Arts & Entertainment
Calendar: Sept. 21
Parties, concerts, exhibits and more through Sept. 27


Diamond Ring, gay singer John O’s performance alter ego, is at the 9:30 Club Sunday night. (Photo courtesy the Karpel Group)
TODAY (Friday)
“Clean House” star Mark Brunetz is featured in The Capital House Show at the Dulles Expo Center (4320 Chantilly Center Chantilly, Va.) today from 10 a.m.-9 p.m. Tickets are $10 at the box office adult admission, $7 adult online admission and $3 children (6-12 years old) admission and free for children 5 years and under. For more information about the show and tickets, visit capitalhomeshow.com.
The Nitecamp Dancers will perform at Town (2009 8th St. NW) tonight at 10:30 p.m. Doors open at 10. There is a $5 cover from 10-11p.m. for the 21-and-up crowd and $10 cover after 11 p.m. Those 18-20, have a $10 cover all night. $3 drinks last from 10-11 p.m. For more information, visit towndc.com.
Saturday, Sept. 22
Team D.C. Dodgeball holds its first ever tournament at the Columbia Heights Recreation Center (1480 Girard Street) today at 10 a.m. Team D.C. was created to educate the LGBT community on the benefits of sports participation, while dismissing discrimination of those partaking in sports. The group also gives the opportunity for the community to participate in various local, regional, national and international competitions. For more information, visit teamdc.org/Dodgeball.htm.
Brother Help Thyself has its rain date for Gay and Lesbian Night at Kings Dominion for tonight from 8 p.m. to 1 a.m. As the group’s biggest fundraiser, all benefits go to Brother Help Thyself. Although the event was changed because of bad weather, all Sept. 8 tickets will be accepted. Tickets costs $34 online and $36 at the gate. For more information, visit thedccenter.org.
The third annual 17th Street Festival is today from noon-6 p.m. The community will celebrate the 17th Street Corridor from Riggs Place to P St. N.W. Including many different musical performances, artist vendors, a pet and kid zone and appearances from various city officials, everyone is coming together to commemorate business and the community itself. For more information, visit thedccenter.org.
The Green Lantern (1335 Green Ct.) hosts The Tainted Love, an International ‘80s Dance Party tonight from 10 p.m. to 3 a.m. The party features all worldwide hits provided by DJ Tom from Prague. Dress code is enforced, meaning high tops, big hair and bright makeup. The cost is $5 all night. For more information, visit greenlanterndc.com.
The 12th annual National Book Festival is back at the National Mall today at 10 a.m. This free event, organized and sponsored by the Library of Congress with President Barack Obama and First Lady Michelle Obama as honorary chairs, will celebrate many different books while honoring authors such as, Michael Connelly and R.L. Stine. Singer Jewel will make presentations, along with a variety of other illustrators, poets and writers. For more information, visit loc.gov/bookfest/.
Grubb’s NW Specialty Pharmacy (1517 17th St. NW) hosts a free seminar today at noon, for those interested in learning how to accomplishment parenthood in the LGBT community. Discussions will include psychological issues related to in vitro fertilization in the LGBT community and legal implications of the process. Space is limited and RSVP is required. To RSVP, contact Emily or Daphne at 202-503-2644.
Sunday, Sept. 23
Diamond Rings performs at the 9:30 club (815 V St. NW), for the Stars Concert with the California Wives tonight at 7 p.m. The Canadian gay singer is known for his glittery makeup, animal print and leotards. For more information, visit 930.com.
Nellie’s Sports Bar (900 U St. NW) hosts its weekly Drag Brunch today at 11. The cost is $24 for the brunch buffet, while your first mimosa is free. Also, Zing Zang Bloody Marys are $4 and Absolut Peppar Bloody Marys are $6. For more information, visit nelliessportsbar.com.
LGBT Families Day at National Park (1500 South Capitol Street SE) happens today at 1:30. The Nationals will play the Milwaukee Brewers today at 1:35 p.m. For more information, visit washington.nationals.mlb.com.
Monday, Sept. 24
Cobalt (1639 R St. NW) hosts its Martini Monday tonight at 10. There is no cover charge and martinis are $5. For more information, visit cobaltdc.com.
Whitman-Walker Health (1701 14th St. NW) holds its HIV+ Newly Diagnosed Support Group tonight at 7. The group is a confidential support system for those recently diagnosed with HIV and all are welcome. For more information, visit whitman-walker.org.
The 2012 Gay Men’s HIV/AIDS Awareness Day Reception will be tonight at 7 p.m. at The D.C. Center (1318 U St NW). The center will be thanking bars, clubs and other local businesses that have helped fight HIV in D.C. by distributing the safer sex kit, FUK!Ts, around town.
The Marylander’s for Marriage Equality is holding a fundraiser at Joe’s Movement Emporium (3309 Bunker Hill Road Mount Rainier, Md) tonight at 6. Entertainment, wine and light fare will be included. For details, visit marylandersformarriageequality.org.
Tuesday, Sept. 25
The Green Lantern (1335 Green Ct.) hosts the D.C. Center’s FUK!T Packing Party tonight at 7 p.m. The goal is to circulate these packets around the city and the clubs to spread HIV awareness. For more details, visit thedccenter.org.
Wednesday, Sept. 26
The Lambda Bridge Club meets tonight at 7:30 at the DignityCenter (721 8th St., SE) for duplicate bridge. No reservations are needed and newcomers welcome. For details and/or a partner, visit lambdabridge.com.
Whitman-Walker Health (1701 14th St. NW) holds its Gay Men Over 50 group meeting tonight at 6:30. This support group is confidential for gay men over 50 (or soon to be 50) seeking to continue their quality of life and sense of purpose while beginning a new chapter. For details, visit whitman-walker.org.
Thursday, Sept. 27
The Lambda Sci-Fi Book Group meets tonight at 7 to discuss this month’s book, “Beyond Binary,” edited by Brit Mandelo. Bring a snack and/or a non-alcoholic drink to share. The meeting will be held at Peter and Rob’s Place (1425 S St. NW). For more information, visit lambdascifi.org.

‘A Wrinkle in Time’
Through July 20
Arena Stage
1101 Sixth St., S.W.
Tickets range from $59-$209
Arenastage.org
Currently at Arena Stage, talented out actor and singer Taylor Iman Jones is rekindling an old friendship with an adored character of fiction.
Broadway vet Jones is starring as 13-year-old Meg Murry in “A Wrinkle in Time,” the world-premiere musical adaptation of Madeleine L’Engle’s same-titled book.
For many readers, especially women, the classic 1962 young adult novel, was their first foray into sci-fi, particularly one with a female protagonist.
The story centers on Meg, an awkward schoolgirl whose physicist father has mysteriously disappeared. Now, Meg, her popular friend Calvin, and smart younger brother Charles Wallace are tasked with moving through time and space to find him. Along the way they encounter adventure and evil.
For Jones, 33, playing 13-year-old Meg feels freeing in ways. She says, “As you get older, you’re told to grow up, so I like letting go of some of that. To feel feelings in their rawest form and to tap back into that is fun. I like the spontaneity. There are highs and lows to revisit.”
Born and raised in the San Francisco Bay Area, Jones began piano lessons at just six and soon added band and plays to their pursuits. Following high school, she made a deep dive into California theater for seven years before making the big move to New York in 2017 where after just two months she was singing on Broadway.
The determined and appealing Jones, who lives in New York with their partner, boasts an impressive bio. She has appeared on Broadway as Catherine Parr, Henry VIII’s sixth and final wife in Six, and in the original casts of “Head Over Heels” and “Groundhog Day.” She’s been seen in national tours of “Hamilton” and “American Idiot.”
WASHINGTON BLADE: It seems “A Wrinkle in Time” and Meg mean a lot to a lot of people.
TAYLOR IMAN JONES: The book tells the story of a girl with so much undiscovered power who’s accomplishing things she never imagined that she could.
BLADE: Can you relate?
JONES: Meg wears her emotions on her sleeve. I can certainly relate to that. I’m a Pisces. Sometimes being hyperemotional and very empathetic can feel like a burden, but as I’ve matured, I have realized that it’s not a bad quality. And it’s something I’ve learned to harness and to enjoy. I love that I can play a role like Meg in front of thousands of people.
BLADE: Was “Wrinkle in Time” a book you knew well?
JONES: Oh yeah, it’s a favorite book that lives in my heart and my mind. It’s one of the first books that taught me about the adventure of reading.
BLADE: And playing a favorite character must be a kick.
JONES: It really is.
BLADE: Meg is a big part in a big show.
JONES: This musical is huge. They’re traveling through space and meeting people on different planets. 20-person cast. 30 songs in the show. Quite the undertaking and I’m proud of us. I’m on stage for the entire musical and I sing four or five numbers.
As a mezzo soprano I guess you’d say I have the luxury of being able to do a lot of musicals that span a lot of different genres: rock musical, pop musical, and standards. “A Wrinkle in Time” is contemporary musical theater.
For me, singing is probably the least difficult part of the show. What’s harder for me is the way Meg experiences trauma; I need to be careful when I’m screaming and yelling.
BLADE: It seems mostly women have been involved in making this production happen (book by Lauren Yee; music and lyrics by Heather Christian; directed by Lee Sunday Evans; and choreography by Ani Taj.)
JONES: It’s true, the director, writer, etc., and most of our producers are all women. This doesn’t happen most of the time. For me it means new ideas and fresh energy, and pushing the limits of musical theater.
It’s also created a wonderful space in which to work. It can be more generous, and understanding. And centering the story on a young girl is something we can all relate to.
BLADE: Will “A Wrinkle in Time” resonate with queer theatergoers and their families?
JONES: I think so, especially on the heels of pride month. It’s truly a show for all ages about finding your inner strength and fighting for the things that you love; not letting evil win over the power of good, and not just for yourself but for those around you too.
Movies
Two new documentaries highlight trans history
‘I’m Your Venus’ on Netflix, ‘Enigma’ on HBO/Max

One of the most telling things about queer history is that so much of it has to be gleaned by reading between the lines.
There are the obvious tentpoles: the activism, the politics, the names and accomplishments of key cultural heroes. Without the stories of lived experience behind them, however, these things are mere information; to connect with these facts on a personal level requires relatable everyday detail — and for most of our past, such things could only be discussed in secret.
In recent decades, thanks to increased societal acceptance, there’s been a new sense of academic “legitimacy” bestowed upon the scholarship of queer history, and much has been illuminated that was once kept in the dark. The once-repressed expressions of our queer ancestors now allow us to see our reflections staring back at us through the centuries, and connect us to them in a way that feels personal.
One of the most effective formats for building that connection, naturally enough, is documentary filmmaking — an assertion illustrated by two new docs, each focused on figures whose lives are intertwined with the evolution of modern trans culture.
“I’m Your Venus,” now streaming on Netfllix, bookends an iconic documentary from the past: “Paris is Burning (1990), Jennie Livingston’s seminal portrait of New York City’s ballroom scene of the ‘80s, In that film, a young trans woman named Venus Xtravaganz delivered first-person confessionals for the camera that instantly won the hearts of audiences — only for them to break with the shattering revelation that she had been murdered before the film’s completion.
That 1988 murder was never solved, but Venus — whose surname was Pellagatti before she joined the House of Xtravaganza – was never forgotten; four decades later, her family (or rather, families) want some answers, and filmmaker Kimberly Reed follows her biological siblings — Joe, Louie, and John, Jr. — as they connect with her ballroom clan in an effort to bring closure to her loss; with the help of trans advocates, they succeed in getting her murder case re-opened, and work to achieve a posthumous legal name change to honor her memory and solidify her legacy.
It’s a remarkably kind and unapologetically sentimental chronicle of events, especially considering the brutal circumstances of Venus’ killing — a brutal death by strangling, almost certainly perpetrated by a transphobic “john” who left her body hidden under a mattress in a seedy hotel — and her decision to leave her birth family for a chosen one. As to the latter, there are no hard feelings among her blood relatives, who assert — mostly convincingly — that they always accepted her for who she was; one senses that a lot of inner growth has contributed to the Pallagatti clan’s mission, which admittedly sometimes resembles an attempt at making amends. For the murder itself, it’s best to leave that part of the story unspoiled — though it’s fair to say that any answers which may or may not have been found are overshadowed by the spirit of love, dignity, and determination that underscore the search for them, however performative some of it might occasionally feel. Ultimately, Venus is still the star of the show, her authentic and unvarnished truth remaining eloquent despite the passage of more than 40 years.
Perhaps more layered and certainly more provocative, documentarian Zackary Drucker’s “Enigma” (now streaming on HBO/Max) delves further back into trans history, tracing the parallel lives of two women — trans pioneer and activist April Ashley and self-styled European “disco queen” Amanda Lear — whose paths to fame both began in Paris of the 1950s, where they were friends and performers together at Le Carrousel, a notorious-and-popular drag cabaret that attracted the glitterati of Europe.
Ashley — who died at 86 in 2021 — was a former merchant seaman from Liverpool whose “underground” success as a drag performer funded a successful gender reassignment surgery and led to a career as a fashion model, as well as her elevation-by-wedding into British high society — though the marriage was annulled after she was publicly outed by a friend, despite her husband’s awareness of her trans identity at the time of their marriage. She went on to become a formidable advocate for trans equality — and for environmental organizations like Greenpeace — who would earn an MBE for her efforts, and wrote an autobiography in which she shared candid stories about her experiences and relationships as part of the “exotic” Parisian scene from which she launched her later life.
The other figure profiled by “Enigma” — and possibly the one to which its title most directly refers — is Amanda Lear, who also (“allegedly”) started her rise to fame at Le Carrousel before embarking on a later career that would include fashion modeling, pop stardom, and a long-term friendship with surrealist painter Salvador Dalí. A self-proclaimed “disco queen” whose success in Europe never quite spread to American culture, despite highly public relationships and collaborations with musical icons like David Bowie and Roxy Music, Lear’s trajectory has taken her in a different direction than Ashley’s. In the film’s extensive live interview segments, she repeatedly denies and discredits suggestions of her trans identity, sticking to a long-maintained script in which any and all details of her origins are obscured and denied as a matter of course.
At times, it’s almost amusing to observe her performative (there’s that word again) denials, which occasionally approach a kind of deliberate “camp” absurdity in their adamance, but there’s also a kind of grudging respect that’s inspired by the sheer doggedness with which she insists on controlling the narrative — however misguided it may seem to those of us on the outside. Debate about her gender-at-birth has continued for decades, even predating Ashley’s book, so the movie’s “revelations” are hardly new, nor even particularly controversial — but her insistence on discrediting them provides sharp contrast with the casual candor of Ashley’s elegantly confident persona, underscoring the different responses to transphobia that would direct the separate lives of both these former (alleged) friends.
For what it’s worth, Lear sent an email to the Washington Post, calling the movie “a pathetic piece of trash” and denying not just her trans identity but any friendship or association with Ashley, despite ample photographic and anecdotal evidence to the contrary — and while it might come across as callous or desperate for her to maintain the presumed façade, it’s a powerful testament to the power of cultural bullying to suppress the truth of queer existence; the contrast between the life each of these women chose to live speaks volumes, and makes “Enigma” into one of the most interesting — and truthful — trans documentaries to emerge thus far.
While neither film presents a comprehensive or definitive view of trans experience (is such a thing even possible, really?), both offer a perspective on the past which both honors the truth of queer existence and illustrates the ways in which the stigma imposed by mainstream prejudice can shape our responses to the identity through which the public perceives us.
That makes them both worth your attention, especially when our queer history — and the acknowledgement of trans existence itself — is at risk or being rolled right back up into the closet.
Sports
Trans cyclist’s victory sparks outrage in conservative media
Katheryn Phillips is originally from DC

On the heels of UPenn erasing the record of the first openly transgender NCAA Division I All-American swimmer and the U.S. Supreme Court’s decision to tackle bans on trans student-athletes, right wing media is now all hot and bothered about the latest trans woman who won a cycling championship — even though she competed according to the rules.
On Tuesday, 58-year-old Katheryn Phillips finished first in USA Cycling’s Lyons Masters National Championship race for women aged 55-59, with a time of 1:42:10, according to the official results posted by the organization. The record shows her gender as “F” for female.
One second behind Phillips was Julie Peterson, with a time of 1:42:11 — as were three other cyclists: Mary Beth Grier, Andrea Cherniak-Tyson, and Carolyn Maddox.
Peterson, 57, was so outraged, she told Fox News she refused to stand on the podium in second place next to Phillips. Her story was swiftly shared by the New York Post (also owned by Fox’s parent company News Corp.), the Daily Mail, Breitbart, and other conservative media.
Both Peterson and another competitor are accusing USA Cycling of “hiding” that a transgender woman had registered to race.
“It was hidden from us. Katheryn Phillips, KJ’s name, was not on that list. And I checked it up all the way to the point of closure when we couldn’t register online anymore,” Debbie Milne told Fox.
“If I had known, I wouldn’t have spent thousands of dollars in travel and time off work to come and do a race,” Peterson said. Fox welcomed Milne, 56, who finished seventh on Tuesday, to Fox & Friends Thursday morning.
(Video courtesy of Fox News)
Peterson told Fox she did complain to USA Cycling officials prior to the race. Both Milne and Peterson referred to Phillips as a male, and with “he/him” pronouns.
“To be fair to all humans, if we want to say ‘him’ or ‘her,’ he was born a biological male, that is a fact,” Milne said. “And that is the thing that makes it an unfair advantage. Whatever has happened after that is a whole different topic.”
“I said, ‘I don’t want to race against a man,’ and they quickly scolded me and said ‘Oh, you can’t call him a man,’ and I’m like ‘Well, he is a man,’ so I was quickly scolded and corrected that it is a woman and I don’t even know what to say.”
USA Cycling did not respond to the Washington Blade’s emails requesting comment.
Phillips, who goes by Kate and by “KJ,” is a former rugby player with the D.C. Furries, who stated in the comments of a 2024 article published by Zwift Insider that she was the first out trans athlete in the U.S. to compete under the 2004 International Olympic Committee’s guidelines on trans participation.
“When USA Rugby told me about the IOC decision in 2004, I raised my hand to be included. I experience nothing but joy when I play, ride, and race,” Phillips said.
As the Blade has reported, the International Olympic Committee drastically revised those rules in 2021, and in March, Republican lawmakers in D.C. demanded the IOC ban trans female athletes from women’s sporting events altogether.
The Blade also reached out to Phillips for comment but as of press time we have not received a response. She told Zwift Insider in March 2024 she does not let those who disapprove or spread hate impact her performance or her attitude.
“I am unaffected by dissent. I love, I share joy, I am me, and I have been my authentic self for decades,” she said. It’s been reported Phillips came out in 1999, and told Zwift Insider she considers herself a lifelong cyclist.
“I’ve been on a bike for as long as I can remember,” said Phillips. “As kids, my friends and I rode all over town, we were feral kids; no cell phones, no trackers … we just roamed, and nobody got in trouble or hurt bad enough not to ride home … Scrapes/bruises/cuts were not an issue for us. In my teens, I worked for myself as a court/legal messenger, doing all of the work via my bike until I got a car. Raced BMX as a kiddo (when I mowed lawns to cover the race entry fees), I did MTB stuff (non-racing) and Sprint/Olympic Triathlons in my 30’s, and now I’m racing on Zwift, Road/Gravel, and CX in my 50s.”
In the comments section, Phillips made clear she’s not competing to win.
“I don’t do sports for victory, I do it because like many other women, I am an athlete to my core,” she said. “Unlike some, I am not there to WIN, I am there to do my best with the competitors and teammates I have around me trying to do the same…we are in it for the experience. I rejoice in their wins, and a lot of joy is reflected back to me when I have a good day.”
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