the roster there seems rather insular, he says it’s out of necessity. The grueling physical training regimen its visionaries — Paata and Irina Tsikurishvilli — put their players through means other actors in the region not steeped in the Synetic tradition could get up to speed fast enough for a single show. Synetic members commit to one show a year and staying up to date with their training sessions. Mills is just starting to branch out some — look for him at Studio and Signature in the coming year.
But is the all-consuming nature of the work at Synetic too overwhelming after a few years?
“Doing these shows is so fulfilling,” the 23-year-old Fredericksburg, Va., native says. “There’s such a sense of ownership in the worl, it’s sort of my spiritual outlet as well. It’s what fills me up. A lot of the actors say after they haven’t been doing a show for a month or so, that they feel so empty … we’re very close. We talk about everything and no each other so intimately. They’re the closest people in my life.”
“Jekyll & Hyde” is in previews now and opens officially Thursday and runs through Oct. 21. Visit synetictheater.org for details.
Mills, who’s single, says he has few interests outside theater. He was crashing with a friend recently but just moved to Bloomingdale.
How long have you been out and who was the hardest person to tell?
I came out when I was 21 so I guess that makes it about a year and a half for me. The hardest person to tell (and by hard I don’t mean in any way hard due to repercussions or any fear of not being accepted) was my mom. I think for most guys coming out the first significant person in your life you tell, whether it be friends or family, is always the hardest because its like “There’s no going back now!”
Who’s your LGBT hero?
Anderson Cooper. I admire him for his professionalism and the fact that him being gay is not something that he even feels he has to explain to people. He is what he is and lives his life.
What’s Washington’s best nightspot, past or present?
I’m probably the worst person to ask this to because I am so not in the scene. Being in theater, I would say wherever the cast of a large play or musical goes to is going to be the best nightspot you could find. It’s a free show.
Describe your dream wedding.
I actually don’t have a fully fleshed out idea of what I would want but it would be small, probably on the beach with close friends and family. Or on Mars; the landing of this rover has really got me thinking.
What non-LGBT issue are you most passionate about?
Women’s rights. Legitimate rape? Come on. It’s amazing how these people come into power.
What historical outcome would you change?
Luke Skywalker going to the Dark Side.
What’s been the most memorable pop culture moment of your lifetime?
The whole era of Britney Spears going crazy.
On what do you insist?
Be able to laugh at yourself.
What was your last Facebook post or Tweet?
Dear God, Ryan and I tackled him moving in like a couple of coke heads with a mission; shazamablama!
If your life were a book, what would the title be?
“Makin’ it Work; somehow”
If science discovered a way to change sexual orientation, what would you do?
That’s a thought I don’t even want to entertain. I’d be afraid it’d turn into an “X-Men 3”-type situation.
What do you believe in beyond the physical world?
I wouldn’t say I believe in something beyond the physical world, necessarily, but I do like to think and hope that there’s some energy out there that directs us or at least collects us at the end.
What’s your advice for LGBT movement leaders?
Be strong and patient.
What would you walk across hot coals for?
My friends and family.
What LGBT stereotype annoys you most?
That we are all super coiffed at all times.
What’s your favorite LGBT movie?
“Were the World Mine.” I saw it during the time when I was in rehearsals for a “Midsummer Night’s Dream.”
What’s the most overrated social custom?
Having to keep conversation with people when you don’t want to.
What trophy or prize do you most covet?
I want an Olympic medal so bad. Ideally, in gymnastics, but that ship has sailed.
What do you wish you’d known at 18?
That coming out doesn’t make the slightest difference in the world, at least in my life with the people I’m surrounded by.
Why Washington?
It was never a choice for me, I started working up here with Synetic Theater when I was 19 and I’ve been trucking along ever since. I love the community, and the fact that D.C. is totally manageable and not overwhelming. And it just fits, at least for right now in my life.
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)














Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages
They’re among the world’s greatest love stories.
You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.
Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.
That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”
She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.
Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.
She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.
And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.
And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”
“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.
If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.
These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.
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