Arts & Entertainment

Gay is ‘The New Normal’

Same-sex couple explores parenthood in new Ryan Murphy sitcom

Published

14 years ago

September 13, 2012

Joey DiGuglielmo

‘The New Normal’
NBC
Tuesdays at 9:30 p.m.

Andrew Rannells as Bryan (left) and Justin Bartha as David in the controversial new NBC comedy ‘The New Normal.’ (Photo courtesy NBC)

Now that “The New Normal” is off and running — an online pilot teased the series while its first two regular broadcasts were Monday and Tuesday this week before settling into its regular Tuesday night time slot — most TV fans know the premise.

This latest creation from gay TV mastermind Ryan Murphy (“Glee,” “Nip/Tuck,” “American Horror Story”), it tells of a happy young gay Los Angeles couple, Bryan (Andrew Rannells) and David (Justin Bartha), who convince new-in-town Goldie (Georgia King) to be a surrogate so they can start a family.

The show’s off to a decent-enough start. Monday night’s network debut found it winning its time slot drawing about 6.9 million viewers, though about 45 percent of those who’d tuned in for lead-in hit “The Voice,” cut out for “Normal.” Some critics are calling the performances a “triumph over content.”

Entertainment Weekly’s Ken Tucker calls Rannells — best known for his Broadway turn in “The Book of Mormon” — “one of the hottest young talents around and he does as much as he can with a role that co-creators Murphy and Ali Adler seem to have conceived as a cross between Charles Nelson Reilly and Rip Taylor; all Bryan is missing is a bag of confetti to throw at his costars after deliving a punchline. It’s to Rannells’ credit that he made the premiere’s attempts at heart tugging, wuch as a home video made for the future baby professing ‘how desperately you are wanted,’ seem heartfelt.”

The San Francisco Chronicle praised its “humor, solid performances” and “snappily written script.” The Los Angeles Times said the pilot “felt flat or programmatic … but much was likable as well, especially the nonchalant tenderness between the male leads.”

During a conference call last week, Rannells, Bartha and King fielded questions on everything from where the show is headed, to working with Murphy to what they think about the controversy the show has generated (Salt Lake City, Utah-based NBC affiliate KSL has refused to air the show though it claimed it was more for the “sexually explicit content, demeaning dialogue and inciting stereotypes” than its “gay characters or LGBT families; Two Utah pro-gay groups in a partnership with GLAAD are screening the show for Utah residents).

“I actually do hope people are offended by it,” Bartha says. “I think hopefully it will get conversations started in family homes and that families who love it will love it for what it is, a compassionate and loving family with many positive aspects. And the ones who are offended by it or find that it strikes them as offensive, hopefully they will maybe realize that they’re bigots and they’re ignorant and possibly our show can usher in a little more acceptance. I don’t expect it to change anyone’s life, but I do think one of the wonderful things about television is its ability to start a conversation, to inspire people to have those watercooler chats maybe the next day. It starts that discourse.”

King, a British actress with extensive film and TV credits, says realizing the show was drawing controversy was “the biggest thrill.”

“It’s bringing up topics and questions and ideas that maybe people haven’t had to consider before,” she says. “It’s a privilege to be doing something that’s starting a great conversation.”

But if the show takes off, where could it possibly go once the pregnancy storyline is played out? Some have questioned whether there’s enough meat to the setting to warrant a long-running series.

Rannells says all early signs are great as far as he’s concerned.

“We’re shooting the fifth episode so far and we’ve read six scripts so far and I have to say, the shows just keep getting better and better. If you’re asking what the second season, the third season and so on will look like, we don’t think of it that way. The main reason we all signed up was because of Ryan and Ali and I think when you see the rest of these episodes, you’ll see that it’s not only a great set up, but in the following episodes, it really does explore the depth of each character and make them each indelible.”

“Ryan’s just been extraordinary,” King says. “He’s got such a wonderful reputation for not being too kind of plucky and fake. He’s very to the point and personally, I absolutely love that. He’s so candid and so clear in his ideas in what he wants and I’m very happy to be there when he’s directing.”

And though he hasn’t said much about his personal life, Bartha admits playing gay with Rannells has been easy.

“From the first time I looked into Andrew’s eyes, I knew I could fall in love,” Bartha says. “I have such a respect for him as an actor and as a person that it was immediately apparent to me that this could work. I just thought he was a funny, good looking, talented guy and he’s easy to be around, so that was the basis of it. … I really wanted to play it as a real couple who love each other and have struggles just like everyone else. Ryan keeps reminding us of that all the time. He’s always saying, ‘Let’s keep this as real as possible.’ It’s funny, but it’s also very, very real. It’s not a sitcom in the classic sense.”

And while it’s ultimately meant to be light hearted and comical, the cast says they hope viewers will take away something deeper.

“What we’re ultimately saying is that what we’re creating is perhaps no different from your family,” Rannells says. “All families basically start as unlikely folks coming together to create this family. Initially it might seem like this is awfully different, but the story we’re telling is really universal.”

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What ‘Queer Eye for the Straight Guy’ can still teach us

Producer David Collins on lasting impact of hit series

Published

4 hours ago

August 20, 2026

Joel Medina

David Collins (Photo courtesy of Collins)

It’s hard to imagine where LGBTQ+ television would be without “Queer Eye for the Straight Guy,” the trailblazing reality series that premiered in 2003.

Each episode of this Emmy-winning show saw a group of gays converge on a struggling man — the titular straight guy — and offer nonstop wit while organizing his endlessly messy life. This program about a group of homosexual helpers took the world by storm, furthering the love of gay television begun by shows like “Will and Grace” but bringing it into the growing medium of reality TV. Of course, it wasn’t perfect; “Queer Eye for the Straight Guy” often cast its experts less as multi-faceted queer folks and more as sources of early 2000s gay jokes. But despite these pitfalls, it’s undeniable that the original program explored the realities of being gay in a way audiences had never seen before. It was a monumental piece of LGBTQ+ representation, and its success is largely owed to the man who fought to get this show made: producer David Collins.

Collins spoke with the Blade from his Los Angeles home, where he’s spent the past few years living with his husband and his two daughters. David spoke fondly of his many years in the industry, detailing how it feels to be such a huge part of LGBTQ+ history. He explained, however, that he didn’t initially set out to alter how queer people were seen on television. “I never went out to make gay television,” said the producer. “I went out to tell great stories.”

“I’m a hillbilly from Ohio, and I thought I was going to be an editor,” David laughed, looking back on his career. “I interned at the Cincinnati Film Office, and I showed up to work my very first day, and the film commissioner was like, ‘Get to the airport right now and pick [someone] up. Don’t talk to them.’ Well, I ended up picking up Jodie Foster.” Collins raved about this car ride that changed his life, with the pair becoming friends and Foster pushing him to become a producer who puts their own media out into the world. Eventually, he did just that, and after learning about the wild new genre that was reality TV, he pitched a series to Bravo: “Queer Eye for the Straight Guy.”

“I was obsessed with Esquire magazine, and they had five categories: fashion, grooming, interior design, culture, food, and wine. So I gave them each a gay, and the Fab Five were born!” Collins said, describing how viewers quickly fell in love with the concept and earned the program four seasons and an Emmy for Outstanding Reality Program. He spoke about how proud he felt creating a show that centered real gay people, not characters in a story, remembering, “To stand in the middle of Times Square and look up and see this massive billboard with the original Queer Eye guys…it wasn’t even a dream come true, because it wasn’t a dream I had even fathomed.”

With his series, people were watching actual gay men and learning the realities of a queer culture that had always been portrayed as a danger to society. Collins tearfully recounted hearing about queer people using the show as a way to connect with their family, saying, “What I’m most proud of that’s come out of Queer Eye [are] the conversations that that series has allowed to have people around their kitchen tables with little boys in Ohio like me who were scared to death that they were going to burn in hell because their pastor was telling them that they were a sinner.”

Now, for all of its trailblazing, the program wasn’t wholly positive; the show’s focus on the central ‘straight guy’ meant it rarely delved into the lives of its Fab Five. Collins regretted that lack of depth but understood that earlier audiences weren’t accustomed to such a nuanced look into queerness — that would have to wait for the reboot.

When “Queer Eye” came out in 2018, audiences were introduced to not only a new Fab Five, but a whole new format (that didn’t rely on a straight person). Now, the series would assist queer folks and allies alike, spotlighting these individuals as well as the queer experts helping them improve their lives. The show has been applauded for its amazing makeovers, but where it truly stands out is its representation, offering a look into individuals across the country and the struggles — along with the immense joys — of being queer in America today.

Fans were disappointed to hear that “Queer Eye” would be ending after its 10th season, but David stressed that they wouldn’t have to be sad for long. “What I will say to you is this: hang tight,” he teased. “There’s yet another version of ‘Queer Eye’ to come, and we’re working on that now.” In the meantime, Collins is continuing his work with new shows like the “House of Stassi,” a series centered on “Vanderpump Rules’”prolific waitress. He’s excited about these new projects, but emphasized that his heart will always belong to “Queer Eye for the Straight Guy” and all that it continues to do for viewers 19 years after its finale.

“It’s not about your new outfit or your new couch or your new whatever. It’s about your humanity,” said Collins, speaking about the core lesson he hopes people take away from the Queer Eye franchise. “It’s about seeing yourself. It’s about dignity. It’s about how confidence breeds success.”

A valuable message that queer folks can benefit from even more now than they did in 2003. And, while it’s unclear just what lies ahead for this franchise, one thing is for sure: “Queer Eye for the Straight Guy” helped people everywhere understand the power that exists within our queerness. It’s a truth that has impacted countless pieces of LGBTQ+ television today, and it’s one that Collins promises to keep alive through whatever hit show he creates next.

Celebrity News

Madonna nominated for 11 MTV VMAs

Musical icon has been nominated in every decade of her career

Published

2 days ago

August 18, 2026

Christian Cintron

While Michael Jackson is the uncontested King of Pop, Madonna can easily be considered its queen. She has managed to maintain relevancy throughout the decades and borrowed from different genres and even cultures. There was Puerto Rican freestyle-inspired early Madonna, the “Evita” moment, Madonna as a guru with “Ray of Light,” and more.

Regardless of how you feel about her acting, she has consistently performed hits for films, garnering her multiple awards.

Her follow-up to the wildly popular “Confessions on a Dance Floor,” “Confessions II” has managed to snag her 11 VMA nominations, more than any artist this year. This brings her total up to 80 nominations, and whatever she takes home will add to her 20 wins.

Madonna’s relationship with the VMAs has consistently included history-defining moments. In 1984, she performed at the first VMA ceremony dressed like a bride, emerging from a cake singing “Like a Virgin.” It was provocative and, of course, got conservatives into a tizzy.

One of her most memorable performances was her 1990 performance of “Vogue” in full Marie Antoinette regalia, which is forever etched in history. She also sang “Hollywood” in 2003 and famously kissed both Britney Spears and Christina Aguilera. She even eulogized Michael Jackson at the 2009 ceremony.

Fans have long awaited a follow-up to this monumental album. Despite her long career, “Confessions” marked her second Grammy for music achievement. Her follow-up album has delighted the gays and gone viral on social media with LGBTQ folks reigniting their love of Madonna with “I Feel So Free.” She is giving us what we need, much like Lady Gaga dropping “Chromatica” post-pandemic.

Since the album has been released, Madonna united with pop royalty, Kylie Minogue, on a remix of her song “Love Sensation.” The two appeared together on the stage for her set at World Pride in Amsterdam.

(Washington Blade video by Michael K. Lavers)

Rather than releasing a plain old music video, she released a film which strings together multiple celebrity appearances including collaborator Sabrina Carpenter, Benedict Cumberbatch, her longtime friend Debi Mazar, Honey Dijon, Kate Moss, Game of Thrones star Gwendoline Christie, and even her daughter Lourdes Leon. While the state of her biopic is in limbo, Julia Garner appeared in Madonna drag for the video. This video is the lion’s share of her nominations and could lead to an epic performance at the ceremony.

Time will tell how she will top these history-defining moments, but one thing is for sure … it will be a show. This year’s nominations include:

Artist of the Year
Video of the Year (CONFESSIONS II – THE FILM)
Song of the Year (Bring Your Love with Sabrina Carpenter)
Best Collaboration (Madonna & Sabrina Carpenter)
Best Dance (CONFESSIONS II – THE FILM)
Best Choreography (CONFESSIONS II – THE FILM)
Best Editing (CONFESSIONS II – THE FILM)
Best Visual Effects (CONFESSIONS II – THE FILM)
Best Direction (CONFESSIONS II – THE FILM)
Best Art Direction (CONFESSIONS II – THE FILM)
Best Cinematography (CONFESSIONS II – THE FILM)

You can vote for Madonna on MTV’s website and find out how many awards she takes home and see her soon-to-be-legendary performance at the 2026 VMAs on Sunday, Sept. 27, on CBS, MTV, and Paramount+.